I close my eyes and listen to his heart. This is the first time—the very first time—that I am meeting this side of Isaac. After all these years. Without his permission I turn on the flashlight and aim it at him like it’s a spotlight. He gives me a warning look, but I just smile and keep it on him. This moment deserves a little something special.
It’s four days ‘til Christmas. Give or take a day or two. I do my best to keep track, but I’ve lost days along the way. They dropped out from under me and messed up my mental calendar. You’re the one who went crazy and pissed herself like some dink in a mental institution. Isaac says I was like that for a week. Which still makes it Christmas.
Christmas in the dark.
Christmas in the attic room.
Christmas drinking melted snow and eating pinto beans out of a can.
Christmas was when we met. Christmas was when the bad thing happened. The zookeeper will do something on Christmas. I know it. And that’s when it hits me. It was sitting there in my subconscious the whole time.
I moan out loud. Isaac is downstairs so he doesn’t hear me. And then I can’t quite catch my breath.
“Isaac,” I wheeze. “Isaac!”
I hate this feeling. And I hate how it hits me out of nowhere so that I can never be prepared. I don’t know what’s more overwhelming at this moment, the fact that I can’t breathe, or the realization that was powerful enough to steal my breath away. Either way, I have to get to a nebulizer. Isaac found them down the table. He brought one up. Where did he put it? I look helplessly around the room. The top of the wardrobe. I get out of bed. It’s a struggle. When I’m halfway there he walks in carrying our wood ration for the day. He drops his armload when he sees my face. He darts to the wardrobe and grabs the nebulizer. Then he’s pushing it between my lips. I feel a cold rush; the vapor hits my lungs and I can breathe again.
Isaac looks pissed.
“What happened?”
“I had an asthma attack, idiot.”
“Senna,” he says, swinging me into his arms and carrying me back to the bed. “Ninety percent of the time your asthma attacks are stress induced. Now. What happened?”
“I didn’t know I needed anything extra,” I snap. “Other than being imprisoned in a house made of ice with my…”
I lose my words.
“Doctor,” he finishes.
I twist my body so that I’m facing away from him.
I need to think. I need to form a structure for this theory. The Rubik’s cube twists. Isaac gives me space.
I’m locked in a house with my doctor. He’s right.
I’m locked in a house with my doctor.
I’m locked in a house with my doctor.
With my doctor.
Doctor…
Christmas comes. Isaac is very quiet. But I was wrong; we don’t eat beans. He cooks us a feast over our little makeshift stove in the attic: canned corn, spam, green beans and, to top it all off, a can of pumpkin pie filling. For breakfast.
For a moment, we are happy. Then Isaac looks at me and says, “When I first opened my eyes and saw you standing over me, I felt like I took my first breath in three years.”
I grind my teeth.
Shut up! Shut up! Shut up!
“We only knew each other for three months before this,” I say. “You don’t know me.” But, even as I say it, I know it’s not true. “You were just my doctor…”
He’s wearing the expression of someone being slapped over and over again. I slap him once more to put an end to this.
“You took things too far.”
He walks out before I can say any more.
I bury my face. “Fuck you, Isaac,” I say into my pillow.
At noon the lights turn on.
Isaac’s head appears through the trapdoor a minute later. I wonder where he’s been. My bet is on the carousel room. He takes one look at my face and says, “You knew.”
I knew.
“I suspected.”
He looks incredulous. “That the power would come back?”
“That something would happen,” I correct him.
I knew that the power would come back.
He disappears again, and I hear his steps pounding down the stairs. Clomp, clomp, clomp. I count them until he reaches the bottom. Then I hear the front door hit the wall as he swings it wide. I flinch at all the cold air he’s letting in, then remember that the power is back. HEAT! LIGHT! A WORKING TOILET!
I feel impassive. This is a game. The zookeeper gave us light. As a gift. On Christmas Day. It’s symbolic.
He thinks light came into my life on Christmas Day when I met Isaac.
“You’re just a badly written character,” I say out loud. “I’ll kill you off, my darling.”
When Isaac comes back his face is ashen.
“The zookeper was here,” he says.
I get chills. They skitter up my legs and arms like little spiders.
“How do you know?”
He holds out his hand. “We have to go downstairs.”
I let him pull me up. He doesn’t like me to walk on the leg, which means he’s making an exception, which means this is dirt serious. I use him as a crutch. When we reach the ladder he helps me sit on the floor. Then he climbs down first. He has me lower my injured leg through the hole first. It takes me ten minutes to get it right, to maneuver it while not falling over. But I am determined. I don’t want to be in the attic a second longer. When both legs are through, he reaches for my waist. I think we’re both going to fall, but he gets me down. Steady hands, I remind myself. A surgeon’s steady hands.
He hands me something. It’s a tree branch—almost as tall as I am—shaped like a wishbone. A crutch.
“Where did you get this?”
“It’s part of our Christmas present.”
He stares intently into my eyes, and motions for the stairs. A few weeks ago we were burning everything we could. There is no way this could have escaped our fire. I lean on my crutch as I hobble for the stairs. I want to scream at how long it takes to make it to the bottom. I look around. I haven’t seen this part of the house since I broke my leg. I have a need to walk around, touch things, but Isaac pushes me toward the door.
It’s dark outside. So cold. I shiver.
“I can’t see anything, Isaac.”
My foot is about to sink into the snow when my cast hits something.
They never found the man who raped me. There was never another report of a rape in those woods, or any woods in Washington. The police said it was an isolated incident. With blithe nonchalance, they told me that he had probably been watching me for a while and possibly followed me into the woods. They used words like “intent” and “stalker”. I’d had those before: letters, e-mails, Facebook messages that went from high praise to intense anger when I didn’t respond. None of them were men. None threatening enough to concern me. None with the tone of a rapist, or a sadist, or a kidnapper. Just angry moms who wanted something from me—recognition maybe.
But there was something I never told the police about the day I was raped. Even when they pressed me for more details. I couldn’t bring myself to say it.
No, I didn’t see his face.
No, he didn’t have tattoos or scars.
No, he didn’t say anything to me…
The truth was that he did speak to me. Or perhaps he just spoke. To God, to the air, to himself, or perhaps to some person who abandoned him. I can still hear his voice. I hear it when I sleep, whispering in my ear and I wake up screaming. From the moment he started to the moment he finished, he chanted one thing over and over.
Pink Zippo
Pink Zippo
Pink Zippo
Pink Zippo
It was an omission. Maybe he got away because of it. Maybe another woman will be raped because I could have done more. But in that moment, when you’ve been violated, your soul darkened for no reason other than someone’s sadistic cruelty, you’re only thinking about your survival.
> I didn’t know how to live with my survival, and I didn’t know how to kill myself. Instead, I plotted what I’d do to him. While Isaac was feeding me, and pulling me out of dreams that made me thrash and scream, I was cutting up my rapist, throwing him into Lake Washington. Pouring gasoline over him and burning him alive. I was carving his skin like Lisbeth Salander did to Nils Bjurman. I took the revenge I would never get in my flesh and blood life.
But it wasn’t enough. It’s never enough. So I took revenge on myself for allowing it to happen. I felt worthless. I didn’t want anyone who had worth to be near me. Isaac had worth. So I got rid of him. But here we were; locked up and caged. Starved. The man who chanted Pink Zippo might have been a stalker, but he had nothing, nothing on the zookeeper. You can stalk a woman’s body, but this animal was stalking my mind.
My cast hits something. Isaac flicks the switch that turns on the bulb above the door. It’s been so long since light and not darkness has been my companion that it takes a moment for my eyes to catch up. The zookeeper has indeed left me something; a box, rectangular in shape, it reaches my knees. The box is pure white, shiny and smooth like the inlay of an oyster shell. On its lid are red words, the letters look as if someone dipped a finger in blood words that look as if someone dipped a finger in blood before tracing them. For MV.
My reaction is internal. The very essence of me writhes as if I am an open wound and someone has poured salt over me like one of those snails the kid next door used to torture. I hobble forward and lean over the box. Please God, please, don’t let it be blood.
Not blood.
Not blood.
My hand is shaking as I reach down to touch the words. I go for the V, slicing it in half. It has dried, but some of it chips away on the tip of my finger. I place my finger in my mouth, the flecks of red clinging to my tongue. All this, and Isaac has been a statue behind me. When I bend over, letting my crutch drop away, moaning in some sort of grief, I feel his arms circle my waist. He pulls me back into the house and kicks the door closed.
“Noooooo! It’s blood, Isaac. It’s blood. Let me go!”
He holds me from behind as I twist to get away from him.
“Hush,” he says into my ear. “You’re going to hurt your leg. You can sit on the sofa, Senna. I’ll bring it to you.”
I stop fighting. I’m not crying, but somehow my nose is running. I reach up and wipe it as Isaac carries me to the living room and sits me down. The couch is barely a couch. We hacked parts of it away to burn when we discovered that there was a wooden frame underneath the stuffing. The cushions are gouged; they sink beneath me. The back of the sofa is gone; there is nowhere to rest my back. I sit straight, my leg poking out in front of me. My anxiety climbs every second that Isaac is gone. My ears follow him to the door, where his breath hitches as he lifts the box. It’s heavy. The door closes again. When he walks back into the room he’s carrying it like a body, his arms stretched around its sides. There is no coffee table to set it on—we hacked that up too—so he places it at the floor by my feet, and steps back.
“What’s MV, Senna?”
I stare at the blood, the part of the V that I smudged with my finger.
“It’s me,” I say.
He tilts his head forward. It feels like he’s lining up our eyes. Truth. I’m going to have to feed him some truth.
“Mud Vein. I’m Mud Vein.” My mouth feels dry. I want to purge it with a gallon of snow.
His eyes flicker. He’s remembering.
“The dedication in his book.”
Our eyes are connected, so I don’t need to nod.
“Would he…?”
“I don’t know anything anymore.”
“What does it mean?” he asks. I lower my eyes away from his, and to the blood letters. For MV
“What’s inside?” I ask.
“I’ll open it when you tell me why the zookeeper addressed that box to Mud Vein.”
The box is just out of my reach. To get to it I’ll have to use something to pull myself up. Since the couch no longer has a back, there is nothing I can use for leverage. Isaac, I realize, is being very strategic. I take a breath; it is broken in half by a sob that never reaches my lips. My chest convulses as I open my mouth to speak. I don’t want to tell him anything, but I must.
“It’s the black vein that curves around the back of a shrimp. Nick called it the mud vein. You have to remove it to make the shrimp clean…” My voice is monotone.
“Why did he call you that?”
When Isaac and I ask each other questions it reminds me of a tennis match. Once you’ve sent one over the net, you know it’s going to come back, you just don’t know the direction.
“Isn’t it obvious?”
He blinks at me. One second, two seconds, three seconds…
“No.”
“I don’t get you,” I say.
“You don’t get you,” he shoots back.
We have resumed our eye transmissions. I’m glaring, but his stare is more candid. After a minute he steps over to the box and opens it. I try not to lean forward. I try not to hold my breath, but there is a white box with the words For MV stenciled on the lid in blood. I am aching to know what’s inside.
Isaac reaches down. I hear the gentle whisper of paper. When his hand comes up he’s holding a loose page that looks as if it’s been torn from a book. The corners have soaked up some blood.
For MV
Blood soaked pages, for MV…
Who knew that Nick called me that, besides Nick himself?
Isaac starts to read. “The punishment for her peace was upon him, and he gave her rest.”
I hold out my hand. I want to see the page, know who wrote it. It wasn’t Nick; I know his style. It wasn’t me. I take the blood-stained page, careful to keep my fingers away from the red parts. I read silently what Isaac read out loud. The page is numbered 212. There is no title or author name. I read through the rest of it, but I have the feeling that those are the words I was meant to see first. Isaac hands me another page, this one with a spot of blood the size of my fist blooming out from the middle of the page like a flower. The font is different, as is the size of the page. I rub it between my fingers. I know this feel; it’s Nick’s book. This is Knotted.
Isaac pushes the box closer to where I’m sitting so that I’m able to reach inside. The pages are all pulled from their binding, lined in four rows. I lift another page. The style lines up with the first book, lyrical with an old-fashioned feel to the prose. There is something strange about the writing, something I know I should remember, and cannot. I start pulling out pages at random. Separating the pages of Nick’s book from the new one. I work quickly, my fingers lifting and piling, lifting and piling. Isaac watches me from where he leans against the wall, his arms folded, lips pursed. I know that underneath his lips his two front teeth slightly overlap. I don’t know why I have this thought, at this time, but as I sort pages my thoughts are on Isaac’s two front teeth.
I am about halfway through the box when I realize that there is a third book. This one is mine. My fingers linger over the bright white pages—white because I told the publisher if they printed on cream I would sue them for breach of contract. Three books. One written for MV, one written for Nick … but the third…? My eyes reach over to the unknown pile. Who belongs to that book? And what is the zookeeper trying to tell me? Isaac pushes himself off the wall and steps toward the pile that belongs to Nick.
“We have to finish reading this one,” he says. My face drains of blood and I can feel a tingling along the tops of my shoulders as they tighten.
I hand him the pile. “It’s out of order and the pages aren’t numbered. Good luck.” Our fingers touch. Gooseflesh rises on my arms and I look away quickly.
We work to set the books in order. Through the longest night, the night that never ends. It’s good to have something to do, to keep you from waltzing down crazy street—not that we haven’t already been there. It’s a street you only want to visit a
couple times in your life. We have power again … heat. So we take advantage by not sleeping, our fingers flying over pages, our brows creased with the strain. Isaac has Nick’s book. I take on the task of the other two—mine and…? It seems that there are too many pages to make up only three books. I wonder if we will discover a fourth.
Even as I come across pages of Knotted and hand them to Isaac, it is the nameless book that catches my attention. Each page has a line that pulls at my eyes. I read them, re-read them. No one I know writes this way, yet it is so familiar. I feel a lust for this author’s words. A jealousy at being able to string such rich sentences together. The first line keeps coming back to me with each subsequent line I read. The punishment for her peace was upon him, and he gave her rest.
I don’t notice when Isaac disappears from the room to make us food. I smell it when he comes back and hands me a bowl of soup. I set it aside, intent on finishing my work, but he picks it up and places it back in my hands.
“Eat it,” he instructs me. I don’t realize how hungry I am until I reluctantly place the spoon in my mouth, sucking the salty brown broth. I set the spoon aside and drink from the bowl, my eyes still scanning the piles set neatly around me. My leg is aching, as is my back, but I don’t want to stop. If I ask Isaac to help me move he will guess at my discomfort and force me to rest. I rub the small of my back when he’s not looking, and press on.
“I know what you’re doing,” he says, as he leans over his pile of pages.
I look up in surprise. “What?”
“When you think I’m not looking, I am.”
I flush, and my hand automatically reaches for my aching muscles. I pull back at the last minute and curl my hand into a fist instead. Isaac snickers and shakes his head, turning back to his work. I’m glad he doesn’t press the issue. I pick up another page. It’s my own. The story I wrote for Nick. Instead of putting it on its pile, I read it. True and trite. It was my call to him. The first line of the book went like this:
Mud Vein Page 19
