Thomas and Robbie survived. On the day after they had burned the Count's powder Thomas shot a deer, and next day Robbie discovered a rotting hare in a gap in a hedge and when he pulled the body out discovered a snare that must have been set by one of Sir Guillaume's tenants who had either been killed or chased off by the Count's men. Robbie washed the snare in a stream and set it in another hedge and next morning found a hare choking in the tightening noose.
They dared not sleep in the same place two nights running, but there was plenty of shelter in the deserted and burned-out farms. They spent most of the next weeks in the country south of Evecque where the valleys were deeper, the hills steeper and the woods thicker. Here there were plenty of hiding places and it was in that tangled landscape that they made the Count's nightmare worse. Tales began to be told in the besiegers' encampment of a tall man in black on a pale horse and whenever the man on the pale horse appeared, someone would die. The death would be caused by a long arrow, an English arrow, yet the man on the horse had no bow, only a staff topped by a deer's skull, and everyone knew what creature rode the pale horse and what a skull on a pole denoted. The men who had seen the apparition told their womenfolk in the Count's encampment and the womenfolk cried to the Count's chaplain and the Count said they were dreaming, but the corpses were real enough. Four brothers, come from distant Lyons to earn money by serving in the siege, packed their belongings and went. Others threatened to follow. Death stalked Evecque.
The Count's chaplain said folk were touched by the moon and he rode into the dangerous south country, loudly chanting prayers and scattering holy water, and when the chaplain survived unscathed the Count told his men they had been fools, that there was no Death riding a pale horse, and next day two men died only this time they were in the east. The tales grew in the telling. The horseman was now accompanied by giant hounds whose eyes glowed, and the horseman did not even need to appear to explain any misfortune. If a horse tripped, if a man broke a bone, if a woman spilled food, if a crossbow string snapped, then it was blamed on the mysterious man who rode the pale horse.
The confidence of the besiegers plunged. There were mutterings of doom and six men-at-arms went south to seek employment in Gascony. Those who remained grumbled that they did the devil's work and nothing the Count of Coutances did seemed to restore his men's spirits. He tried cutting back trees to stop the mysterious archer shooting into the camp, but there were too many trees and not enough axes, and the arrows still came. He sent to the Bishop of Caen who wrote a blessing on a piece of vellum and sent it back, but that had no effect on the black-cloaked rider whose appearance presaged death, and so the Count, who fervently believed he did God's work and feared to fail in case he incurred God's wrath, now appealed to God for help.
He wrote to Paris.
—«»—«»—«»—
Louis Bessières, Cardinal Archbishop of Livorno, a city he had only seen once when he travelled to Rome (on his return, he had made a detour so he would not be forced to see Livorno a second time), walked slowly down the Quai des Orfèvres on the Île de la Cite in Paris. Two servants went ahead of him, using staves to clear the way for the Cardinal who appeared not to be paying attention to the lean, hollow-cheeked priest who spoke to him so urgently. The Cardinal, instead, examined the wares on offer in the goldsmiths' shops lining the quai that was named for their trade: Goldsmith's Quay. He admired a necklace of rubies and even considered buying it, but then discovered a flaw in one of the stones. 'So sad,' he murmured, then moved to the next shop. 'Exquisite!' he exclaimed of a salt cellar made in silver and emblazoned with four panels on which pictures of country life were enamelled in blue, red, yellow and black. A man ploughed on one panel and broadcast seed on the next, a woman cut the harvest on the third while on the last panel the two sat at table admiring a glowing loaf of bread. 'Quite exquisite,' the Cardinal enthused, 'don't you think it beautiful?' Bernard de Taillebourg scarcely gave the salt cellar a glance. 'The devil is at work against us, your eminence,' he said angrily.
'The devil is always at work against us, Bernard,' the Cardinal said reprovingly, 'that is the devil's job. There would be something desperately amiss in the world if the devil were not at work against us.' He caressed the salt cellar, running his fingers over the delicate curves of the panels, then decided the shape of the base was not quite right. Something crude there, he thought, a clumsiness in the design and, with a smile for the shopkeeper, he put it back on the table and strolled on. The sun shone; there was even some warmth in the winter air and a sparkle on the Seine. A legless man with wooden blocks on his stumps swung on short crutches across the road and held out a dirty hand towards the Cardinal whose servants rushed at the man with their staves. 'No, no!' the Cardinal called and felt in his purse for some coins. 'God's blessing on you, my son,' he said. Cardinal Bessières liked giving alms, he liked the melting gratitude on the faces of the poor, and he especially liked their look of relief when he called off his servants a heartbeat before they used their staves. Sometimes the Cardinal paused just a fraction too long and he liked that too. But today was a warm, sunlit day stolen from a grey winter and so he was in a kindly mood.
Once past the Sabot d'Or, a tavern for scriveners, he turned away from the river into the tangle of alleys that twisted about the labyrinthine buildings of the royal palace. Parliament, such as it was, met here, and the lawyers scuttled the dark passages like rats, yet here and there, piercing the gloom, gorgeous buildings reared up to the sun. The Cardinal loved these alleys and had a fancy that shops magically disappeared overnight to be replaced by others. Had that laundry always been there? And why had he never noticed the bakery? And surely there had been a lute-makers' business beside the public privy? A furrier hung bear coats from a rack and the Cardinal paused to feel the pelts. De Taillebourg still yapped at him, but he scarcely listened.
Just past the furrier's was an archway guarded by men in blue and gold livery. They wore polished breastplates, plumed helmets and carried pikes with brightly polished blades. Few folk got past them, but the guards hastily stepped back and bowed as the Cardinal passed. He gave them a benevolent wave suggestive of a blessing, then followed a damp passage into a courtyard. This was all royal land now and the courtiers offered the Cardinal respectful bows for he was more than a cardinal, he was also Papal Legate to the throne of France. He was God's ambassador and Bessières looked the part for he was a tall man, strongly built and burly enough to overawe most men without his scarlet robes. He was good-looking and knew it, and vain, which he pretended he did not know, and he was ambitious, which he hid from the world but not from himself. After all, a cardinal archbishop had only one more throne to mount before he came to the crystal steps of the greatest throne of all and Bernard de Taillebourg seemed the unlikely instrument that might give Louis Bessières the triple crown for which he yearned.
And so the Cardinal wearily turned his attention to the Dominican as the two left the courtyard and climbed the stairs into the Sainte-Chapelle. 'Tell me' — Bessières broke into whatever de Taillebourg had been saying — 'about your servant. Did he obey you?'
De Taillebourg, so rudely interrupted, took a few seconds to adjust his thoughts, then he nodded. 'He obeyed me in all things.'
'He showed humility?'
'He did his best to show humility.'
'Ah! So he still has pride?'
'It is ingrained in him,' de Taillebourg said, 'but he fought it.'
'And he did not desert you?'
'No, your eminence.'
'So he is back here in Paris?'
'Of course,' de Taillebourg said curtly, then realized what tone he had used. 'He is at the friary, your eminence,' he added humbly.
'I wonder whether we should show him the undercroft again?' the Cardinal suggested as he walked slowly towards the altar. He loved the Sainte-Chapelle, loved the light that flooded between the high slender pillars. This was, he thought, as close to heaven as man came on earth: a place of supple beauty, overwhelming b
rightness and enchanting grace. He wished he had thought to order some singing, for the sound of eunuchs' voices piercing the high fanwork of the chapel's stones could take a man very close to ecstasy. Priests were running to the high altar, knowing what it was that the Cardinal had come to see. 'I do find,' he went on, 'that a few moments in the undercroft compel a man to seek God's grace.'
De Taillebourg shook his head. 'He has been there already, your eminence.'
'Take him again.' There was a hardness in the Cardinal's voice now. 'Show him the instruments. Show him a soul on the rack or under the fire. Let him know that hell is not confined to Satan's realm. But do it today. We may have to send you both away.'
'Send us away?' De Taillebourg sounded surprised.
The Cardinal did not enlighten him. Instead he knelt before the high altar and took off his scarlet hat. He rarely, and only reluctantly, removed the hat in public for he was uncomfortably aware that he was going bald, but it was necessary now. Necessary and awe-inspiring, for one of the priests had opened the reliquary beneath the altar and brought out the purple cushion with its lace fringe and golden tassels, which he now presented to the Cardinal. And on the cushion lay the crown. It was so old, so fragile, so black and so very brittle that the Cardinal held his breath as he reached for it. The very earth seemed to stop in its motion, all sounds went silent, even heaven was still as he reached and then touched and then lifted the crown that was so light it seemed to have scarce any weight at all.
It was the crown of thorns.
It was the very crown that had been crammed onto Christ's head where it became imbued with his sweat and blood, and the Cardinal's eyes filled with tears as he raised it to his lips and kissed it gently. The twigs, woven into the spiky circlet, were spindly. They were frail as a wren's leg bones, yet the thorns were sharp still, as sharp as the day when they had been raked over the Saviour's head to pour blood down His precious face, and the Cardinal lifted the crown high, using two hands, and he marvelled at its lightness as he lowered it onto his thinning scalp to let it rest there. Then, hands clasped, he stared up at the golden cross on the altar.
He knew the clergy of Sainte-Chapelle disliked his coming here and wearing the crown of thorns. They had complained of it to the Archbishop of Paris and the Archbishop had whined to the King, but Bessières still came because he had the power to come. He had the Pope's delegated power and France needed the Pope's support. England was besieging Calais and Flanders was warring in the north and all of Gascony was now again swearing allegiance to Edward of England and Brittany was in revolt against its rightful French Duke and seethed with English bowmen. France was assailed and only the Pope could persuade the powers of Christendom to come to its aid.
And the Pope would probably do that for the Holy Father was himself French. Clement had been born in the Limousin and had been Chancellor of France before being elected to the throne of St Peter and installed in the great papal palace at Avignon. And there, in Avignon, Clement listened to the Romans who tried to persuade him to move the papacy back to their eternal city. They whispered and plotted, bribed and whispered again, and Bessières feared that Clement might one day give in to those wheedling voices.
But if Louis Bessières became Pope then there would be no more talk of Rome. Rome was a ruin, a pestilent sewer surrounded by petty states forever at war with each other, and God's Vicar on earth could never be safe there. But while Avignon was a good refuge for the papacy, it was not perfect because the city and its county of Venaissin both belonged to the kingdom of Naples and the Pope, in Louis Bessières's view, should not be a tenant.
Nor should the Pope live in some provincial city. Rome had once ruled the world so the Pope had belonged in Rome, but in Avignon? The Cardinal, the thorns resting so lightly on his brow, stared up at the great blue and scarlet of the passion window above the altar; he knew which city deserved the papacy. Only one. And Louis Bessières was certain that, once he was Pope, he could persuade the King of France to yield the Île de la Cité to the Holy Father and so Cardinal Bessières would bring the papacy north and give it a new and glorious refuge. The palace would be his home, the Cathedral of Notre Dame would be his new St Peter's and this glorious Sainte-Chapelle his private shrine where the crown of thorns would be his own relic. Perhaps, he thought, the thorns should be incorporated into the Pope's triple crown. He liked that idea, and he imagined praying here on his private island. The goldsmiths and the beggars, the lawyers and the whores, the laundries and the lute-makers would be sent across the bridges to the rest of Paris and the Île de la Cite would become a holy place. And then the Vicar of Christ would have the power of France always at his side and so the kingdom of God would spread and the infidel would be slain and there would be peace on earth.
But how to become Pope? There were a dozen men who wanted to succeed Clement, yet Bessières alone of those rivals knew of the Vexilles, and he alone knew that they had once owned the Holy Grail and might, perhaps, own it still.
Which was why Bessières had sent de Taillebourg to Scotland. The Dominican had returned empty-handed, but he had learned some things. 'So you do not think the Grail is in England?' Bessières now asked him, keeping his voice low so that Sainte-Chapelle's priests could not overhear their conversation.
'It may be hidden there,' de Taillebourg sounded gloomy, 'but it is not in Hookton. Guy Vexille searched the place when he raided it. We looked again and it is nothing but ruin.'
'You still think Sir Guillaume took it to Evecque?'
'I think it possible, your eminence,' de Taillebourg said. Then: 'Not likely,' he qualified the answer, 'but possible.'
'The siege goes badly. I was wrong about Coutances. I offered him a thousand fewer years in purgatory if he captured Evecque by St Timothy's Day, but he does not have the vigour to press a siege. Tell me about this bastard son.'
De Taillebourg made a dismissive gesture. 'He is nothing. He doubts the Grail even exists. All he wants is to be a soldier.'
'An archer, you tell me?'
'An archer,' de Taillebourg confirmed.
'I think you are wrong about him. Coutances writes to say that their work is being impeded by an archer. One archer who shoots long arrows of the English type.'
De Taillebourg said nothing.
'One archer,' the Cardinal pressed on, 'who probably destroyed Coutances's whole stock of black powder. It was the only supply in Normandy! If we want more it will have to be brought from Paris.'
The Cardinal lifted the crown from his head and placed it on the cushion. Then, slowly, reverently, he pressed his forefinger against one of the thorns and the watching priests leaned forward. They feared he was trying to steal one of the thorns, but the Cardinal was only drawing blood. He winced as the thorn broke his skin, then he lifted his finger to his mouth and sucked. There was a heavy gold ring on the finger and hidden beneath the ruby, which was cunningly hinged, was a thorn he had stolen eight months before. Sometimes, in the privacy of his bed chamber, he scratched his forehead with the thorn and imagined being God's deputy on earth. And Guy Vexille was the key to that ambition. 'What you will do,' he ordered de Taillebourg when the taste of the blood was gone, 'is show Guy Vexille the undercroft again to remind him what hell awaits him if he fails us. Then go with him to Evecque.'
'You'd send Vexille to Evecque?' De Taillebourg could not hide his surprise.
'He is ruthless and he is cruel,' the Cardinal said as he stood and put on his hat, 'and you tell me he is ours. So we shall spend money and we shall give him black powder and enough men to crush Evecque and bring Sir Guillaume to the undercroft.' He watched as the crown of thorns was taken back to its reliquary. And soon, he thought, in this chapel, in this place of light and glory, he would have a greater prize. He would have a treasure to bring all Christendom and its riches to his throne of gold. He would have the Grail.
—«»—«»—«»—
Thomas and Robbie were both filthy; their clothes were caked with dirt; their mail coats
were snagged with twigs, dead leaves and earth; and their hair was uncut, greasy and matted. At night they shivered, the cold seeping into the marrow of their souls, but by day they had never felt so alive for they played a game of life and death in the small valleys and tangled woods about Evecque. Robbie, clad in a swathing black cloak and carrying the skull on its pole, rode the white horse to lead Coutances's men into ambush where Thomas killed. Sometimes Thomas merely wounded, but he rarely missed for he was shooting at close range, forced to it by the thickness of the woods, and the game reminded him of the songs the archers liked to sing and the tales their women told about the army's campfires. They were the songs and tales of the common folk, ones never sung by the troubadours, and they told of an outlaw called Robin Hood. It was either Hood or Hude, Thomas was not sure for he had never seen it written down, but he knew Hood was an English hero who had lived a couple of hundred years before and his enemies had been England's French-speaking nobility. Hood had fought them with an English weapon, the war bow, and today's nobility doubtless thought the stories were subversive which was why no troubadour sung them in the great halls. Thomas had sometimes thought he might write them down himself, except no one ever wrote in English. Every book Thomas had ever seen was in Latin or French. But why should the Hood songs not be put between covers? Some nights he told the Hood tales to Robbie as the two of them shivered in whatever poor shelter they had found, but the Scotsman thought the stories dull things. 'I prefer the tales of King Arthur,' he said.
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