Teddy and I had the nicest adventure yesterday evening. We are going to keep it a secret from everybody--partly because it was so nice, and partly because we think we'd get a fearful scolding for one thing we did.
We went up to the Disappointed House, and we found one of the boards on the windows loose. So we pried it off and crawled in and went all over the house. It is lathed but not plastered, and the shavings are lying all over the floors just as the carpenters left them years ago. It seemed more disappointed than ever. I just felt like crying. There was a dear little fireplace in one room so we went to work and kindled a fire in it with shavings and pieces of boards (this is the thing we would be scolded for, likely) and then sat before it on an old carpenter's bench and talked. We decided that when we grew up we would buy the Disappointed House and live here together. Teddy said he supposed we'd have to get married, but I thought maybe we could find a way to manage without going to all that bother. Teddy will paint pictures and I will write poetry and we will have toast and bacon and marmalade every morning for breakfast--just like Wyther Grange--but never porridge. And we'll always have lots of nice things to eat in the pantry and I'll make lots of jam and Teddy is always going to help me wash the dishes and we'll hang the gazing-ball from the middle of the ceiling in the fireplace room--because likely Aunt Nancy will be dead by then.
When the fire burned out we jammed the board into place in the window and came away. Every now and then today Teddy would say to me "Toast and bacon and marmalade" in the most mysterious tones and Ilse and Perry are wild because they can't find out what he means.
Cousin Jimmy has got Jimmy Joe Belle to help with the harvest. Jimmy Joe Belle comes from over Derry Pond way. There are a great many French there and when a French girl marries they call her mostly by her husband's first name instead of Mrs. like the English do. If a girl named Mary marries a man named Leon she will always be called Mary Leon after that. But in Jimmy Joe Belle's case, it is the other way and he is called by his wife's name. I asked Cousin Jimmy why, and he said it was because Jimmy Joe was a poor stick of a creature and Belle wore the britches. But still I don't understand. Jimmy Joe wears britches himself--that means trousers--and why should he be called Jimmy Joe Belle instead of her being called Belle Jimmy Joe just because she wears them too! I won't rest till I find out.
Cousin Jimmy's garden is splendid now. The tiger lilies are out. I am trying to love them because nobody seems to like them at all but deep down in my heart I know I love the late roses best. You just can't help loving the roses best.
Ilse and I hunted all over the old orchard today for a four-leaved clover and couldn't find one. Then I found one in a clump of clover by the dairy steps tonight when I was straining the milk and never thinking of clovers. Cousin Jimmy says that is the way luck always comes, and it is no use to look for it.
It is lovely to be with Ilse again. We have only fought twice since I came home. I am going to try not to fight with Ilse any more because I don't think it is dignified, although quite interesting. But it is hard not to because even when I keep quiet and don't say a word Ilse thinks that's a way of fighting and gets madder and says worse things than ever. Aunt Elizabeth says it always takes two to make a quarrel but she doesn't know Ilse as I do. Ilse called me a sneaking albatross today. I wonder how many animals are left to call me. She never repeats the same one twice. I wish she wouldn't clapper-claw Perry so much. (Clapper-claw is a word I learned from Aunt Nancy. Very striking, I think.) It seems as if she couldn't bear him. He dared Teddy to jump from the henhouse roof across to the pighouse roof. Teddy wouldn't. He said he would try it if it had to be done or would do anybody any good but he wasn't going to do it just to show off. Perry did it and landed safe. If he hadn't he might have broken his neck. Then he bragged about it and said Teddy was afraid and Ilse turned red as a beet and told him to shut up or she would bite his snout off. She can't bear to have anything said against Teddy but I guess he can take care of himself.
Ilse can't study for the Entrance either. Her father won't let her. But she says she doesn't care. She says she's going to run away when she gets a little older and study for the stage. That sounds wicked, but interesting.
I felt very queer and guilty when I saw Ilse first, because I knew about her mother. I don't know why I felt guilty because I had nothing to do with it. The feeling is wearing away a little now but I am so unhappy by spells over it. I wish I could either forget it altogether or find out the rights of it. Because I am sure nobody knows them.
I had a letter from Dean today. He writes lovely letters--just as if I was grown up. He sent me a little poem he had cut out of a paper called The Fringed Gentian. He said it made him think of me. It is all lovely but I like the last verse best of all. This is it:
Then whisper, blossom, in thy sleep
How I may upward climb
The Alpine Path, so hard, so steep,
That leads to heights sublime.
How I may reach that far-off goal
Of true and honored fame
And write upon its shining scroll
A woman's humble name.
When I read that the flash came, and I took a sheet of paper--I forgot to tell you Cousin Jimmy gave me a little box of paper and envelopes--on the sly--and I wrote on it:
I, Emily Byrd Starr, do solemnly vow this day that I will climb the Alpine Path and write my name on the scroll of fame.
Then I put it in the envelope and sealed it up and wrote on it The Vow of Emily Byrd Starr, aged 12 years and 3 months, and put it away on the sofa shelf in the garret.
I am writing a murder story now and I am trying to feel how a man would feel who was a murderer. It is creepy, but thrilling. I almost feel as if I had murdered somebody.
Good night, dear Father and Mother.
Your lovingest daughter, Emily
P.S. I have been wondering how I'll sign my name when I grow up and print my pieces. I don't know which would be best--Emily Byrd Starr in full or Emily B. Starr, or E. B. Starr, or E. Byrd Starr. Sometimes I think I'll have a nom-de-plume--that is, another name you pick for yourself. It's in my dictionary among the "French phrases" at the back. If I did that then I could hear people talking of my pieces right before me, never suspecting, and say just what they really thought of them. That would be interesting but perhaps not always comfortable. I think I'll be,
E. Byrd Starr
CHAPTER 28
A Weaver of Dreams
It took Emily several weeks to make up her mind whether she liked Mr. Carpenter or not. She knew she did not dislike him, not even though his first greeting, shot at her on the opening day of school in a gruff voice, accompanied by a startling lift of his spiky gray brows was, "So you're the girl that writes poetry, eh? Better stick to your needle and duster. Too many fools in the world trying to write poetry and failing. I tried it myself once. Got better sense now."
"You don't keep your nails clean," thought Emily.
But he upset every kind of school tradition so speedily and thoroughly that Ilse, who gloried in upsetting things and hated routine, was the only scholar that liked him from the start. Some never liked him--the Rhoda Stuart type for example--but most of them came to it after they got used to never being used to anything. And Emily finally decided that she liked him tremendously.
Mr. Carpenter was somewhere between forty and fifty--a tall man, with an upstanding shock of bushy gray hair, bristling gray mustache and eyebrows, a truculent beard, bright blue eyes out of which all his wild life had not yet burned the fire, and a long, lean, grayish face, deeply lined. He lived in a little two-roomed house below the school with a shy mouse of a wife. He never talked of his past or offered any explanation of the fact that at his age he had no better profession than teaching a district school for a pittance of salary, but the truth leaked out after a while; for Prince Edward Island is a small province and everybody in it knows something about everybody else. So eventually Blair Water people, and even the school children, understood that
Mr. Carpenter had been a brilliant student in his youth and had had his eye on the ministry. But at college he had got in with a "fast set"--Blair Water people nodded heads slowly and whispered the dreadful phrase portentously--and the fast set had ruined him. He "took to drink" and went to the dogs generally. And the upshot of it all was that Francis Carpenter, who had led his class in his first and second years at McGill, and for whom his teachers had predicted a great career, was a country schoolteacher at forty-five with no prospect of ever being anything else. Perhaps he was resigned to it--perhaps not. Nobody ever knew, not even the brown mouse of a wife. Nobody in Blair Water cared--he was a good teacher, and that was all that mattered. Even if he did go on occasional "sprees" he always took Saturday for them and was sober enough by Monday. Sober, and especially dignified, wearing a rusty black frock coat which he never put on any other day of the week. He did not invite pity and he did not pose as a tragedy. But sometimes, when Emily looked at his face, bent over the arithmetic problems of Blair Water School, she felt horribly sorry for him without in the least understanding why.
He had an explosive temper which generally burst into flame at least once a day, and then he would storm about wildly for a few minutes, tugging at his beard, imploring heaven to grant him patience, abusing everybody in general and the luckless object of his wrath in particular. But these tempers never lasted long. In a few minutes Mr. Carpenter would be smiling as graciously as a sun bursting through a storm-cloud on the very pupil he had been rating. Nobody seemed to cherish any grudge because of his scoldings. He never said any of the biting things Miss Brownell was wont to say, which rankled and festered for weeks; his hail of words fell alike on just and unjust and rolled off harmlessly.
He could take a joke on himself in perfect good nature. "Do you hear me? Do you hear me, sirrah?" he bellowed to Perry Miller one day. "Of course I hear you," retorted Perry coolly, "they could hear you in Charlottetown." Mr. Carpenter stared for a moment, then broke into a great, jolly laugh.
His methods of teaching were so different from Miss Brownell's that the Blair Water pupils at first felt as if he had stood them on their heads. Miss Brownell had been a martinet for order. Mr. Carpenter never tried to keep order apparently. But somehow he kept the children so busy that they had no time to do mischief. He taught history tempestuously for a month, making his pupils play the different characters and enact the incidents. He never bothered anyone to learn dates--but the dates stuck in the memory just the same. If, as Mary Queen of Scots, you were beheaded by the school axe, kneeling blindfolded at the doorstep, with Perry Miller, wearing a mask made out of a piece of Aunt Laura's old black silk, for executioner, wondering what would happen if he brought the axe down too hard, you did not forget the year it all happened; and if you fought the battle of Waterloo all over the school playground, and heard Teddy Kent shouting, "Up, Guards and at 'em!" as he led the last furious charge you remembered 1815 without half trying to.
Next month history would be thrust aside altogether and geography would take its place, when school and playground were mapped out into countries and you dressed up as the animals inhabiting them or traded in various commodities over their rivers and cities. When Rhoda Stuart had cheated you in a bargain in hides, you remembered that she had bought the cargo from the Argentine Republic, and when Perry Miller would not drink any water for a whole hot summer day because he was crossing the Arabian Desert with a caravan of camels and could not find an oasis, and then drank so much that he took terrible cramps and Aunt Laura had to be up all night with him--you did not forget where the said desert was. The trustees were quite scandalized over some of the goings on and felt sure that the children were having too good a time to be really learning anything.
If you wanted to learn Latin and French you had to do it by talking your exercises, not writing them, and on Friday afternoons all lessons were put aside and Mr. Carpenter made the children recite poems, make speeches and declaim passages from Shakespeare and the Bible. This was the day Ilse loved. Mr. Carpenter pounced on her gift like a starving dog on a bone and drilled her without mercy. They had endless fights and Ilse stamped her foot and called him names while the other pupils wondered why she was not punished for it but at last had to give in and do as he willed. Ilse went to school regularly--something she had never done before. Mr. Carpenter had told her that if she were absent for a day without good excuse she could take no part in the Friday "exercises" and this would have killed her.
One day Mr. Carpenter had picked up Teddy's slate and found a sketch of himself on it, in one of his favorite if not exactly beautiful attitudes. Teddy had labeled it "The Black Death"--half of the pupils of the school having died that day of the Great Plague, and having been carried out on stretchers to the Potter's Field by the terrified survivors.
Teddy expected a roar of denunciation, for the day before Garrett Marshall had been ground into figurative pulp on being discovered with the picture of a harmless cow on his slate--at least, Garrett said he meant it for a cow. But now this amazing Mr. Carpenter only drew his beetling brows together, looked earnestly at Teddy's slate, put it down on the desk, looked at Teddy, and said,
"I don't know anything about drawing--I can't help you, but, by gad, I think hereafter you'd better give up those extra arithmetic problems in the afternoon and draw pictures."
Whereupon Garrett Marshall went home and told his father that "old Carpenter" wasn't fair and "made favorites" over Teddy Kent.
Mr. Carpenter went up to the Tansy Patch that evening and saw the sketches in Teddy's old barn-loft studio. Then he went into the house and talked to Mrs. Kent. What he said and what she said nobody ever knew. But Mr. Carpenter went away looking grim, as if he had met an unexpected match. He took great pains with Teddy's general school work after that and procured from somewhere certain elementary text books on drawing which he gave him, telling him not to take them home--a caution Teddy did not require. He knew quite well that if he did they would disappear as mysteriously as his cats had done. He had taken Emily's advice and told his mother he would not love her if anything happened to Leo, and Leo flourished and waxed fat and doggy. But Teddy was too gentle at heart and too fond of his mother to make such a threat more than once. He knew she had cried all that night after Mr. Carpenter had been there, and prayed on her knees in her little bedroom most of the next day, and looked at him with bitter, haunting eyes for a week. He wished she were more like other fellows' mothers but they loved each other very much and had dear hours together in the little gray house on the tansy hill. It was only when other people were about that Mrs. Kent was queer and jealous.
"She's always lovely when we're alone," Teddy had told Emily.
As for the other boys, Perry Miller was the only one Mr. Carpenter bothered much with in the way of speeches--and he was as merciless with him as with Ilse. Perry worked hard to please him and practiced his speeches in barn and field--and even by nights in the kitchen loft--until Aunt Elizabeth put a stop to that. Emily could not understand why Mr. Carpenter would smile amiably and say, "Very good" when Neddy Gray rattled off a speech glibly, without any expression whatever, and then rage at Perry and denounce him as a dunce and a nincompoop, by gad, because he had failed to give just the proper emphasis on a certain word, or had timed his gesture a fraction of a second too soon.
Neither could she understand why he made red pencil corrections all over her compositions and rated her for split infinitives and too lavish adjectives and strode up and down the aisle and hurled objurgations at her because she didn't know "a good place to stop when she saw it, by gad," and then told Rhoda Stuart and Nan Lee that their compositions were very pretty and gave them back without so much as a mark on them. Yet, in spite of it all, she liked him more and more as time went on and autumn passed and winter came with its beautiful bare-limbed trees, and soft pearl-gray skies that were slashed with rifts of gold in the afternoons, and cleared to a jeweled pageantry of stars over the wide white hills and valleys around New Moon.
Emily shot up so that winter that Aunt Laura had to let down the tucks in her dresses. Aunt Ruth, who had come for a week's visit, said she was outgrowing her strength--consumptive children always did.
"I am not consumptive," Emily said. "The Starrs are tall," she added, with a touch of subtle malice hardly to be looked for in near-thirteen.
Aunt Ruth, who was sensitive in regard to her dumpiness, sniffed.
"It would be well if that were the only thing in which you resemble them," she said. "How are you getting on in school?"
"Very well. I am the smartest scholar in my class," answered Emily composedly.
"You conceited child!" said Aunt Ruth.
"I'm not conceited." Emily looked scornful indignation. "Mr. Carpenter said it and he doesn't flatter. Besides, I can't help seeing it myself."
"Well, it is to be hoped you have some brains, because you haven't much in the way of looks," said Aunt Ruth. "You've no complexion to speak of--and that inky hair around your white face is startling. I see you're going to be a plain girl."
"You wouldn't say that to a grown-up person's face," said Emily with a deliberate gravity which always exasperated Aunt Ruth because she could not understand it in a child. "I don't think it would hurt you to be as polite to me as you are to other people."
"I'm telling you your faults so you may correct them," said Aunt Ruth frigidly.
"It isn't my fault that my face is pale and my hair black," protested Emily. "I can't correct that."
"If you were a different girl," said Aunt Ruth, "I would--"
"But I don't want to be a different girl," said Emily decidedly. She had no intention of lowering the Starr-flag to Aunt Ruth. "I wouldn't want to be anybody but myself even if I am plain. Besides," she added impressively as she turned to go out of the room, "though I may not be very good-looking now, when I go to heaven I believe I'll be very beautiful."
Emily of New Moon Page 29
