Whilst Mistral spoke his verses in this beautiful Provencal tongue, more than three quarters Latin, and once spoken by queens, and now only understood by shepherds, I was admiring this man, and considering the ruinous state in which he found his mother tongue and what he had done with it. I was also imagining one of those old palaces of the Princes of Baux which can be seen in the Alpilles: there were no more roofs, no stepped balustrades, no glass in the windows; the trefoils broken in the ribbed vaults, and the coats of arms on the doors were eaten away and covered in moss. Chickens were scratching around in the main courtyard, pigs were wallowing under the fine columned galleries, an ass was grazing in the chapel overgrown with grass, and pigeons were drinking from the huge rain-water filled fonts. Finally, amongst the rubble, two or three peasant families had built huts for themselves against the walls of the old palace.
Then, one fine day, the son of one the peasants, develops a great passion for the grand ruins and is indignant to see them thus profaned. Quickly, he chases the livestock out of the courtyard and the muses come to help. He rebuilds the great staircase on his own, replaces the wood panelling on the walls, the glass in the windows, rebuilds the towers, re-gilds the throne room, and puts the one-time immense palace, where Popes and Emperors stayed, back on its pediments.
This restored palace: the Provencal language.
The peasant's son: Mistral.
THE THREE LOW MASSES
A Christmas Story.
I
—Two turkeys stuffed with truffles, Garrigou?…
—Yes, reverend, two magnificent turkeys, bursting out of their skins with truffles. I know something about it; it was I who helped to stuff them. It's fair to say that their skins are so tight, that a good roasting would split them….
—Jesus and Mary! I really do love truffles!… Give me my surplice quickly, Garrigou…. Is there anything else, apart from the turkeys, that you have noticed in the kitchen?…
—Oh! All sorts of good things…. We've done nothing but pluck birds since midday; pheasants, hoopoes, hazel grouse, and common grouse. Feathers flying everywhere. And from the lake; eels, golden carp, trout, and some …
—How fat are the trout, Garrigou?
—As fat as your arm, reverend…. Enormous!…
—Oh, God! I think I've seen them…. Have you put wine in the cruets?
—Yes, reverend, I have put wine in the cruets…. But I assure you, it's nothing compared with what you will want to drink after you leave midnight mass. If you saw what was in the chateau's dining room, all the flaming carafes full of wine of all types…. And the silver dishes, the carved centre pieces, the flowers, the candelabras…. No one will ever have seen a Christmas dinner like this one. The Marquis has invited all the noble lords in the neighbourhood. There'll be at least forty at the sitting, not including the bailiff and the scrivener…. Oh, you are really lucky to be among their number, reverend!… There's nothing like sniffing these lovely turkeys, the smell of the truffles follows me around…. Mm….
—Come, come, my child, let us beware of the sin of gluttony, especially on Christmas Eve…. Hurry up, light the candles, and ring the first bell for mass, as midnight is upon us, and we mustn't be late….
This conversation took place one Christmas Eve in the year of our Lord sixteen hundred and God knows what, between the reverend Dom Balaguère, old prior of the Barnabites, then service chaplain of the Sires of Trinquelage, and his minor cleric Garrigou. At least he thought it was his minor cleric Garrigou, for, as you may know, that night the devil himself took on the round face and bland features of the young sacristan, in order to tempt the reverend father into the terrible sin of gluttony. So, as the so-called Garrigou was swinging his arms to ring the seigneurial chapel's bells, the reverend managed to put his chasuble back on in the small chateau sacristy, and with a spirit already troubled by gastronomic anticipation, he excited it even more as he dressed himself, by going over the menu,
—Roast turkeys … golden carp … trout as fat as your arm….
Outside the night-wind blew and broadcasted the music of the bells, as the lights began to appear on the dark side of Mount Ventoux, surmounted by the old towers of the Trinquelage. Tenant farmers' families were walking to hear midnight mass at the chateau. They sang as they climbed the hillside in small groups, the fathers in the lead, holding the lantern, their wives, wrapped up against the wind in large, brown mantles, which also acted as a shelter for the children when they snuggled up. Despite the dark and the cold, all these brave folk walked on joyfully, sustained by the thought that, just like every other year, after the mass, there would be a table stocked up for them in the kitchen downstairs. During the hard climb, a lord's coach, with its leading torch-bearers, and its windows shimmering in the moonlight, occasionally went by. Once, a mule with bells trotted past and the farmers were able to recognise their bailiff by the light of their lanterns, and greeted him as he passed:
—Good evening, Master Arnoton!
—Good evening, my dears!
The night was clear, the stars seemed intensified by the cold, and the wind was stinging. Very fine ice crystals slid down their clothes without wetting them, which kept up the tradition of a white Christmas. At the very top of the hill, the chateau marked the end of their journey, with its mass of towers and gables. The chapel's clock rose into a dark blue sky, and a host of tiny lights flickered in and out at every window in the murky rear of the building, and looked like sparks running along burning paper…. To reach the chapel, after crossing the drawbridge and passing through the rear entrance, you had to cross the main courtyard, full of coaches, valets, and sedan-chairs. It was all lit up by the fire of the torches and flares from the kitchens, which was also the source of a squeaking spit, clattering saucepans, the chink of crystal and silverware shaken about during the laying of the tables, and a warm steam smelling deliciously of roast meat and strong herbs in fine sauces. This started the farmers, chaplain, bailiff, and everybody else commenting:
—What a splendid Christmas Eve dinner there is in store for us!
II
The bell rings twice!…
Midnight mass is beginning. The candles are lit and the tapestries draped from top to bottom of the interleaved arches and the oak panelling in the chateau's chapel. It's a veritable cathedral in miniature. And what a congregation there is! And what get-ups they have on! The Sire of Trinquelage is dressed in salmon-pink taffeta in one of the choir's sculptured stalls, with all the other invited noble Lords sitting near him. Opposite, on a pair of velvet decorated prie-dieus, the old dowager marquise in her flame-red, brocaded dress, and the youthful Lady of Trinquelage, hair done up in a tower of crinkled lace in the latest style of the French court, have taken their places; and lower down, the bailiff, Thomas Arnoton, and the scrivener, Master Ambroy are all in black, and clean shaven, with huge pointed wigs—two quiet notes amongst the loud silks and brocaded damasks. Then the well-fed major-domos, the pages, the stablemen, the stewards, and Lady Barbe, with all her keys hanging by her side on a fine silver key-ring. Then comes the lower orders on benches; the servants, the tenant-farmers, and their families. Lastly, the male servers, who are lined up against the door, quietly half opening and closing it again, as they pop in and out between making sauces, so they can soak up a bit of the atmosphere of the mass. As they do this, a whiff of Christmas Eve dinner wafts into the middle of the service, already warmed by so many lit candles.
Is it the sight of these little white birettas which distracts the officiating priest? It's more likely to be Garrigou, with his persistent, little bell incessantly ringing on at the foot of the altar with infernal urgency as if to say:
—Hurry up, hurry up … the sooner we finish, the sooner we eat.
The simple fact is that with each tinkle of the devilishly insistent bell, the chaplain loses track of the mass, as his mind totally wanders off into the Christmas Eve banquet. He imagines the cooks buzzing around, the open-hearth blazing furnaces, the steam
hissing from half-opened lids, and there, within the steam, two magnificent turkeys, stuffed to bursting, and marbled with truffles….
Even worse, he imagines the lines of pages carrying dishes that breathe out the tempting vapour and accompanies them to the great hall already prepared for the great feast. Oh, such delicacies! Then there is the immense table fully loaded and brimming over with peacocks still covered in their feathered glory, pheasants with their golden brown wings spread wide, the ruby coloured flagons of wine, pyramids of fruit begging to be plucked from the green foliage, and the marvellous fish spread out on a bed of fennel, their pearly scales shining as if just caught, with a bouquet of aromatic herbs in the gills of these monsters. So life-like is the vision of these marvels, that Dom Balaguère has the impression that these fabulous dishes were served on the embroidered altar cloth, so that instead of saying, the Lord be with you he finds himself saying grace. These slight faux-pas aside, he reels off his office conscientiously enough, without fluffing a line or missing a genuflexion. All went well to the end of the first mass. But, remember, the celebrant is obliged take three consecutive masses on Christmas Day.
—That's one less! sighs the chaplain to himself in blessèd relief. Then, without wasting a second, he nodded to his clerical assistant, or at least, to what he thought was his clerical assistant, and …
The bell rang, again!
The second mass begins, and with it, the fatal fall into sin of Dom
Balaguère.
—Quick, quick, let's hurry up, cries the shrill voice of Garigou's bell, but this time the unlucky celebrant abandons himself utterly to the demon of greed and pounces on the missal, devouring the pages as he lost control of his avidly over-stimulated appetite. He becomes frenzied, he bows down, he rises, takes a sight stab at crossing himself and genuflecting, minimising the gestures, all the quicker to reach the end. His arms, no sooner stretched over the gospels than back thumping his chest for the I confess. Competition is joined between him and his cleric to see who finishes first in the mumbling stakes. Verses and responses tumble out and mix together. Half swallowed words through clenched teeth take too long, and so tail off into incomprehensible mutters.
—Pray for u …
—Thro … my fau …
Like frenzied grape-pickers treading the grapes from the vat, they squelched around in the Latin of the mass, slopping it all over the place.
—Lor … b'ith … yo… says Balaguère.
—An … wi … yo … spi't … replies Garrigou; and the busy little bell is more or less continuously in action jangling in their ears, acting like the bells they put on post-horses to make them gallop faster. To be sure, at this rate the second low mass is quickly dispatched.
—And the second one done! says the completely breathless chaplain. Then, without time for another breath, flushed and sweating, he rushes down the altar steps and….
The bell rings yet again!
The third mass is beginning. The dining room is no more than a few steps away, but, oh dear, as the Christmas Eve feast gets nearer, the unfortunate Balaguère is gripped by a mad, impatient fever of greed. His fantasies get the worse of him, he sees the golden carp, the roast turkeys, they are there, there right before his eyes…. He touches them … he … Oh God!… The steaming dishes, the scented wine; then the little bell frantically cries out,
—Faster, faster, faster!…
Yet how could he go any faster? As it was, his lips barely move. He doesn't even pronounce the words … short of completely fooling God and keeping His mass from Him. And then he even falls into that low state, the poor unfortunate man!… Going from bad to worse temptation, he begins to skip a verse, and then two. Then the epistle is too long, so he cuts it, skims over the gospel reading, looks in at the I believe but doesn't go in, jumps over the Our Father altogether, nods at the preface from afar, and goes towards eternal damnation by leaps and bounds. He was closely followed by the infamous, satanic Garrigou, who with his uncanny understanding as number two, lifts up his chasuble for him, turns the pages two at a time, bumps into the lecterns, knocks off birettas, and ceaselessly shakes the small bell harder and harder, faster and faster.
Those present are completely confused. Obliged to base their actions on the priest's words not one of which they understand, some stand up, while others kneel; sit down, while others stand. The Christmas star, yonder on its journey across the heavens towards the stable, pales in horror at the confusion which is happening….
—The father is going too quickly … we can't follow him, murmurs the old dowager as she distractedly plays with her hair.
Master Arnoton, his large steel-framed glasses on his nose, looks in his prayer book to see where on earth they might be in the service. At heart, none of these dear people, who are also thinking of the feast to come, are at all bothered that the mass is going at such a rate; and when Dom Balaguère, face beaming, turns towards the congregation shouting as loud as possible: The mass is over, it is as with one voice they make the response, so joyously and lively there in the chapel. You would think that they are already sitting at the table for the opening toast of the Christmas Eve feast.
III
Five minutes later, all lords, with the chaplain in the middle, are seated in the great hall. Everything is lit up in the chateau, which resounded with singing, shouting, laughter, and buzzing. The venerable Dom Balaguère is plunging his fork into a grouse wing and drowning his sinful remorse under a sea of wine and meat juices. The poor holy man eats and drinks so much that he dies in the night suffering a terrible heart attack, with no time to repent. So, the next morning, he arrives in a heaven full of rumours about the night's revelries, and I leave it for you to judge how he is received.
—Depart from me, you dismal Christian!, the sovereign judge, Our Lord, says to him. Your error is gross enough to wipe away a whole life of virtue…. Ah! You have stolen a midnight mass from Me…. Oh, yes you did! You will pay for your sin three hundred times over, in the proper place, and you will enter paradise only when you will have celebrated three hundred midnight masses, in your own chapel, in front of all those who have sinned with you, through your most grievous fault….
Well, that's that, the true story of Dom Balaguère as told in the land of the olive. The chateau of Trinquelage is no more, but the chapel still remains in a copse of green oaks at the top of Mount Ventoux. Now, it has a wind-blown, ramshackle door and grass grows over the threshold. There are birds' nests in the corner of the altar and in the window openings, from where the stained glass is long departed. However, it is said that every year at Christmas, a supernatural light moves amongst the ruins, and when the peasants go to the mass and Christmas Eve meals, they can see this ghostly chapel lit by invisible candles, which burn in the open air, even in a blizzard. Laugh if you will, but a winegrower in the area named Garrigue, no doubt a descendant of Garrigou, assures me that once, when he was a bit merry at Christmas, he got lost in the mountain around Trinquelage. This is what he saw….
Until eleven o'clock at night … nothing. Everything was silent, dark, and still. Suddenly, towards midnight, a hand bell rang at the very top of the clock tower. It was an ancient bell which sounded as if it were coming from far away. Soon, Garrigue saw flickering lights making vague, restless shadows on the road. Under the chapel's porch, someone was walking and whispering:
—Good evening, Master Arnoton!
—Good evening, good evening, folks!…
When everyone had gone in, the winegrower, a very brave man, approached carefully, and, looking through the broken door, was met by a very strange sight, indeed. All the people whom he had seen pass were positioned around the choir in the ruined nave, as though the old benches were still there. There were beautiful women in brocade and lace-draped hair, lords in colourful finery from head to toe, and peasants in floral jackets like those our grandfathers used to wear. Everything gave the impression of being old, dusty, faded, and worn out. Sometimes, nocturnal birds, regular visitors to
the chapel, attracted by the lights, came to flap around the candles whose flame went straight upwards but looked dim as if seen through gauze. There was a certain person in large, steel-framed glasses, who kept shaking his tall, black wig where one of the birds was completely entangled, its wings silently thrashing about, much to the amusement of Garrigue….
Deep inside, a little old man with a childish build, on his knees in the middle of the choir, was desperately and soundlessly shaking a clapper-less hand bell, while a priest in old, gold vestments was coming and going and toing and froing in front of the altar, and saying prayers, not a syllable of which could be heard. It was Dom Balaguère, of course, in the middle of his third low mass.
THE ORANGES
A FANTASY.
In Paris, oranges have the sorrowful look of windfalls gathered from beneath the trees. At the time they get to you, in the dreary middle of a rainy, cold winter, their brilliant skins, and their strong perfume—or so they seem to your Parisian mediocre tastes—imbue them with a foreign flavour, a hint of Bohemia. Throughout the foggy afternoons, they line the pavements, squashed together in wheelbarrows, lit by the low light of lanterns and wrapped in red paper. A thin, repetitive shout of:
—Valencian oranges, two sous a piece!
accompanies them, often drowned by the sound of cavorting carriages and boisterous buses.
Letters From My Windmill Page 10
