by P. G. Kain
SMILE FOR THE CAMERA!
It’s easy being part of a perfect family when you are in front of a camera. Everyone knows the right thing to say because it’s printed on a cue card. But real life is a bit more complicated.
Cassie Herold knows her parents are having problems. Her dad basically lives on the road and sees her more on TV than he does in real life. Her mom, a math professor who would rather balance an equation than get a manicure, is the opposite of the energetic, perfectly coiffed f.m.’s (fake moms) she sees at commercial auditions.
If only Cassie could get her real life to be a bit more like her commercial life, then maybe she could get a date with Rory Roberts, the cutest boy in both the commercial and real worlds, and get her family back on track so everything can be picture perfect.
“Juicy and thoughtful . . . a fabulous, addictive read.”
—LAUREN MYRACLE, bestselling author of TTYL, on Famous for Thirty Seconds
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ALADDIN M!X • SIMON & SCHUSTER, NEW YORK
COVER DESIGNED BY JESSICA HANDELMAN
COVER ILLUSTRATIONS COPYRIGHT © 2012 BY MONSIEUR Z
AGES 9–13
Also by P. G. Kain
THE SOCIAL EXPERIMENTS OF DORIE DILTS
#1: Dumped by Popular Demand
#2: The School for Cool
COMMERCIAL BREAKS
#1: Famous for Thirty Seconds
This book is a work of fiction. Any references to historical events, real people, or real locales are used fictitiously. Other names, characters, places, and incidents are the product of the author’s imagination, and any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
ALADDIN M!X
Simon & Schuster Children’s Publishing Division
1230 Avenue of the Americas, New York, NY 10020
www.SimonandSchuster.com
First Aladdin M!X edition July 2012
Copyright © 2012 by P. G. Kain
All rights reserved, including the right of reproduction in whole or in part in any form.
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Designed by Karina Granda
The text of this book was set in Bembo.
Library of Congress Control Number 2011940156
ISBN 978-1-4169-9787-0 (pbk)
ISBN 978-1-4169-9790-0 (eBook)
To the picture-perfect WBC, my love
CONTENTS
Acknowledgments
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
‘Dramatic Pause’ excerpt
About the Author
ACKNOWLEDGMENTS
Thank you. Yes, YOU! Thank you for reading this book. By “reading this book” I mean the entire book. I mean, this page isn’t really even part of the story of the book and you’re still reading it. That really impresses me, and I’m very grateful to have such a scrupulous reader.
Not to mention that this is book two in the series, so chances are you’ve already read book one. You have a lot of choices in your bookstore, and I’m so grateful you chose this book. Without readers there wouldn’t be books. Well, there might still be books, but we’d have to use them as doorstops or paperweights, so it wouldn’t really be the same thing.
Please stop by my website, www.TweenInk.com or e-mail me at [email protected] and tell me what you thought about Picture Perfect. I’d really love to hear from you, and I answer every e-mail I get. Hopefully you aren’t using this book as a doorstop. But if you are, I sincerely hope it’s doing a good job.
CHAPTER 1
I pick up the dishrag on top of the stool, look at it quickly, and smile broadly, making sure my face is not turned too far away and that my eyes are not squinting. I look at the pert blond woman standing next to me and say, “Mom, you did it. You got those grass stains out of my cheerleading skirt.”
Ashley, the pert blonde, picks up the water bottle on the stool next to her, smiles as broadly as I am smiling, looks straight ahead, and says, “I didn’t do it. Nature’s Way did it. And it didn’t hurt the environment.”
That’s my cue, so I say, “Now that deserves a cheer.”
I am about to actually start my cheer when from behind the camera Neil says, “Dang. This dumb camera has been giving me problems all day. Can you hold while I try to fix it?” And as if someone has pricked the surface of a balloon with a needle, our version of an ideal world immediately collapses. Our commercial audition has paused, and reality creeps back in.
I am not a big fan of reality. Why would I be?
In commercials I’m the captain of the cheerleading squad who lives in a immaculate suburban home and has a clean skirt without grass stains, a perfect routine, and a gorgeous mother who laughs and smiles on cue.
In reality my mom is a math professor who thinks prime numbers are fascinating, and when I auditioned for the middle school cheerleading squad last year I tripped over my own shoelaces, knocking down the school mascot so Marty Pinker-man’s furry squirrel head rolled off his human head and across the gymnasium, ending up at Principal Conner’s feet. Needless to say, I did not make the squad and have little chance of even being allowed to attend future cheerleading tryouts.
But here in the cramped casting studio, or in a commercial on TV for thirty seconds, my life is picture perfect.
Neil takes the camera off the tripod and starts fiddling with it. “Sorry, this will just take a second,” he says. Ashley and I both nod, and then she bends over into some kind of yoga pose that she say helps her focus. Ashley is my absolute favorite fake mom in the world. She has straight blond hair that just brushes her shoulders, a small, perfectly symmetrical nose, and bright blue eyes that dance when the camera is rolling. I met her during a shoot for a commercial for an office supply store about a year ago. I played the daughter who couldn’t decide if she wanted a sparkly pink notebook or a glittery purple one. She played the mom who let me buy both.
My dad saw the commercial last week while he was waiting for a flight at an airport in San Diego, and he actually called me right from the terminal. Even though it was about two o’clock in the morning, I was t
hrilled to get his call, since I hadn’t heard from him in a while.
Ashley changes her pose and stretches her arms toward the ceiling. As she arches her back, I notice that her necklace slides around and dangles behind her. I know she’ll want to be camera-ready when we start rolling again, so I tell her about the runaway chain.
“Oh, thanks, Cassie,” she says, coming out of her pose. She moves the chain back to her chest, and I notice the necklace is actually a beautiful gold heart-shaped locket.
“That’s so pretty,” I say.
“Oh, this?” she says, fingering the jewelry. “Well, I got it at the place on Eighth Street next to the bookstore. I had to. Jennifer was wearing almost the exact same necklace when she booked that cat food commercial, and Miranda was wearing one in that car commercial, so now everyone is wearing them.” She opens the locket and looks at the picture inside. “I guess something about this locket screams ‘young mom.’ I dunno.”
Sometimes I forget how supercompetitive the “young mom” category really is.
“Well, it’s pretty,” I say.
“Okay,” Neil says. “I think we’re rolling again. Let’s take it from the top.”
In an instant we are back at it. I pick up the dishrag pretending to be my cheerleading skirt, and we run through the lines, this time without stopping. I do a short cheer and Neil yells, “Cut!” Ashley picks up her bag, and I grab my backpack, and we head out of the tiny casting studio.
The crowded hallway is full of fake moms and daughters reading through the lines we just finished. We are each just slight variations of the other. As always, there are a few new faces among the crowd of the usual girls.
“It was great seeing my favorite fake daughter,” Ashley says, and gives me a tight hug. I delight in the fact that she thinks of me as her favorite fake daughter, but whenever she says it out loud and hugs me, I get this terrible feeling in the bottom of my stomach. The truth is, sometimes I wish Ashley was my real mother and that I was her real daughter. I feel like a terrible, evil person when I think these thoughts, since my real mother is a perfectly normal, mostly average mom who, for some misguided reason, believes that what you have on the inside is more important than what you look like on the outside—which explains why her wardrobe makes her look like an extra for Woodstock, the movie. I give myself a mental slap across the face to try and shake these thoughts from my mind.
“It was great see you, too. I really hope we book this one together,” I tell her.
“That would be fun,” she says, pulling off the headband she was wearing during the audition, sticking it in her bag, and letting her bangs fall over her face. “I’m off to my Pilates class. See you around.” She glides through the crowd and makes her way out of the studios.
I decide to fix my hair in the bathroom before my next audition. The casting office I am going to for my next audition shares a bathroom with a couples counseling office, and more than once I’ve had to deal with mildly hysterical women while I was brushing my hair.
I walk down the hall toward the bathroom around the corner. As soon as I turn the corner, I spot the one person I am trying to avoid.
CHAPTER 2
Faith Willis is heading toward the bathroom from the other direction. I immediately stop and hope she hasn’t caught a glimpse of me. Faith and I are always competing against each other for the same spots, since we have a similar “look,” although I once overheard a casting director say that Faith is more “upmarket” while I am more “theatrical.” I’m not really sure what that means, but it didn’t exactly make my self-esteem leap in the air. I’m pretty sure Faith booked the spot for that new energy drink I had a callback for a few weeks ago, so I am desperate to avoid her.
Half the girls I audition with are supersweet and make you feel like you are part of a very cool club, but then there is the other half, who turn every callback into a battle of epic proportions. Faith is one of the high commanders in their army. I turn away from the bathrooms and walk down the hall to the elevators, thus avoiding any contact with her.
I make my way through the crowd, and when I’m on the other side of it, I hear someone calling my name. I turn around and see my friend Phoebe and her brother, Liam. Phoebe and I booked a cereal spot last year where we played two friends gossiping on the school bus. Within a few minutes of meeting each other, we became real friends. Phoebe is one of those girls who is just super friendly and supportive. I think that’s why she has been booking everything lately. You can’t turn on the TV without seeing her smooth blond hair and sunny smile. I couldn’t be happier for her. She comes over and gives me a big hug. Phoebe is a serious hugger.
“Hey, Phoebe. Hi, Liam. I just saw your Apple-Time commercial last night, Pheebs. That dress you were wearing is so pretty. I loved the lacy skirt it had.”
“Thanks,” she says. “I loved, loved, loved the way that dress looked, but even thinking about it hurts.”
“What do you mean?” I ask.
“Well you only saw the front of it on camera. They bought the wrong size, so the back was cut open just before we started rolling and they held the thing together with pins and duct-taped it to my body. That’s why you never see my back and only see my face in the mirror of the vanity. It looked beautiful but felt awful.”
“That sounds terrible,” I tell her, but I know last-minute fittings can be brutal. Then I remember that I have to get to my next audition “I’ve got to run. I’m late for an appointment at Mel Bethany’s.”
Phoebe and Liam look at each other.
“The Maryland Lottery spot?” Liam asks as I pound my fist on the down button for the elevator.
“I just came from there,” Phoebe says. She looks quickly from side to side and then whispers, “RR was in the waiting area, FYI.”
RR stands for Rory Roberts, the boy currently holding the number two spot on my Crush List. And since the number one spot has been held by Johnny Depp since I was, like, six, RR is really in the highest-ranking position any mortal human can have. The elevator doors open, and I thank Phoebe for the information before hitting the L button for the lobby and saying a small prayer for an express ride to the ground floor. I look at my watch and realize that I still have plenty of time to make my appointment. The question is, will Rory still be waiting for his appointment and will I get a chance to go to the restroom and fix my face before “accidentally” running into him? Just once I would like to book a spot with him so we could hang out on set together. We’ve been at a few of the same auditions recently, but that has barely given me a chance to have any substantial interaction with him. I do, however, see him in the Mega Motors commercial pretty often.
When the elevator stops, I quickly walk through the ground-floor lobby and push my way through the revolving door. It’s a sunny May afternoon, but there is still a chill in the air. As I start walking toward Broadway, I feel my cell phone vibrate in my pocket. I keep walking and pull the phone out to look at the screen. It’s my agent, Honey Arbuckle. I can’t believe Mel has already called my agent to find out where I am when I am not even late, at least not yet.
“Hey, Honey,” I say without slowing down. “I’m on my way to Mel’s right now. Neil had a camera malfunction and the elevator took forever and—” Honey cuts me off before I can finish my list of excuses.
“Listen, kiddo,” she says in a raspy voice that sounds like she started smoking when she was a toddler. “Don’t waste your time. You’ve been pulled from the list.”
Sometimes at the last minute a casting company will change the call because the client changes their mind. One minute they want redheads with freckles and the next they want Latina twins over six feet tall. It’s part of the business, but since Phoebe just came from the call, that can’t have been what happened. “I don’t understand,” I tell Honey. “They didn’t change the breakdown?”
“No, kiddo, they didn’t,” Honey tells me.
“So why shouldn’t I go to the audition?” I ask in confusion.
“A
ll I can say is that I had to pull you from the list. I gotta take this other call. Your mom will explain the rest. I hope I’ll talk to you soon. Bye, kiddo.” Honey hangs up, and I am just standing on the corner of Broadway and Eighteenth Street with my cell phone up to my ear and no one on the other end. For a second I consider just showing up at Mel Bethany’s and pretending I never got the message, but I know a stunt like that will get me banned from the casting office for life. In my mind, I go over the conversation I had with Honey. I don’t understand why I was mysteriously pulled from the list. Suddenly I remember a very important phrase Honey said that went something like, “Your mom will explain.”
That can only mean one thing.
CHAPTER 3
As I walk down Broadway past the Union Square Greenmarket, I decide to visit my mother at work to try and do some damage control instead of going directly home. If my dad was in town, I would certainly try to work on him before even thinking about going to see my mom. But a few months ago they sat me down to explain that my dad would be taking on a new sales position at his company and that would mean he would basically be living on the road most of the time, so they could have a “trial separation.” I freaked out when they told me. I mean, what kid wants to see their family split up? But they calmed me down by saying that they had not made any decisions about anything and that they were going to do what they could to work it out.
I miss my dad a lot, and the whole idea of the trial separation is unbearable to even think about for more than three seconds, so I don’t. At least I don’t have to worry about coming home and finding my parents in the middle of a screaming match, or worse, one of their “Let’s not fight in front of our daughter” things where the silence is unbearable. And even though I don’t get to see my dad, at least he gets to see me, even if it is only in a commercial on TV.
When I get to Kimmel Hall, I take the stairs up to the third floor, where my mother’s office is located. I can hear her talking with some student about something to do with square roots and integers. I truly can’t believe this is how she spends her days. I stand just to the side of the open door, out of sight but within earshot, to see if I can figure out what kind of mood my mom is in. Before I can really assess the situation, the student she is meeting with gets up and walks out of her office. For a second I consider going home and vacuuming the apartment or washing the dishes so I have something banked in my favor, but before I can even turn from the doorway, I hear, “Cassie Marie, I’m not sure how long you plan to spend hiding outside the doorway, but I can assure you it won’t change the situation.” Some mothers have eyes in the back of their heads. My mother can see through walls, bookcases, and most lies.
