“What will it be?” asked the sexton. The peasant did not pay any attention.
“What will you drink?”
“Schnapps,” the peasant said.
“And a quarter litre of red wine,” the sexton told the girl.
The girl brought the drinks and the peasant drank the schnapps. He looked out of the window. The sexton watched him. John had his head forward on the table. He was asleep.
The innkeeper came in and went over to the table. He spoke in dialect and the sexton answered him. The peasant looked out of the window. The innkeeper went out of the room. The peasant stood up. He took a folded ten-thousand kronen note out of a leather pocketbook and unfolded it. The girl came up.
“Alles?” she asked.
“Alles,” he said.
“Let me buy the wine,” the sexton said.
“Alles,” the peasant repeated to the girl. She put her hand in the pocket of her apron, brought it out full of coins and counted out the change. The peasant went out the door. As soon as he was gone the innkeeper came into the room again and spoke to the sexton. He sat down at the table. They talked in dialect. The sexton was amused. The innkeeper was disgusted. The sexton stood up from the table. He was a little man with a mustache. He leaned out of the window and looked up the road.
“There he goes in,” he said.
“In the Löwen?”
“Ja.”
They talked again and then the innkeeper came over to our table. The innkeeper was a tall man and old. He looked at John asleep.
“He’s pretty tired.”
“Yes, we were up early.”
“Will you want to eat soon?”
“Any time,” I said. “What is there to eat?”
“Anything you want. The girl will bring the eating-card.”
The girl brought the menu. John woke up. The menu was written in ink on a card and the card slipped into a wooden paddle.
“There’s the Speisekarte,” I said to John. He looked at it. He was still sleepy.
“Won’t you have a drink with us?” I asked the innkeeper. He sat down. “Those peasants are beasts,” said the innkeeper.
“We saw that one at a funeral coming into town.”
“That was his wife.”
“Oh.”
“He’s a beast. All these peasants are beasts.”
“How do you mean?”
“You wouldn’t believe it. You wouldn’t believe what just happened about that one.”
“Tell me.”
“You wouldn’t believe it.” The innkeeper spoke to the sexton. “Franz, come over here.” The sexton came, bringing his little bottle of wine and his glass.
“The gentlemen are just come down from the Wiesbadenerhütte,” the innkeeper said. We shook hands.
“What will you drink?” I asked.
“Nothing,” Franz shook his finger.
“Another quarter litre?”
“All right.”
“Do you understand dialect?” the innkeeper asked.
“No.”
“What’s it all about?” John asked.
“He’s going to tell us about the peasant we saw filling the grave, coming into town.”
“I can’t understand it, anyway,” John said. “It goes too fast for me.”
“That peasant,” the innkeeper said, “today he brought his wife in to be buried. She died last November.”
“December,” said the sexton.
“That makes nothing. She died last December then, and he notified the commune.”
“December eighteenth,” said the sexton.
“Anyway, he couldn’t bring her over to be buried until the snow was gone.”
“He lives on the other side of the Paznaun,” said the sexton. “But he belongs to this parish.”
“He couldn’t bring her out at all?” I asked.
“No. He can only come, from where he lives, on skis until the snow melts. So today he brought her in to be buried and the priest, when he looked at her face, didn’t want to bury her. You go on and tell it,” he said to the sexton. “Speak German, not dialect.”
“It was very funny with the priest,” said the sexton. “In the report to the commune she died of heart trouble. We knew she had heart trouble here. She used to faint in church sometimes. She did not come for a long time. She wasn’t strong to climb. When the priest uncovered her face he asked Olz, ‘Did your wife suffer much?’ ‘No’ said Olz. ‘When I came in the house she was dead across the bed.’
“The priest looked at her again. He didn’t like it.
“ ‘How did her face get that way?’
“‘don’t know,’ Olz said.
“‘You’d better find out,’ the priest said, and put the blanket back. Olz didn’t say anything. The priest looked at him. Olz looked back at the priest. ‘You want to know?’
“‘must know,’ the priest said.”
“This is where it’s good,” the innkeeper said. “Listen to this. Go on Franz.”
“‘Well,’ said Olz, ‘when she died I made the report to the commune and I put her in the shed across the top of the big wood. When I started to use the big wood she was stiff and I put her up against the wall. Her mouth was open and when I came into the shed at night to cut up the big wood, I hung the lantern from it.’
“‘Why did you do that?’ asked the priest.
“‘don’t know,’ said Olz.
“‘Did you do that many times?’
“‘Every time I went to work in the shed at night.’
“‘It was very wrong,’ said the priest. ‘Did you love your wife?’
“‘Ja, I loved her,’ Olz said. ‘I loved her fine.’”
“Did you understand it all?” asked the innkeeper. “You understand it all about his wife?”
“I heard it.”
“How about eating?” John asked.
“You order,” I said. “Do you think it’s true?” I asked the innkeeper.
“Sure it’s true,” he said. “These peasants are beasts.”
“Where did he go now?”
“He’s gone to drink at my colleague’s, the Löwen.”
“He didn’t want to drink with me,” said the sexton.
“He didn’t want to drink with me, after he knew about his wife,” said the innkeeper.
“Say,” said John. “How about eating?”
“All right,” I said.
A Pursuit Race
WILLIAM CAMPBELL HAD BEEN IN A PURsuit race with a burlesque show ever since Pittsburgh. In a pursuit race, in bicycle racing, riders start at equal intervals to ride after one another. They ride very fast because the race is usually limited to a short distance and if they slow their riding another rider who maintains his pace will make up the space that separated them equally at the start. As soon as a rider is caught and passed he is out of the race and must get down from his bicycle and leave the track. If none of the riders are caught the winner of the race is the one who has gained the most distance. In most pursuit races, if there are only two riders, one of the riders is caught inside of six miles. The burlesque show caught William Campbell at Kansas City.
William Campbell had hoped to hold a slight lead over the burlesque show until they reached the Pacific coast. As long as he preceded the burlesque show as advance man he was being paid. When the burlesque show caught up with him he was in bed. He was in bed when the manager of the burlesque troupe came into his room and after the manager had gone out he decided that he might as well stay in bed. It was very cold in Kansas City and he was in no hurry to go out. He did not like Kansas City. He reached under the bed for a bottle and drank. It made his stomach feel better. Mr. Turner, the manager of the burlesque show, had refused a drink.
William Campbell’s interview with Mr. Turner had been a little strange. Mr. Turner had knocked on the door. Campbell had said: “Come in!” When Mr. Turner came into the room he saw clothing on a chair, an open suitcase, the bottle on a chair beside the bed, and some one lying in
the bed completely covered by the bed-clothes.
“Mister Campbell,” Mr. Turner said.
“You can’t fire me,” William Campbell said from underneath the covers. It was warm and white and close under the covers. “You can’t fire me because I’ve got down off my bicycle.”
“You’re drunk,” Mr. Turner said.
“Oh, yes,” William Campbell said, speaking directly against the sheet and feeling the texture with his lips.
“You’re a fool,” Mr. Turner said. He turned off the electric light. The electric light had been burning all night. It was now ten o’clock in the morning. “You’re a drunken fool. When did you get into this town?”
“I got into this town last night,” William Campbell said, speaking against the sheet. He found he liked to talk through a sheet. “Did you ever talk through a sheet?”
“Don’t try to be funny. You aren’t funny.”
“I’m not being funny. I’m just talking through a sheet.”
“You’re talking through a sheet all right.”
“You can go now, Mr. Turner,” Campbell said. “I don’t work for you any more.”
“You know that anyway.”
“I know a lot,” William Campbell said. He pulled down the sheet and looked at Mr. Turner. “I know enough so I don’t mind looking at you at all. Do you want to hear what I know?”
“No.”
“Good,” said William Campbell. “Because really I don’t know anything at all. I was just talking.” He pulled the sheet up over his face again. “I love it under a sheet,” he said. Mr. Turner stood beside the bed. He was a middle-aged man with a large stomach and a bald head and he had many things to do. “You ought to stop off here, Billy, and take a cure,” he said. “I’ll fix it up if you want to do it.”
“I don’t want to take a cure,” William Campbell said. “I don’t want to take a cure at all. I am perfectly happy. All my life I have been perfectly happy.”
“How long have you been this way?”
“What a question!” William Campbell breathed in and out through the sheet.
“How long have you been stewed, Billy?”
“Haven’t I done my work?”
“Sure. I just asked you how long you’ve been stewed, Billy.”
“I don’t know. But I’ve got my wolf back,” he touched the sheet with his tongue. “I’ve had him for a week.”
“The hell you have.”
“Oh, yes. My dear wolf. Every time I take a drink he goes outside the room. He can’t stand alcohol. The poor little fellow.” He moved his tongue round and round on the sheet. “He’s a lovely wolf. He’s just like he always was.” William Campbell shut his eyes and took a deep breath.
“You got to take a cure, Billy,” Mr. Turner said. “You won’t mind the Keeley. It isn’t bad.”
“The Keeley,” William Campbell said. “It isn’t far from London.” He shut his eyes and opened them, moving the eyelashes against the sheet. “I just love sheets,” he said. He looked at Mr. Turner.
“Listen, you think I’m drunk.”
“You are drunk.”
“No, I’m not.”
“You’re drunk and you’ve had D.T.’s.”
“No.” William Campbell held the sheet around his head. “Dear sheet,” he said. He breathed against it gently. “Pretty sheet. You love me, don’t you, sheet? It’s all in the price of the room. Just like in Japan. No,” he said. “Listen Billy, dear Sliding Billy, I have a surprise for you. I’m not drunk. I’m hopped to the eyes.”
“No,” said Mr. Turner.
“Take a look.” William Campbell pulled up the right sleeve of his pyjama jacket under the sheet, then shoved the right forearm out. “Look at that.” On the forearm, from just above the wrist to the elbow, were small blue circles around tiny dark blue punctures. The circles almost touched one another. “That’s trie new development,” William Campbell said. “I drink a little now once in a while, just to drive the wolf out of the room.”
“They got a cure for that,” “Sliding Billy” Turner said.
“No,” William Campbell said. “They haven’t got a cure for anything.”
“You can’t just quit like that, Billy,” Turner said. He sat on the bed.
“Be careful of my sheet,” William Campbell said.
“You can’t just quit at your age and take to pumping yourself full of that stuff just because you got in a jam.”
“There’s a law against it. If that’s what you mean.”
“No, I mean you got to fight it out.”
Billy Campbell caressed the sheet with his lips and his tongue. “Dear sheet,” he said. “I can kiss this sheet and see right through it at the same time.”
“Cut it out about the sheet. You can’t just take to that stuff, Billy.”
William Campbell shut his eyes. He was beginning to feel a slight nausea. He knew that this nausea would increase steadily, without there ever being the relief of sickness, until something were done against it. It was at this point that he suggested that Mr. Turner have a drink. Mr. Turner declined. William Campbell took a drink from the bottle. It was a temporary measure. Mr. Turner watched him. Mr. Turner had been in this room much longer than he should have been, he had many things to do; although living in daily association with people who used drugs, he had a horror of drugs, and he was very fond of William Campbell; he did not wish to leave him. He was very sorry for him and he felt a cure might help. He knew there were good cures in Kansas City. But he had to go. He stood up.
“Listen, Billy,” William Campbell said, “I want to tell you something. You’re called ‘Sliding Billy.’ That’s because you can slide. I’m called just Billy. That’s because I never could slide at all. I can’t slide, Billy. I can’t slide. It just catches. Every time I try it, it catches.” He shut his eyes. “I can’t slide, Billy. It’s awful when you can’t slide.”
“Yes,” said “Sliding Billy” Turner.
“Yes, what?” William Campbell looked at him.
“You were saying.”
“No,” said William Campbell. “I wasn’t saying. It must have been a mistake.”
“You were saying about sliding.”
“No. It couldn’t have been about sliding. But listen, Billy, and I’ll tell you a secret. Stick to sheets, Billy. Keep away from women and horses and, and—” he stopped “—eagles, Billy. If you love horses you’ll get horse-shit, and if you love eagles you’ll get eagle-shit.” He stopped and put his head under the sheet.
“I got to go,” said “Sliding Billy” Turner.
“If you love women you’ll get a dose,” William Campbell said. “If you love horses—”
“Yes, you said that.”
“Said what?”
“About horses and eagles.”
“Oh, yes. And if you love sheets.” He breathed on the sheet and stroked his nose against it. “I don’t know about sheets,” he said. “I just started to love this sheet.”
“I have to go,” Mr. Turner said. “I got a lot to do.”
“That’s all right,” William Campbell said. “Everybody’s got to go.”
“I better go.”
“All right, you go.”
“Are you all right, Billy?”
“I was never so happy in my life.”
“And you’re all right?”
“I’m fine. You go along. I’ll just lie here for a little while. Around noon I’ll get up.”
But when Mr. Turner came up to William Campbell’s room at noon William Campbell was sleeping and as Mr. Turner was a man who knew what things in life were very valuable he did not wake him.
Today Is Friday
Three Roman soldiers are in a drinking-place at eleven o’clock at night. There are barrels around the wall. Behind the wooden counter is a Hebrew wine-seller. The three Roman soldiers are a little cock-eyed.
1st Roman Soldier—You tried the red?
2d Soldier—No, I ain’t tried it.
1st Soldier—Yo
u better try it.
2d Soldier—All right, George, we’ll have a round of the red.
Hebrew Wine-seller—Here you are, gentlemen. You’ll like that. [He sets down an earthenware pitcher that he has filled from one of the casks.] That’s a nice little wine.
1st Soldier—Have a drink of it yourself. [He turns to the third Roman soldier who is leaning on a barrel.] What’s the matter with you?
3d Roman Soldier—I got a gut-ache.
2d Soldier—You’ve been drinking water.
1st Soldier—Try some of the red.
3d Soldier—I can’t drink the damn stuff. It makes my gut sour.
1st Soldier—You been out here too long.
3d Soldier—Hell don’t I know it?
1st Soldier—Say, George, can’t you give this gentleman something to fix up his stomach?
Hebrew Wine-seller—I got it right here.
[The third Roman soldier tastes the cup that the wine-seller has mixed for him.]
3d Soldier—Hey, what you put in that, camel chips?
Wine-seller—You drink that right down, Lootenant. That’ll fix you up right.
3d Soldier—Well, I couldn’t feel any worse.
1st Soldier—Take a chance on it. George fixed me up fine the other day.
Wine-seller—You were in bad shape, Lootenant. I know what fixes up a bad stomach.
[The third Roman soldier drinks the cup down.]
3d Roman Soldier—Jesus Christ. [He makes a face.]
2d Soldier—That false alarm!
1st Soldier—Oh, I don’t know. He was pretty good in there today.
2d Soldier—Why didn’t he come down off the cross?
1st Soldier—He didn’t want to come down off the cross. That’s not his play.
2d Soldier—Show me a guy that doesn’t want to come down off the cross.
1st Soldier—Aw, hell, you don’t know anything about it. Ask George there. Did he want to come down off the cross, George?
Wine-seller—I’ll tell you, gentlemen, I wasn’t out there. It’s a thing I haven’t taken any interest in.
2d Soldier—Listen, I seen a lot of them—here and plenty of other places. Any time you show me one that doesn’t want to get down off the cross when the time comes—when the time comes, I mean—I’ll climb right up with him.
The Complete Short Stories of Ernest Hemingway Page 32
