by Bill Bowers
And the old lord went on playing—playing on his organ; and the servants thought the sweet music he made had soothed down his awful temper, of which (Dorothy said) some terrible tales could be told. He grew infirm too, and had to walk with a crutch; and his son—that was the present Lord Furnivall’s father—was with the army in America, and the other son at sea; so Miss Maude had it pretty much her own way, and she and Miss Grace grew colder and bitterer to each other every day; till at last they hardly ever spoke, except when the old lord was by. The foreign musician came again the next summer, but it was for the last time; for they led him such a life with their jealousy and their passions, that he grew weary, and went away, and never was heard of again. And Miss Maude, who had always meant to have her marriage acknowledged when her father should be dead, was left now a deserted wife—whom nobody knew to have been married—with a child that she dared not own, although she loved it to distraction; living with a father whom she feared, and a sister whom she hated. When the next summer passed over and the dark foreigner never came, both Miss Maude and Miss Grace grew gloomy and sad; they had a haggard look about them, though they looked handsome as ever. But by-and-by Miss Maude brightened; for her father grew more and more infirm, and more than ever carried away by his music; and she and Miss Grace lived almost entirely apart, having separate rooms, the one on the west side, Miss Maude on the east—those very rooms which were now shut up. So she thought she might have her little girl with her, and no one need ever know except those who dared not speak about it, and were bound to believe that it was, as she said, a cottager’s child she had taken a fancy to. All this Dorothy said, was pretty well known; but what came afterwards no one knew, except Miss Grace, and Mrs. Stark, who was even then her maid, and much more of a friend to her than ever her sister had been. But the servants supposed, from words that were dropped, that Miss Maude had triumphed over Miss Grace, and told her that all the time the dark foreigner had been mocking her with pretended love—he was her own husband; the colour left Miss Grace’s cheek and lips that very day for ever, and she was heard to say many a time that sooner or later she would have her revenge; and Mrs. Stark was forever spying about the east rooms.
One fearful night, just after the New Year had come in, when the snow was lying thick and deep, and the flakes were still falling—fast enough to blind any one who might be out and abroad—there was a great and violent noise heard, and the old lord’s voice above all, cursing and swearing awfully,—and the cries of a little child,—and the proud defiance of a fierce woman,—and the sound of a blow,—and a dead stillness,—and moans and wailings dying away on the hillside! Then the old lord summoned all his servants, and told them, with terrible oaths, and words more terrible, that his daughter had disgraced herself, and that he had turned her out of doors,—her, and her child,—and that if ever they gave her help,—or food,—or shelter,—he prayed that they might never enter Heaven. And, all the while, Miss Grace stood by him, white and still as any stone; and when he had ended she heaved a great sigh, as much as to say her work was done, and her end was accomplished. But the old lord never touched his organ again, and died within the year; and no wonder! for, on the morrow of that wild and fearful night, the shepherds, coming down the Fell-side, found Miss Maude sitting, all crazy and smiling, under the holly-trees, nursing a dead child,—with a terrible mark on its right shoulder. ‘But that was not what killed it,’ she said; ‘it was the frost and the cold;—every wild creature was in its hole, and every beast in its fold,—while the child and its mother were turned out to wander on the Fells! And now you know all! and I wonder if you are less frightened now?’
I was more frightened than ever; but I said I was not. I wished Miss Rosamond and myself well out of that dreadful house forever; but I would not leave her, and I dared not take her away. But oh! how I watched her, and guarded her! We bolted the doors, and shut the window-shutters fast, an hour or more before dark, rather than leave them open five minutes too late. But my little lady still heard the weird child crying and mourning; and not all we could do or say, could keep her from wanting to go to her, and let her in from the cruel wind and the snow. All this time, I kept away from Miss Furnivall and Mrs. Stark, as much as ever I could; for I feared them—I knew no good could be about them, with their grey hard faces, and their dreamy eyes, looking back into the ghastly years that were gone. But, even in my fear, I had a kind of pity—for Miss Furnivall, at least. Those gone down to the pit can hardly have a more hopeless look than that which was ever on her face. At last I even got so sorry for her—who never said a word but what was quite forced from her—that I prayed for her; and I taught Miss Rosamond to pray for one who had done a deadly sin; but often when she came to those words, she would listen, and start up from her knees, and say, ‘I hear my little girl plaining and crying very sad—Oh! let her in, or she will die!’
One night—just after New Year’s Day had come at last, and the long winter had taken a turn, as I hoped—I heard the west drawing-room bell ring three times, which was the signal for me. I would not leave Miss Rosamond alone, for all she was asleep—for the old lord had been playing wilder than ever—and I feared lest my darling should waken to hear the spectre child; see her I knew she could not. I had fastened the windows too well for that. So, I took her out of her bed and wrapped her up in such outer clothes as were most handy, and carried her down to the drawing-room, where the old ladies sat at their tapestry work as usual. They looked up when I came in, and Mrs. Stark asked, quite astounded, ‘Why did I bring Miss Rosamond there, out of her warm bed?’ I had begun to whisper, ‘Because I was afraid of her being tempted out while I was away, by the wild child in the snow,’ when she stopped me short (with a glance at Miss Furnivall), and said Miss Furnivall wanted me to undo some work she had done wrong, and which neither of them could see to unpick. So, I laid my pretty dear on the sofa, and sat down on a stool by them, and hardened my heart against them, as I heard the wind rising and howling.
Miss Rosamond slept on sound, for all the wind blew so; and Miss Furnivall said never a word, nor looked round when the gusts shook the windows. All at once she started up to her full height, and put up one hand, as if to bid us listen.
‘I hear voices!’ said she. ‘I hear terrible screams—I hear my father’s voice!’
Just at that moment, my darling wakened with a sudden start: ‘My little girl is crying, oh, how she is crying!’ and she tried to get up and go to her, but she got her feet entangled in the blanket, and I caught her up; for my flesh had begun to creep at these noises, which they heard while we could catch no sound. In a minute or two the noises came, and gathered fast, and filled our ears; we, too, heard voices and screams, and no longer heard the winter’s wind that raged abroad. Mrs. Stark looked at me, and I at her, but we dared not speak. Suddenly Miss Furnivall went towards the door, out into the ante-room, through the west lobby, and opened the door into the great hall. Mrs. Stark followed, and I durst not be left, though my heart almost stopped beating for fear. I wrapped my darling tight in my arms, and went out with them. In the hall the screams were louder than ever; they sounded to come from the east wing—nearer and nearer—close on the other side of the locked-up doors—close behind them. Then I noticed that the great bronze chandelier seemed all alight, though the hall was dim, and that a fire was blazing in the vast hearth-place, though it gave no heat; and I shuddered up with terror, and folded my darling closer to me. But as I did so, the east door shook, and she, suddenly struggling to get free from me, cried, ‘Hester! I must go! My little girl is there; I hear her; she is coming! Hester, I must go!’
I held her tight with all my strength; with a set will, I held her. If I had died, my hands would have grasped her still, I was so resolved in my mind. Miss Furnivall stood listening, and paid no regard to my darling, who had got down to the ground, and whom I, upon my knees now, was holding with both my arms clasped round her neck; she still striving and crying to get free.
All at once, the east do
or gave way with a thundering crash, as if torn open in a violent passion, and there came into that broad and mysterious light, the figure of a tall, old man, with grey hair and gleaming eyes. He drove before him, with many a relentless gesture of abhorrence, a stern and beautiful woman, with a little child clinging to her dress.
‘Oh, Hester! Hester!’ cried Miss Rosamond. ‘It’s the lady! the lady below the holly-trees; and my little girl is with her. Hester! Hester! let me go to her; they are drawing me to them. I feel them—I feel them. I must go!’
Again she was almost convulsed by her efforts to get away; but I held her tighter and tighter, till I feared I should do her a hurt; but rather that than let her go towards those terrible phantoms. They passed along towards the great hall-door, where the winds howled and ravened for their prey; but before they reached that, the lady turned; and I could see that she defied the old man with a fierce and proud defiance; but then she quailed—and then she threw her arms wildly and piteously to save her child—her little child—from a blow from his uplifted crutch.
And Miss Rosamond was torn as by a power stronger than mine, and writhed in my arms, and sobbed (for by this time the poor darling was growing faint).
‘They want me to go with them on to the Fells—they are drawing me to them. Oh, my little girl! I would come, but cruel, wicked Hester holds me very tight.’ But when she saw the uplifted crutch she swooned away, and I thanked God for it. Just at this moment—when the tall, old man, his hair streaming as in the blast of a furnace, was going to strike the little, shrinking child—Miss Furnivall, the old woman by my side, cried out, ‘Oh, father! father! spare the little, innocent child!’ But just then I saw—we all saw—another phantom shape itself, and grow clear out of the blue and misty light that filled the hall; we had not seen her till now, for it was another lady who stood by the old man, with a look of relentless hate and triumphant scorn. That figure was very beautiful to look upon, with a soft, white hat drawn down over the proud brows, and a red and curling lip. It was dressed in an open robe of blue satin. I had seen that figure before. It was the likeness of Miss Furnivall in her youth; and the terrible phantoms moved on, regardless of old Miss Furnivall’s wild entreaty, and the uplifted crutch fell on the right shoulder of the little child, and the younger sister looked on, stony and deadly serene. But at that moment, the dim lights, and the fire that gave no heat, went out of themselves, and Miss Furnivall lay at our feet stricken down by the palsy—death-stricken.
Yes! she was carried to her bed that night never to rise again. She lay with her face to the wall, muttering low, but muttering always: ‘Alas! alas! what is done in youth can never be undone in age! what is done in youth can never be undone in age!’
33
August Heat
By W. F. Harvey
PHENISTONE ROAD, CLAPHAM, AUGUST 20, 190—.
I have had what I believe to be the most remarkable day in my life, and while the events are still fresh in my mind, I wish to put them down on paper as clearly as possible.
Let me say at the outset that my name is James Clarence Withencroft.
I am forty years old, in perfect health, never having known a day’s illness.
By profession I am an artist, not a very successful one, but I earn enough money by my black-and-white work to satisfy my necessary wants.
My only near relative, a sister, died five years ago, so that I am independent.
I breakfasted this morning at nine, and after glancing through the morning paper I lighted my pipe and proceeded to let my mind wander in the hope that I might chance upon some subject for my pencil.
The room, though door and windows were open, was oppressively hot, and I had just made up my mind that the coolest and most comfortable place in the neighborhood would be the deep end of the public swimming bath, when the idea came.
I began to draw. So intent was I on my work that I left my lunch untouched, only stopping work when the clock of St. Jude’s struck four.
The final result, for a hurried sketch, was, I felt sure, the best thing I had done.
It showed a criminal in the dock immediately after the judge had pronounced sentence. The man was fat—enormously fat. The flesh hung in rolls about his chin; it creased his huge, stumpy neck. He was clean shaven (perhaps I should say a few days before he must have been clean shaven) and almost bald. He stood in the dock, his short, stumpy fingers clasping the rail, looking straight in front of him. The feeling that his expression conveyed was not so much one of horror as of utter, absolute collapse.
There seemed nothing in the man strong enough to sustain that mountain of flesh.
I rolled up the sketch, and without quite knowing why, placed it in my pocket. Then with the rare sense of happiness which the knowledge of a good thing well done gives, I left the house.
I believe that I set out with the idea of calling upon Trenton, for I remember walking along Lytton Street and turning to the right along Gilchrist Road at the bottom of the hill where the men were at work on the new tram lines.
From there onward I have only the vaguest recollections of where I went. The one thing of which I was fully conscious was the awful heat, that came up from the dusty asphalt pavement as an almost palpable wave. I longed for the thunder promised by the great banks of copper-colored cloud that hung low over the western sky.
I must have walked five or six miles, when a small boy roused me from my reverie by asking the time.
It was twenty minutes to seven.
When he left me I began to take stock of my bearings. I found myself standing before a gate that led into a yard bordered by a strip of thirsty earth, where there were flowers, purple stock and scarlet geranium. Above the entrance was a board with the inscription—
CHAS. ATKINSON
MONUMENTAL MASON
WORKER IN ENGLISH AND ITALIAN MARBLES
From the yard itself came a cheery whistle, the noise of hammer blows, and the cold sound of steel meeting stone.
A sudden impulse made me enter.
A man was sitting with his back toward me, busy at work on a slab of curiously veined marble. He turned round as he heard my steps and stopped short.
It was the man I had been drawing, whose portrait lay in my pocket.
He sat there, huge and elephantine, the sweat pouring from his scalp, which he wiped with a red silk handkerchief. But though the face was the same, the expression was absolutely different.
He greeted me smiling, as if we were old friends, and shook my hand.
I apologized for my intrusion.
“Everything is hot and glary outside,” I said. “This seems an oasis in the wilderness.”
“I don’t know about the oasis,” he replied, “but it certainly is hot, as hot as hell. Take a seat, sir!”
He pointed to the end of the gravestone on which he was at work, and I sat down.
“That’s a beautiful piece of stone you’ve got hold of,” I said.
He shook his head. “In a way it is,” he answered; “the surface here is as fine as anything you could wish, but there’s a big flaw at the back, though I don’t expect you’d ever notice it. I could never make really a good job of a bit of marble like that. It would be all right in the summer like this; it wouldn’t mind the blasted heat. But wait till the winter comes. There’s nothing like frost to find out the weak points in stone.”
“Then what’s it for?” I asked.
The man burst out laughing.
“You’d hardly believe me if I was to tell you it’s for an exhibition, but it’s the truth. Artists have exhibitions; so do grocers and butchers; we have them too. All the latest little things in headstones, you know.”
He went on to talk of marbles, which sort best withstood wind and rain, and which were easiest to work; then of his garden and a new sort of carnation he had bought. At the end of every other minute he would drop his tools, wipe his shining head, and curse the heat.
I said little, for I felt uneasy. There was something unnatural, u
ncanny, in meeting this man.
I tried at first to persuade myself that I had seen him before, that his face, unknown to me, had found a place in some out-of-the-way corner of my memory, but I knew that I was practicing little more than a plausible piece of self-deception.
Mr. Atkinson finished his work, spat on the ground, and got up with a sigh of relief.
“There! What do you think of that?” he said, with an air of evident pride.
The inscription which I read for the first time was this—
SACRED TO THE MEMORY OF
JAMES CLARENCE WITHENCROFT
BORN JAN. 18TH, 1860
HE PASSED AWAY VERY SUDDENLY
ON AUGUST 20TH, 190—
“In the midst of life we are in death.”
For some time I sat in silence. Then a cold shudder ran down my spine. I asked him where he had seen the name.
“Oh, I didn’t see it anywhere,” replied Mr. Atkinson. “I wanted some name, and I put down the first that came into my head. Why do you want to know?”
“It’s a strange coincidence, but it happens to be mine.”
He gave a long, low whistle.
“And the dates?”
“I can only answer for one of them, and that’s correct.”
“It’s a rum go!” he said.
But he knew less than I did. I told him of my morning’s work. I took the sketch from my pocket and showed it to him. As he looked, the expression of his face altered until it became more and more like that of the man I had drawn.
