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To you.
PS. Yes, you.
When Red wins, she stands alone.
Blood slicks her hair. She breathes out steam in the last night of this dying world.
That was fun, she thinks, but the thought sours in the framing. It was clean, at least. Climb up time’s threads into the past and make sure no one survives this battle to muddle the futures her Agency’s arranged—the futures in which her Agency rules, in which Red herself is possible. She’s come to knot this strand of history and sear it until it melts.
She holds a corpse that was once a man, her hands gloved in its guts, her fingers clutching its alloy spine. She lets go, and the exoskeleton clatters against rock. Crude technology. Ancient. Bronze to depleted uranium. He never had a chance. That is the point of Red.
After a mission comes a grand and final silence. Her weapons and armor fold into her like roses at dusk. Once flaps of pseudoskin settle and heal and the programmable matter of her clothing knits back together, Red looks, again, something like a woman.
She paces the battlefield, seeking, making sure.
She has won, yes, she has won. She is certain she has won. Hasn’t she?
Both armies lie dead. Two great empires broke themselves here, each a reef to the other’s hull. That is what she came to do. From their ashes others will rise, more suited to her Agency’s ends. And yet.
There was another on the field—no groundling like the time-moored corpses mounded by her path, but a real player. Someone from the other side.
Few of Red’s fellow operatives would have sensed that opposing presence. Red knows only because Red is patient, solitary, careful. She studied for this engagement. She modeled it backward and forward in her mind. When ships were not where they were supposed to be, when escape pods that should have been fired did not, when certain fusillades came thirty seconds past their cue, she noticed.
Twice is coincidence. Three times is enemy action.
But why? Red has done what she came to do, she thinks. But wars are dense with causes and effects, calculations and strange attractors, and all the more so are wars in time. One spared life might be worth more to the other side than all the blood that stained Red’s hands today. A fugitive becomes a queen or a scientist or, worse, a poet. Or her child does, or a smuggler she trades jackets with in some distant spaceport. And all this blood for nothing.
Killing gets easier with practice, in mechanics and technique. Having killed never does, for Red. Her fellow agents do not feel the same, or they hide it better.
It is not like Garden’s players to meet Red on the same field at the same time. Shadows and sure things are more their style. But there is one who would. Red knows her, though they have never met. Each player has their signature. She recognizes patterns of audacity and risk.
Red may be mistaken. She rarely is.
Her enemy would relish such a magic trick: twisting to her own ends all Red’s grand work of murder. But it’s not enough to suspect. Red must find proof.
So she wanders the charnel field of victory and seeks the seeds of her defeat.
A tremor passes through the soil—do not call it earth. The planet dies. Crickets chirp. Crickets survive, for now, among the crashed ships and broken bodies on this crumbling plain. Silver moss devours steel, and violet flowers choke the dead guns. If the planet lasted long enough, the vines that sprout from the corpses’ mouths would grow berries.
It won’t, and neither will they.
On a span of blasted ground, she finds the letter.
It does not belong. Here there should be bodies mounded between the wrecks of ships that once sailed the stars. Here there should be the death and dirt and blood of a successful op. There should be moons disintegrating overhead, ships aflame in orbit.
There should not be a sheet of cream-colored paper, clean save a single line in a long, trailing hand: Burn before reading.
Red likes to feel. It is a fetish. Now she feels fear. And eagerness.
She was right.
She searches shadows for her hunter, her prey. She hears infrasonic, ultrasound. She thirsts for contact, for a new, more worthy battle, but she is alone with the corpses and the splinters and the letter her enemy left.
It is a trap, of course.
Vines curl through eye sockets, twine past shattered portholes. Rust flakes fall like snow. Metal creaks, stressed, and shatters.
It is a trap. Poison would be crude, but she smells none. Perhaps a noovirus in the message—to subvert her thoughts, to seed a trigger, or merely to taint Red with suspicion in her Commandant’s eyes. Perhaps if she reads this letter, she will be recorded, exposed, blackmailed for use as a double agent. The enemy is insidious. Even if this is but the opening gambit of a longer game, by reading it Red risks Commandant’s wrath if she is discovered, risks seeming a traitor be she never so loyal.
The smart and cautious play would be to leave. But the letter is a gauntlet thrown, and Red has to know.
She finds a lighter in a dead soldier’s pocket. Flames catch in the depths of her eyes. Sparks rise, ashes fall, and letters form on the paper, in that same long, trailing hand.
Red’s mouth twists: a sneer, a mask, a hunter’s grin.
The letter burns her fingers as the signature takes shape. She lets its cinders fall.
Red leaves then, mission failed and accomplished at once, and climbs downthread toward home, to the braided future her Agency shapes and guards. No trace of her remains save cinders, ruins, and millions dead.
The planet waits for its end. Vines live, yes, and crickets, though no one’s left to see them but the skulls.
Rain clouds threaten. Lightning blooms, and the battlefield goes monochrome. Thunder rolls. There will be rain tonight, to slick the glass that was the ground, if the planet lasts so long.
The letter’s cinders die.
The shadow of a broken gunship twists. Empty, it fills.
A seeker emerges from that shadow, bearing other shadows with her.
Wordless, the seeker regards the aftermath. She does not weep, that anyone can see. She paces through the wrecks, over the bodies, professional: She works a winding spiral, ensuring with long-practiced arts that no one has followed her through the silent paths she walked to reach this place.
The ground shakes and shatters.
She reaches what was once a letter. Kneeling, she stirs the ashes. A spark flies up, and she catches it in her hand.
She removes a thin white slab from a pouch at her side and slips it under the ashes, spreads them thin against the white. Removes her g
love, and slits her finger. Rainbow blood wells and falls and splatters into gray.
She works her blood into the ash to make a dough, kneads that dough, rolls it flat. All around, decay proceeds. The battleships become mounds of moss. Great guns break.
She applies jeweled lights and odd sounds. She wrinkles time.
The world cracks through the middle.
The ash becomes a piece of paper, with sapphire ink in a viny hand at the top.
This letter was meant to be read once, then destroyed.
In the moments before the world comes apart, she reads it again.
* * *
Look on my works, ye mighty, and despair!
A little joke. Trust that I have accounted for all variables of irony. Though I suppose if you’re unfamiliar with overanthologized works of the early Strand 6 nineteenth century, the joke’s on me.
I hoped you’d come.
You’re wondering what this is—but not, I think, wondering who this is. You know—just as I’ve known, since our eyes met during that messy matter on Abrogast-882—that we have unfinished business.
I shall confess to you here that I’d been growing complacent. Bored, even, with the war; your Agency’s flash and dash upthread and down, Garden’s patient planting and pruning of strands, burrowing into time’s braid. Your unstoppable force to our immovable object; less a game of Go than a game of tic-tac-toe, outcomes determined from the first move, endlessly iterated until the split where we fork off into unstable, chaotic possibility—the future we seek to secure at each other’s expense.
But then you turned up.
My margins vanished. Every move I’d made by rote I had to bring myself to fully. You brought some depth to your side’s speed, some staying power, and I found myself working at capacity again. You invigorated your Shift’s war effort and, in so doing, invigorated me.
Please find my gratitude all around you.
I must tell you it gives me great pleasure to think of you reading these words in licks and whorls of flame, your eyes unable to work backwards, unable to keep the letters on a page; instead you must absorb them, admit them into your memory. In order to recall them you must seek my presence in your thoughts, tangled among them like sunlight in water. In order to report my words to your superiors you must admit yourself already infiltrated, another casualty of this most unfortunate day.
This is how we’ll win.
It is not entirely my intent to brag. I wish you to know that I respected your tactics. The elegance of your work makes this war seem like less of a waste. Speaking of which, the hydraulics in your spherical flanking gambit were truly superb. I hope you’ll take comfort from the knowledge that they’ll be thoroughly digested by our mulchers, such that our next victory against your side will have a little piece of you in it.
Better luck next time, then.
Fondly,
Blue
* * *
A glass jar of water boils in an MRI machine. In defiance of proverbs, Blue watches it.
When Blue wins—which is always—she moves on to the next thing. She savours her victories in retrospect, between missions, recalls them only while travelling (upthread into the stable past or downthread into the fraying future) as one recalls beloved lines of poetry. She combs or snarls the strands of time’s braid with the finesse or brutality required of her, and leaves.
She is not in the habit of sticking around, because she is not in the habit of failing.
The MRI machine is in a twenty-first-century hospital, remarkably empty—evacuated, Blue observes—but never conspicuous to begin with, nestled in the green heart of a forest bisected by borders.
The hospital was meant to be full. Blue’s job was a delicate matter of infection—one doctor in particular to intrigue with a new strain of bacteria, to lay the groundwork for twisting her world towards or away from biological warfare, depending on how the other side responded to Garden’s move. But the opportunity’s vanished, the loophole closed, and the only thing there for Blue to find is a jar labeled READ BY BUBBLING.
So she lingers by the MRI machine, musing as she does on the agonies of symmetry recording the water’s randomness—the magnetic bones settled like reading glasses on the thermodynamic face of the universe, registering each bloom and burst of molecule before it transforms. Once it translates the last of the water’s heat into numbers, she takes the printout in her right hand and fits the key of it into the lock of the letter-strewn sheet in her left.
She reads, and her eyes widen. She reads, and the data get harder to extract from the depth of her fist’s clench. But she laughs, too, and the sound echoes down the hospital’s empty halls. She is unaccustomed to being thwarted. Something about it tickles, even as she meditates on how to phase-shift failure into opportunity.
Blue shreds the data sheet and the cipher text, then picks up a crowbar.
In her wake, a seeker enters the hospital room’s wreck, finds the MRI machine, breaks into it. The jar of water is cool. She tips its tepid liquid down her throat.
* * *
My most insidious Blue,
How does one begin this sort of thing? It’s been so long since I last started a new conversation. We’re not so isolated as you are, not so locked in our own heads. We think in public. Our notions inform one another, correct, expand, reform. Which is why we win.
Even in training, the other cadets and I knew one other as one knows a childhood dream. I’d greet comrades I thought I’d never met before, only to find we’d already crossed paths in some strange corner of the cloud before we knew who we were.
So: I am not skilled in taking up correspondence. But I have scanned enough books, and indexed enough examples, to essay the form.
Most letters begin with a direct address to the reader. I’ve done that already, so next comes shared business: I’m sorry you couldn’t meet the good doctor. She’s important. More to the point, her sister’s children will be, if she visits them this afternoon and they discuss patterns in birdsong—which she will have done already by the time you decipher this note. My cunning methods for spiriting her from your clutches? Engine trouble, a good spring day, a suspiciously effective and cheap remote-access software suite her hospital purchased two years ago, which allows the good doctor to work from home. Thus we braid Strand 6 to Strand 9, and our glorious crystal future shines so bright I gotta wear shades, as the prophets say.
Remembering our last encounter, I thought it best to ensure you’d twist no other groundlings to your purpose, hence the bomb threat. Crude, but effective.
I appreciate your subtlety. Not every battle’s grand, not every weapon fierce. Even we who fight wars through time forget the value of a word in the right moment, a rattle in the right car engine, a nail in the right horseshoe . . . It’s so easy to crush a planet that you may overlook the value of a whisper to a snowbank.
Address the reader—done. Discuss shared business—done, almost.
I imagine you laughing at this letter, in disbelief. I have seen you laugh, I think—in the Ever Victorious Army’s ranks, as your dupes burned the Summer Palace and I rescued what I could of the Emperor’s marvelous clockwork devices. You marched scornful and fierce through the halls, hunting an agent you did not know was me.
So I imagine fire glinting off your teeth. You think you’ve wormed inside me—planted seeds or spores in my brain—whatever vegetal metaphor suits your fancy. But here I’ve repaid your letter with my own. Now we have a correspondence. Which, if your superiors discover it, will start a chain of questions I anticipate you’ll find uncomfortable. Who’s infecting whom? We know from our hoarse Trojans, in my time. Will you respond, establishing complicity, continuing our self-destructive paper trail, just to get in the last word? Will you cut off, leaving my note to spin its fractal math inside you?
I wonder which I’d rather.
Finally: conclude.
This was fun.
My regards to the vast and trunkless legs of stone,
Re
d
* * *
Red puzzles through a labyrinth of bones.
Other pilgrims wander here, in saffron robes or homespun brown. Sandals shuffle over rocks, and high winds whistle around cave corners. Ask the pilgrims how the labyrinth came to be, and they offer answers varied as their sins. Giants made it, this one claims, before the gods slew the giants, then abandoned Earth to its fate at mortal hands. (Yes, this is Earth—long before the ice age and the mammoth, long before academics many centuries downthread will think it possible for the planet to have spawned pilgrims, or labyrinths. Earth.) The first snake built the labyrinth, says another, screwing down through rock to hide from the judgment of the sun. Erosion made it, says a third, and the grand dumb motion of tectonic plates, forces too big for we cockroaches to conceive, too slow for mayfly us to observe.
They pass among the dead, under chandeliers of shoulder blades, rose windows outlined by rib cages. Metacarpals outline looping flowers.
Red asks the other pilgrims nothing. She has her mission. She takes care. She should meet no opposition as she makes a small twist this far upthread. At the labyrinth’s heart there is a cavern, and soon into that cavern will come a gust of wind, and if that wind whistles over the right fluted bones, one pilgrim will hear the cry as an omen that will drive him to renounce all worldly goods and retreat to build a hermitage on a distant mountain slope, so that hermitage will exist in two hundred years to shelter a woman fleeing with child in a storm, and so it goes. Start a stone rolling, so in three centuries you’ll have an avalanche. Little flash to such an assignment, less challenge, so long as she stays on script. Not even a taunt to disturb her path.
Did her adversary—did Blue—ever read her letter? Red liked writing it—winning tastes sweet, but sweeter still to triumph and tease. To dare reprisal. Every op since, she’s watched her back, moved with double caution, waiting for payback, or for Commandant to find her small breach of discipline and bring the scourge. Red has her excuses ready: Since her disobedience she’s been a better agent, more meticulous.
This Is How You Lose the Time War Page 1
