“I’m going to pick up a carryout and head round to my mate Andy’s. A few of us usually hang out there on Saturday nights, fire up the PlayStation, have a smoke and a few beers.”
“Sounds utterly delightful,” I said.
“What about you?” he asked.
I was going home, of course, to watch a television program or read a book. What else would I be doing?
“I shall return to my flat,” I said. “I think there might be a documentary about komodo dragons on BBC4 later this evening.”
He looked at his watch again, and then up at the boundless blue sky. There was a moment of silence and then a blackbird began showing off nearby, his song so spectacular that it bordered on vulgar. We both listened, and when I smiled at Raymond, he smiled back.
“Look, it’s far too nice a night to be sitting inside on your own. Fancy grabbing a quick pint somewhere? I’ll need to head off in an hour or so before the offy shuts, but . . .”
This required careful consideration. I had not been in a public house for many years, and Raymond could hardly be described as engaging company. I quickly concluded, however, that it would be useful for two reasons. Firstly, it would be good practice, as, if things went well, Johnnie Lomond would probably want to take me to a public house during one of our dates, and so I really ought to familiarize myself in advance with the general environs and required behaviors in such establishments. Secondly, Raymond was an IT expert—allegedly—and I needed some advice. Such advice might be expensive to obtain via official channels, but I could ask him tonight, for free. All things considered, it seemed expeditious to accede to Raymond’s request. He was staring into the middle distance, and I noticed that he had lit a cigarette and smoked almost half of it while I had been pondering.
“Yes, Raymond. I will go to the pub with you for one drink,” I said, nodding.
“Magic,” he said.
We ended up in a bar five minutes from the hospital, on a busy road. One of the tables outside was unoccupied. The metal surface was covered in circular stains and its legs looked unstable, but Raymond seemed delighted.
“Seats outside!” he said, happily throwing himself down and hanging his jacket over the back of his chair. “Right then, I’ll go to the bar,” he said. “What are you after, Eleanor?”
I felt a fluttering of concern in my stomach. Firstly, sitting out here, I wouldn’t get to see the inside of the public house and observe what went on there. Secondly, I didn’t know what to order. What did normal people drink in public houses? I decided to take control of the situation.
“Raymond, I will go to the bar. I insist. What would you like me to order for you?” He tried to argue but I stood my ground and eventually he agreed, although he seemed annoyed. I simply could not fathom why he was making such a fuss about it.
“Right, well, I suppose I’ll have a pint of Guinness then. But I wish you’d let me get it, Eleanor.”
I put both hands on the table and leaned forward so that my face was very close to his.
“Raymond, I will purchase the drinks. It’s important to me, for reasons that I don’t wish to articulate to you.”
He shrugged, then nodded, and I walked off toward the door.
It seemed very dark inside after the sunlight, and noisy too—there was music of an unfamiliar genre pulsing loudly from large speakers. The place wasn’t busy, and I was the only customer at the bar. A young man and a young woman were serving; that is to say, they were deep in conversation with each other, and every so often she would giggle like a simpleton and flick her dyed yellow hair, or he would punch her arm playfully and laugh in an overly loud, false manner. Human mating rituals are unbelievably tedious to observe. At least in the animal kingdom you are occasionally treated to a flash of bright feathers or a display of spectacular violence. Hair flicking and play fights don’t quite cut the mustard.
I was bored and I knocked hard, three times, on the wooden bar, as though it were a front door. They both looked up. I asked for a pint of Guinness, which the boy began to pour from a tap. “Anything else?” he said. I was still stumped. I reasoned that part of his job would be to help customers in such situations.
“What would you recommend?” I asked him. He looked up from watching the black liquid trickle into the glass.
“Eh?”
“I said, what would you recommend for me? I don’t drink in public houses, as a rule.”
He looked to his left and right, as if expecting someone else to be standing there. There was a long pause.
“Erm,” he said. “Well . . . Magners is very popular. With ice? Nice summer drink.”
“Right,” I said, “thank you. In that case, I’ll have a Magners drink, please, on your recommendation.” He opened a brown bottle and put it on the bar. He put some ice in a tall glass and placed it next to the bottle.
“What’s that?” I said.
“The Magners.”
“And what’s the empty glass for?”
“It’s for the Magners,” he said.
“Am I expected to pour the drink from the bottle into the glass?” I said, puzzled. “Isn’t it your job to do that?” He stared at me and then slowly poured the brown liquid over the ice and put it down quite hard; indeed, he practically slammed the bottle onto the counter.
“Eight pound seventy,” he said, in a most unfriendly manner. I handed over a five-pound note and four pound coins, then took my change and carefully put it in my purse.
“Would you by any chance have a tray?” I asked. He tossed down a filthy, sticky tray and watched as I placed the drinks on it before turning his back on me. There is such a paucity of good manners on display in the so-called service sector!
Raymond thanked me for the drink and took a big gulp. The Magners was quite pleasant, and I revised my opinion of the young barman. Yes, his customer service skills were poor, but he did at least know how to make appropriate beverage recommendations. Unprompted, Raymond started to tell me about his mother, how he was going to visit her tomorrow, something he did every Sunday. She was a widow and not terribly well. She had a lot of cats, and he helped her care for them. On and on and on he droned. I interrupted him.
“Raymond,” I said. “Can I ask you something?”
He sipped his pint. “Sure.”
“If I were to purchase a ‘smart phone,’ which type would you advise? I have been looking into the relative merits of iPhones as compared with Android devices, and I’d appreciate an insider’s perspective on the cost-benefit ratio, as it were.”
He looked somewhat surprised at my question, which was odd, given that he worked in IT and therefore must be asked technological questions quite frequently.
“Right, well . . .” He shook his head in a slightly canine way, as though he were clearing thoughts from it “. . . that depends on a lot of factors.” He expounded on these factors at some length—without reaching any kind of useful conclusion—and then looked at his watch.
“Shit! I better run—I need to pick up some beers before I head over to Andy’s, and it’s nearly ten.” He drained his pint, stood up and put on his jacket, even though it wasn’t in the least bit cold.
“You going to be OK getting home, Eleanor?” he said.
“Oh yes,” I said, “I’ll walk—it’s such a beautiful evening, and it’s still light.”
“Right then, I’ll see you on Monday,” he said. “Enjoy the rest of your weekend.” He turned to leave.
“Raymond, wait!” I said. He turned back toward me, smiling.
“What is it, Eleanor?”
“The Guinness, Raymond. It was three pounds fifty.” He stared at me. “It’s OK,” I said, “there’s no rush. You can give it to me on Monday, if that’s easier.”
He counted out four pound coins and put them on the table. “Keep the change,” he said, and walked off. Extravagant! I put the money
in my purse, and finished my Magners. Emboldened by the apples, I decided to take a detour on the way home. Yes. Why not? It was time for a spot of reconnaissance.
8
There is no such thing as hell, of course, but if there was, then the sound track to the screaming, the pitchfork action and the infernal wailing of damned souls would be a looped medley of “show tunes” drawn from the annals of musical theater. The complete oeuvre of Lloyd Webber and Rice would be performed, without breaks, on a stage inside the fiery pit, and an audience of sinners would be forced to watch—and listen—for eternity. The very worst among them, the child molesters and the murderous dictators, would have to perform them.
Save for the exquisite oeuvre of a certain Mr. Lomond, I have yet to find a genre of music I enjoy; it’s basically audible physics, waves and energized particles, and, like most sane people, I have no interest in physics. It therefore struck me as bizarre that I was humming a tune from Oliver! I mentally added the exclamation mark, which, for the first time ever, was appropriate. Who will buy this wonderful evening? Who indeed?
One of the foster carers kept a video library of musicals that we worked our way through en famille at weekends, and so, although I fervently wish that I wasn’t, I’m very familiar with the work of Lionel Bart, Rodgers and Hammerstein et al. Knowing I was here on the street where he lived was giving me a funny feeling, fluttery and edgy, verging on euphoric. I could almost understand why that frock-coated buffoon from My Fair Lady had felt the need to bellow about it outside Audrey Hepburn’s window.
Finding out where the musician lived had been easy. He had posted a picture of a lovely sunset on Twitter:
@johnnieLrocks
The view from my window: how lucky am I? #summerinthecity #blessed
It showed rooftops, trees and sky, but there was also a pub in the corner of the photograph, right at the end of the street, its name clearly visible. I found it in seconds, thanks to Google.
The street, like most in this part of the city, was made up of tenements. They all had a secure main front door with named buzzers on the outside wall, one for each flat inside the building. This was the right street. Which side should I start with? Even numbers, I decided. He was an even sort of man, not an odd one. I had a puzzle to solve. I hummed as I worked, and couldn’t remember the last time I’d felt like this—light, sparkly, quick. I suspected that it might be what happiness felt like.
It was fascinating to see all the different names on the buzzers, and the manner in which they were displayed. Some were scribbled in Biro on a sticker and placed carelessly over the button. Others had typed their names in bold uppercase, printed it out and affixed it with three layers of Sellotape. A few had left their buzzer blank, or failed to replace their name when the elements had made the ink run, rendering it illegible. I really hoped he wasn’t one of those, but I kept a list of their locations in my notebook, just in case. If I had eliminated all the legible names without coming across his, I’d have to go back and work my way through the list of blank ones.
Ah, but how could I have doubted him? Halfway down the street, the most even of even numbers, there he was: Mr. J. Lomond Esq. I stood before the buzzer, examining the letters. They were written neatly but artistically in classic black ink on thick white paper. It was so him.
It seemed unlikely that he, a popular, handsome man with the world at his feet, would be at home on a Saturday night, so, just to see how it felt, I gently touched his buzzer with the tip of my index finger. There was a crackle, and then a man’s voice spoke. I was somewhat taken aback, to say the least.
“Hello?” he said again.
A deep voice, well spoken, measured. Honey and smoke, velvet and silver. I quickly scanned the list and selected another resident’s name at random.
“Pizza delivery for . . . McFadden?” I said. I heard him sigh.
“They’re on the top floor,” he said, and hung up. The door buzzed and clicked open. Without stopping to think too much about it, I went inside.
The musician was upstairs on the first floor, in the flat on the right-hand side. There was a discreet brass nameplate above the bell. I stood and listened. I could hear nothing from inside, just the hum of the stair light and faint sounds from the street below. On the floor above, a television was blaring. I took out my notebook and tore off a blank page. I placed it over the nameplate and took out my pencil, then began a brass rubbing. Within moments, I had a stunning facsimile of the plate, which I placed carefully into my bag, between the pages of the notebook. The exterior doors were open and his interior door, a typical Victorian design of mahogany and opaque etched glass, was tantalizingly close.
I stood as near as I dared. I could hear nothing from within, and there was no visible movement. I could almost make out the shape of a bookcase, and a painting. A cultured man. How much we had in common!
I stiffened. There: soft fingers on vibrating steel, and a chord shimmered into the air, nebulous and milky, like light from an old, old star. A voice: warm and low and gentle, a voice to cast spells, charm snakes, shape the course of dreams. I could do nothing but turn toward it and lean closer. I pressed myself against the glass. He was writing a song, working it all out—words, music, feelings. What a rare privilege, to be permitted to eavesdrop on the very moment of creation! He sang of nature, my handsome Orpheus. His voice. His voice!
I tipped my head back and closed my eyes. I pictured a sky. It was blue black, soft and dense as fur. Across and over the expanse of night, into the velvet depths of it, light was scattered, enough for a thousand darknesses. Patterns revealed themselves; the eye, exquisitely dazzled, sought out snail-shell whorls and shattered pearls, gods and beasts and planets. As we stood still, yet we rotated, and, whilst turning, moved in a larger circle, round and round the sun, and oh, the dizzying momentum of it . . .
The music stopped and there was a sudden, blurry movement. I stepped back, and quickly started to walk upstairs, my heart hammering. Nothing. I stood on the upper landing and waited for a few minutes. Nothing.
I tiptoed down and placed myself outside his door again. The music had started up once more, but I did not wish to disturb him. I was only there to see where he lived, after all . . . there was no harm in looking. Mission accomplished.
It was sheer spendthrift madness, but once on the street, I hailed a passing black cab to take me home. The evening had lingered slowly, but now it was definitely night, and I did not care to be abroad. The dark is where bad things happen. I estimated that the taxi was likely to cost in the region of six pounds, but I had no choice. I put on my seat belt and closed the glass panel that separated me from the driver. I had no desire to hear his views on association football, the city council or any other topic. I had only one thing on my mind. Or, more accurately, one person.
I realized after an hour or two that I wasn’t going to be able to sleep after my earlier adventuring. I put on the light and looked down at my nightdress. I have two, to allow for alternate washing. They are identical, both of them ankle-length with a high neckline, made of cozy brushed cotton. They’re lemon-colored (the shade reminds me of explosively fizzy boiled sweets, not a feature of my early childhood but a comforting image nonetheless). When I was young, for a treat, Mummy would pop a pimento-stuffed olive into my mouth, or, occasionally, an oily anchovy from a coffin-shaped yellow-and-red tin. She always stressed to me that sophisticated palates erred toward savory flavors, that cheap, sugary treats were the ruin of the poor (and their teeth). Mummy always had very sharp, very white teeth.
The only acceptable sweet treats, she said, were proper Belgian truffles (Neuhaus, nom de dieu; only tourists bought those nasty chocolate seashells) or plump Medjool dates from the souks of Tunis, both of which were rather difficult to source in our local Spar. There was a time, shortly before . . . the incident . . . when she shopped only at Fortnum’s, and I recall that in that same period she was in regular correspondence w
ith Fauchon over perceived imperfections in their confiture de cerises. I remember the pretty red stamps on the letters from Paris: Liberté, Egalité, Fraternité. Not exactly a credo of Mummy’s.
I folded my pillow in half to support me as I sat up. Sleep still felt far away, and I was in need of soothing. I reached down into the gap between the mattress and the wall and sought my old faithful, its edges rounded and softened with years of handling. Jane Eyre. I could open up the novel at any page and immediately know where I was in the story, could almost visualize the next sentence before I reached it. It was an old Penguin Classic, Ms. Brontë’s portrait gracing the cover. The bookplate inside read: Saint Eustace Parish Church Sunday School, Presented to Eleanor Oliphant for Perfect Attendance, 1998. I had a very ecumenical upbringing, all told, having been fostered by Presbyterians, Anglicans, Catholics, Methodists and Quakers, plus a few individuals who wouldn’t recognize God if he pointed his electric Michelangelo finger at them. I submitted to all attempts at spiritual education with equally bad grace. Sunday school, or its equivalent, did at least get me out of whatever house I was living in, and sometimes there were sandwiches, or, more rarely, tolerable companions.
I opened the book at random, in the manner of a lucky dip. It fell open at a pivotal scene, the one where Jane meets Mr. Rochester for the first time, startling his horse in the woods and causing him to fall. Pilot is there too, the handsome, soulful-eyed hound. If the book has one failing, it’s that there is insufficient mention of Pilot. You can’t have too much dog in a book.
Jane Eyre. A strange child, difficult to love. A lonely only child. She’s left to deal with so much pain at such a young age—the aftermath of death, the absence of love. It’s Mr. Rochester who gets burned in the end. I know how that feels. All of it.
Everything seems worse in the darkest hours of the night; I was surprised to hear that the birds were still singing, although they sounded angry. The poor creatures must hardly sleep in summer, when the light glimmers on and on. In the half dark, in the full dark, I remember, I remember. Awake in the shadows, two little rabbit heartbeats, breath like a knife. I remember, I remember . . . I closed my eyes. Eyelids are really just flesh curtains. Your eyes are always “on,” always looking; when you close them, you’re watching the thin, veined skin of your inner eyelid rather than staring out at the world. It’s not a comforting thought. In fact, if I thought about it for long enough, I’d probably want to pluck out my own eyes, to stop looking, to stop seeing all the time. The things I’ve seen cannot be unseen. The things I’ve done cannot be undone.
Eleanor Oliphant Is Completely Fine Page 7
