“You’re going to have to shim those out”, I said.
“What’s shim?”
“It’s a thin, flat strip of metal. You just slip it around the handlebar under the collar there and it will open up the collar to where you can tighten it again. You use shims like that to make adjustments in all kinds of machines.”
“Oh”, he said. He was getting interested. “Good. Where do you buy them?”
“I’ve got some right here”, I said gleefully, holding up a can of beer in my hand.
He didn’t understand for a moment. Then he said, “What, the can?”
“Sure”, I said, “best shim stock in the world.”
I thought this was pretty clever myself. Save him a trip to God knows where to get shim stock. Save him time. Save him money.
But to my surprise he didn’t see the cleverness of this at all. In fact he got noticeably haughty about the whole thing. Pretty soon he was dodging and filling with all kinds of excuses and, before I realized what his real attitude was, we had decided not to fix the handlebars after all.
As far as I know those handlebars are still loose. And I believe now that he was actually offended at the time. I had had the nerve to propose repair of his new eighteen-hundred dollar BMW, the pride of a half-century of German mechanical finesse, with a piece of old beer can!
Ach, du lieber!
Since then we have had very few conversations about motorcycle maintenance. None, now that I think of it.
You push it any further and suddenly you are angry, without knowing why.
I should say, to explain this, that beer-can aluminum is soft and sticky, as metals go. Perfect for the application. Aluminum doesn’t oxidize in wet weather… or, more precisely, it always has a thin layer of oxide that prevents any further oxidation. Also perfect.
In other words, any true German mechanic, with a half-century of mechanical finesse behind him, would have concluded that this particular solution to this particular technical problem was perfect.
For a while I thought what I should have done was sneak over to the workbench, cut a shim from the beer can, remove the printing and then come back and tell him we were in luck, it was the last one I had, specially imported from Germany. That would have done it. A special shim from the private stock of Baron Alfred Krupp, who had to sell it at a great sacrifice. Then he would have gone gaga over it.
That Krupp’s-private-shim fantasy gratified me for a while, but then it wore off and I saw it was just being vindictive. In its place grew that old feeling I’ve talked about before, a feeling that there’s something bigger involved than is apparent on the surface. You follow these little discrepancies long enough and they sometimes open up into huge revelations. There was just a feeling on my part that this was something a little bigger than I wanted to take on without thinking about it, and I turned instead to my usual habit of trying to extract causes and effects to see what was involved that could possibly lead to such an impasse between John’s view of that lovely shim and my own. This comes up all the time in mechanical work. A hang-up. You just sit and stare and think, and search randomly for new information, and go away and come back again, and after a while the unseen factors start to emerge.
What emerged in vague form at first and then in sharper outline was the explanation that I had been seeing that shim in a kind of intellectual, rational, cerebral way in which the scientific properties of the metal were all that counted. John was going at it immediately and intuitively, grooving on it. I was going at it in terms of underlying form. He was going at it in terms of immediate appearance. I was seeing what the shim meant. He was seeing what the shim was. That’s how I arrived at that distinction. And when you see what the shim is, in this case, it’s depressing. Who likes to think of a beautiful precision machine fixed with an old hunk of junk?
I guess I forgot to mention John is a musician, a drummer, who works with groups all over town and makes a pretty fair income from it. I suppose he just thinks about everything the way he thinks about drumming… which is to say he doesn’t really think about it at all. He just does it. Is with it. He just responded to fixing his motorcycle with a beer can the way he would respond to someone dragging the beat while he was playing. It just did a big thud with him and that was it. He didn’t want any part of it.
At first this difference seemed fairly minor, but then it grew — and grew — and grew — until I began to see why I missed it. Some things you miss because they’re so tiny you overlook them. But some things you don’t see because they’re so huge. We were both looking at the same thing, seeing the same thing, talking about the same thing, thinking about the same thing, except he was looking, seeing, talking and thinking from a completely different dimension.
He really does care about technology. It’s just that in this other dimension he gets all screwed up and is rebuffed by it. It just won’t swing for him. He tries to swing it without any rational premeditation and botches it and botches it and botches it and after so many botches gives up and just kind of puts a blanket curse on that whole nuts-and-bolts scene. He will not or cannot believe there is anything in this world for which grooving is not the way to go.
That’s the dimension he’s in. The groovy dimension. I’m being awfully square talking about all this mechanical stuff all the time. It’s all just parts and relationships and analyses and syntheses and figuring things out and it isn’t really here. It’s somewhere else, which thinks it’s here, but’s a million miles away. This is what it’s all about. He’s on this dimensional difference which underlay much of the cultural changes of the sixties, I think, and is still in the process of reshaping our whole national outlook on things. The “generation gap” has been a result of it. The names “beat” and “hip” grew out of it. Now it’s become apparent that this dimension isn’t a fad that’s going to go away next year or the year after. It’s here to stay because it’s a very serious and important way of looking at things that looks incompatible with reason and order and responsibility but actually is not. Now we are down to the root of things.
My legs have become so stiff they are aching. I hold them out one at a time and turn my foot as far to the left and to the right as it will go to stretch the leg. It helps, but then the other muscles get tired from holding the legs out.
What we have here is a conflict of visions of reality. The world as you see it right here, right now, is reality, regardless of what the scientists say it might be. That’s the way John sees it. But the world as revealed by its scientific discoveries is also reality, regardless of how it may appear, and people in John’s dimension are going to have to do more than just ignore it if they want to hang on to their vision of reality. John will discover this if his points burn out.
That’s really why he got upset that day when he couldn’t get his engine started. It was an intrusion on his reality. It just blew a hole right through his whole groovy way of looking at things and he would not face up to it because it seemed to threaten his whole life style. In a way he was experiencing the same sort of anger scientific people have sometimes about abstract art, or at least used to have. That didn’t fit their life style either.
What you’ve got here, really, are two realities, one of immediate artistic appearance and one of underlying scientific explanation, and they don’t match and they don’t fit and they don’t really have much of anything to do with one another. That’s quite a situation. You might say there’s a little problem here.
At one stretch in the long desolate road we see an isolated grocery store. Inside, in back, we find a place to sit on some packing cases and drink canned beer.
The fatigue and backache are getting to me now. I push the packing case over to a post and lean on that.
Chris’s expression shows he is really settling into something bad. This has been a long hard day. I told Sylvia way back in Minnesota that we could expect a slump in spirits like this on the second or third day and now it’s here. Minnesota… when was that?
A w
oman, badly drunk, is buying beer for some man she’s got outside in a car. She can’t make up her mind what brand to buy and the wife of the owner waiting on her is getting mad. She still can’t decide, but then sees us, and weaves over and asks if we own the motorcycles. We nod yes. Then she wants a ride on one. I move back and let John handle this.
He puts her off graciously, but she comes back again and again, offering him a dollar for a ride. I make some jokes about it, but they’re not funny and just add to the depression. We get out and back into the brown hills and heat again.
By the time we reach Lemmon we are really aching tired. At a bar we hear about a campground to the south. John wants to camp in a park in the middle of Lemmon, a comment that sounds strange and angers Chris greatly.
I’m more tired now than I can remember having been in a long time. The others too. But we drag ourselves through a supermarket, pick up whatever groceries come to mind and with some difficulty pack them onto the cycles. The sun is so far down we’re running out of light. It’ll be dark in an hour. We can’t seem to get moving. I wonder, are we dawdling, or what?
“C’mon, Chris, let’s go”, I say.
“Don’t holler at me. I’m ready.”
We drive down a county road from Lemmon, exhausted, for what seems a long, long time, but can’t be too long because the sun is still above the horizon. The campsite is deserted. Good. But there is less than a half-hour of sun and no energy left. This is the hardest now.
I try to get unpacked as fast as possible but am so stupid with exhaustion I just set everything by the camp road without seeing what a bad spot it is. Then I see it is too windy. This is a High Plains wind. It is semidesert here, everything burned up and dry except for a lake, a large reservoir of some sort below us. The wind blows from the horizon across the lake and hits us with sharp gusts. It is already chilly. There are some scrubby pines back from the road about twenty yards and I ask Chris to move the stuff over there.
He doesn’t do it. He wanders off down to the reservoir. I carry the gear over by myself.
I see between trips that Sylvia is making a real effort at setting things up for cooking, but she’s as tired as I am.
The sun goes down.
John has gathered wood but it’s too big and the wind is so gusty it’s hard to start. It needs to be splintered into kindling. I go back over to the scrub pines, hunt around through the twilight for the machete, but it’s already so dark in the pines I can’t find it. I need the flashlight. I look for it, but it’s too dark to find that either.
I go back and start up the cycle and ride it back over to shine the headlight on the stuff so that I can find the flashlight. I look through all the stuff item by item to find the flashlight. It takes a long time to realize I don’t need the flashlight, I need the machete, which is in plain sight. By the time I get it back John has got the fire going. I use the machete to hack up some of the larger pieces of wood.
Chris reappears. He’s got the flashlight!
“When are we going to eat?” he complains.
“We’re getting it fixed as fast as possible”, I tell him. “Leave the flashlight here.”
He disappears again, taking the flashlight with him.
The wind blows the fire so hard it doesn’t reach up to cook the steaks. We try to fix up a shelter from the wind using large stones from the road, but it’s too dark to see what we’re doing. We bring both cycles over and catch the scene in a crossbeam of headlights. Peculiar light. Bits of ash blowing up from the fire suddenly glow bright white in it, then disappear in the wind.
BANG! There’s a loud explosion behind us. Then I hear Chris giggling.
Sylvia is upset.
“I found some firecrackers”, Chris says.
I catch my anger in time and say to him, coldly, “It’s time to eat now.”
“I need some matches”, he says.
“Sit down and eat.”
“Give me some matches first.”
“Sit down and eat.”
He sits down and I try to eat the steak with my Army mess knife, but it is too tough, and so I get out a hunting knife and use it instead. The light from the motorcycle headlight is full upon me so that the knife, when it goes down into the mess gear, is in full shadow and I can’t see where it’s going.
Chris says he can’t cut his either and I pass my knife to him. While reaching for it he dumps everything onto the tarp.
No one says a word.
I’m not angry that he spilled it, I’m angry that now the tarp’s going to be greasy the rest of the trip.
“Is there any more?” he asks.
“Eat that”, I say. “It just fell on the tarp.”
“It’s too dirty”, he says.
“Well, that’s all there is.”
A wave of depression hits. I just want to go to sleep now. But he’s angry and I expect we’re going to have one of his little scenes. I wait for it and pretty soon it starts.
“I don’t like the taste of this”, he says.
“Yes, that’s rough, Chris.”
“I don’t like any of this. I don’t like this camping at all.”
“It was your idea”, Sylvia says. “You’re the one who wanted to go camping.”
She shouldn’t say that, but there’s no way she can know. You take his bait and he’ll feed you another one, and then another, and another until you finally hit him, which is what he really wants.
“I don’t care”, he says.
“Well, you ought to”, she says.
“Well, I don’t.”
An explosion point is very near. Sylvia and John look at me but I remain deadpan. I’m sorry about this but there’s nothing I can do right now. Any argument will just worsen things.
“I’m not hungry”, Chris says.
No one answers.
“My stomach hurts”, he says.
The explosion is avoided when Chris turns and walks away in the darkness.
We finish eating. I help Sylvia clean up, and then we sit around for a while. We turn the cycle lights off to conserve the batteries and because the light from them is ugly anyway. The wind has died down some and there is a little light from the fire. After a while my eyes become accustomed to it. The food and anger have taken off some of the sleepiness. Chris doesn’t return.
“Do you suppose he’s just punishing?” Sylvia asks.
“I suppose”, I say, “although it doesn’t sound quite right.” I think about it and add, “That’s a child-psychology term… a context I dislike. Let’s just say he’s being a complete bastard.”
John laughs a little.
“Anyway”, I say, “it was a good supper. I’m sorry he had to act up like this.”
“Oh, that’s all right”, John says. “I’m just sorry he won’t get anything to eat.”
“It won’t hurt him.”
“You don’t suppose he’ll get lost out there.”
“No, he’ll holler if he is.”
Now that he has gone and we have nothing to do I become more aware of the space all around us. There is not a sound anywhere. Lone prairie.
Sylvia says, “Do you suppose he really has stomach pains?”
“Yes”, I say, somewhat dogmatically. I’m sorry to see the subject continued but they deserve a better explanation than they’re getting. They probably sense that there’s more to it than they’ve heard. “I’m sure he does”, I finally say. “He’s been examined a half-dozen times for it. Once it was so bad we thought it was appendicitis — I remember we were on a vacation up north. I’d just finished getting out an engineering proposal for a five-million-dollar contract that just about did me in. That’s a whole other world. No time and no patience and six hundred pages of information to get out the door in one week and I was about ready to kill three different people and we thought we’d better head for the woods for a while.”
“I can hardly remember what part of the woods we were in. Head just spinning with engineering data, and anyway Chris was just
screaming. We couldn’t touch him, until I finally saw I was going to have to pick him up fast and get him to the hospital, and where that was I’ll never remember, but they found nothing.”
“Nothing?”
“No. But it happened again on other occasions too.”
“Don’t they have any idea?” Sylvia asks.
“This spring they diagnosed it as the beginning symptoms of mental illness.”
“What?” John says.
It’s too dark to see Sylvia or John now or even the outlines of the hills. I listen for sounds in the distance, but hear none. I don’t know what to answer and so say nothing.
When I look hard I can make out stars overhead but the fire in front of us makes it hard to see them. The night all around is thick and obscure. My cigarette is down to my fingers and I put it out.
“I didn’t know that”, Sylvia’s voice says. All traces of anger are gone. “We wondered why you brought him instead of your wife”, she says. “I’m glad you told us.”
John shoves some of the unburned ends of the wood into the fire.
Sylvia says, “What do you suppose the cause is?”
John’s voice rasps, as if to cut it off, but I answer, “I don’t know. Causes and effects don’t seem to fit. Causes and effects are a result of thought. I would think mental illness comes before thought.” This doesn’t make sense to them, I’m sure. It doesn’t make much sense to me and I’m too tired to try to think it out and give it up.
“What do the psychiatrists think?” John asks.
“Nothing. I stopped it.”
“Stopped it?”
“Yes.”
“Is that good?”
“I don’t know. There’s no rational reason I can think of for saying it’s not good. Just a mental block of my own. I think about it and all the good reasons for it and make plans for an appointment and even look for the phone number and then the block hits, and it’s just like a door slammed shut.”
“That doesn’t sound right.”
“No one else thinks so either. I suppose I can’t hold out forever.”
Zen and the Art of Motorcycle Maintenance Page 6
