Because it is not shared, the memory seems fictitious, and so do other memories: the blizzard of 1916 that marooned us in the schoolhouse for a night and a day, the time the ice went out and brought both Martin’s dam and the CPR bridge in kindling to our doors, the games of fox-and-geese in the untracked snow of a field that is now a grove, the nights of skating with a great fire leaping from the river ice and reflecting red from the cutbanks. I have used those memories for years as if they really happened, have made stories and novels of them. Now they seem uncorroborated and delusive. Some of the pioneers still in the telephone book would remember, but pioneers’ memories are no good to me. Pioneers would remember the making of the town; to me, it was made, complete, timeless. A pioneer’s child is what I need now, and in this town the pioneers’ children did not stay, but went on, generally to bigger places farther west, where there was more opportunity.
Sitting in the sticky-smelling, nostalgic air of the Greek’s confectionery store, I am afflicted with the sense of how many whom I have known are dead, and how little evidence I have that I myself have lived what I remember. It is not quite the same feeling I imagined when I contemplated driving out to the homestead. That would have been absolute denial. This, with its tantalizing glimpses, its hints and survivals, is not denial but only doubt. There is enough left to disturb me, but not to satisfy me. So I will go a little closer. I will walk on down into the west bend and take a look at our house.
In the strange forest of the school yard the boys are friendly, and their universal air of health, openness, and curiosity reassures me. This is still a good town to be a boy in. To see a couple of them on the prowl with air rifles (in my time we would have been carrying .22’s or shotguns, but we would have been of the same tribe) forces me to readjust my disappointed estimate of the scrub growth. When one is four feet high, ten-foot willows are a sufficient cover, and ten acres are a wilderness.
By now, circling and more than half unwilling, I have come into the west end of town, have passed Corky Jones’s house (put off till later that meeting) and the open field beside Downs’s where we used to play run-sheep-run in the evenings, and I stand facing the four-gabled white frame house that my father built. It ought to be explosive with nostalgias and bright with recollections, for this is where we lived for five or six of my most impressionable years, where we all nearly died with the flu in 1918, where my grandmother “went crazy” and had to be taken away by a Mountie to the Provincial asylum because she took to standing silently in the door of the room where my brother and I slept—just hovered there for heaven knows how long before someone discovered her watching and listening in the dark. I try to remember my grandmother’s face and cannot; only her stale old-woman’s smell after she became incontinent. I can summon up other smells, too—it is the smells that seem to have stayed with me: baking paint and hot tin and lignite smoke behind the parlor heater; frying scrapple, which we called head-cheese, on chilly fall mornings after the slaughtering was done; the rich thick odor of doughnuts frying in a kettle of boiling lard (I always got to eat the “holes”) . With effort, I can bring back Christmases, birthdays, Sunday School parties in that house, and I have not forgotten the licking I got when, aged about six, I was caught playing with my father’s loaded .30-.30 that hung above the mantel just under the Rosa Bonheur painting of three white horses in a storm. After that licking I lay out behind the chopping block all one afternoon watching my big dark heavy father as he worked at one thing and another, and all the time I lay there I kept aiming an empty cartridge case at him and dreaming murder.
Even the dreams of murder, which were bright enough at the time, have faded; he is long dead, and if not forgiven, at least propitiated. My mother too, who saved me from him so many times, and once missed saving me when he clouted me with a chunk of stove wood and knocked me over the woodbox and broke my collarbone: she too has faded. Standing there looking at the house where our lives entangled themselves in one another, I am infuriated that of that episode I remember less her love and protection and anger than my father’s inept contrition. And walking all around the house trying to pump up recollection, I notice principally that the old barn is gone. What I see, though less changed than the town in general, still has power to disturb me; it is all dreamlike, less real than memory, less convincing than the recollected odors.
Whoever lives in the house now is a tidy housekeeper; the yard is neat, the porch swept. The corner where I used to pasture my broken-legged colt is a bed of flowers, the yard where we hopefully watered our baby spruces is a lawn enclosed by a green hedge. The old well with the hand pump is still in the side yard. For an instant my teeth are on edge with the memory of the dry screech of that pump before a dipperful of priming water took hold, and an instant later I feel the old stitch in my side from an even earlier time, the time when we still carried water from the river, and I dipped a bucket down into the hole in the ice and toted it, staggering and with the other arm stuck stiffly out, up the dugway to the kitchen door.
Those instants of memory are persuasive. I wonder if I should knock on the door and ask the housewife to let me look around, go upstairs to our old room in the west gable, examine the ceiling to see if the stains from the fire department’s chemicals are still there. My brother and I used to lie in bed and imagine scenes and faces among the blotches, giving ourselves inadvertent Rorschach tests. I have a vivid memory, too, of the night the stains were made, when we came out into the hard cold from the Pastime Theater and heard the firehouse bell going and saw the volunteer fire department already on the run, and followed them up the ditch toward the glow of the fire, wondering whose house, until we got close and it was ours.
It is there, and yet it does not flow as it should, it is all a pumping operation. I half suspect that I am remembering not what happened but something I have written. I find that I am as unwilling to go inside that house as I was to try to find the old homestead in its ocean of grass. All the people who once shared the house with me are dead; strangers would have effaced or made doubtful the things that might restore them in my mind.
Behind our house there used to be a footbridge across the river, used by the Carpenters and others who lived in the bottoms, and by summer swimmers from town. I pass by the opaque and troubling house to the cutbank. The twin shanties that through all the town’s life have served as men’s and women’s bath houses are still there. In winter we used to hang our frozen beef in one of them. I remember iron evenings when I went out with a lantern and sawed and haggled steaks from a rocklike hind quarter. But it is still an academic exercise; I only remember it, I do not feel the numb fingers and the fear that used to move just beyond the lantern’s glow.
Then I walk to the cutbank edge and look down, and in one step the past comes closer than it has yet been. There is the gray curving cutbank, not much lower than I remember it when we dug cave holes in it or tunneled down its drifted cliff on our sleds. The bar is there at the inner curve of the bend, and kids are wallowing in a quicksandy mudhole and shrieking on an otter slide. They chase each other into the river and change magically from black to white. The water has its old quiet, its whirlpools spin lazily into deep water. On the footbridge, nearly exactly where it used to be, two little girls lie staring down into the water a foot below their noses. Probably they are watching suckers that lie just as quietly against the bottom. In my time we used to snare them from the bridge with nooses of copper wire.
It is with me all at once, what I came hoping to re-establish, an ancient, unbearable recognition, and it comes partly from the children and the footbridge and the river’s quiet curve, but much more from the smell. For here, pungent and pervasive, is the smell that has always meant my childhood. I have never smelled it anywhere else, and it is as evocative as Proust’s made leine and tea.
But what is it? Somehow I have always associated it with the bath house, with wet bathing suits and damp board benches, heaps of clothing, perhaps even the seldom rinsed comers where desperate boys
had made water. I go into the men’s bath house, and the smell is there, but it does not seem to come from any single thing. The whole air smells of it, outside as well as in. Perhaps it is the river water, or the mud, or something about the float and footbridge. It is the way the old burlap-tipped diving board used to smell; it used to remain in the head after a sinus-flooding dive.
I pick up a handful of mud and sniff it. I step over the little girls and bend my nose to the wet rail of the bridge. I stand above the water and sniff. On the other side I strip leaves off wild rose and dogwood. Nothing doing. And yet all around me is that odor that I have not smelled since I was eleven, but have never forgotten—have dreamed, more than once. Then I pull myself up the bank by a gray-leafed bush, and I have it. The tantalizing and ambiguous and wholly native smell is no more than the shrub we called wolf willow, now blooming with small yellow flowers.
It is wolf willow, and not the town or anyone in it, that brings me home. For a few minutes, with a handful of leaves to my nose, I look across at the clay bank and the hills beyond where the river loops back on itself, enclosing the old sports and picnic ground, and the present and all the years between are shed like a boy’s clothes dumped on the bath-house bench. The perspective is what it used to be, the dimensions are restored, the senses are as clear as if they had not been battered with sensation for forty alien years. And the queer adult compulsion to return to one’s beginnings is assuaged. A contact has been made, a mystery touched. For the moment, reality is made exactly equivalent with memory, and a hunger is satisfied. The sensuous little savage that I once was is still intact inside me.
Later, looking from the North Bench hills across my restored town, I can see the river where it shallows and crawls southeastward across the prairie toward the Milk, the Missouri, and the Gulf, and I toy with the notion that a man is like the river or the clouds, that he can be constantly moving and yet steadily renewed. The sensuous little savage, at any rate, has not been rubbed away or dissolved; he is as solid a part of me as my skeleton.
And he has a fixed and suitably arrogant relationship with his universe, a relationship geometrical and symbolic. From his center of sensation and question and memory and challenge, the circle of the world is measured, and in that respect the years of experience I have loaded upon my savage have not altered him. Lying on a hillside where I once sprawled among the crocuses, watching the town herd and snaring May’s emerging gophers, I feel how the world still reduces me to a point and then measures itself from me. Perhaps the meadowlark singing from a fence post —a meadowlark whose dialect I recognize—feels the same way. All points on the circumference are equidistant from him; in him all radii begin; all diameters run through him; if he moves, a new geometry creates itself around him.
No wonder he sings. It is a good country that can make anyone feel so.
And it is a fact that once I have, so to speak, recovered myself as I used to be, I can look at the town, whose childhood was exactly contemporary with my own, with more understanding. It turns out to have been a special sort of town—special not only to me, in that it provided the indispensable sanctuary to match the prairie’s exposure, but special in its belated concentration of Plains history. The successive stages of the Plains frontier flowed like a pageant through these Hills, and there are men still alive who remember almost the whole of it. My own recollections cover only a fragment; and yet it strikes me that this is my history. My disjunct, uprooted, cellular family was more typical than otherwise on the frontier. But more than we knew, we had our place in a human movement. What this town and its surrounding prairie grew from, and what they grew into, is the record of my tribe. If I am native to anything, I am native to this.
2
History Is a Pontoon Bridge
Unless everything in a man’s memory of childhood is misleading, there is a time somewhere between the ages of five and twelve which corresponds to the phase ethologists have isolated in the development of birds, when an impression lasting only a few seconds may be imprinted on the young bird for life. This is the way a bird emerging from the darkness of the egg knows itself, the mechanism of its relating to the world. Expose a just-hatched duckling to an alarm clock, or a wooden decoy on rollers, or a man, or any other object that moves and makes a noise, and it will react for life as if that object were its mother. Expose a child to a particular environment at his susceptible time and he will perceive in the shapes of that environment until he dies. The perceptive habits that are like im printings or like conditioned responses carry their habitual and remembered emotions. Wolf willow is a sample, but things other than smells will do it. I can sing an old Presbyterian Sunday School hymn, “The Fight Is On, Oh Christian Soldiers,” and instantly I am seven or eight years old, it is a June day on the homestead, the coulee is full of buttercups, and a flickertail’s close-eared head is emerging in jerks from a burrow, the unblinking almond eye watching to see if I move. Only because I must have sung it to myself in that spot, a few bars of that tune can immerse me in the old sun and space, return me to the big geometry of the prairie and the tension of the prairie wind.
I still sometimes dream, occasionally in the most intense and brilliant shades of green, of a jungly dead bend of the Whitemud below Martin’s dam. Every time I have that dream I am haunted, on awaking, by a sense of meanings just withheld, and by a profound nostalgic melancholy. Freudian implications suggest themselves, and the brilliant metallic greens of the dream could be an alarming symptom from my suprarenals. But the Freudian and endocrine aspects interest me less than the mere fact that this dead loop of river, known only for a few years, should be so charged with potency in my unconscious—why around it there should be other images, almost all from the river valley rather than from the prairie, that constantly recur in dreams or in the images I bring up off the typewriter onto the page. They lie in me like underground water; every well I put down taps them. If I must have Freudian dreams, and I suppose I must, why does that early imprinting, rather than all later experience, so often dictate their form? And if my suprarenals must cut up, why do the mescalin-vivid colors of my visions have to come, not merely from childhood but from a fraction of childhood?
I suppose I know, actually. As the prairie taught me identity by exposing me, the river valley taught me about safety. In a jumpy and insecure childhood where all masculine elements are painful or dangerous, sanctuary matters. That sunken bottom sheltered from the total sky and the untrammeled wind was my hibernating ground, my place of snugness, and in a country often blistered and crisped, green became the color of safety. When I feel the need to return to the womb, this is still the place toward which my well-conditioned unconscious turns like an old horse heading for the barn.
Psychological narcissism is interesting enough to the individual who is indulging in it, but hardly to anyone else. There is something else here, and of a more general bearing. The accident of being brought up on a belated, almost symbolic frontier has put me through processes of deculturation, isolation, and intellectual schizophrenia that until recently have been a most common American experience. The lateness of my frontier and the fact that it lay in Canada intensified the discrepancy between that part of me which reflects the folk culture and that part which reflects an education imported and often irrelevant. The dichotomy between American and European that exists to some extent in all of us exists most drastically in people reared on frontiers, for frontiers provide not only the rawest forms of deculturation but the most slavish respect for borrowed elegances.
Man, being infinitely adaptable, does not perish of a mere discrepancy. The titanotheres whose fossil bones lie embedded in the Cypress Hills sandstones died off when a climatic change killed the mushy forage for which their chopper teeth were designed, but I shall not lose even sleep or efficiency because of the division in me. I shall only feel half an anachronism in an America that has been industrialized, regimented, bulldozed, and urbanized out of direct contact with the earth.
I may not know
who I am, but I know where I am from. I can say to myself that a good part of my private and social character, the kinds of scenery and weather and people and humor I respond to, the prejudices I wear like dishonorable scars, the affections that sometimes waken me from middle-aged sleep with a rush of undiminished love, the virtues I respect and the weaknesses I condemn, the code I try to live by, the special ways I fail at it and the kinds of shame I feel when I do, the models and heroes I follow, the colors and shapes that evoke my deepest pleasure, the way I adjudicate between personal desire and personal responsibility, have been in good part scored into me by that little womb-village and the lovely, lonely, exposed prairie of the homestead. However anachronistic I may be, I am a product of the American earth, and in nothing quite so much as in the contrast between what I knew through the pores and what I was officially taught.
People on a frontier revert quickly, except when they are self-consciously preserving some imported nicety, to folk skills, and some of these are so primitive that they seem to have scarcely any national character at all. In their performance you cannot tell a Norwegian from a Dukhobor, or either one from an Ontario man. It is as if they came down to us from Neanderthal or Cro-Magnon ancestors—our way with simple hand tools, our way with animals, the simpler forms of social organization. On that level, every frontier child knows exactly who he is, and who his mother is, and he loves his alarm clock quite as much as if it had feathers. But then comes something else, a waddling thing with webbed feet, insisting that it is his mother, that he is not who he thought he was, but infinitely more, heir to swans and phoenixes. In such a town as Whitemud, school superimposes five thousand years of Mediterranean culture and two thousand years of Europe upon the adapted or rediscovered simplicities of a new continent.
Wolf Willow Page 4
