by C. L. Moore
"Music," Jackie said.
It was so faint I scarcely heard it, and, in any case, it wasn't real music. I can't begin to describe it. And it died away immediately. Thump, scrape, pop, buzz. Then silence, and I pulled off the cover.
The house was dark, the windows were shut, the blinds were down. Paper and milk bottle were gone from the porch. On the front door was a sign that said—after I used a magnifying glass: QUARANTINE! SCOPPY FEVER!
"Why, the little liars," I said. "I bet they haven't got scoppy fever at all."
Jackie giggled wildly. "You only get scoppy fever in April, don't you?"
"April and Christmas. That's when the bread-and-butter flies carry it. Where's my pencil?"
I rang the bell. A shade twitched aside, flipped back; neither of us had seen the—hand?—that moved it. Silence; no smoke coming out of the chimney.
"Scared?" I asked.
"No. It's funny, but I'm not. They're such standoffish little guys. The Cabots speak only to—"
"Where the pixies speak only to goblins, you mean," I said. "They can't snoot us this way. It's our house their house is in, if you follow me."
"What can we do?"
I manipulated the pencil, and, with considerable difficulty, wrote LET US IN on the white panel of the door. There wasn't room for more than that. Jackie tsked.
"Maybe you shouldn't have written that. We don't want to get in. We just want to see them."
"Too late now. Besides, they'll know what we mean."
We stood watching the house in the bird cage, and it watched us, in a sullen and faintly annoyed fashion. SCOPPY FEVER, indeed!
That was all that happened that night.
The next morning we found that the tiny front door had been scrubbed clean of my pencil marks, that the 'quarantine' sign was still there, and that there was a bottle of green milk and another paper on the porch. This time the headline said: EXTRA—FOTZPA OVERSHOOTS TUR!
Smoke was idling from the chimney. I rang the bell again. No answer. I noticed a domino of a mailbox by the door, chiefly because I could see through the slot that there were letters inside. But the thing was locked.
"If we could see whom they were addressed to—" Jackie suggested.
"Or whom they're from. That's what interests me."
Finally, we went to work. I was preoccupied all day, and nearly welded my thumb onto a boogie-arm. When I met Jackie that night, I could see that she'd been bothered, too.
"Let's ignore them," she said as we bounced home on the bus. "We know when we're not wanted, don't we?"
"I'm not going to be high-hatted by a—by a critter. Besides, we'll both go quietly nuts if we don't find out what's inside that house. Do you suppose Mr. Henchard's a wizard?"
"He's a louse," Jackie said bitterly. "Going off and leaving ambiguous pixies on our hands!"
When we got home, the little house in the bird cage took alarm, as usual, and by the time we'd yanked off the cover, the distant, soft noises had faded into silence. Lights shone through the drawn blinds. The porch had only the mat on it. In the mailbox we could see the yellow envelope of a telegram.
Jackie turned pale. "It's the last straw," she insisted. "A telegram!"
"It may not be."
"It is, it is, I know it is. Aunt Tinker Bell's dead. Or Iolanthe's coming for a visit."
"The quarantine sign's off the door," I said. "There's a new one. It says 'wet paint.' "
"Well, you will scribble all over their nice clean door."
I put the cretonne back, turned off the light switch, and took Jackie's hand. We stood waiting. After a time something went bump-bump-bump, and then there was a singing, like a teakettle. I heard a tiny clatter.
Next morning there were twenty-six bottles of yellow milk—bright yellow—on the tiny porch, and the Lilliputian headline announced: EXTRA—TUR SLIDES TOWARD FOTZPA!
There was mail in the box, too, but the telegram was gone.
That night things continued much as before. When I pulled the cloth off there was a sudden, furious silence. We felt that we were being watched around the corners of the miniature shades. We finally went to bed, but in the middle of the night I got up and took another look at our mysterious tenants. Not that I saw them, of course. But they must have been throwing a party, for bizarre, small music and wild thumps and pops died into silence as I peeked.
In the morning there was a red bottle and a newspaper on the little porch. The headline said: EXTRA—FOTZPA GOES UP!
"My work's going to the dogs," I said. "I can't concentrate for thinking about this business—and wondering ..."
"Me, too. We've got to find out somehow."
I peeked. A shade came down so sharply that it almost tore free from its roller.
"Do you think they're mad?" I asked.
"Yes," Jackie said, "I do. We must be bothering the very devil out of 'em. Look—I'll bet they're sitting inside by the windows, boiling mad, waiting for us to go away. Maybe we'd better go. It's time for the bus anyway."
I looked at the house, and the house, I felt, looked at me with an air of irritated and resentful fury. Oh, well. We went to work.
We were tired and hungry when we got back that night, but even before removing our coats we went into Mr. Henchard's room. Silence. I switched on the light while Jackie pulled off the cretonne cover from the cage.
I heard her gasp. Instantly I jumped forward, expecting to see a little green guy on that absurd porch—or anything, for that matter. I saw nothing unusual. There was no smoke coming from the chimney.
But Jackie was pointing to the front door. There was a neat, painted sign tacked to the panel. It said, very sedately, simply, and finally: To Let.
"Oh, oh, oh!" Jackie said.
I gulped. All the shades were up in the tiny windows and the chintz curtains were gone. We could see into the house for the first time. It was completely and awfully empty.
No furniture, anywhere. Nothing at all but a few scrapes and scratches on the polished hardwood floor. The wallpaper was scrupulously clean; the patterns, in the various rooms, were subdued and in good taste. The tenants had left their house in order.
"They moved," I said.
"Yes," Jackie murmured. "They moved out."
All of a sudden I felt lousy. The house—not the tiny one in the cage, but our own—was awfully empty. You know how it is when you've been on a visit, and come home into a place that's full of nothing and nobody?
I grabbed Jackie and held her tight. She felt pretty bad, too. You wouldn't think that a tiny TO LET sign could make so much difference.
"What'll Mr. Henchard say?" Jackie asked, watching me with big eyes.
Mr. Henchard came home two nights later. We were sitting by the fire when he walked in, his Gladstone swinging, the black cigarette holder jutting from below his beak. "Mph," he greeted us.
"Hello," I said weakly. "Glad you're back."
"Claptrap!" said Mr. Henchard firmly as he headed for his room. Jackie and I looked at one another.
Mr. Henchard squalled in sheer fury. His twisted face appeared around the door.
"Busybodies!" he snarled. "I told you—"
"Wait a minute," I said.
"I'm moving out!" Mr. Henchard barked. "Now!" His head popped back out of sight; the door slammed and locked. Jackie and I waited, half expecting to be spanked.
Mr. Henchard bounced out of his room, Gladstone suspended from one hand. He whirled past us toward the door.
I tried to stop him. "Mr. Henchard—"
"Claptrap!"
Jackie pulled at one arm, I got a grip on the other. Between us, we managed to bring him to a stop.
"Wait," I said. "You've forgotten your—uh—bird cage."
"That's what you think," he snarled at me. "You can have it. Meddlers! It took me months to build that little house just right, and months more to coax 'em to live in it. Now you've spoiled it. They won't be back."
"Who?" Jackie gulped.
His beady eyes were fi
xed malignantly on us. "My tenants. I'll have to build a new house now—ha! But this time I won't leave it within reach of meddlers."
"Wait," I said. "Are—are you a m-magician?"
Mr. Henchard snorted. "I'm a good craftsman. That's all it takes. You treat them right, and they'll treat you right. Still—" And he gleamed a bit with pride. "—it isn't everybody who knows how to build the right sort of house for them!"
He seemed to be softening, but my next question roused him again.
"What were they?" he snapped. "The Little Folk, of course. Call 'em what you like. Nixie, pixie, leprechaun, brownie—they've had lots of names. But they want a quiet, respectable neighborhood to live in, not a lot of peeping and prying. Gives the property a bad name. No wonder they moved out! And—mph!—they paid their rent on time, too. Still, the Little Folk always do," he added.
"Rent?" Jackie said faintly.
"Luck," Mr. Henchard said. "Good luck. What did you expect they'd pay in—money? Now I'll have to build another house to get my special luck back."
He gave us one parting glare, jerked open the door, and stamped out. We stood looking after him. The bus was pulling into the gas station down the slope, and Mr. Henchard broke into a run.
He caught the bus, all right, but only after he'd fallen flat on his face.
I put my arm around Jackie.
"Oh, gosh," she said. "His bad luck's working already."
"Not bad," I pointed out. "Just normal. When you rent a little house to pixies, you get a lot of extra good luck."
We sat in silence, watching each other. Finally without saying a word, we went into Mr. Henchard's vacated room. The bird cage was still there. So was the house. So was the TO LET sign.
"Let's go to Terry's," I said.
We stayed later than usual. Anybody would have thought we didn't want to go home because we lived in a haunted house. Except that in our case the exact opposite was true. Our house wasn't haunted any more. It was horribly, desolately, coldly vacant.
I didn't say anything till we'd crossed the highway, climbed the slope, and unlocked our front door. We went, I don't know why, for a final look at the empty house. The cover was back on the cage, where I'd replaced it, but—thump, rustle, pop! The house was tenanted again!
We backed out and closed the door before we breathed.
"No," Jackie said. "We mustn't look. We mustn't ever, ever, look under that cover."
"Never," I said. "Who do you suppose ..."
We caught a very faint murmur of what seemed to be boisterous singing. That was fine. The happier they were, the longer they'd stay. When we went to bed, I dreamed that I was drinking beer with Rip Van Winkle and the dwarfs. I drank 'em all under the table.
It was unimportant that the next morning was rainy. We were convinced that bright yellow sunlight was blazing in through the windows. I sang under the shower. Jackie burbled inarticulately and joyously. We didn't open Mr. Henchard's door.
"Maybe they want to sleep late," I said.
It's always noisy in the machine-shop, and a hand-truckload of rough cylinder casings going past doesn't increase the din noticeably. At three o'clock that afternoon, one of the boys was rolling the stuff along toward the storeroom, and I didn't hear it or see it until I'd stepped back from my planer, cocking my eye at its adjustment.
Those big planers are minor juggernauts. They have to be bedded in concrete, in heavy thigh-high cradles on which a heavily weighted metal monster—the planer itself—slides back and forth.
I stepped back, saw the hand-truck coming, and made a neat waltz turn to get out of its way. The boy with the hand-truck swerved, the cylinders began to fall out, and I took an unbalanced waltz step that ended with my smacking my thighs against the edge of the cradle and doing a neat, suicidal half-somersault. When I landed, I was jammed into the metal cradle, looking at the planer as it zoomed down on me. I've never in my life seen anything move so fast.
It was all over before I knew it. I was struggling to bounce myself out, men were yelling, the planer was bellowing with bloodthirsty triumph, and the cylinder heads were rolling around underfoot all over the place. Then there was the crackling, tortured crash of gears and cams going to pieces. The planer stopped. My heart started.
After I'd changed my clothes, I waited for Jackie to knock off. Rolling home on the bus, I told her about it. "Pure dumb luck. Or else a miracle. One of those cylinders bounced into the planer in just the right place. The planer's a mess, but I'm not. I think we ought to write a note of thanks to our—uh—tenants."
Jackie nodded with profound conviction. "It's the luck they pay their rent in, Eddie. I'm glad they paid in advance, too!"
"Except that I'm off the payroll till the planer's fixed," I said.
We went home through a storm. We could hear a banging in Mr. Henchard's room, louder than any noise that had ever come from the bird cage. We rushed upstairs and found the casement window had come open. I closed it. The cretonne cover had been half blown off the cage, and I started to pull it back in place. Jackie was beside me. We looked at the tiny house; my hand didn't complete its gesture.
The TO LET sign had been removed from the door. The chimney was smoking greasily. The blinds were tightly down, as usual, but there were other changes.
There was a small smell of cooking—scorned beef and skunk cabbage, I thought wildly. Unmistakably it came from the pixie house. On the formerly immaculate porch was a slopping-over garbage can, and a minuscule orange crate with unwashed, atom-sized tin cans and what were indubitably empty liquor bottles. There was a milk bottle by the door, too, filled with a biliously lavender liquid. It hadn't been taken in yet, nor had the morning paper. It was certainly a different paper. The lurid size of the headlines indicated that it was a yellow tabloid.
A clothesline, without any clothes hanging on it at the moment, had been tacked up from one pillar of the porch to a corner of the house.
I jerked down the cover, and fled after Jackie into the kitchen. "My God!" I said.
"We should have asked for references," she gasped. "Those aren't our tenants!"
"Not the tenants we used to have," I agreed. "I mean the ones Mr. Henchard used to have. Did you see that garbage pail on the porch!"
"And the clothesline," Jackie added. "How—how sloppy."
"Jukes, Kallikaks and Jeeter Lesters. This isn't Tobacco Road."
Jackie gulped. "Mr. Henchard said they wouldn't be back, you know."
"Yeah, but, well—"
She nodded slowly, as though beginning to understand. I said, "Give."
"I don't know. Only Mr. Henchard said the Little Folk wanted a quiet, respectable neighborhood. And we drove them out. I'll bet we gave the bird cage—the location—a bad reputation. The better-class pixies won't live there. It's—oh, dear—maybe it's a slum."
"You're very nuts," I said.
"I'm not. It must be that. Mr. Henchard said as much. He told us he'd have to build a new house. Desirable tenants won't move into a bad neighborhood. We've got sloppy pixies, that's all."
My mouth opened. I stared at her.
"Uh-huh. The tenement type. I'll bet they keep a pixilated goat in the kitchen," Jackie babbled.
"Well," I said, "we're not going to stand for it. I'll evict 'em. I—I'll pour water down their chimney. Where's the teakettle'?"
Jackie grabbed me. "No, you don't! We can't evict them, Eddie. We mustn't. They pay their rent," she said.
And then I remembered. "The planer—"
"Just that," Jackie emphasized, digging her fingers into my biceps. "You'd have been killed today if you hadn't had some extra good luck. Those pixies may be sloppy, but they pay their rent."
I got the angle. "Mr. Henchard's luck worked differently, though. Remember when he kicked that rock down the beach steps, and they started to cave in? Me, I do it the hard way. I fall in the planer, sure, and a cylinder bounces after me and stops the machine but I'll be out of a job till the planer's fixed. Nothing like that ever happene
d to Mr. Henchard."
"He had a better class of tenant," Jackie explained, with a wild gleam in her eye. "If Mr. Henchard had fallen in the planer, a fuse would have blown, I'll bet. Our tenants are sloppy pixies, so we get sloppy luck."
"They stay," I said. "We own a slum. Let's get out of here and go down to Terry's for a drink."
We buttoned our raincoats and departed, breathing the fresh, wet air. The storm was slashing down as furiously as ever. I'd forgotten my flashlight, but I didn't want to go back for it. We headed down the slope, toward Terry's faintly visible lights.
It was dark. We couldn't see much through the storm. Probably that was why we didn't notice the bus until it was bearing down on us, headlights almost invisible in the dimout.
I started to pull Jackie aside, out of the way, but my foot slipped on the wet concrete, and we took a nosedive. I felt Jackie's body hurtle against me, and the next moment we were floundering in the muddy ditch beside the highway while the bus roared past us and was gone.
We crawled out and made for Terry's. The barman stared at us, said, "Whew!" and set up drinks without being asked.
"Unquestionably," I said, "our lives have just been saved."
"Yes," Jackie agreed, scraping mud from her ears. "But it wouldn't have happened this way to Mr. Henchard."
The barman shook his head. "Fall in the ditch, Eddie? And you too? Bad luck!"
"Not bad," Jackie told him feebly. "Good. But sloppy." She lifted her drink and eyed me with muddy misery. I clinked my glass against hers.
"Well," I said. "Here's luck."
The End
WHEN THE BOUGH BREAKS
Astounding Science Fiction - November 1944
with Henry Kuttner
(as by Lewis Padgett)
The boy was a superbaby. His parents didn't know it, though, till the strange little servants came back through time to set up a strange sort of school—and a strange sort of inevitable dilemma.
-
They were surprised at getting the apartment, what with high rents and written-in clauses in the lease, and Joe Calderon felt himself lucky to be only ten minutes' subway ride from the University. His wife, Myra, fluffed up her red hair in a distracted fashion and said that landlords presumably expected parthenogenesis in their tenants, if that was what she meant. Anyhow, it was where an organism split in two and the result was two mature specimens. Calderon grinned, said, "Binary fission, chump," and watched young Alexander, aged eighteen months, backing up on all fours across the carpet, preparatory to assuming a standing position on his fat bowlegs.
