THE KENNEL MURDER CASE
S. S. Van Dine
FELONY & MAYHEM PRESS • NEW YORK
To the Scottish Terrier Club of America
Plus on apprend â connaître l’homme,
plus on apprend à estimer le chien.
—Joussenel
CHARACTERS OF THE BOOK
PHILO VANCE
JOHN F.-X. MARKHAM District Attorney of New York County
ERNEST HEATH Sergeant of the Homicide Bureau
ARCHER COE A collector of Chinese ceramics
BRISBANE COE His brother
RAYMOND WREDE A dilettante and friend of the Coes
HILDA LAKE Archer Coe’s niece
SIGNOR EDUÀRDO GRASSI An officer in the Milan Museum of Oriental Antiquities
LIANG TSUNG WEI The Coe cook
GAMBLE The Coe butler
LUKE ENRIGHT An importer
MAJOR JULIUS HIGGINBOTTOM Sportsman and dog breeder
ANNIE COCHRANE A maid
HENNESSEY Detective of the Homicide Bureau
BURKE Detective of the Homicide Bureau
SNITKIN Detective of the Homicide Bureau
SULLIVAN Detective of the Homicide Bureau
EMERY Detective of the Homicide Bureau
GUILFOYLE Detective of the Homicide Bureau
CAPTAIN DUBOIS Finger-print expert
DETECTIVE BELLAMY Finger-print expert
PETER QUACKENBUSH Official photographer
DOCTOR EMANUEL DOREMUS Medical Examiner
SWACKER Secretary to the District Attorney
CURRIE Vance’s valet
Contents
Cover
Title
Dedication
Epigraph
CHARACTERS OF THE BOOK
Contents
CHAPTER ONE The Bolted Bedroom
CHAPTER TWO The Dead Man
CHAPTER THREE A Startling Discovery
CHAPTER FOUR A Strange Interruption
CHAPTER FIVE The Wounded Scottie
CHAPTER SIX The Ivory-Headed Stick
CHAPTER SEVEN The Missing Man
CHAPTER EIGHT The Ting Yao Vase
CHAPTER NINE A Threat of Arrest
CHAPTER TEN “Needles and Pins”
CHAPTER ELEVEN More Bloodstains
CHAPTER TWELVE The Chinese Chest
CHAPTER THIRTEEN The Scented Lip-Stick
CHAPTER FOURTEEN Vance Experiments
CHAPTER FIFTEEN The Dagger Strikes
CHAPTER SIXTEEN The Den Window
CHAPTER SEVENTEEN The Six Judges
CHAPTER EIGHTEEN The Scottie’s Trail
CHAPTER NINETEEN Death and Revelations
CHAPTER TWENTY The Startling Truth
Series Page
Copyright
I
II
III
IV
V
VI
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
> 242
243
244
245
246
247
248
Guide
Cover
Title
Dedication
Epigraph
CHARACTERS OF THE BOOK
Contents
Start of Content
Series Page
Copyright
CHAPTER ONE
The Bolted Bedroom
(Thursday, October 11; 8.45 a.m.)
IT WAS EXACTLY three months after the startling termination of the Scarab murder case* that Philo Vance was drawn into the subtlest and the most perplexing of all the criminal problems that came his way during the four years of John F.-X. Markham’s incumbency as District Attorney of New York County.
Indeed, so mystifying was this case, so apparently inexplicable were its conflicting elements, that the police were for adding it to their list of unsolved murder mysteries. And they would have been justified in their decision; for rarely in the annals of modern crime has there been a case that seemed to reverse so completely the rational laws by which humanity lives and reasons. In the words of the doughty and practical Sergeant Ernest Heath of the Homicide Bureau, the case “didn’t make sense.” On the surface it smacked of strange and terrifying magic, of witch-doctors and miracle-workers; and every line of investigation ran into a blank wall.
In fact, the case had every outward appearance of being what arm-chair criminologists delight in calling the perfect crime. And, to make the plotting of the murderer even more mystifying, a diabolical concatenation of circumstances was superimposed upon the events by some whimsical and perverse god, which tended to strengthen every weak link in the culprit’s chain of ratiocination, and to turn the entire bloody affair into a maze of incomprehensibility.
Curiously enough, however, it was the very excess of ardor on the part of the murderer when attempting to divert suspicion, that created a minute hole in the wall of mystery, through which Vance was able to see a glimmer of light. In the process of following that light to the truth, Vance did what I believe was the shrewdest and profoundest detective work of his career. It was his peculiar knowledge of special and out-of-the-way facts, combined with his almost uncanny perception of human nature, that made it possible for him to seize upon apparently unimportant clues and resolve them into a devastating syllogism.
Vance for years had been a breeder of Scottish terriers. His kennels were in New Jersey, an hour’s ride from New York, and he spent much of his time there studying pedigrees, breeding for certain characteristics which he believed essential to the ideal terrier, and watching the results of his theories. Sometimes I think he manifested a greater enthusiasm in his dogs than in any other recreative phase of his life; and the only time I have seen evidences of a thrill in his eyes comparable to that when he had unearthed and acquired a magnificent Cézanne water-color or discovered a rare piece of Chinese ceremonial jade in a mass of opaque modern recuttings, was when one of his dogs went up to Winners.
I mention this fact—or idiosyncrasy, if you prefer—because it so happened that Vance’s ability to look at a certain stray Scottish terrier and recognize its blood-lines and show qualities, was what led him to one phase of the truth in the remarkable case which I am now recording.
That which led Vance to another important phase of the truth was his knowledge of Chinese ceramics. He possessed, in his home in East 38th Street, a small but remarkable collection of Chinese antiquities—museum pieces he had acquired in his extensive travels—and had written various articles for oriental and art journals on the subject of Sung and Ming monochrome porcelains.
Scotties and Chinese ceramics! A truly unusual combination. And yet, without a knowledge of these two antipodal interests, the mysterious murder of Archer Coe, in his old brownstone house in West 71st Street, would have remained a closed book for all time.
The opening of the case was rather tame: it promised little in the line of sensationalism. But within an hour of the telephone call Markham received from the Coe butler, the District Attorney’s office and the New York Police Department were plunged into one of the most astounding and baffling murder mysteries of our day.
It was shortly after half-past eight on the morning of October 11, that Vance’s door-bell rang; and Currie, his old English valet and majordomo, ushered Markham into the library. I was temporarily installed in Vance’s duplex roof-garden apartment at the time. There was much legal and financial work to be done—an accumulation of months, for Vance had insisted that I accompany him on the Mediterranean cruise he took immediately after the solving of the Scarab murder. For years, almost since our Harvard days, I had been Vance’s legal adviser and monetary steward (a post which included as much of friendship as of business) and his affairs kept me fairly busy—so busy, in fact, that a two months’ interregnum meant much overtime labor afterwards.
On this particular autumn morning I had risen at seven and was busily engaged with a mass of cancelled checks and bank statements when Markham arrived.
“Go ahead with your chores, Van Dine,” he said, with a perfunctory nod. “I’ll rout out the sybarite myself.” He seemed a trifle perturbed as he disappeared into Vance’s bedroom, which was just off the library.
I heard him call Vance a bit peremptorily, and I heard Vance give a dramatic groan.
“A murder, I presume,” Vance complained through a yawn. “Nothing less than gore would have led your footsteps to my boudoir at this ungodly hour.”
“Not a murder—” Markham began.
“Oh, I say! What time might it be, then?”
“Eight forty-five,” Markham told him.
“So early—and not a murder!” (I could hear Vance’s feet hit the floor.) “You interest me strangely… Your wedding morn perhaps?”
“Archer Coe has committed suicide,” Markham announced, not without irritation.
“My word!” Vance was now moving about. “That’s even stranger than a murder. I crave elucidation… Come, let’s sit down while I sip my coffee.”
Markham re-entered the library, followed by Vance clad in sandals and an elaborate Mandarin robe. Vance rang for Currie and ordered Turkish coffee, at the same time settling himself in a large Queen Anne chair and lighting one of his favorite Régie cigarettes.
Markham did not sit down. He stood near the mantelpiece, regarding his host with narrowed, inquisitive eyes.
“What did you mean, Vance,” he asked, “by Coe’s suicide being stranger than murder?”
“Nothing esoteric, old thing,” Vance drawled languidly. “Simply that there would be nothing particularly remarkable in any one’s pushing old Archer into the Beyond. He’s been inviting violence all his life. Not a sweet and love-inspiring chappie, don’t y’ know. But there’s something deuced remarkable in the fact that he should push himself over the border. He’s not the suicidal type—far too egocentric.”
“I think you’re right. And that idea was probably in the back of my head when I told the butler to hold everything till I got there.”
Currie entered with the coffee, and Vance sipped the black, cloudy liquid for a moment. At length he said:
“Do tell me more. Why should you be notified at all? And what did the butler pour into your ear over the phone? And why are you here curtailing my slumbers? Why everything? Why anything? Just why? Can’t you see I’m bursting with uncontrollable curiosity?” And Vance yawned and closed his eyes.
“I’m on my way to Coe’s house.” Markham was annoyed at the other’s attitude of indifference. “Thought maybe you’d like to—what’s your favorite word?—‘toddle’ along.” This was said with sarcasm.
“Toddle,” Vance repeated. “Quite. But why toddle blindly? Do be magnanimous and enlighten me. The corpse won’t run away, even if we are a bit latish.”
Markham hesitated, and shrugged. Obviously he was uneasy, and obviously he wanted Vance to accompany him. As he had admitted, something was in the ba
ck of his head.
“Very well,” he acquiesced. “Shortly after eight this morning Coe’s butler—the obsequious Gamble—phoned me at my home. He was in a state of nerves, and his voice was husky with fear. He informed me, with many hems and haws, that Archer Coe had shot himself, and asked me if I would come to the house at once. My first instinct was to tell him to notify the police; but, for some reason, I checked myself and asked him why he had called me. He said that Mr. Raymond Wrede had so advised him—”
“Ah!”
“It seems he had first called Wrede—who, as you know, is an intimate family friend—and that Wrede had immediately come to the house.”
“And Wrede said ‘get Mr. Markham.’ ” Vance drew deep on his cigarette. “Something dodging about in the recesses of Wrede’s brain, too, no doubt… Well, any more?”
“Only that the body was bolted in Coe’s bedroom.”
“Bolted on the inside?”
“Exactly.”
“Amazin’!”
“Gamble brought up Coe’s breakfast at eight as usual, but received no answer to his knocking…”
“So he peeped through the keyhole—yes, yes, butlers always do. Some day, Markham, I shall, in a moment of leisure, invent a keyhole that can’t be seen through by butlers. Have you ever stopped to think how much of the world’s disturbance is caused by butlers being able to see through keyholes?”
“No, Vance, I never have,” returned Markham wearily. “My brain is inadequate—I’ll leave that speculation to you… Nevertheless, because of your dalliance in the matter of inventing opaque keyholes, Gamble saw Coe seated in his armchair, a revolver in his hand, and a bullet wound in his right temple…”
“And, I’ll warrant, Gamble added that his master’s face was deathly pale—eh, what?”
“He did.”
“But what about Brisbane Coe? Why did Gamble call Wrede when Archer’s brother was in the house?”
“Brisbane Coe didn’t happen to be in the house. He’s at present in Chicago.”
“Ah! Most convenient… So when Wrede arrived he advised Gamble to phone direct to you, knowing that you knew Coe. Is that it?”
“As far as I can make out.”
“And you, knowing that I had visited Coe on various occasions, thought you’d pick me up and make it a conclave of acquaintances.”
“Do you want to come?” demanded Markham, with a trace of anger.
“Oh, by all means,” Vance replied dulcetly. “But, really, y’ know, I can’t go in these togs.” He rose and started towards the bedroom. “I’ll hop into appropriate integuments.” As he reached the door he stopped. “And I’ll tell you why your invitation enthralls me. I had an appointment with Archer Coe for three this afternoon to look at a pair of peach-bloom vases fourteen inches high he had recently acquired. And, Markham, a collector who has just acquired a pair of peach-bloom vases of that size doesn’t commit suicide the next day.”
The Kennel Murder Case Page 1
