The Complete Stories of Philip K. Dick Vol. 4:

by Philip K. Dick

  But then he thought, In some respects I sort of enjoyed making decisions. I mean, it was – He searched for the thought. It was different from being a stand-by or drawing unemployment. It had -

  Satisfaction, he thought. That's what it gave me. Like I was accomplishing something. He missed that already; he felt suddenly hollow, as if things had all at once become purposeless.

  "Leon," he said, "I could have gone on as President another whole month. And enjoyed the job. You know what I mean?"

  "Yeah, I guess I get your meaning," Leon mumbled.

  "No you don't," Max said.

  "I'm trying, Max," his cousin said. "Honest."

  With bitterness, Max said, "I shouldn't have had them go ahead and let those engineer-fellas patch up that Unicephalon; I should have buried the project, at least for six months."

  "Too late to think about that now," Leon said.

  Is it? Max asked himself. You know, something could happen to Unicephalon 40-D. An accident.

  He pondered that as he ate a piece of green-apple pie with a wide slice of longhorn cheese. A number of persons whom he knew could pull off such tasks… and did so, now and then.

  A big, nearly-fatal accident, he thought. Late some night, when everyone's asleep and it's just me and it awake here in the White House. I mean, let's face it; the aliens showed us how.

  "Look, Jim-Jam Briskin's back on the air," Leon said, gesturing at the TV set. Sure enough, there was the famous, familiar red wig, and Briskin was saying something witty and yet profound, something that made one stop to ponder. "Hey listen," Leon said. "He's poking fun at the FBI; can you imagine him doing that now? He's not scared of anything."

  "Don't bother me," Max said. "I'm thinking." He reached over and carefully turned the sound of the TV set off.

  For thoughts such as he was having he wanted no distractions.

  What'll We Do with Ragland Park?

  In his demesne near the logging town of John Day, Oregon, Sebastian Hada thoughtfully ate a grape as he watched the TV screen. The grapes, flown to Oregon by illegal jet transport, came from one of his farms in the Sonoma Valley of California. He spat the seeds into the fireplace across from him, half-listening to his CULTURE announcer delivering a lecture on the portrait busts of twentieth-century sculptors.

  If only I could get Jim Briskin on my network, Hada thought gloomily. The ranking TV news clown, so popular, with his flaming scarlet wig and genial, informal patter… CULTURE needs that, Hada realized. But -

  But their society, at the moment, was being run by the idiotic – but peculiarly able – President Maximilian Fischer, who had locked horns with Jim-Jam Briskin; who had, in fact, clapped the famous news clown in jail. So, as a result, Jim-Jam was available neither for the commercial network which linked the three habitable planets nor for CULTURE. And meanwhile, Max Fischer ruled on.

  If I could get Jim-Jam out of prison, Hada thought, perhaps due to gratitude he'd move over to my network, leave his sponsors Reinlander Beer and Calbest Electronics; after all, they have not been able to free him despite their intricate court maneuvers. They don't have the power or the know-how… and I have.

  One of Hada's wives, Thelma, had entered the living room of the demesne and now stood watching the TV screen from behind him. "Don't place yourself there, please," Hada said. "It gives me a panic reaction; I like to see people's faces." He twisted around in his deep chair.

  "The fox is back," Thelma said. "I saw him; he glared at me." She laughed with delight. "He looked so feral and independent – a bit like you, Seb. I wish I could have gotten a film clip of him."

  "I must spring Jim-Jam Briskin," Hada said aloud; he had decided.

  Picking up the phone, he dialed culture's production chief, Nat Kaminsky, at the transmitting Earth satellite Culone.

  "In exactly one hour," Hada told his employee, "I want all our outlets to begin crying for Jim-Jam Briskin's release from jail. He's not a traitor, as President Fischer declares. In fact, his political rights, his freedom of speech, have been taken away from him – illegally. Got it? Show clips of Briskin, build him up… you understand." Hada hung up then, and dialed his attorney, Art Heaviside.

  Thelma said, "I'm going back outdoors and feed the animals."

  "Do that," Hada said, lighting an Abdulla, a British-made Turkish cigarette which he was most fond of. "Art?" he said into the phone. "Get started on Jim-Jam Briskin's case; find a way to free him."

  His lawyer's voice came protestingly, "But, Seb, if we mix into that, we'll have President Fischer after us with the FBI; it's too risky."

  Hada said, "I need Briskin. CULTURE has become pompous – look at the screen right this minute. Education and art – we need a personality, a good news clown; we need Jim-Jam." Telscan's surveys, of late, had shown an ominous dropping-off of viewers, but he did not tell Art Heaviside that; it was confidential.

  Sighing, the attorney said, "Will do, Seb. But the charge against Briskin is sedition in time of war."

  "Time of war? With whom?"

  "Those alien ships – you know. That entered the Sol System last February. Darn it, Seb; you know we're at war – you can't be so lofty as to deny that; it's a legal fact."

  "In my opinion," Hada said, "the aliens are not hostile." He put the receiver down, feeling angry. It's Max Fischer's way of holding onto supreme power, he said to himself. Thumping the war-scare drum. I ask you, What actual damage have the aliens done lately? After all, we don't own the Sol System. We just like to think we do.

  In any case, CULTURE – educational TV itself – was withering, and as the owner of the network, Sebastian Hada had to act. Am I personally declining in vigor? he asked himself.

  Once more picking up the phone, he dialed his analyst, Dr. Ito Yasumi, at his demesne outside of Tokyo. I need help, he said to himself. CULTURE's creator and financial backer needs help. And Dr. Yasumi can give it to me.

  Facing him from across his desk, Dr. Yasumi said, "Hada, maybe problem stems from you having eight wives. That's about five too many." He waved Hada back to the couch. "Be calm, Hada. Pretty sad that big-time operator like Mr. S. Hada falling apart under stress. You afraid President Fischer's FBI get you like they got Jim Briskin?" He smiled.

  "No," Hada said. "I'm fearless." He lay semisupine, arms behind his head, gazing at a Paul Klee print on the wall… or perhaps it was an original; good analysts did make a god-awful amount of money: Yasumi's charge to him was one thousand dollars a half hour.

  Yasumi said contemplatively, "Maybe you should seize power, Hada, in bold coup against Max Fischer. Make successful power play of your own; become President and then release Mr. Jim-Jam – no problem then."

  "Fischer has the Armed Forces behind him," Hada said gloomily. "As Commander-in-Chief. Because of General Tompkins, who likes Fischer, they're absolutely loyal." He had already thought of this. "Maybe I ought to flee to my demesne on Callisto," he murmured. It was a superb one, and Fischer, after all, had no authority there; it was not U.S. but Dutch territory. "Anyhow, I don't want to fight; I'm not a fighter, a street brawler; I'm a cultured man."

  "You are biophysical organism with built-in responses; you are alive. All that lives strives to survive. You will fight if necessary, Hada."

  Looking at his watch, Hada said, "I have to go, Ito. At three I've an appointment in Havana to interview a new folksinger, a ballad-and-banjo man who's sweeping Latin America. Ragland Park is his name; he can bring life back into CULTURE."

  "I know of him," Ito Yasumi said. "Saw him on commercial TV; very good performer. Part Southern U.S., part Dane, very young, with huge black mustache and blue eyes. Magnetic, this Rags, as is called."

  "But is folksinging cultural?" Hada murmured.

  "I tell you something," Dr. Yasumi said. "There strangeness about Rags Park; I noted even over TV. Not like other people."

  "That's why he's such a sensation."

  "More than that. I diagnose." Yasumi reflected. "You know, mental illness and psionic powers closely
related, as in poltergeist effect. Many schizophrenics of paranoid variety are telepaths, picking up hate thoughts in subconscious of persons around them."

  "I know," Hada sighed, thinking that this was costing him hundreds of dollars, this spouting of psychiatric theory.

  "Go careful with Rags Park," Dr. Yasumi cautioned. "You volatile type, Hada; jump too quick. First, idea of springing Jim-Jam Briskin – risking FBI wrath – and now this Rags Park. You like hat designer or human flea. Best bet, as I say, is to openly face President Fischer, not deviousness as I foresee you doing."

  "Devious?" Hada murmured. "I'm not devious."

  "You most devious patient I got," Dr. Yasumi told him bluntly. "You got nothing but tricky bones in your body, Hada. Watch out or you scheme yourself out of existence." He nodded with great soberness.

  "I'll go carefully," Hada said, his mind on Rags Park; he barely heard what Dr. Yasumi was telling him.

  "A favor," Dr. Yasumi said. "When you can arrange, let me examine Mr. Park; I would enjoy, okay? For your good, Hada, as well as professional interest. Psi talent may be of new kind; one never knows."

  "Okay," Hada agreed. "I'll give you a call." But, he thought, I'm not going to pay for it; your examination of Rags Park will be on your own time.

  There was an opportunity before his appointment with the ballad singer Rags Park to drop by the federal prison in New York at which Jim-Jam Briskin was being held on the sedition in time of war charge.

  Hada had never met the news clown face-to-face, and he was surprised to discover how much older the man looked than on the TV. But perhaps Briskin's arrest, his troubles with President Fischer, had temporarily overwhelmed him. It would be enough to overwhelm anyone, Hada reflected as the deputy unlocked the cell and admitted him.

  "How did you happen to tangle with President Fischer?" Hada asked.

  The news clown shrugged and said, "You lived through that period in history as much as I did." He lit a cigarette and stared woodenly past Hada.

  He was referring, Hada realized, to the demise of the great problem-solving computer at Washington, D.C., Unicephalon 40-D; it had ruled as President of the United States and Commander-in-Chief of the Armed Forces until a missile, delivered by the alien ships, had put it out of action. During that period, the standby President, Max Fischer, had taken power, a clod appointed by the union, a primitive man with an unnatural bucolic cunning. When at last Unicephalon 40-D had been repaired and had resumed functioning, it had ordered Fischer to depart his office and Jim Briskin to cease political activity. Neither man had complied. Briskin had gone on campaigning against Max Fischer, and Fischer had managed, by some method still unknown, to disable the computer, thereby again becoming President of the United States.

  And his initial act had been to clap Jim-Jam in jail.

  "Has Art Heaviside, my attorney, seen you?" Hada asked.

  "No," Briskin said shortly.

  "Listen, my friend," Hada said, "without my help you'll be in prison forever, or at least until Max Fischer dies. This time he isn't making the mistake of allowing Unicephalon 40-D to be repaired; it's out of action for good."

  Briskin said, "And you want me on your network in exchange for getting me out of here." He smoked rapidly at his cigarette.

  "I need you, Jim-Jam," Hada said. "It took courage for you to expose President Fischer for the power-hungry buffoon he is; we've got a terrible menace hanging over us in Max Fischer, and if we don't join together and work fast it'll be too late; we'll both be dead. You know – in fact you said it on TV – that Fischer would gladly stoop to assassination to get what he wants."

  Briskin said, "Can I say what I want over your facilities?"

  "I give you absolute freedom. Attack anyone you want, including me."

  After a pause, Briskin said, "I'd take your offer, Hada… but I doubt if even Art Heaviside can get me out of here. Leon Lait, Fischer's Attorney General, is conducting the prosecution against me personally."

  "Don't resign yourself," Hada said. "Billions of your viewers are waiting to see you emerge from this cell. At this moment all my outlets are clamoring for your release. Public pressure is building up. Even Max will have to listen to that."

  "What I'm afraid of is that an 'accident' will happen to me," Briskin said. "Just like the 'accident' that befell Unicephalon 40-D a week after it resumed functioning. If it couldn't save itself, how can -"

  "You afraid?" Hada inquired, incredulous. "Jim-Jam Briskin, the ranking news clown – I don't believe it."

  There was silence.

  Briskin said, "The reason my sponsors, Reinlander Beer and Calbest Electronics, haven't been able to get me out is" – he paused – "pressure put on them by President Fischer. Their attorneys as much as admitted that to me. When Fischer learns you're trying to help me, he'll bring all the pressure he has to bear directly on you." He glanced up acutely at Hada. "Do you have the stamina to endure it? I wonder."

  "Certainly I have," Hada said. "As I told Dr. Yasumi -"

  "And he'll put pressure on your wives," Jim-Jam Briskin said.

  "I'll divorce all eight of them," Hada said hotly.

  Briskin held out his hand and they shook. "It's a deal then," Jim-Jam said. "I'll go to work for CULTURE as soon as I'm out of here." He smiled in a weary but hopeful way.

  Elated, Hada said, "Have you ever heard of Rags Park, the folk and ballad singer? At three today I'm signing him, too."

  "There's a TV set here and now and then I catch one of Park's numbers," Briskin said. "He sounds good. But do you want that on CULTURE? It's hardly educational."

  "CULTURE is changing. We're going to sugarcoat our didacticisms from now on. We've been losing our audience. I don't intend to see CULTURE wither away. The very concept of it -"

  The word "culture" stood for Committee Utilizing Learning Techniques for Urban Renewal Efforts. A major part of Hada's real estate holdings consisted of the city of Portland, Oregon, which he had acquired – intact – ten years ago. It was not worth much; typical of the semiabandoned slum constellations which had become not only repellent but obsolete, Portland had a certain sentimental value to him because he had been born there.

  However, one notion lingered in his mind. If for any reason the colonies on the other planets and moons had to be abandoned, if the settlers came streaming back to Earth, the cities would be repopulated once more. And with the alien ships flitting about the farther planets, this was not as implausible as it sounded. In fact, a few families had emigrated back to Earth already…

  So, underneath, CULTURE was not quite the disinterested public service nonprofit agency that it appeared. Mixed in with the education, Hada's outlets drummed away at the seductive idea of the city, how much it could offer, how little there was to be had in the colonies. Give up the difficult, crude life of the frontier, CULTURE declared night and day. Return to your own planet; repair the decaying cities. They're your real home.

  Did Briskin know this? Hada wondered. Did the news clown understand the actual purpose of his organization?

  Hada would find that out – if and when he managed to get Briskin out of jail and before a CULTURE microphone.

  At three o'clock Sebastian Hada met the folksinger Ragland Park at the Havana office of CULTURE.

  "I'm glad to make your acquaintance," Rags Park said shyly. Tall, skinny, with his huge black mustache hiding most of his mouth, he shuffled about self-consciously, his blue eyes gentle with authentic friendliness. He had an unusual sweetness about him, Hada noted. Almost a saintly quality. Hada found himself impressed.

  "And you play both the guitar and five-string banjo?" Hada said. "Not at once, of course."

  Rags Park mumbled, "No, sir. I alternate. Want me to play something right now for you?"

  "Where were you born?" Nat Kaminsky asked. Hada had brought his production chief along; in matters such as this, Kaminsky's opinion was valuable.

  "In Arkansas," Rags answered. "My family raises hogs." He had his banjo with him and now, n
ervously, he twanged a few notes. "I know a real sad song that'll break your heart. It's called 'Poor Old Hoss.' Want me to sing it for you?"

  "We've heard you," Hada said. "We know you're good." He tried to imagine this awkward young man twanging away over CULTURE in between lectures on twentieth-century portrait sculptors. Hard to imagine…

  Rags said, "I bet there's one thing you don't know about me, Mr. Hada. I make up a lot of my own ballads."

  "Creative," Kaminsky said to Hada straight-faced. "That's good."

  "For instance," Rags continued, "I once made up a ballad about a man named Tom McPhail who ran ten miles with a bucket of water to put out the fire in his little daughter's crib."

  "Did he make it?" Hada asked.

  "Sure did. Just in time. Tom McPhail ran faster and faster with that bucket of water." Chanting, Rags twanged in accompaniment.

  "Here comes Tom McPhail

  Holdin' on tight to that great little pail.

  Holdin' on tight, boys, here he come.

  Heart full of fear, faculties numb."

  Twang, twang, sounded the banjo, mournfully and urgently.

  Kaminsky said acutely, "I've been following your shows and I've never heard you sing that number."

  "Aw," Rags said, "I had bad luck with that, Mr. Kaminsky. Turned out there really is a Tom McPhail. Lives in Pocatello, Idaho. I sang about ol' Tom McPhail on my January fourteenth TV show and right away he got sore – he was listenin' – and got a lawyer to write me."

  "Wasn't it just a coincidence in names?" Hada said.

  "Well," Rags said, twisting about self-consciously, "it seems there really had been a fire in his home there in Pocatello, and McPhail, he got panicky and ran with a bucket to the creek, and it was ten miles off, like I said in the song."

  "Did he get back with the water in time?"

  "Amazingly, he did," Rags said.

  Kaminsky said to Hada, "It would be better, on CULTURE, if this man stuck to authentic Old English ballads such as 'Greensleeves.' That would seem more what we want."