Worked all morning. For it would be silly not to put my materials into shape. Into a new shape, of course. My original conception was of a vast Bouvard et Pécuchet, constructed of historical facts. A picture of futility, apparently objective, scientific, but composed, I realize, in order to justify my own way of life. If men had always behaved either like half-wits or baboons, if they couldn’t behave otherwise, then I was justified in sitting comfortably in the stalls with my opera-glasses. Whereas if there were something to be done, if the behaviour could be modified . . . Meanwhile a description of the behaviour and an account of the ways of modifying it will be valuable. Though not so valuable as to justify complete abstention from all other forms of activity.
In the afternoon to Miller’s, where I found a parson, who takes Christianity seriously and has started an organization of pacifists. Purchas by name. Middle-aged. Slightly the muscular-jocular Christian manner. (How hard to admit that a man can use clichés and yet be intelligent!) But a very decent sort of man. More than decent, indeed. Rather impressive.
The aim is to use and extend Purchas’s organization. The unit a small group, like the Early Christian agape, or the communist cell. (Note that all successful movements have been built up in rowing eights or football elevens.) Purchas’s groups preface meetings with Christian devotions. Empirically, it is found that a devotional atmosphere increases efficiency, intensifies spirit of cooperation and self-sacrifice. But devotion in Christian terms will be largely unacceptable. Miller believes possible a non-theological praxis of meditation. Which he would like, of course, to couple with training, along F. M. Alexander’s lines, in use of the self, beginning with physical control and achieving through it (since mind and body are one) control of impulses and feelings. But this is impracticable. The necessary teachers don’t exist. ‘We must be content to do what we can from the mental side. The physical will let us down, of course. The flesh is weak in so many more ways than we suppose.’
I agreed to contribute the money, prepare some literature and go round speaking to groups. The last is most difficult, as I have always refused to utter in public. When Purchas has gone, asked Miller if I should take lessons in speaking.
Answer. ‘If you take lessons before you’re well and physically coordinated, you’ll merely be learning yet another way of using yourself badly. Get well, achieve coordination, use yourself properly; you’ll be able to speak in any way you please. The difficulties, from stage fright to voice production, will no longer exist.’
Miller then gave me a lesson in use of the self. Learning to sit in a chair, to get out of it, to lean back and forward. He warned me it might seem a bit pointless at first. But that interest and understanding would grow with achievement. And that I should find it the solution of the video meliora proboque; deteriora sequor problem: a technique for translating good intentions into acts, for being sure of doing what one knows one ought to do.
Spent the evening with Beppo. After listening to catalogues of miseries, suggested that there was no cure, only prevention. Avoid the cause. His reaction was passionate anger: I was robbing life of its point, condemning him to suicide. In answer I hinted that there was more than one point. He said he would rather die than give up his point; then changed his mood and wished to God he could give it up. But for what? I suggested pacifism. But he was a pacifist already, always had been. Yes, I knew that; but a passive pacifist, a negative one. There was such a thing as active and positive pacifism. He listened, said he’d think about it, thought perhaps it might be a way out.
CHAPTER THREE. August 30th 1933
FROM THE FLAT roof of the house the eye was drawn first towards the west, where the pines slanted down to the sea — a blue Mediterranean bay fringed with pale bone-like rocks and cupped between high hills, green on their lower slopes with vines, grey with olive trees, then pine-dark, earth-red, rock-white or rosy-brown with parched heath. Through a gap between the nearer hills, the long straight ridge of the Sainte-Baume stood out metallically clear, but blue with distance. To north and south, the garden was hemmed in by pines; but eastwards, the vineyards and the olive orchards mounted in terraces of red earth to a crest; and the last trees stood, sometimes dark and brooding, sometimes alive with tremulous silver, against the sky.
There were mattresses on the roof for sun-bathing; and on one of these they were lying, their heads in the narrow shade of the southern parapet. It was almost noon; the sunlight fell steep out of the flawless sky; but a faint breeze stirred and died and swelled again into motion. Lapped in that fitfully tempered heat, skin seemed to acquire a livelier sensibility, almost an independent consciousness. As though it were drinking a new life from the sun. And that strange, violent, flamy life from outer space seemed to strike through the skin, to permeate and transmute the flesh beneath, till the whole body was a thing of alien sun-stuff and the very soul felt itself melting out of its proper identity and becoming something else, something of a different, an other-than-human kind.
There are so few possible grimaces, such a paucity, in comparison with all the thoughts and feelings and sensations, such a humiliating poverty of reflexes, even of consciously expressive gestures! Still lucid in his self-estrangement, Anthony observed the symptoms of that death-bed in which he also had his part as assassin and fellow-victim. Restlessly she turned her head on the cushions, this way, that way, as though seeking, but always vainly, some relief, however slight, some respite, if only for a moment, from her intolerable suffering. Sometimes, with the gesture of one who prays despairingly that a cup may be removed, she clasped her hands, and raising them to her mouth gnawed at the clenched knuckles or pressed a wrist between her parted teeth as if to stifle her own crying. Distorted, the face was a mask of extremest grief. It was the face, he suddenly perceived, as he bent down towards those tormented lips, of one of Van der Weyden’s holy women at the foot of the Cross.
And then, from one moment to the next, there was a stillness. The victim no longer rolled her tortured head on the pillow. The imploring hands fell limp. The agonized expression of pain gave place to a superhuman and rapturous serenity. The mouth became grave like that of a saint. Behind the closed eyelids what beatific vision had presented itself?
They lay for a long time in a golden stupor of sunlight and fulfilled desire. It was Anthony who first stirred. Moved by the dumb unthinking gratitude and tenderness of his satisfied body he reached out a caressing hand. Her skin was hot to the touch like fruit in the sun. He propped himself up on his elbow and opened his eyes.
‘You look like a Gauguin,’ he said after a moment. Brown like a Gauguin and, curiously, it struck him, flat like a Gauguin too; for the sunburn suppressed those nacreous gleams of carmine and blue and green that give the untanned white body its peculiar sumptuousness of relief.
The sound of his voice broke startlingly into Helen’s warm delicious trance of unconsciousness. She winced almost with pain. Why couldn’t he leave her in peace? She had been so happy in that other world of her transfigured body; and now he was calling her back — back to this world, back to her ordinary hell of emptiness and drought and discontent. She left his words unanswered and, shutting her eyes yet tighter against the menace of reality, tried to force her way back to the paradise from which she had been dragged.
Brown like a Gauguin, and flat. . . . But the first Gauguin he ever saw (and had pretended, he remembered, to like a great deal more than he actually did) had been with Mary Amberley that time in Paris — that exciting and, for the boy of twenty that he then was, extraordinary and apocalyptic time.
He frowned to himself; this past of his was becoming importunate! But when, in order to escape from it, he bent down to kiss Helen’s shoulder, he found the sun-warmed skin impregnated with a faint yet penetrating smell, at once salty and smoky, a smell that transported him instantaneously to a great chalk pit in the flank of the Chilterns, where, in Brian Foxe’s company, he had spent an inexplicably pleasurable hour striking two flints together and sniffing, voluptuou
sly, at the place where the spark had left its characteristic tang of marine combustion.
‘L-like sm-moke under the s-sea,’ had been Brian’s stammered comment when he was given the flints to smell.
Even the seemingly most solid fragments of present reality are riddled with pitfalls. What could be more uncompromisingly there, in the present, than a woman’s body in the sunshine? And yet it had betrayed him. The firm ground of its sensual immediacy and of his own physical tenderness had opened beneath his feet and precipitated him into another time and place. Nothing was safe. Even this skin had the scent of smoke under the sea. This living skin, this present skin; but it was nearly twenty years since Brian’s death.
A chalk pit, a picture gallery, a brown figure in the sun, a skin, here, redolent of salt and smoke, and here (like Mary’s, he remembered) savagely musky. Somewhere in the mind a lunatic shuffled a pack of snapshots and dealt them out at random, shuffled once more and dealt them out in a different order, again and again, indefinitely. There was no chronology. The idiot remembered no distinction between before and after. The pit was as real and vivid as the gallery. That ten years separated flints from Gauguins was a fact, not given, but discoverable only on second thoughts by the calculating intellect. The thirty-five years of his conscious life made themselves immediately known to him as a chaos — a pack of snapshots in the hands of a lunatic. And who decided which snapshots were to be kept, which thrown away? A frightened or libidinous animal, according to the Freudians. But the Freudians were victims of the pathetic fallacy, incorrigible rationalizers always in search of sufficient reasons, of comprehensible motives. Fear and lust are the most easily comprehensible motives of all. Therefore . . . But psychology had no more right to be anthropomorphic, or even exclusively zoomorphic, than any other science. Besides a reason and an animal, man was also a collection of particles subject to the laws of chance. Some things were remembered for their utility or their appeal to the higher faculties of the mind; some, by the presiding animal, remembered (or else deliberately forgotten) for their emotional content. But what of the innumerable remembered things without any particular emotional content, without utility, or beauty, or rational significance? Memory in these cases seemed to be merely a matter of luck. At the time of the event certain particles happened to be in a favourable position. Click! the event found itself caught, indelibly recorded. For no reason whatever. Unless, it now rather disquietingly occurred to him, unless of course the reason were not before the event, but after it, in what had been the future. What if that picture gallery had been recorded and stored away in the cellars of his mind for the sole and express purpose of being brought up into consciousness at this present moment? Brought up, today, when he was forty-two and secure, forty-two and fixed, unchangeably himself, brought up along with those critical years of his adolescence, along with the woman who had been his teacher, his first mistress, and was now a hardly human creature festering to death, alone, in a dirty burrow? And what if that absurd childish game with the flints had had a point, a profound purpose, which was simply to be recollected here on this blazing roof, now as his lips made contact with Helen’s sun-warmed flesh? In order that he might be forced, in the midst of this act of detached and irresponsible sensuality, to think of Brian and of the things that Brian had lived for; yes, and had died for — died for, another image suddenly reminded him, at the foot of just such a cliff as that beneath which they had played as children in the chalk pit. Yes, even Brian’s suicide, he now realized with horror, even the poor huddled body on the rocks, was mysteriously implicit in this hot skin.
One, two, three, four — counting each movement of his hand, he began to caress her. The gesture was magical, would transport him, if repeated sufficiently often, beyond the past and the future, beyond right and wrong, into the discrete, the self-sufficient, the atomic present. Particles of thought, desire, and feeling moving at random among particles of time, coming into casual contact and as casually parting. A casino, an asylum, a zoo; but also, in a corner, a library and someone thinking. Someone largely at the mercy of the croupiers, at the mercy of the idiots and the animals; but still irrepressible and indefatigable. Another two or three years and the Elements of Sociology would be finished. In spite of everything; yes, in spite of everything, he thought with a kind of defiant elation, and counted thirty-two, thirty-three, thirty-four, thirty-five . . .
CHAPTER FOUR. November 6th 1902
HORNS WITH A frizzle of orange hair between; the pink muzzle lowered inquiringly towards a tiny cup and saucer; eyes expressive of a more than human astonishment. ‘THE OX’, it was proclaimed in six-inch lettering, ‘THE OX IN THE TEA-CUP’. The thing was supposed to be a reason for buying beef extract — was a reason.
Ox in Cup. The words, the basely comic image, spotted the Home Counties that summer and autumn like a skin disease. One of a score of nasty and discreditable infections. The train which carried Anthony Beavis into Surrey rolled through mile-long eczemas of vulgarity. Pills, soaps, cough drops and — more glaringly inflamed and scabby than all the rest — beef essence, the cupped ox.
‘Thirty-one . . . thirty-two,’ the boy said to himself, and wished he had begun his counting when the train started. Between Waterloo and Clapham Junction there must have been hundreds of oxen. Millions.
Opposite, leaning back in his corner, sat Anthony’s father. With his left hand he shaded his eyes. Under the drooping brown moustache his lips moved.
‘Stay for me there,’ John Beavis was saying to the person who, behind his closed lids, was sometimes still alive, sometimes the cold, immobile thing of his most recent memories:
Stay for me there; I shall not fail
To meet thee in that hollow vale.
There was no immortality, of course. After Darwin, after the Fox Sisters, after John Beavis’s own father, the surgeon, how could there be? Beyond that hollow vale there was nothing. But all the same, oh, all the same, stay for me, stay for me, stay, stay!
‘Thirty-three.’
Anthony turned away from the hurrying landscape and was confronted by the spectacle of that hand across the eyes, those moving lips. That he had ever thought of counting the oxen seemed all at once shameful, a betrayal. And Uncle James, at the other end of the seat, with his Times — and his face, as he read, twitching every few seconds in sudden spasms of nervousness. He might at least have had the decency not to read it now — now, while they were on their way to . . . Anthony refused to say the words; words would make it all so clear, and he didn’t want to know too clearly. Reading The Times might be shameful; but the other thing was terrible, too terrible to bear thinking about, and yet so terrible that you couldn’t help thinking about it.
Anthony looked out of the window again, through tears. The green and golden brightness of St Martin’s summer swam in an obscuring iridescence. And suddenly the wheels of the train began to chant articulately. ‘Dead-a-dead-a-dead,’ they shouted, ‘dead-a-dead-a-dead . . .’ For ever. The tears overflowed, were warm for an instant on his cheeks, then icy cold. He pulled out his handkerchief and wiped them away, wiped the fog out of his eyes. Luminous under the sun, the world before him was like one vast and intricate jewel. The elms had withered to a pale gold. Huge above the fields, and motionless, they seemed to be meditating in the crystal light of the morning, seemed to be remembering, seemed, from the very brink of dissolution, to be looking back and in a last ecstasy of recollection living over again, concentrated in this shining moment of autumnal time, all the long-drawn triumph of spring and summer.
‘DEAD-A-DEAD’, in a sudden frenzy yelled the wheels, as the train crossed a bridge, ‘A-DEAD-A-DEAD!’
Anthony tried not to listen — vainly; then tried to make the wheels say something else. Why shouldn’t they say, To stop the train pull down the chain? That was what they usually said. With a great effort of concentration he forced them to change their refrain.
‘To stop the train pull down the chain, to stop the train pull down a-dead-a-dead-a-de
ad . . .’ It was no good.
Mr Beavis uncovered his eyes for a moment and looked out of the window. How bright the autumnal trees! Cruelly bright they would have seemed, insultingly, except for something desperate in their stillness, a certain glassy fragility that, oh! invited disaster, that prophetically announced the coming darkness and the black branches moving in torture among stars, the sleet like arrows along the screaming wind.
Uncle James turned the page of his Times. The Ritualists and the Kensitites were at it again, he saw; and was delighted. Let dog eat dog. ‘MR CHAMBERLAIN AT UNIVERSITY COLLEGE SCHOOL.’ What was the old devil up to now? Unveiling a tablet to the Old Boys who had been killed in the war. ‘Over one hundred young men went to the front, and twelve of them laid down their lives for the country in South Africa (cheers).’ Deluded idiots, thought Uncle James, who had always been passionately a pro-Boer.
Painted, among the real cows in their pasture, the enormous horns, the triangular auburn frizz, the inquiring nostrils, the tea-cup. Anthony shut his eyes against the vision.
‘No, I won’t,’ he said with all the determination he had previously used against the wheels. He refused to know the horror; he refused to know the ox. But what was the good of refusing? The wheels were still shouting away. And how could he suppress the fact that this ox was the thirty-fourth, on the right, from Clapham Junction? A number is always a number, even on the way to . . . But counting was shameful, counting was like Uncle James’s Times. Counting was shirking, was betraying. And yet the other thing, the thing they ought to be thinking about, was really too terrible. Too unnatural, somehow.
‘Whatever we may have thought, or still think, as to the causes, the necessity, the justice of the war which is now happily at an end, I think that we must all have a feeling of profound satisfaction that when the country called its children to arms, the manhood of the nation leaped to it in response. . . .’ His face twitching with exasperation, Uncle James put down The Times and looked at his watch.
Complete Works of Aldous Huxley Page 161
