“Were there but perfumed flowers and the sound of a lute,” said the young Spaniard, “the night would tremble into passion of its own accord. Love should come unsought on such a night as this, among these black waters and the stars that sleep so peacefully on their bosom.”
He put his arm round the girl and bent his head to kiss her. But she averted her face. He could feel a shudder run her through the body.
“Not to-night,” she whispered. “I think of the poor dead man. I would rather pray.”
“No, no,” he cried. “Forget him. Remember only that we are alive, and that we have but little time and none to waste.”
He drew her into the shadow under the bulwark, and, sitting down on a coil of rope, crushed her body to his own and began kissing her with fury. She lay, at first, limp in his arms, but gradually she kindled to his passion.
A plash of oars announced the approach of the boat. The captain hallooed into the darkness: “Did you find him?”
“Yes, we have him here,” came back the answer.
“Good. Bring him alongside and we’ll hoist him up. We have the bier in readiness. He shall lie in state to-night.”
“But he’s not dead,” shouted back the voice from the night.
“Not dead?” repeated the captain, thunderstruck. “But what about the bier, then?”
A thin, feeble voice came back. “Your work will not be wasted, my friend. It will be but a short time before I need your bier.”
The captain, a little abashed, answered in a gentler tone, “We thought, holy father, that the heathens had done their worst and that Almighty God had already given you the martyr’s crown.”
By this time the boat had emerged from the darkness. In the stern sheets an old man was lying, his white hair and beard stained with blood, his Dominican’s robe torn and fouled with dust. At the sight of him, the captain pulled off his cap and dropped upon his knees.
“Give us your blessing, holy father,” he begged.
The old man raised his hand and wished him peace.
They lifted him on board and, at his own desire, laid him upon the bier which had been prepared for his dead body. “It would be a waste of trouble,” he said, “to put me anywhere else, seeing I shall in any case be lying there so soon.”
So there he lay, very still under the four candles. One might have taken him for dead already, but that his eyes, when he opened them, shone so brightly.
He dismissed from the poop everyone except the young Spaniard. “We are countrymen,” he said, “and of noble blood, both of us. I would rather have you near me than anyone else.”
The sailors knelt for a blessing and disappeared; soon they could be heard weighing the anchor; it was safest to be off before day. Like mourners at either side of the lighted bier crouched the Spaniard and his mistress. The body of the old man, who was not yet dead, lay quiet under the candles. The martyr was silent for some time, but at last he opened his eyes and looked at the young man and the woman.
“I too,” he said, “was in love, once. In this year falls the jubilee of my last earthly passion; fifty years have run since last I longed after the flesh — fifty years since God opened my eyes to the hideousness of the corruption that man has brought upon himself.
“You are young, and your bodies are clean and straight, with no blotch or ulcer or leprous taint to mar their much-desired beauty; but because of your outward pride, your souls, it may be, fester inwardly the more.
“And yet God made all perfect; it is but accident and the evil of will that causes defaults. All metals should be gold, were it not that their elements willed evilly in their desire to combine. And so with men: the burning sulphur of passion, the salt of wisdom, the nimble mercurial soul should come together to make a golden being, incorruptible and rustless. But the elements mingle jarringly, not in a pure harmony of love, and gold is rare, while lead and iron and poisonous brass that leaves a taste as of remorse behind it are everywhere common.
“God opened my eyes to it before my youth had too utterly wasted itself to rottenness. It was half a hundred years ago, but I see her still, my Ambrosia, with her white, sad face and her naked body and that monstrous ill eating away at her breast.
“I have lived since then trying to amend the evil, trying to restore, as far as my poor powers would go, some measure of original perfection to the corrupted world. I have striven to give to all metals their true nature, to make true gold from the false, the unreal, the accidental metals, lead and copper and tin and iron. And I have essayed that more difficult alchemy, the transformation of men. I die now in my effort to purge away that most foul dross of misbelief from the souls of these heathen men. Have I achieved anything? I know not.”
The galley was moving now, its head turned seaward. The candles shivered in the wind of its speed, casting uncertain, changing shadows upon his face. There was a long silence on the poop. The oars creaked and splashed. Sometimes a shout would come up from below, orders given by the overseer of the slaves, a curse, the sound of a blow. The old man spoke again, more weakly now, as though to himself.
“I have had eighty years of it,” he said— “eighty years in the midst of this corroding sea of hatred and strife. A man has need to keep pure and unalloyed his core of gold, that little centre of perfection with which all, even in this declination of time, are born. All other metal, though it be as tough as steel, as shining-hard as brass, will melt before the devouring bitterness of life. Hatred, lust, anger — the vile passions will corrode your will of iron, the warlike pomp of your front of brass. It needs the golden perfection of pure love and pure knowledge to withstand them.
“God has willed that I should be the stone — weak, indeed, in virtue — that has touched and transformed at least a little of baser metal into the gold that is above corruption. But it is hard work — thankless work. Man has made a hell of his world, and has set up gods of pain to rule it. Goatish gods, that revel and feast on the agony of it all, poring over the tortured world, like those hateful lovers, whose lust burns darkly into cruelty.
“Fever goads us through life in a delirium of madness. Thirsting for the swamps of evil whence the fever came, thirsting for the mirages of his own delirium, man rushes headlong he knows not whither. And all the time a devouring cancer gnaws at his entrails. It will kill him in the end, when even the ghastly inspiration of fever will not be enough to whip him on. He will lie there, cumbering the earth, a heap of rottenness and pain, until at last the cleansing fire comes to sweep the horror away.
“Fever and cancer; acids that burn and corrode. . . . I have had eighty years of it. Thank God, it is the end.”
It was already dawn; the candles were hardly visible now in the light, faded to nothing, like souls in prosperity. In a little while the old man was asleep.
The captain tiptoed up on to the poop and drew the young Spaniard aside for a confidential talk.
“Do you think he will die to-day?” he asked.
The young man nodded.
“God rest his soul,” said the captain piously. “But do you think it would be best to take his body to Minorca or to Genoa? At Minorca they would give much to have their own patron martyr. At the same time it would add to the glory of Genoa to possess so holy a relic, though he is in no way connected with the place. It’s there is my difficulty. Suppose, you see, that my people of Genoa did not want the body, he being from Minorca and not one of them. I should look a fool then, bringing it in in state. Oh, it’s hard, it’s hard. There’s so much to think about. I am not sure but what I hadn’t better put in at Minorca first. What do you think?”
The Spaniard shrugged his shoulder. “I have no advice to offer.”
“Lord,” said the captain as he bustled away, “life is a tangled knot to unravel.”
Mortal Coils
CONTENTS
THE GIOCONDA SMILE
PERMUTATIONS AMONG THE NIGHTINGALES
THE TILLOTSON BANQUET
GREEN TUNNELS
NUNS AT
LUNCHEON
The first edition
THE GIOCONDA SMILE
I
“MISS SPENCE WILL be down directly, sir.”
“Thank you,” said Mr. Hutton, without turning round. Janet Spence’s parlourmaid was so ugly — ugly on purpose, it always seemed to him, malignantly, criminally ugly — that he could not bear to look at her more than was necessary. The door closed. Left to himself, Mr. Hutton got up and began to wander round the room, looking with meditative eyes at the familiar objects it contained.
Photographs of Greek statuary, photographs of the Roman Forum, coloured prints of Italian masterpieces, all very safe and well known. Poor, dear Janet, what a prig — what an intellectual snob! Her real taste was illustrated in that water-colour by the pavement artist, the one she had paid half a crown for (and thirty-five shillings for the frame). How often his had heard her tell the story, how often expatiate on the beauties of that skilful imitation of an oleograph! “A real Artist in the streets,” and you could hear the capital A in Artist as she spoke the words. She made you feel that part of his glory had entered into Janet Spence when she tendered him that half-crown for the copy of the oleograph. She was implying a compliment to her own taste and penetration. A genuine Old Master for half a crown. Poor, dear Janet!
Mr. Hutton came to a pause in front of a small oblong mirror. Stooping a little to get a full view of his face, he passed a white, well-manicured finger over his moustache. It was as curly, as freshly auburn as it had been twenty years ago. His hair still retained its colour, and there was no sign of baldness yet — only a certain elevation of the brow. “Shakespearean,” thought Mr. Hutton, with a smile, as he surveyed the smooth and polished expanse of his forehead.
Others abide our question, thou art free.... Footsteps in the sea ... Majesty ... Shakespeare, thou shouldst be living at this hour. No, that was Milton, wasn’t it? Milton, the Lady of Christ’s. There was no lady about him. He was what the women, would call a manly man. That was why they liked him — for the curly auburn moustache and the discreet redolence of tobacco. Mr. Hutton smiled again; he enjoyed making fun of himself. Lady of Christ’s? No, no. He was the Christ of Ladies. Very pretty, very pretty. The Christ of Ladies. Mr. Hutton wished there were somebody he could tell the joke to. Poor, dear Janet wouldn’t appreciate it, alas?
He straightened himself up, patted his hair, and resumed his peregrination. Damn the Roman Forum; he hated those dreary photographs.
Suddenly he became aware that Janet Spence was in the room, standing near the door. Mr. Hutton started, as though he had been taken in some felonious act. To make these silent and spectral appearances was one of Janet Spence’s peculiar talents. Perhaps she had been there all the time, had seen him looking at himself in the mirror. Impossible! But, still, it was disquieting.
“Oh, you gave me such a surprise,” said Mr. Hutton, recovering his smile and advancing with outstretched hand to meet her.
Miss Spence was smiling too: her Gioconda smile, he had once called it, in a moment of half-ironical flattery. Miss Spence had taken the compliment seriously, and had always tried to live up to the Leonardo standard. She smiled on his silence while Mr. Hutton shook hands; that was part of the Gioconda business.
“I hope you’re well,” said Mr. Hutton. “You look it.”
What a queer face she had! That small mouth pursed forward by the Gioconda expression into a little snout with a round hole in the middle as though for whistling — it was like a penholder seen from the front. Above the mouth a well-shaped nose, finely aquiline. Eyes large, lustrous, and dark, with the largeness, lustre, and darkness that seems to invite sties and an occasional blood-shot suffusion. They were fine eyes, but unchangingly grave. The penholder might do its Gioconda trick, but the eyes never altered in their earnestness. Above them, a pair of boldly arched, heavily pencilled black eyebrows lent a surprising air of power, as of a Roman matron, to the upper portion of the face. Her hair was dark and equally Roman; Agrippina from the brows upward.
“I thought I’d just look in on my way home,” Mr. Hutton went on. “Ah, it’s good to be back here” — he indicated with a wave of his hand the flowers in the vases, the sunshine and greenery beyond the windows— “it’s good to be back in the country after a stuffy day of business in town.”
Miss Spence, who had sat down, pointed to a chair at her side.
“No, really, I cant sit down,” Mr. Hutton protested. “I must get back to see how poor Emily is. She was rather seedy this morning.” He sat down, nevertheless. “It’s these wretched liver chills. She’s always getting them. Women—” He broke off and coughed, so as to hide the fact that he had uttered. He was about to say that women with weak digestions ought not to marry; but the remark was too cruel, and he didn’t really believe it. Janet Spence, moreover, was a believer in eternal flames and spiritual attachments. “She hopes to be well enough,” he added, “to see you at luncheon to-morrow. Can you come? Do!” He smiled persuasively. “It’s my invitation too, you know.”
She dropped her eyes, and Mr. Hutton almost thought that he detected a certain reddening of the cheek. It was a tribute; he stroked his moustache.
“I should like to come if you think Emily’s really well enough to have a visitor.”
“Of course. You’ll do her good. You’ll do us both good. In married life three is often better company than two.”
“Oh, you’re cynical.”
Mr. Hutton always had a desire to say “Bow-wow-wow” whenever that last word was spoken. It irritated him more than any other word in the language. But instead of barking he made haste to protest.
“No, no. I’m only speaking a melancholy truth. Reality doesn’t always come up to the ideal, you know. But that doesn’t make me believe any the less in the ideal. Indeed, I believe in it passionately the ideal of a matrimony between two people in perfect accord. I think it’s realisable. I’m sure it is.”
He paused significantly and looked at her with an arch expression. A virgin of thirty-six, but still unwithered; she had her charms. And there was something really rather enigmatic about her. Miss Spence made no reply but continued to smile. There were times when Mr. Hutton got rather bored with the Gioconda. He stood up.
“I must really be going now. Farewell, mysterious Gioconda.” The smile grew intenser, focused itself, as it were, in a narrower snout. Mr. Hutton made a Cinquecento gesture, and kissed her extended hand. It was the first time he had done such a thing; the action seemed not to be resented. “I look forward to to-morrow.”
“Do you?”
For answer Mr. Hutton once more kissed her hand, then turned to go. Miss Spence accompanied him to the porch.
“Where’s your car?” she asked.
“I left it at the gate of the drive.”
“I’ll come and see you off.”
“No, no.” Mr. Hutton was playful, but determined. “You must do no such thing. I simply forbid you.”
“But I should like to come,” Miss Spence protested, throwing a rapid Gioconda at him.
Mr. Hutton held up his hand. “No,” he repeated, and then, with a gesture that was almost the blowing of a kiss, he started to run down the drive, lightly on his toes, with long, bounding strides like a boy’s. He was proud of that run; it was quite marvellously youthful. Still, he was glad the drive was no longer. At the last bend, before passing out of sight of the house, he halted and turned round. Miss Spence was still standing on the steps, smiling her smile. He waved his hand, and this time quite definitely and overtly wafted a kiss in her direction. Then, breaking once more into his magnificent canter, he rounded the last dark promontory of trees. Once out of sight of the house he let his high paces decline to a trot, and finally to a walk. He took out his handkerchief and began wiping his neck inside his collar. What fools, what fools! Had there ever been such an ass as poor, dear Janet Spence? Never, unless it was himself. Decidedly he was the more malignant fool, since he, at least, was aware of his folly and still persisted in
it. Why did he persist? Ah, the problem that was himself, the problem that was other people.
He had reached the gate. A large, prosperous-looking motor was standing at the side of the road.
“Home, M’Nab.” The chauffeur touched his cap. “And stop at the cross-roads on the way, as usual,” Mr. Hutton added, as he opened the door of the car. “Well?” he said, speaking into the obscurity that lurked within.
“Oh, Teddy Bear, what an age you’ve been!” It was a fresh and childish voice that spoke the words. There was the faintest hint of Cockney impurity about the vowel sounds.
Mr. Hutton bent his large form and darted into the car with the agility of an animal regaining its burrow.
“Have I?” he said, as he shut the door. The machine began to move. “You must have missed me a lot if you found the time so long.” He sat back in the low seat; a cherishing warmth enveloped him.
“Teddy Bear....” and with a sigh of contentment a charming little head declined on to Mr. Hutton’s shoulder. Ravished, he looked down sideways at the round, babyish face.
“Do you know, Doris, you look like the pictures of Louise de Kerouaille.” He passed his fingers through a mass of curly hair.
“Who’s Louise de Kera-whatever-it-is?” Doris spoke from remote distances.
“She was, alas! Fuit. We shall all be ‘was’ one of these days. Meanwhile....”
Mr. Hutton covered the babyish face with kisses. The car rushed smoothly along. McNab’s back, through the front window was stonily impassive, the back of a statue.
“Your hands,” Doris whispered. “Oh, you mustn’t touch me. They give me electric shocks.”
Mr. Hutton adored her for the virgin imbecility of the words. How late in one’s existence one makes the discovery of one’s body!
Complete Works of Aldous Huxley Page 349
