Surin’s visions were not of Christ alone. Sometimes he saw the Blessed Virgin, frowning at him with an expression of disgust and indignation. Raising her hand, she would discharge a bolt of avenging lightning, and his whole being, mental and physical, would feel the pain of it. Sometimes other saints rose up before him, each with his “insupportable look” and thunderbolt. Surin would see them in his dreams and wake up with a start and in agony, as the lightning struck him. The most unlikely saints made their appearance. One night, for example, he was transfixed by a bolt from the hand of “St. Edward, King of England.” (Was this Edward the Martyr? Or can it have been poor Edward the Confessor?) In any case, St. Edward displayed a “horrible anger against me; and I am convinced that this [throwing of thunderbolts by saints] is what happens in hell.”
At the beginning of his long exile from heaven and the world of men, Surin was still capable, at least on his good days, of trying to re-establish contact with his surroundings. “I was always running after my superiors and the other Jesuits in order to pour into their ears an account of what was going on in my soul.” In vain. (One of the chief horrors of mental derangement, as of extreme physical disability, consists in the fact that “between us and you there is a great gulf fixed.” The state of the catatonic, for example, is incommensurable with the state of the normal man or woman. The universe inhabited by the paralyzed is radically different from the world known to those who have the full use of their bodies. Love may build a bridge, but cannot abolish the gulf; and where there is no love, there is not even a bridge.) Surin ran after his superiors and his colleagues; but they understood nothing of what he told them; they did not even wish to sympathize. “I recognized the truth of what St. Teresa said: that there is no pain more unbearable than that of falling into the hands of a confessor who is too prudent.” Impatiently, they moved away from him. He caught them by the sleeve and tried, yet again, to explain what was happening to him. It was all so simple, so obvious, so unutterably terrible! They smiled contemptuously and tapped their foreheads. The man was mad and, what was more, he had brought his madness on himself. God, they assured him, was punishing him for his pride and his singularity — for wanting to be more spiritual than other people, for imagining that he could go to perfection by some eccentric, un-Jesuit road of his own choosing. Surin protested against their judgment. “That natural common sense, on which our faith is built, fortifies us so strongly against the objects of the other life that, so soon as a man asserts that he is damned, other people treat the idea as though it were an expression of madness.” But the follies of the melancholy and the hypochondriacal are of quite another kind — to imagine, for example, that “one is a jug, or a cardinal,” or (if one is actually a cardinal, like Alphonse de Richelieu) that one is God the Father. To believe that one is damned, Surin insisted, was never a sign of madness; and to prove his point, he cited the cases of Henry Suso, of St. Ignatius, of Blosius, of St. Teresa, of St. John of the Cross. At one time or another all of these had believed themselves to be damned; and all of them had been both sane and eminently holy. But the prudent ones either refused to listen, or if they did hear him out (with what an undisguised impatience!) were not convinced.
Their attitude deepened Surin’s already enormous misery and drove him yet further along the road to despair. On the seventeenth of May, 1645, at the little Jesuit house at Saint-Macaire, near Bordeaux, he tried to commit suicide. All the preceding night he had wrestled with the temptation to self-murder and most of the morning was spent in prayer before the Holy Sacrament. “A little before dinner time he went up to his room. Entering it, he saw that the window was open, went to it and, after looking down at the precipice which had inspired this mad instinct in his mind [the house was built on a rocky eminence above the river], withdrew into the middle of the room, still facing the window. There he lost all consciousness and suddenly, as if he had been asleep, without any knowledge of what he was doing, he was hurled out of the window.” The body fell, bounced on a projection of the rock and came to rest at the water’s edge. The thigh bone was broken; but there were no internal injuries. Prompted by his inveterate passion for the miraculous, Surin rounds off the account of his tragedy with an almost comic postscript. “At the very moment of this accident, and at the very place where the fall took place, a Huguenot came down to the river, and while being ferried across he made jokes about the occurrence. Once over, he remounted and, in the meadow, on a perfectly smooth road, his horse threw him and he broke his arm, and he himself said that God had punished him because he had laughed at the Father for trying to fly, and he, from a much smaller height, had fallen into the same mishap. Now, the height from which the Father fell is great enough to be fatal; for less than a month since a cat, which was trying to catch a sparrow, fell from the same place, and was killed, though these animals, being light and adroit, ordinarily fall without hurting themselves.”
Surin’s leg was set and, after some months, he was able to walk, though always, thenceforward, with a limp. The mind, however, was not to be cured so easily as the body. The temptation to despair persisted for years. High places continued to hold a fearful fascination. He could not look at a knife or a rope without an intense desire to hang himself or cut his own throat.
And the urge to destruction was directed outward as well as inward. There were times when Surin found himself filled with an almost irresistible desire to set fire to the house in which he was living. The buildings and their human occupants, the library with all its treasures of wisdom and devotion, the chapel, the vestments, the crucifixes, the Blessed Sacrament itself — all should be reduced to ashes. Only a fiend could harbor such malice. But that precisely was what he was — a damned soul, a devil incarnate, hated by God and hating in return. For him, this kind of wickedness would be entirely in order. And yet, lost though he knew himself to be, there was still a part of him that rejected the evil which it was his duty, as one of the damned, to think and feel and do. The temptations to suicide and arson were strong; but he struggled against them. And meanwhile those all too prudent persons who surrounded him were taking no chances. After his first attempt at self-murder he was either watched by a lay brother, or actually tied with ropes to his bed. For the next three years Surin was subjected to that systematic inhumanity which our fathers reserved for the insane.
By those who get a kick out of this sort of thing (and they are very numerous) inhumanity is enjoyed for its own sake, but often, nonetheless, with a bad conscience. To allay their sense of guilt, the bullies and the sadists provide themselves with creditable excuses for their favorite sport. Thus, brutality toward children is rationalized as discipline, as obedience to the Word of God— “he that spareth the rod, hateth his son.” Brutality toward criminals is a corollary of the Categorical Imperative. Brutality toward religious or political heretics is a blow for the True Faith. Brutality toward members of an alien race is justified by arguments drawn from what may once have passed for Science. Once universal, brutality toward the insane is not yet extinct — for the mad are horribly exasperating. But this brutality is no longer rationalized, as it was in the past, in theological terms. The people who tormented Surin and the other victims of hysteria or psychosis did so, first, because they enjoyed being brutal and, second, because they were convinced that they did well to be brutal. And they believed that they did well, because, ex hypothesi, the mad had always brought their troubles upon themselves. For some manifest or obscure sin, they were being punished by God, who permitted devils to besiege or obsess them. Both as God’s enemies and as temporary incarnations of radical evil, they deserved to be maltreated. And maltreated they were — with a good conscience and a heart-warming sense that the divine will was being done on earth, as in heaven. The Bedlamite was beaten, starved, chained up in the filthiest of dungeons. If he was visited by a minister of religion, it was to be told that it was all his own fault and that God was angry with him. To the general public he was a mixture between a baboon and a mountebank, wit
h some of the characteristics of a condemned criminal thrown in. On Sundays and holidays one took the children to see the insane, as one takes them now to the zoo or the circus. And there were no rules against teasing the animals. On the contrary, the animals being what they were, the enemies of God, tormenting them was not merely permissible; it was a duty. The sane person who is treated as a lunatic and subjected to every kind of insult and practical joke — this is a favorite theme of sixteenth-and seventeenth-century dramatists and storytellers. One thinks of Malvolio, one thinks of Lasca’s Dr. Manente, one thinks of the wretched victim in Grimmelshausen’s Simplicissimus. And the facts are even more unpleasant than the fictions.
Louise du Tronchay has left an account of her experiences in the great Parisian madhouse of the Salpêtrière, to which she was committed, in 1674, after being found in the streets, screaming and laughing to herself, and followed by large numbers of stray cats. These cats aroused a vehement suspicion that, as well as mad, she was a witch. At the hospital, she was chained up in a cage for the public amusement. Through the bars visitors would poke her with their walking sticks and make jokes about the cats and the punishment reserved for witches. That dirty straw she was lying on — what a fine blaze it would make when she was brought to execution! Every few weeks new straw was provided and the old was burned in the courtyard. Louise would be brought to look at the flames and hear the gleeful shouts of “Fire for the witch!” One Sunday she was made to listen to a sermon, of which she herself was the subject. The preacher exhibited her to his congregation as an awful example of the way in which God punishes sin. In this world it was a cage in the Salpêtrière; in the next it would be hell. And while the wretched victim sobbed and shuddered, he expatiated with relish on the flames, the stench, the draughts of boiling oil, the scourges of red-hot wire — forever and ever, Amen.
Under this regimen Louise, very naturally, grew worse and worse. That she finally recovered was due to the common decency of one man — a visiting priest who treated her kindly and had the charity to teach her to pray.
Surin’s experiences were essentially similar. True, he was spared the mental and physical tortures of life in a public madhouse. But even in the infirmary of a Jesuit college, even among the highly educated scholars and dedicated Christians who were his colleagues, there were horrors enough. The lay brother, who acted as his attendant, beat him unmercifully. The schoolboys, if ever they caught a glimpse of the crazed Father, would hoot and jeer. Of such actors such actions were only to be expected. They were not to be expected of grave and learned priests, his brothers, his fellow apostles. And yet how crassly insensitive, how totally without the bowels of compassion they proved themselves to be! There were the bluff and hearty ones, the Muscular Christians, who assured him that there was nothing wrong with him, who forced him to do all the things it was impossible for him to do, and then laughed when he cried out in pain and told him it was all imagination. There were the malignant moralists who came and sat at his bedside and told him, at enormous length and with evident satisfaction, that he was only getting what he had so richly deserved. There were the priests who visited him out of curiosity and to be amused, who talked nonsense to him as though he were a child or a cretin, who showed off their wit, their priceless sense of humor, by being waggish at his expense, by making derisive jokes which they assumed, because he could not answer, that he could not understand. On one occasion “a Father of some importance came to the infirmary, where I was all alone, sitting on my bed, looked at me fixedly for a long time and then, though I had done him no harm and had no wish to do him any, gave me a well aimed slap in the face; after which he went out.”
Surin did his best to turn these brutalities to the profit of his soul. God desired that he should be humiliated by being thought mad and treated as an outlaw, with no right to men’s respect, no right even to their pity. He resigned himself to what was happening; he went further and actively willed his own humiliation. But this conscious effort to reconcile himself to his fate was not enough, of itself, to effect a cure. As in the case of Louise du Tronchay, the healing agent was another’s kindness. In 1648 Father Bastide, the only one of his colleagues who had persistently argued that Surin was not irretrievably mad, was appointed to the rectorship of the college of Saintes. He asked for permission to take the invalid with him. It was granted. At Saintes, for the first time in ten years, Surin found himself treated with sympathy and consideration — as a sick man undergoing a spiritual ordeal, not as a kind of criminal undergoing punishment at the hands of God and therefore deserving of yet more punishment at the hands of men. It was still all but impossible for him to leave his prison and communicate with the world; but now the world was moving in and trying to communicate with him.
The patient’s first responses to this new treatment were physical. For years, chronic anxiety had kept his breathing so shallow that he seemed to be living always on the brink of asphyxiation. Now, almost suddenly, his diaphragm started to move; he breathed deeply, he was able to fill his lungs with life-giving air. “All my muscles had been locked tight, as though with clasps, and now one clasp was opened, then another, with extraordinary relief.” He was experiencing in his body an analogue of spiritual liberation. Those who have suffered from asthma or hay fever know the horror of being physically cut off from the cosmic environment, and the bliss, when they recover, of being restored to it. On the spiritual level most human beings suffer from the equivalent of asthma, but are only very obscurely and fitfully aware that they are living in a state of chronic asphyxiation. A few, however, know themselves for what they are — nonbreathers. Desperately they pant for air; and if at last they contrive to fill their lungs, what an unspeakable blessedness!
In the course of his strange career, Surin was alternately strangled and released, locked up in stifling darkness and transported to a mountain top in the sun. And his lungs reflected the state of his soul — cramped and rigid when the soul was stifled, dilated when it drew breath. The words serré, bandé, retréci, and their antithesis, dilaté, recur again and again in Surin’s writings. They express the cardinal fact of his experience — a violent oscillation between the extremes of tension and release, of a contraction into less than self and a letting go into more abundant Life. It was an experience of the same kind as that which is so minutely described in Maine de Biran’s diary, as that which finds its most powerfully beautiful expression in certain poems of George Herbert and Henry Vaughan — an experience made up of a succession of incommensurables.
In Surin’s case psychological release was sometimes accompanied by an altogether extraordinary degree of thoracic dilation. During one period of ecstatic self-abandonment he found that his leather waistcoat, which was laced up the front, like a boot, had to be let out five or six inches. (As a young man, St. Philip Neri experienced an ecstatic dilatation so extreme that his heart became permanently enlarged and he broke two ribs. In spite, or because, of which, he lived to a ripe old age, working prodigiously to the very end.)
Surin was always conscious that there was an actual, as well as a merely etymological connection between breath and spirit. He lists four types of breathing — a breath of the devil, of nature, of grace and of glory — and assures us that he has had experience of each. Unfortunately he does not elaborate on his statement and we are left in ignorance of what he actually discovered in the field of pranayana.
Thanks to Father Bastide’s kindness, Surin had recovered the sense of being a member of the human race. But Bastide could speak only for men and not for God — or, to be more accurate, for Surin’s cherished notion of God. The invalid could breathe again; but it was still impossible for him to read or write or say Mass, to walk, or eat, or undress without discomfort or even acute pain. These disabilities were all related to Surin’s enduring conviction that he was damned. It was a source of terror and despair, from which the only effective distractions were pain and acute illness. To feel better mentally he had to feel worse physically.
The strangest feature of Surin’s malady is the fact that there was a part of his mind which was never ill. Unable to read or write, unable to perform the simplest actions without excruciating and disabling pain, convinced of his own damnation, haunted by compulsions to suicide, to blasphemy, to impurity, to heresy (at one moment he was a convinced Calvinist, at another a believing and practicing Manichee), Surin retained, during the whole of his long ordeal, an unimpaired capacity for literary composition. During the first ten years of his madness, he composed mainly in verse. Setting new words to popular tunes, he converted innumerable ballads and drinking songs into Christian canticles. Here are some lines about St. Teresa and St. Catherine of Genoa, from a ballad entitled Les Saints enivrés d’Amour to the tune of J’ai rencontré un Allemand.
J’aperçus d’un autre côté,
Une vierge rare en beauté,
Qu’on appelle Thérèse;
Son visage tout allumé
Montrait bien qu’elle avait humé
De ce vin à son aise.
Elle me dit: “Prends-en pour toi,
Bois-en et chantes avec moi:
Dieu, Dieu, Dieu, je ne veux que Dieu:
Tout le reste me pèse.”
Une Génoise, dont le cœur
Etait plein de cette liqueur,
Semblait lui faire escorte:
Elle aussi rouge qu’un charbon
S’écriait: “Que ce vin est bon. . . .”
That the verses are feeble and the taste atrocious was due to a want, not of health, but of talent. Surin’s poetry was as poor when he was sane as when he was out of his wits. His gift (and it was considerable) was for the clear and exhaustive exposition of a subject in prose. And this precisely was what, during the second half of his illness, he actually undertook. Composing in his head and dictating every evening to an amanuensis, he produced, between 1651 and 1655, his greatest work, Le Catéchisme Spirituel. This is a treatise comparable in scope and in intrinsic merit to the Holy Wisdom of its author’s English contemporary, Augustine Baker. In spite of its great length of more than a thousand duodecimo pages, the Catechism remains a very readable book. True, the surface texture of the writing is somewhat uninteresting; but this is not the fault of Surin, whose pleasantly old-fashioned style has been corrected, in the modern editions of the book, by what his nineteenth-century editor calls, with unconscious irony, “a friendly hand.” Luckily, the friendly hand could not spoil the book’s essential qualities of simplicity even in the subtlest analyses, of matter-of-factness even when it deals with the sublime.
Complete Works of Aldous Huxley Page 540
