"Yeah!" snarled Gummy. "You heard Old Man say it. Nuthouse. Booby hatch. So... this cat from the puzzle factory was named John Elkins. He gave Old Man all those tests when they had him locked up last year. He's the skinny little guy with a moustache 'n never lookin you in the eye 'n grinnin like a skunk eatin a shirt. The cat who took Old Man's hat away from him 'n woun't give it back to him until Old man promised to be good. Remember now?"
Deena, tall, skinny, clad only in a white terrycloth bathrobe, looked like a surprised and severed head stuck on a pike. The great purple birthmark on her cheek and neck stood out hideously against her paling skin.
"Are they going to send him back to the State hospital?" she asked.
Gummy, looking at herself in the cracked full-length mirror nailed to the wall, laughed and showed her two teeth. Her frizzy hair was a yellow brown, chopped short. Her little blue eyes were set far back in tunnels beneath two protruding ridges of bone; her nose was very long, enormously wide, and tipped with a broken-veined bulb. Her chin was not there, and her head bent forward in a permanent crook. She was dressed only in a dirty once-white slip that came to her swollen knees. When she laughed, her huge breasts, resting on her distended belly, quivered like bowls of fermented cream. From her expression, it was evident that she was not displeased with what she saw in the broken glass.
Again she laughed. "Naw, they din't come to haul him away. Elkins just wanted to interduce this chick he had with him. A cute little brunette with big brown eyes behint real thick glasses. She looked just like a collidge girl, 'n she was. This chick has got a B.M. or somethin in sexology --"
"Psychology?"
"Maybe it was societyology --"
"Sociology?"
"Umm. Maybe. Anyway, this foureyed chick is doin a study for a foundation. She wants to ride aroun with Old Man, see how he collects his junk, what alleys he goes up 'n down, what his, uh, habit patterns is, 'n learn what kinda bringin up he had. . ."
"Old Man'd never do it!" burst out Deena. "You know he can't stand the idea of being watched by a False Folker!"
"Umm. Maybe. Anyway, I tell em Old Man's not goin to like their slummin on him, 'n they say quick they're not slummin, it's for science. 'N they'll pay him for his trouble. They got a grant from the foundation. So I say maybe that'd make Old Man take another look at the color of the beer, 'n they left the house..."
"You allowed them in the house? Did you hide the birdcage?"
"Why hide it? His hat wasn't in it."
Deena turned back to frying her fish, but over her shoulder she said, "I don't think Old Man'll agree to the idea, do you? It's rather degrading."
"You kiddin? Who's lower'n Old Man? A snake's belly, maybe. Sure, he'll agree. He'll have an eye for the foureyed chick, sure."
"Don't be absurd," said Deena. "He's a dirty stinking one-armed middle-aged man, the ugliest man in the world."
"Yeah, it's the uglies he's got, for sure. 'N he smells like a goat that fell in a outhouse. But it's the smell that gets em. It got me, it got you, it got a whole stewpotful a others, includin that high society dame he used to collect junk off of..."
"Shut up!" spat Deena. "This girl must be a highly refined and intelligent girl. She'd regard Old Man as some sort of ape."
"You know them apes," said Gummy, and she went to the ancient refrigerator and took out a cold quart of beer.
Six quarts of beer later, Old Man had still not come home. The fish had grown cold and greasy, and the big July moon had risen. Deena, like a long lean dirty-white nervous alley cat on top of a backyard fence, patrolled back and forth across the shanty. Gummy sat on the bench made of crates and hunched over her bottle. Finally, she lurched to her feet and turned on the battered set. But, hearing a rattling and pounding of a loose motor in the distance, she turned it off.
The banging and popping became a roar just outside the door. Abruptly, there was a mighty wheeze, like an old rusty robot coughing with double pneumonia in its iron lungs. Then, silence.
But not for long. As the two women stood paralyzed, listening apprehensively, they heard a voice like the rumble of distant thunder.
"Take it easy, kid."
Another voice, soft, drowsy, mumbling.
"Where... we?"
The voice like thunder, "Home, sweet home, where we rest our dome."
Violent coughing.
"It's this smoke from the burnin garbage, kid. Enough to make a maggot puke, ain't it? Lookit! The smoke's risin t'ward the full moon like the ghosts a men so rotten even their spirits're carryin the contamination with em. Hey, li'l chick, you din't know Old Man knew them big words like contamination, didja? That's what livin on the city dump does for you. I hear that word all a time from the big shots that come down inspectin the stink here so they kin get away from the stink a City Hall. I ain't no illiterate. I got a TV set. Hor, hor, hor!"
There was a pause, and the two women knew he was bending his knees and tilting his torso backward so he could look up at the sky.
"Ah, you lovely lovely moon, bride a The Old Guy In The Sky! Some day to come, rum-a-dum-a-dum, one day I swear it, Old Woman a The Old Guy In The Sky, if you help me find the longlost headpiece a King Paley that I and my fathers been lookin for for fifty thousand years, so help me, Old Man Paley'll spread the freshly spilled blood a a virgin a the False Folkers out acrosst the ground for you, so you kin lay down in it like a red carpet or a new red dress and wrap it aroun you. And then you won't have to crinkle up your lovely shinin nose at me and spit your silver spit on me. Old Man promises that, just as sure as his good arm is holdin a daughter a one a the Falsers, a virgin, I think, and bringin her to his home, however humble it be, so we shall see --"
"Stoned out a his head," whispered Gummy.
"My God, he's bringing a girl in here!" said Deena. "The girl!"
"Not the collidge kid?"
"Does the idiot want to get lynched?"
The man outside bellowed, "Hey, you wimmen, get off your fat asses and open the door 'fore I kick it in! Old Man's home with a fistful a dollars, a armful a sleepin lamb, and a gutful a beer! Home like a conquerin hero and wants service like one, too!"
Suddenly unfreezing, Deena opened the door.
Out of the darkness and into the light shuffled something so squat and blocky it seemed more a tree mink come to life than a man. It stopped, and the eyes under the huge black homburg hat blinked glazedly. Even the big hat could not hide the peculiar lengthened-out bread-loaf shape of the skull. The forehead was abnormally low; over the eyes were bulging arches of bone. These were tufted with eyebrows like Spanish moss that made even more cavelike the hollows in which the little blue eyes lurked. Its nose was very long and very wide and flaring-nostriled. The lips were thin but pushed out by the shoving jaws beneath them. Its chin was absent, and head and shoulders joined almost without intervention from a neck, or so it seemed. A corkscrew forest of rusty-red hairs sprouted from its open shirt front.
Over his shoulder, held by a hand wide and knobbly as a coral branch, hung the slight figure of a young woman.
He shuffled into the room in an odd bent-kneed gait, walking on the sides of his thick-soled engineer's boots. Suddenly, he stopped again, sniffed deeply, and smiled, exposing teeth thick and yellow, dedicated to biting.
"Jeez, that smells good. It takes the old garbage stink right off. Gummy! You been sprinklin yourself with that perfume I found in a ash heap up on the bluffs?"
Gummy, giggling, looked coy.
Deena said, sharply, "Don't be a fool, Gummy. He's trying to butter you up so you'll forget he's bringing this girl home."
Old Man Paley laughed hoarsely and lowered the snoring girl upon an Army cot. There she sprawled out with her skirt around her hips. Gummy cackled, but Deena hurried to pull the skirt down and also to remove the girl's thick shell-rimmed glasses.
"Lord," she said, "how did this happen? What'd you do to her?"
"Nothin," he growled, suddenly sullen.
He took a quart of be
er from the refrigerator, bit down on the cap with teeth thick and chipped as ancient gravestones, and tore it off. Up went the bottle, forward went his knees, back went his torso and he leaned away from the bottle, and down went the amber liquid, gurgle, gurgle, glub. He belched, then roared. "There I was, Old Man Paley, mindin my own figurin business, packin a bunch a papers and magazines I found, and here comes a blue fifty-one Ford sedan with Elkins, the doctor jerk from the puzzle factory. And this little foureyed chick here, Dorothy Singer. And. . ."
"Yes," said Deena. "We know who they are, but we didn't know they went after you."
"Who asked you? Who's tellin this story? Anyway, they tole me what they wanted. And I was gonna say no, but this little collidge broad says if I'll sign a paper that'll agree to let her travel aroun with me and even stay in our house a couple a evenins, with us actin natural, she'll pay me fifty dollars. I says yes! Old Guy In The Sky! That's a hundred and fifty quarts a beer! I got principles, but they're washed away in a roarin foamin flood of beer.
"I says yes, and the cute little runt give me the paper to sign, then advances me ten bucks and says I'll get the rest seven days from now. Ten dollars in my pocket! So she climbs up into the seat a my truck. And then this figurin Elkins parks his Ford and says he thinks he ought a go with us to check on if everythin's gonna be OK."
"He's not foolin Old Man. He's after Little Miss Foureyes. Everytime he looks at her, the lovejuice runs out a his eyes. So, I collect junk for a couple a hours, talkin all the time. And she is scared a me at first because I'm so figurin ugly and strange. But after a while she busts out laughin. Then I pulls the truck up in the alley back a Jack's Tavern on Ames Street. She asks me what I'm doin. I says I'm stoppin for a beer, just as I do every day. And she says she could stand one, too. So..."
"You actually went inside with her?" asked Deena.
"Naw. I was gonna try, but I started gettin the shakes. And I hadda tell her I coun't do it. She asks me why. I say I don't know. Ever since I quit bein a kid, I kin't. So she says I got a... somethin like a fresh flower, what is it?"
"Neurosis?" said Deena.
"Yeah. Only I call it a taboo. So Elkins and the little broad go into Jack's and get a cold six-pack, and brin it out, and we're off..."
"So?"
"So we go from place to place, though always stay in in alleys, and she thinks it's funnier'n hell gettin loaded in the backs a taverns. Then I get to seein double and don't care no more and I'm over my fraidies, so we go into the Circle Bar. And get in a fight there with one a the hillbillies in his sideburns and leather jacket that hangs out there and tries to take the foureyed chick home with him."
Both the women gasped, "Did the cops come?"
"If they did, they was late to the party. I grab this hillbilly by his leather jacket with my one arm -- the strongest arm in this world -- and throw him clean acrosst the room. And when his buddies come after me, I pound my chest like a figurin gorilla and make a figurin face at em, and they all of a sudden get their shirts up their necks and go back to listenin to their hillbilly music. And I pick up the chick -- she's laughin so hard she's chokin -- and Elkins, white as a sheet out a the laundromat, after me, and away we go, and here we are."
"Yes, you fool, here you are!" shouted Deena. "Bringing that girl here in that condition! She'll start screaming her head off when she wakes up and sees you!"
"Go figure yourself!" snorted Paley. "She was scared a me a first, and she tried to stay upwind a me. But she got to likin me. I could tell. And she got so she liked my smell, too. I knew she would. Don't all the broads? These False wimmen ki't say no once they get a whiff of us. Us Paleys got the gift in the blood."
Deena laughed and said, "You mean you have it in the head. Honest to God, when are you going to quit trying to forcefeed me with that bull? You're insane!"
Paley growled. "I tole you not never to call me nuts, not never!" and he slapped her across the cheek.
She reeled back and slumped against the wall, holding her face and crying, "You ugly stupid stinking ape, you hit me, the daughter of people whose boots you aren't fit to lick. You struck me!"
"Yeah, and ain't you glad I did," said Paley in tones like a complacent earthquake. He shuffled over to the cot and put his hand on the sleeping girl.
"Uh, feel that. No sag there, you two flabs."
"You beast!" screamed Deena. "Taking advantage of a helpless little girl!"
Like an alley cat, she leaped at him with claws out.
Laughing hoarsely, he grabbed one of her wrists and twisted it so she was forced to her knees and had to clench her teeth to keep from screaming with pain. Gummy cackled and handed Old Man a quart of beer. To take it, he had to free Deena. She rose, and all three, as if nothing had happened, sat down at the table and began drinking.
About dawn a deep animal snarl awoke the girl. She opened her eyes but could make out the trio only dimly and distortedly. Her hands, groping around for her glasses, failed to find them.
Old Man, whose snarl had shaken her from the high tree of sleep, growled again. "I'm tellin you, Deena, I'm tellin you, don't laugh at Old Man, don't laugh at Old Man, and I'm tellin you again, three times, don't laugh at Old Man!"
His incredible bass rose to a high-pitched scream of rage.
"Whassa matter with your figurin brain? I show you proof after proof, and you sit there in all your stupidity like a silly hen that sits down too hard on its eggs and breaks em but won't get up and admit she's squattin on a mess. I -- I -- Paley -- Old Man Paley -- kin prove I'm what I say I am, a Real Folker."
Suddenly, he propelled his hand across the table toward Deena.
"Feel them bones in my lower arm! Them two bones ain't straight and dainty like the arm bones a you False Folkers. They're thick as flagpoles, and they're curved out from each other like the backs a two tomcats outbluffin each other over a fishhead on a garbage can. They're built that way so's they kin be real strong anchors for my muscles, which is bigger'n False Folkers'. Go ahead, feel em.
"And look at them brow ridges. Like the tops a those shell-rimmed spectacles all them intellekchooalls wear. Like the spectacles this collidge chick wears.
"And feel the shape a my skull. It ain't a ball like yours but a loaf a bread."
"Fossilized bread!" sneered Deena. "Hard as a rock, through and through."
Old Man roared on, "Feel my neck bones if you got the strength to feel through my muscles! They're bent forward, not --"
"Oh, I know you're an ape. You can't look overhead to see if that was a bird or just a drop of rain without breaking your back."
"Ape, hell! I'm a Real Man! Feel my heel bone! Is it like yours? No, it ain't! It's built diff'runt, and so's my whole foot!"
"Is that why you and Gummy and all those brats of yours have to walk like chimpanzees?"
"Laugh, laugh, laugh!"
"I am laughing, laughing, laughing. Just because you're a freak of nature, a monstrosity whose bones all went wrong in the womb, you've dreamed up this fantastic myth about being descended from the Neanderthals --"
"Neanderthals!" whispered Dorothy Singer. The walls whirled about her, looking twisted and ghostly in the halflight, like a room in Limbo.
"... all this stuff about the lost hat of Old King," continued Deena, "and how if you ever find it you can break the spell that keeps you so-called Neanderthals on the dumpheaps and in the alleys, is garbage, and not very appetizing --"
"And you," shouted Paley, "are headin for a beatin!"
"Thass what she wants," mumbled Gummy. "Go ahead. Beat her. She'll get her jollies off, 'n quit needlin you. 'N we kin all get some shuteye. Besides, you're gonna wake up the chick."
"That chick is gonna get a wakin up like she never had before when Old Man gets his paws on her," rumbled Paley. "Guy In The Sky, ain't it somethin she should a met me and be in this house? Sure as an old shirt stinks, she ain't gonna be able to tear herself away from me.
"Hey, Gummy, maybe she'll have a kid for me, huh? We ai
n't had a brat aroun here for ten years. I kinda miss my kids. You gave me six that was Real Folkers, though I never was sure about that Jimmy, he looked too much like O'Brien. Now you're all dried up, dry as Deena always was, but you kin still raise em. How'd you like to raise the collidge chick's kid?"
Gummy grunted and swallowed beer from a chipped coffee mug. After belching loudly, she mumbled, "Don't know. You're crazier'n even I think you are if you think this cute little Miss Foureyes'd have any thin to do with you. 'N even if she was out of her head enough to do it, what kind a life is this for a brat? Get raised in a dump? Have a ugly old maw 'n paw? Grow up so ugly nobody'd have nothin to do with him 'n smellin so strange all the dogs'd bite him?"
Suddenly, she began blubbering.
"It ain't only Neanderthals has to live on dumpheaps. It's the crippled 'n sick 'n the stupid 'n the queer in the head that has to live here. 'N they become Neanderthals just as much as us Real Folk. No diff'runce, no diff'runce. We're all ugly 'n hopeless 'n rotten. We're all Neander..."
Old Man's fist slammed the table.
"Name me no names like that! That's a G'yaga name for us Paleys -- Real Folkers. Don't let me never hear that other name again! It don't mean a man; it means somethin like a high-class gorilla."
"Quit looking in the mirror!" shrieked Deena.
There was more squabbling and jeering and roaring and confusing and terrifying talk, but Dorothy Singer had closed her eyes and fallen asleep again.
Some time later, she awoke. She sat up, found her glasses on a little table beside her, put them on, and stared about her.
She was in a large shack built of odds and ends of wood. It had two rooms, each about ten feet square. In the corner of one room was a large kerosene-burning stove. Bacon was cooking in a huge skillet; the heat from the stove made sweat run from her forehead and over her glasses.
After drying them off with her handkerchief, she examined the furnishings of the shack. Most of it was what she had expected, but three things surprised her. The bookcase, the photograph on the wall, and the birdcage.
The Book of Philip Jose Farmer Page 9
