Run With the Hunted: A Charles Bukowski Reader

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Run With the Hunted: A Charles Bukowski Reader Page 44

by Charles Bukowski


  He felt her teeth dig into his lower lip, the pain was terrible. Ted pulled away, tasting the blood and feeling the wound on his lip. He half rose and slapped Victoria hard across the side of her face, then backhanded her across the other side of the face. He found her down there, slid it in, rammed it in her while putting his mouth back on hers. Ted worked away in wild vengeance, now and then pulling his head back, looking at her. He tried to save it, to hold back, and then he saw that cloud of strawberry hair fanned across the pillow in the moonlight.

  Ted was sweating and moaning like a high school boy. This was it. Nirvana. The place to be. Victoria was silent. Ted’s moans lessened and then after a moment he rolled off.

  He stared into the darkness.

  I forgot to suck her tits, he thought.

  Then he heard her voice. “You know what?” she asked.

  “What?”

  “You remind me of one of those quarterhorses.”

  “What do you mean?”

  “It’s all over in 18 seconds.”

  “We’ll race again, baby,” he said …

  She went to the bathroom. Ted wiped off on the sheet, the old pro. Victoria was rather a nasty number, in a way. But she could be handled. He had something going. How many men owned their own home and had 150 grand in the bank at his age? He was a class act and she damn well knew it.

  Victoria came walking out of the bathroom still looking cool, untouched, almost virginal. Ted switched on the bedlamp. He sat up and poured two more. She sat on the edge of the bed with her drink and he climbed out and sat on the edge of the bed next to her.

  “Victoria,” he said, “I can make things good for you.”

  “I guess you’ve got your ways, Buddha.”

  “And I’ll be a better lover.”

  “Sure.”

  “Listen, you should have known me when I was young. I was tough, but I was good. I had it. I still have it.”

  She smiled at him, “Come on, Buddha, it’s not all that bad. You’ve got a wife, you’ve got lots of things going for you.”

  “Except one thing,” he said, draining his drink and looking at her. “Except the one thing I really want…”

  “Look at your lip! You’re bleeding!”

  Ted looked down into his glass. There were drops of blood in his drink and he felt blood on his chin. He wiped his chin with the back of his hand.

  “I’m going to shower and clean up, baby, be right back.”

  He walked into the bathroom, slid the shower door open and began to run the water, testing it with his hand. It seemed about right and he stepped in, the water running off him. He could see the blood in the water running into the drain. Some wildcat. All she needed was a steadying hand.

  Marie was all right, she was kind, kind of dull actually. She had lost the intensity of youth. It wasn’t her fault. Maybe he could find a way to stay with Marie and have Victoria on the side. Victoria renewed his youth. He needed some fucking renewal. And he needed some more good fucking like that. Of course, women were all crazy, they demanded more than there was. They didn’t realize that making it was not a glorious experience, but only a necessary one.

  “Hurry up, Buddha!” he heard her call. “Don’t leave me all alone out here!”

  “I won’t be long, baby!” he yelled from under the shower.

  He soaped up good, washing it all away.

  Then Ted got out, toweled off, then opened the bathroom door and stepped into the bedroom.

  The motel room was empty. She was gone.

  There was a distance between ordinary objects and between events that was remarkable. All at once, he saw the walls, the rug, the bed, two chairs, the coffee table, the dresser, and the ashtray with their cigarettes. The distance between these things was immense. Then and now were light years apart.

  On an impulse, he ran to the closet and pulled the door open. Nothing but coat hangers.

  Then Ted realized that his clothes were gone. His underwear, his shirt, his pants, his car keys and wallet, his cash, his shoes, his stockings, everything.

  On another impulse he looked under the bed. Nothing.

  Then Ted noticed the bottle of Cutty Sark, half full, standing on the dresser and he walked over, picked it up and poured himself a drink. And as he did he saw two words scrawled on the dresser mirror in pink lipstick: “GOODBYE BUDDHA!”

  Ted drank the drink, put the glass down and saw himself in the mirror—very fat, very old. He had no idea what to do next.

  He carried the Cutty Sark back to the bed, sat down heavily on the edge of the mattress where he and Victoria had sat together. He lifted the bottle and sucked at it as the bright neon lights from the boulevard came through the dusty blinds.

  He sat, looking out, not moving, watching the cars passing back and forth.

  —HOT WATER MUSIC

  cornered

  well, they said it would come to

  this: old. talent gone, fumbling for

  the word

  hearing the dark

  footsteps, I turn

  look behind me …

  not yet, old dog …

  soon enough.

  now

  they sit talking about

  me: “yes, it’s happened, he’s

  finished … it’s

  sad …”

  “he never had a great deal, did

  he?”

  “well, no, but now …”

  now

  they are celebrating my demise

  in taverns I no longer

  frequent.

  now

  I drink alone

  at this malfunctioning

  machine

  as the shadows assume

  shapes

  I fight the slow

  retreat

  now

  my once-promise

  dwindling

  dwindling

  now

  lighting new cigarettes

  pouring more

  drinks

  it has been a beautiful

  fight

  still

  is.

  Trollius and trellises

  of course, I may die in the next ten minutes

  and I’m ready for that

  but what I’m really worried about is

  that my editor-publisher might retire

  even though he is ten years younger than

  I.

  it was just 25 years ago (I was at that ripe

  old age of 45)

  when we began our unholy alliance to

  test the literary waters,

  neither of us being much

  known.

  I think we had some luck and still have some

  of same

  yet

  the odds are pretty fair

  that he will opt for warm and pleasant

  afternoons

  in the garden

  long before I.

  writing is its own intoxication

  while publishing and editing,

  attempting to collect bills

  carries its own

  attrition

  which also includes dealing with the

  petty bitchings and demands

  of many

  so-called genius darlings who are

  not.

  I won’t blame him for getting

  out

  and hope he sends me photos of his

  Rose Lane, his

  Gardenia Avenue.

  will I have to seek other

  promulgators?

  that fellow in the Russian

  fur hat?

  or that beast in the East

  with all that hair

  in his ears, with those wet and

  greasy lips?

  or will my editor-publisher

  upon exiting for that world of Trollius and

  trellis

  hand over the

  machinery

  of his former trade to a

  cousin, a


  daughter or

  some Poundian from Big

  Sur?

  or will he just pass the legacy on

  to the

  Shipping Clerk

  who will rise like

  Lazarus,

  fingering new-found

  importance?

  one can imagine terrible

  things:

  “Mr. Chinaski, all your work

  must now be submitted in

  Rondo form

  and

  typed

  triple-spaced on rice

  paper.”

  power corrupts,

  life aborts

  and all you

  have left

  is a

  bunch of

  warts.

  “no, no, Mr. Chinaski:

  Rondo form!”

  “hey, man,” I’ll ask,

  “haven’t you heard of

  the thirties?”

  “the thirties? what’s

  that?”

  my present editor-publisher

  and I

  at times

  did discuss the thirties,

  the Depression

  and

  some of the little tricks it

  taught us—

  like how to endure on almost

  nothing

  and move forward

  anyhow.

  well, John, if it happens enjoy your

  divertissement to

  plant husbandry,

  cultivate and aerate

  between

  bushes, water only in the

  early morning, spread

  shredding to discourage

  weed growth

  and

  as I do in my writing:

  use plenty of

  manure.

  and thank you

  for locating me there at

  5124 DeLongpre Avenue

  somewhere between

  alcoholism and

  madness.

  together we

  laid down the gauntlet

  and there are takers

  even at this late date

  still to be

  found

  as the fire sings

  through the

  trees.

  my first computer poem

  have I gone the way of the deathly death?

  will this machine finish me

  where booze and women and poverty

  have not?

  is Whitman laughing at me from his grave?

  does Creeley care?

  is this properly spaced?

  am I?

  will Ginsberg howl?

  soothe me!

  get me lucky!

  get me good!

  get me going!

  I am a virgin again.

  a 70-year-old virgin.

  don’t fuck me, machine

  do.

  who cares?

  talk to me, machine!

  we can drink together.

  we can have fun.

  think of all the people who will hate me at this

  computer.

  we’ll add them to the others

  and continue right

  on.

  so this is the beginning

  not the

  end.

  Dinosauria, we

  born like this

  into this

  as the chalk faces smile

  as Mrs. Death laughs

  as the elevators break

  as political landscapes dissolve

  as the supermarket bag boy holds a college degree

  as the oily fish spit out their oily prey

  as the sun is masked

  we are

  born like this

  into this

  into these carefully mad wars

  into the sight of broken factory windows of emptiness

  into bars where people no longer speak to each other

  into fist fights that end as shootings and knifings

  born into this

  into hospitals which are so expensive that it’s cheaper to die

  into lawyers who charge so much it’s cheaper to plead guilty

  into a country where the jails are full and the madhouses closed

  into a place where the masses elevate fools into rich heroes

  born into this

  walking and living through this

  dying because of this

  muted because of this

  castrated

  debauched

  disinherited

  because of this

  fooled by this

  used by this

  pissed on by this

  made crazy and sick by this

  made violent

  made inhuman

  by this

  the heart is blackened

  the fingers reach for the throat

  the gun

  the knife

  the bomb

  the fingers reach toward an unresponsive god

  the fingers reach for the bottle

  the pill

  the powder

  we are born into this sorrowful deadliness

  we are born into a government 60 years in debt

  that soon will be unable to even pay the interest on that debt

  and the banks will burn

  money will be useless

  there will be open and unpunished murder in the streets

  it will be guns and roving mobs

  land will be useless

  food will become a diminishing return

  nuclear power will be taken over by the many

  explosions will continually shake the earth

  radiated robot men will stalk each other

  the rich and the chosen will watch from space platforms

  Dante’s Inferno will be made to look like a children’s playground

  the sun will not be seen and it will always be night

  trees will die

  all vegetation will die

  radiated men will eat the flesh of radiated men

  the sea will be poisoned

  the lakes and rivers will vanish

  rain will be the new gold

  the rotting bodies of men and animals will stink in the dark wind

  the last few survivors will be overtaken by new and hideous diseases

  and the space platforms will be destroyed by attrition

  the petering out of supplies

  the natural effect of general decay

  and there will be the most beautiful silence never heard

  born out of that.

  the sun still hidden there

  awaiting the next chapter.

  Luck

  once

  we were young

  at this

  machine …

  drinking

  smoking

  typing

  it was a most

  splendid

  miraculous

  time

  still

  is

  only now

  instead of

  moving toward

  time

  it

  moves toward

  us

  makes each word

  drill

  into the

  paper

  clear

  fast

  hard

  feeding a

  closing

  space.

  the bluebird

  there’s a bluebird in my heart that

  wants to get out

  but I’m too tough for him,

  I say, stay in there, I’m not going

  to let anybody see

  you.

  there’s a bluebird in my heart that

  wants to get out

  but I pour whiskey on him and inhale

  cigarette smoke

  and the whores and the bartenders

  and the grocery clerks

  never know that
>
  he’s

  in there.

  there’s a bluebird in my heart that

  wants to get out

  but I’m too tough for him,

  I say,

  stay down, do you want to mess

  me up?

  you want to screw up the

  works?

  you want to blow my book sales in

  Europe?

  there’s a bluebird in my heart that

  wants to get out

  but I’m too clever, I only let him out

  at night sometimes

  when everybody’s asleep.

  I say, I know that you’re there,

  so don’t be

  sad.

  then I put him back,

  but he’s singing a little

  in there, I haven’t quite let him

  die

  and we sleep together like

  that

  with our

  secret pact

  and it’s nice enough to

  make a man

  weep, but I don’t

  weep, do

  you?

  Acknowledgments

  The material in this reader is reprinted from the following books published by Black Sparrow: The Days Run Away Like Wild Horses over the Hills (1969), Post Office (1971), Mockingbird Wish Me Luck (1972), South of No North (1973), Burning in Water, Drowning in Flame (1974), Factotum (1975), Love Is a Dog from Hell (1977), Women (1978), Play the Piano Drunk (1979), Ham on Rye (1982), Hot Water Music (1983), You Get So Alone at Times It Just Makes Sense (1986), The Roominghouse Madrigals (1988), Hollywood (1989), Septuagenarian Stew (1990), and The Last Night of the Earth Poems (1992).

  Other Works

  ALSO BY CHARLES BUKOWSKI

  AVAILABLE FROM ECCO

  The Days Run Away Like Wild Horses Over the Hills (1969)

  Post Office (1971)

  Mockingbird Wish Me Luck (1972)

  South of No North (1973)

  Burning in Water, Drowning in Flame: Selected Poems 1955–1973 (1974)

  Factotum (1975)

  Love Is a Dog from Hell: Poems 1974–1977 (1977)

  Women (1978)

  Play the Piano Drunk / Like a Percussion Instrument / Until the Fingers Begin to Bleed a Bit (1979)

 

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