The farm hasn’t changed much in the year I was away: the mountains still stand like green gods on all sides and the Big Sandy River still coils like a king snake through the heart of it. Owls still call three times at moonrise and dogwoods still bloom in the deep blue shadows. Mama Mags’s house has sunk a little farther into the earth, like an old woman settling deeper into a rocking chair, and her herb-garden has run wild and weedy, but otherwise I can almost believe no time has passed at all. That I’m still seventeen and all alone, living for the day my daddy would finally die.
Except I’m not alone, now. Neither am I living: I died on the fall equinox in St. George’s Square, and death doesn’t brook any back-talk or take-backs.
But witching is nothing if not a way to bend the rules, to make a way when there is none. My soul lingers, bound alongside the Last Three to the Lost Way of Avalon, to the rose-covered stones and the burned books and to witching itself. It isn’t the same as being alive—I don’t eat or drink except to remind myself that I can, and I don’t sleep now so much as come undone. As soon as my attention wavers I unravel like a dropped bobbin, losing myself among the roots and stone. But it’s a damn sight better than being dead, I figure.
On bad days I have Corvus. My familiar is a creature of the margins and in-betweens, being half-magic and half-bird and three-quarters mischief, and he laughs his crow-laugh at me when I fret about whether I’m dead or alive, sundered or saved. Just looking at him reminds me that I can still feel the sunlight on my skin and breathe the rich wet smell of spring and if that isn’t enough, well, it’s all I’ve got.
I wasted time brooding, in the early days after my death. I dreamed about stepping into the flames, smoke filling my mouth, my throat, my lungs. About all the sights I’d never see and the hell I’d never raise. But then Bella and Agnes called the tower back out of nowhere, and I held my baby niece in my arms, and all those regrets faded like cheap newsprint in the rain.
The farm still isn’t mine, legally speaking; it’s still my dumbshit cousin’s name on the deed. But he isn’t around much these days.
At first he thought to rebuild Daddy’s house and rent it out, or at least lease the fields, but nothing ever came of his plans. Carpenters found their survey stakes missing and their tools rusted overnight; planted seed went bad and crops wilted without reason. Briars grew twice as tall and three times as thick as they did elsewhere in the county, obscuring the clay drive and rising like thorned walls along the borders, and in the end my cousin threw up his hands and left my land alone.
So there was no one around to notice three women and three black birds slinking through the woods. No one to see the tower appear on the back acres, lit by stars from another time and place, covered in the burnt bones of rose-vines. (Bella fretted sometimes about leaving Avalon in Crow County, and suggested they find a place even more remote and defensible, but I wanted to stay home, and my sisters don’t deny me much of anything these days.)
I rarely wander far from the tower. I can, but I feel thin and anxious when I’m away too long, like a poorly knit shawl that might unravel at any moment. And I never lack for company. Bella and Cleo visit to help Agnes or bring supplies, sitting side by side to write by the fire, their silence interspersed with heartfelt swearing and the scratching out of unsatisfactory lines.
Agnes and August stay with me when they aren’t out teaching witchcraft to women and workingmen. Sometimes they leave Eve behind them, who generally leaves me feeling outnumbered and surrounded, although there’s only one of her.
Then there are the others my sisters bring with them. Stragglers and lost girls, outcasts and outlaws. Girls running from their suitors or fathers or uncles or neighbors; from weddings and boarding schools and convents; from desperation and despair and the siren call of wading into rivers with stones in their pockets.
I give them a place to hide and to rest, to gather the frayed ends of themselves. And sometimes, if they ask, I give them more. I teach them which herbs to pick and which words to say, which spells work best on the Milk Moon and which require the heat of summer. I teach them every bit of witching Mags taught me and every spell Bella and Cleo drag back, and send them out into the world like thistleseeds tossed into the wind. I hope they might take root and grow tall, thorned and beautiful.
I suspect they will. Already I can feel the world shifting around me, changing like a riverbank beneath rising water. The papers Bella brings home talk about burning factories and brutal men found dead, about a sewing circle caught spreading seditious spells and a Colorado mining town where no man dared to tread. Out west the Indian Wars are going poorly—or well, according to my line of thinking—and there are rumors of rebellion in Old Cairo.
I guess something rose from my ashes, after all. Makes me wonder if maybe those phoenix stories were never really about birds in the first place.
The backlash will come one day, the way it always does. I know the world won’t change easy, that more women will burn before it does, but at least I got to see the beginning. Bella says I could linger as long as I liked, being dead and all.
I don’t figure I’ll stay longer than is natural. One day when Eve is long grown and my sisters grown old, when perhaps the lost girls come less often to visit me because the world is less cruel, I’ll just lay myself down to rest beside the Maiden and Mother and Crone. The Three will become Four and the Eastwoods will fade into myth and rumor and fire-lit witch-tale.
It’s dusk now. Very soon the air will twist and two women will appear on either side of me. Their cheeks will be flushed with the heat of witching and their cloaks will twist in the autumn wind that still blows in Avalon, even in springtime. One of them will be tall and narrow and clever-looking, eyes bright behind her spectacles; one of them will be sweet-faced and sturdy, a baby clinging tight to her chest.
I will smile up at them and see for a moment not my sisters but as the first notes of a half-familiar song, the first lines of a story that has been told before and will be told again:
Once upon a time there were three witches.
Acknowledgments
If I were to tell you the tale of writing this book, it would go like this: Once there was a girl with a story she wanted to tell. She’d told stories before, so she set sail boldly. Very soon she found herself lost at sea, besieged by plot twists and broken arcs, murky metaphors and shifting themes. She had the words, but she lost her way and her will.
Fortunately, she wasn’t alone. She had her agent, Kate McKean, to answer even the most dramatic late-night emails with common sense and comfort. Nivia Evans, her editor, to see the story she was trying to tell and help her chart a course toward it. Lisa Marie Pompilio to make it beautiful; Roland Ottewell and Andy Ball to make it right; Ellen Wright and the rest of the Orbit/Redhook team to share it with the world.
She had Andy Ball, Edward James, and Niels Grotum to provide last-second Latin consultations; the courtyard of the Madison County Public Library to provide sunshine and silence; the Moonscribers to provide wit and wine.
She had the most generous and insightful early readers anyone could ask for: Laura Blackwell, E. Catherine Tobler, Lee Mandelo, and Ziv Wities. Without them she would have surely sunk, all souls feared lost.
She had babysitting and brunch from Taye and Camille; a constant supply of love and puns from her brothers; bottomless faith from her parents even when she lost all faith in herself.
She had Finn and Felix, who were far too busy writing their own stories to worry much about their mother’s.
And she had Nick. Her north star, her compass, her lighthouse, her once-upon-a-time and her happily-ever-after. Who sailed beside her through every storm and never once doubted she would bring them safely into harbor.
After a year at sea—after a hundred dark nights beneath nameless constellations, after missed deadlines and scrapped chapters—she did. The girl stood on the shore, under-slept and over-caffeinated, her story told.
She thought she might tell another.
extras
about the author
Alix E. Harrow is an ex-historian with lots of opinions and excessive library fines, currently living in Kentucky with her husband and their semi-feral children. Her short fiction has been nominated for the Hugo, Nebula and Locus awards. The Ten Thousand Doors of January was her debut novel. Find her on Twitter at @AlixEHarrow.
Find out more about Alix E. Harrow and other Orbit authors by registering online for the free monthly newsletter at www.orbitbooks.net.
if you enjoyed
THE ONCE AND FUTURE WITCHES
look out for
A DECLARATION OF THE RIGHTS OF MAGICIANS
by
H. G. Parry
It is the Age of Enlightenment – of new and magical political movements, from the necromancer Robespierre calling for revolution in France to the weather mage Toussaint L’Ouverture leading the slaves of Haiti in their fight for freedom, to the bold new Prime Minister William Pitt weighing the legalization of magic among commoners in Britain and abolition throughout its colonies overseas.
But amid all of the upheaval of the enlightened world, there is an unknown force inciting all of human civilisation into violent conflict. And it will require the combined efforts of revolutionaries, magicians, and abolitionists to unmask this hidden enemy before the whole world falls to chaos.
West Africa
They came the summer she was six. She and her brother were alone in the house when strangers broke in, armed with muskets and knives. Her brother yelled to her to run, but she stumbled on the ground outside, and a pair of hands seized her. They took her brother too. She never knew what happened to her parents.
When she saw the blanched white faces and pale eyes of the men to whom she was to be sold, her attempts at bravery broke, and she burst into tears. Her brother and his friends had told stories about the ghosts that came and took people away. The ghosts lived in a hollow world, they said, that roamed the sea and swallowed people up. The people brought to them were placed under evil magic, so that their minds fell asleep and their bodies belonged to the ghosts.
The man who sold her told her that it wasn’t true. The ghosts were men, white men, and they were from a country over the sea. They didn’t want to feed her to their hollow world—which was called a ship and was used for traveling oceans. They only wanted her to work for them in their own country. It was true about the magic, though. They would feed it to her on the first day. From then on, she would belong to them.
They took the men and older boys into the ship first. Her brother crying out to her as she was torn away from his arms wrenched her heart in two. It was the last time she would hear her name for a very long time.
It was dark in the belly of the ship, and the fetid stench was worse than anything she had ever imagined. She cried and fought not to go down, but one of the men cuffed her hard so she was dizzy, and before her head could recover she was lying in a tiny, filthy space with shackles about her wrists and ankles. The metal was cold, and sticky with someone else’s blood.
When they gave her the food that would spellbind her, she swallowed it. She wanted to. In her village, when the children had talked about the ghosts that took people over the seas, they had said that your mind fell asleep under the spell. They said it was like dying, and she wanted to die.
She waited while the creeping numbness took her fingers and her toes and her heart. She waited until she felt her breathing become harsh and regular and her tears stop. At last she could not move even her eyes. She waited for her thoughts to still in the same way, as she might wait to fall asleep on a hot night; she longed for it, as an escape from the fear and the pain. But it never came. Her body was asleep. Her mind was still awake inside. When she realized this, she screamed and screamed, but her screams never made it farther than her own head.
All the way across the world, she was awake. She couldn’t move unless they told her to, not even a finger, not even to make a sound. She breathed; she blinked; she retched when the motion of the ship became too much. Outside of this and other such involuntary spasms, she was helpless. But she felt everything. She felt the bite of iron at her wrists and the cramping of her muscles as her limbs lay rigid in the small space. She felt the grain of the wooden floor against her skin as the ship rocked, rubbing until her back and legs were raw and bleeding. She smelled the urine and blood and vomit, and she heard the strange, jarring language of the men tromping the decks overhead. Sometimes, right before they were fed and the last dose of the spell was beginning to wear off, she heard the others in the hold begin to groan or sob or speak. All day, she fought to make a sound herself, just enough to call out and see if any of her family were there to answer her. But then the men would come with their food again, and the hold would fall silent. If someone else had died, that was when they took the bodies away. Sometimes they took people away who were still alive, and did things to them. She didn’t know what they did, but they came back more broken, and sometimes they didn’t come back at all.
She didn’t know where her family was, and everything hurt so much. She was a child. She had never hurt like that before.
After they sold her in the marketplace, they branded her. Part of this was to mark her, once and for all, as property. She belonged to a sugar plantation now, in Jamaica. In time, she would learn what that meant.
The other part was to test that the spellbinding really had taken effect entirely. One of the men in line in front of her let out a strangled noise when the iron seared his flesh, and he was taken away. She didn’t know what happened to him.
She was perfectly bound now. The metal touched her skin and scorched it with heat that seemed to go clear through to the bone. In her head, she writhed and screamed. Her body never made a sound.
Her new owners named her Fina. From now on, she was to answer to that name, and that alone.
France
Camille Desmoulins was five years old, and he was playing with shadows.
It was midsummer’s eve, and Guise was sleepy and sunbaked in the deepening twilight. Camille was outside the main town, down by the river, where the grass grew thick under the old stone bridge. He was too young to be away from home alone, but his father was at work, and his tutor, on such a languid evening, was content to believe that his pupil liked to study alone. Soon, he would enter the tiny makeshift schoolroom to check on his charge and realize, with irritation and alarm, that he had wandered away again, but that would come too late. In fact, Camille did like to study alone. Today, though, his magic had stirred in his blood and set his heart racing. He had come to the river to make the shadows dance.
The shadows with which he played weren’t shadows of anything in particular, or they didn’t seem to be. They lurked in cracks and crevices between the borders of this world and another, watching and waiting. Camille stirred them with a feather touch, as lightly as he could, and they responded at once. He swirled them in the air, the way one might swirl a leaf in the water, making patterns, watching the ripples. He paused once to scratch his wrist, where his bracelet was beginning to heat in response to his magic. The bracelet had been locked about his arm from infancy, as was the case for all Commoner magicians. Its smooth metallic band was meant to grow with him, but it always felt too tight. It felt particularly so today. The air was translucent with light and shade.
It was at this point that he usually stopped, before his bracelet could scald him further. This time, however, he did not. The evening bewitched him. It all seemed a lucid dream: the green-blue sky, the cool water, the warmth of the summer air. He reached out with his magic, and pulled.
The shadows began to converge. What had been faint wisps of darkness gathered in front of him in a tall plume like smoke. His bracelet burned at his wrist, hotter and hotter. He drew the shadows closer. They struggled; his heart beat in his chest like a kite tugging at the end of a rope in a high wind. The plume of smoke-darkness writhed, twisted—and then, at last, resolved itself into a single black shadow. H
uman-formed, trailing lighter fragments like whispers of fog. It turned to Camille and looked at him.
Something was screaming: a high, piercing note that penetrated the haze of magic and heat. Dimly, Camille recognized that it was coming from his wrist. His bracelet wailed a long note of warning, and still it burned, hotter than ever, so hot that reflexive tears spilled down his cheeks. But the pain was nothing compared to the wonder he felt. There was a living shadow in front of him, and it was real, and it was him but not him at once. It was tall and thin—a human shape, yes, but one that had been stretched like dough under a baker’s hands.
The shadow regarded him for a long moment. Then, quite deliberately, it bowed. Camille bowed back, his burning wrist held clumsily apart from his body. It was as though his soul had opened its eyes for the first time.
“Get back!” Without further warning, a pistol shot cracked the air. There was a faint hiss as the shot passed through vapor, and then the shadow was gone. Nothing but a smoke trail was left to show it had ever been there.
Camille screamed. The bullet had not hit him, yet he felt it sear as though through his heart, and the nothingness that came to engulf him in its wake was worse. His cries joined the wail of the bracelet, as though both were being killed together. He screamed, over and over, as the crowd drawn from the village by his bracelet’s alarm rushed forward. He was still screaming as Leroy the blacksmith grabbed him by the arms and held him roughly, careful to avoid the shrieking piece of hot metal at his wrist. He still screamed as the Knight Templar from the village came on the scene. He screamed right until the Templar, fumbling, touched his bracelet with the spell to silence the alarm, and then he stopped so abruptly that some of the onlookers thought he was dead. He wasn’t. He was white and limp, but gasping, as Leroy caught him up in his arms and took him to the Temple Church.
The Once and Future Witches Page 48
