Half-lost sounds rose in his memory--hadn't he heard this song before? That was how Lydia used to speak to him, so lovingly and full of fear, so tender-sad. That's how she used to come to his room at night, full of love and fear, full of worry, of gruesome images. He liked to hear it, that tender-anguished song. What would love be without secrecy? What would love be without risk?
Gently he drew Agnes to him, caressed her, held her hand, hummed low wooing sounds into her ear, kissed her eyebrows. It touched and delighted him to find her so frightened and worried because of him. Gratefully she received his caresses, almost humbly. Full of love, she clung to him, but her mood did not brighten.
Suddenly she started as a nearby door was slammed and rapid steps approached.
"Oh, my God, the count!" she cried in despair. "Quickly, you can escape through the closet room. Hurry! Don't betray me!"
She pushed him into the closet room. He stood alone groping hesitantly in the darkness. Behind the door he heard the count speak loudly to Agnes. He felt his way through the dresses to the other door; soundlessly he set one foot before the other. He reached the door to the corridor and tried to open it. And only at that moment, when he found the door locked from the outside, did he feel fear, did his heart beat wildly, painfully. It could be an unfortunate coincidence that someone had locked the door after he came in, but he did not believe so. He had walked into a trap; he was lost. Someone must have seen him sneak in here. It would cost him his life. Trembling, he stood in the darkness, and immediately thought of Agnes's last words: "Don't betray me!" No, he would not betray her. His heart pounded, but the decision steadied him. Angrily he clenched his teeth.
It all happened in seconds. A door opened and the count came in from Agnes's room, a candlestick in his left hand and an unsheathed sword in his right. At the same moment, Goldmund hastily scooped up a few dresses and coats that were hanging all around him and placed them over his arm. Let them take him for a thief--perhaps that was a way out.
The count saw him at once. Slowly he came closer.
"Who are you? What are you doing here? Answer, or I'll run this sword through you."
"Forgive me," whispered Goldmund. "I'm a poor man and you are so rich! I'll give it all back, my lord, everything I took. Here, see!"
And he put the coats on the floor.
"A thief, eh? It was not intelligent of you to risk your life for a few old coats. Are you a burgher of the city?"
"No, my lord, I'm homeless. I'm a poor man, you'll have mercy..."
"Silence! I want to know if perchance you were brazen enough to molest the lady. Ach, but since you'll be hanged anyhow, we won't have to pry into that. Theft is enough."
Violently he hammered against the locked door and called: "Are you there? Open up!"
The door opened from the outside, and three footmen stood in readiness with drawn blades.
"Tie him well," called the count in a voice that croaked with irony and pride. "He's a vagrant who came in here to steal. Put him in the dungeon, and tomorrow morning the rascal will dangle from the gallows."
Goldmund's hands were tied; he put up no resistance. He was led off, through the long corridor, down the stairs, through the inner courtyard, a butler carrying a torch ahead of them. They stopped in front of a round, iron-studded cellar door, shouted and cursed because the key was not in the lock. One of the footmen took the torch while the butler ran back to fetch the key. There they stood, three armed men and one bound one, waiting outside the door. The one with the light pushed it curiously on to Goldmund's face. At this moment two of the priests who were guests in the castle walked by on the way from the castle chapel. They stopped in front of the group; both looked at the night scene attentively: the three footmen, the bound man, the way they stood there, waiting.
Goldmund noticed neither the priests nor his guards. He could see nothing but the low, flickering light held close to his face. It was blinding his eyes. And behind the light, in a twilight full of horror, he saw something else, something formless, large, ghostlike: the abyss, the end, death. With staring eyes he stood there, seeing nothing, hearing nothing. One of the priests was whispering intently to one of the men. When he heard that the man was a thief and condemned to death, he asked if he had a confessor. No, they said, he had just been caught in the act.
"Then I shall go to him in the morning," said the priest. "Before early mass I'll bring him the holy sacraments and hear his confession. You will swear to me that he will not be led away before. I'll speak to the count this very evening. The man may be a thief; he still has the right to confession and the sacraments like any other Christian."
The men dared not contradict. They knew the clerical dignitary. He was one of the envoys; they had seen him several times at the count's table. And besides, why should the poor vagrant be deprived of confession?
The priests walked off. Goldmund stared. Finally the butler came with the key and unlocked the door. The prisoner was led into a cellar, and stumbled down a few steps. A couple of three-legged stools were set around a table; it was the anteroom of a wine cellar. They pushed a stool toward him and told him to sit down.
"Tomorrow a priest is coming to confess you," one of the men said. Then they left and carefully locked the heavy door.
"Leave me the light, brother," begged Goldmund.
"No, fellow, you might do mischief with it. You'll get along without it. The wisest would be to get used to the dark. How long does such a light last anyway? It would be out within an hour. Good night."
Now he was alone in the blackness. He sat on the stool and laid his head on the table. It was painful to sit this way; the rope around his wrists hurt; but these feelings penetrated his consciousness only much later. At first he merely sat, with his head on the table as though he were about to be decapitated. He felt the urge to impress upon his body and senses what had been imposed upon his heart: to accept the inevitable, to accept dying.
For an eternity he sat that way, miserably bent over, trying to accept what had been imposed upon him, to realize it, to breathe it in, and fill himself with it. It was evening now. Night was beginning, and the end of this night would also be the end of him. That was what he had to realize. Tomorrow he would no longer be alive. He would be hanging, an object for birds to sit on and pick at. He would be what Master Niklaus was, what Lene was in the burned-out hut, like all those he had seen piled high on the death-carts. It was not easy to accept that, to let himself be filled with it. It was absolutely impossible to accept it. There were too many things he had not yet given up, to which he had not yet said goodbye. The hours of this night had been given him to do just that.
He had to say farewell to beautiful Agnes. Never again would he see her tall figure, her light sunny hair, her cool blue eyes, the diminishing quiver of pride in these eyes, the soft gold down on her sweet-smelling skin. Farewell, blue eyes, farewell lovely mouth! He had hoped to kiss it many times more. Oh, only this morning in the hills, in the late autumn sun, he had thought of her, belonged to her, longed for her! And he also had to say farewell to the hills, to the sun, the blue and white-clouded sky, the trees and forests, to wandering, the times of day, the seasons. Perhaps Marie was still sitting up, even now: poor Marie with the good loving eyes and hobbled gait, sitting and waiting, falling asleep in her kitchen and waking up again, but no Goldmund would ever come home.
Oh, and his paper and drawing pen, and all the figures he had wanted to make--gone, gone! And the hope of seeing Narcissus again, his dear St. John, that too had to be given up.
And he had to say farewell to his hands, his eyes, to hunger and thirst, to love, to playing the lute, to sleeping and waking, to everything. Tomorrow a bird would fly through the air and Goldmund would no longer see it, a girl would sing in a window and he would not hear her song, the river would run and the dark fish would swim silently, the wind would blow and sweep the yellow leaves on the ground, the sun would shine and stars would blink in the sky, young men would go dancing, the firs
t snow would lie on the distant mountains--everything would go on, trees would cast their shadows, people would look gay or sad out of their living eyes, dogs would bark, cows would low in the barns of villages, and all of it without Goldmund. Nothing belonged to him any more, he was being dispatched from it all.
He smelled the morning smell of the heath; he tasted the sweet young wine, the young firm walnuts; his memory spun a glowing panorama of the entire colorful world through his oppressed heart. In parting, all of life's beautiful confusion shone once more through his senses; grief welled up in him and he felt tear upon tear drop from his eyes. Sobbing, he gave in to the wave. His tears flooded out; collapsing, he abandoned himself to the infinite pain. Oh, valleys and wooded mountains, brooks among green elms, oh girls, oh moonlit evenings on the bridges, oh beautiful radiant image world, how can I leave you! Weeping, he lay across the table, a disconsolate boy. From the misery of his heart, a sigh, an imploring complaint rose: "Oh mother, oh mother!"
And as he spoke this magic word, an image answered him from the depths of his memory, the image of his mother. It was not the figure of his thoughts and artist's dreams. It was the image of his own mother, beautiful and alive, the way he had not seen it since his cloister days. To her he addressed his prayer, to her he cried his unbearable sorrow at having to die, to her he abandoned himself, to her he gave the forest, the sun, his eyes and hands; he placed his whole life and being in her motherly hands.
And so weeping he fell asleep; exhaustion and sleep held him in their arms like a mother. He slept an hour or two, escaping his misery.
He woke up and felt violent pain. His bound wrists burned horribly; a jagged pain shot through neck and back. He had trouble sitting up; then he came to and realized where he was again. Around him the darkness was complete. He did not know how long he had slept, how many hours he still had to live. Perhaps they'd come any moment to take him away to die. Then he remembered that he had been promised a priest. He didn't think that the sacraments would do him much good. He didn't know whether even complete absolution of his sins could bring him to heaven. He didn't know if there was a heaven, a God the father, a judgment, an eternity. He had long since lost all certitude about those things.
But whether there was an eternity or not: he did not desire it, he wanted nothing but his insecure, transitory life, this breathing, this being at home in his skin, he wanted to live. Furiously he sat up, groped his way to the wall in the dark, and began to think. There had to be an escape! Perhaps the priest was the answer. Perhaps he could convince him of his innocence, get him to say a good word on his behalf or help him secure a stay of execution or make his escape? He went over these ideas again and again. If they didn't work he could not give up; the game just couldn't be over yet. First he would try to win over the priest. He would try as hard as he could to charm him, to enlist him in his cause, to convince him, to flatter him. The priest was the one good card in his hand; all the other possibilities were dreams. Still, there were coincidence and destiny: the hangman might have a stomachache, the gallows might collapse, some unforeseeable possibility of escape might arise. In any case Goldmund refused to die; he had vainly tried to accept his fate, and he could not. He would resist, he would struggle, he'd trip the guard, he'd attack the hangman, he would fight for his life to the last moment, with every drop of blood in him. Oh, if he could only persuade the priest to untie his hands! A great deal would be gained.
In the meantime he tried, in spite of the pain, to work at the ropes with his teeth. With furious effort he succeeded, after a cruelly long time, in making them seem a little looser. Panting, he stood in the night of his prison, his swollen arms and hands hurting terribly. When he had gotten his breath again, he crept along the wall, step by step, exploring the humid cellar wall for a protruding edge. Then he remembered the steps over which he had stumbled down into this dungeon. He found them. He knelt and tried to rub the rope against the edge of one of the stones. It was difficult. Again and again his wrists instead of the rope hit the stone; they burned like fire and he felt his blood flow. But he did not give up. When a miserable strip of gray morning was visible between the door and the sill, he had succeeded. The rope had been rubbed through; he could untie it; his hands were free! But afterwards he could hardly move a finger. His hands were swollen and lifeless, and his arms were stiff with cramps all the way up to the shoulders. He had to exercise them. He forced himself to move them, to make the blood stream through them again. Now he had a plan that seemed good to him.
If he could not succeed in persuading the priest to help him, well then, if they left the man alone with him even for the shortest time, he had to kill him. He could do it with one of the stools. He could not strangle him, he no longer had enough strength in his hands and arms. First beat the priest to death, quickly slip into his robes and flee! When the others found the dead man, he'd have to be outside the castle, and then run, run. Marie would let him in and hide him. The plan would work.
Never in his life had Goldmund watched the grayish beginning of morning with such attention, longed for it and yet feared it. Quivering with tension and determination, he watched the miserable strip of light under the door growing slowly lighter. He walked back to the table and practiced crouching on the stool with his hands between his knees so that the missing ropes would not be noticed immediately. Since his hands had been freed, he no longer believed in his death. He was determined to get through, even if the whole world had to be smashed in the process. He was determined to live at any cost. His nose quivered with eagerness for freedom and life. And who could tell, perhaps someone on the outside would come to his aid? Agnes was a woman. Her power did not reach very far, nor perhaps did her courage; and it was possible that she would abandon him. But she loved him; perhaps she could do something for him. Perhaps her chambermaid Berta was hovering outside the door--and wasn't there also a groom she thought she could trust? And if nobody appeared and no sign was given him, well, then he'd go through with his plan. If it did not succeed, he'd kill the guards with the stool, two or three of them, as many as came in. He was certain of one advantage: his eyes had grown accustomed to the dark cellar. He now recognized instinctively all the shapes and shadows in the twilight, whereas the others would be completely blind for the first few minutes at least.
Feverishly he crouched at the table, thinking carefully what he would say to the priest to win his assistance, because that's how he had to begin. At the same time he eagerly watched the modest swelling of light in the slit. Now he longed desperately for the moment he had so dreaded hours ago. He could hardly wait; the terrible tension would not be bearable much longer. His strength, his vigilance, his power of decision would gradually diminish. The guard had to come soon with the priest, while his taut readiness, his determined will to be saved was still in the blossoming stage.
Finally the world outside awakened, the enemy approached. Steps resounded on the pavement in the court, a key was pushed into the lock and turned: each sound boomed out like thunder after the long deathly silence.
Slowly the heavy door opened a slit, creaking on its hinges. A priest came in, alone, without a guard, carrying a candlestick with two candles. This was not at all what the prisoner had imagined.
How strangely moving: the priest who had entered, behind whom invisible hands pulled the door shut, wore the habit of Mariabronn, the well-known, familiar habit that Abbot Daniel, Father Anselm, and Father Martin had once worn!
The sight stabbed at his heart; he had to look away. Perhaps the habit of this cloister was the promise of something friendly, a good omen. But then again perhaps murder was still the only way out. He clenched his teeth. It would be hard for him to kill this friar.
17
"PRAISED be the Lord," said the priest and placed the candlestick on the table. Goldmund murmured the response, staring straight ahead.
The priest said nothing. He waited and said nothing, until Goldmund grew restless and searchingly raised his eyes to the man in fro
nt of him.
This man, he now saw to his confusion, was not only wearing the habit of the fathers of Mariabronn, he also wore the insignia of the office of Abbot.
And now he looked into the Abbot's face. It was a bony face, firmly, clearly cut, with very thin lips. It was a face he knew. As though spellbound, Goldmund looked into this face that seemed completely formed by mind and will. With unsteady hand he reached for the candlestick, lifted it and held it closer to the stranger, to see his eyes. He saw them and the candlestick shook in his hand as he put it back on the table.
"Narcissus!" he whispered almost inaudibly. The cellar began to spin around him.
"Yes, Goldmund, I used to be Narcissus, but I abandoned that name a long time ago; you've probably forgotten. Since the day I took the vows, my name has been John."
Goldmund was shaken to the roots of his being. The whole world had changed, and the sudden collapse of his superhuman effort threatened to choke him. He trembled; dizziness made his head feel like an empty bladder; his stomach contracted. Behind his eyes something burned like scalding sobs. He longed to sink into himself, to dissolve in tears, to faint.
But a warning rose from the depths of the memories of his youth, the memories that the sight of Narcissus had conjured up: once, as a boy, he had cried, had let himself go in front of this beautiful, strict face, these dark omniscient eyes. He could never do that again. Like a ghost, Narcissus had reappeared at the strangest moment of his life, probably to save his life--and now he was about to break into sobs in front of him again, or faint? No, no, no. He controlled himself. He subdued his heart, forced his stomach to be calm, willed the dizziness out of his head. He could not show any weakness now.
In an artificially controlled voice, he managed to say: "You must permit me to go on calling you Narcissus."
"Do, my friend. And don't you want to shake my hand?"
Narcissus and Goldmund Page 23
