Selected Poems (1968-2014)

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Selected Poems (1968-2014) Page 3

by Paul Muldoon


  on its forelock,

  and then, with a birl and a skirl,

  tosses it off like a caber.

  The UDR corporal had come off duty

  to be with his wife

  while the others set about

  a follow-up search.

  When he tramped out just before twelve

  to exercise the greyhound

  he was hit by a single high-velocity

  shot.

  You could, if you like, put your fist

  in the exit wound

  in his chest.

  He slumps

  in the spume of his own arterial blood

  like an overturned paraffin lamp.

  Gallogly lies down in the sheugh

  to munch

  through a Beauty of

  Bath. He repeats himself, Bath,

  under his garlic-breath.

  Sheugh, he says. Sheugh.

  He is finding that first ‘sh’

  increasingly difficult to manage.

  Sh-leeps. A milkmaid sinks

  her bare foot

  to the ankle

  in a simmering dung hill

  and fills the slot

  with beastlings for him to drink.

  In Ovid’s conspicuously tongue-in-cheek

  account of an eyeball

  to eyeball

  between the goddess Leto

  and a shower of Lycian reed cutters

  who refuse her a cup of cloudy

  water

  from their churned-up lake,

  Live then forever in that lake of yours,

  she cries, and has them

  bubble

  and squeak

  and plonk themselves down as bullfrogs

  in their icy jissom.

  A country man kneels on his cap

  beside his neighbour’s fresh

  grave-mud

  as Gallogly kneels to lap

  the primrose-yellow

  custard.

  The knees of his hand-me-down duds

  are gingerish.

  A pernickety seven-

  year-old girl-child

  parades in her mother’s trousseau

  and mumbles a primrose

  Kleenex tissue

  to make sure her lipstick’s even.

  Gallogly has only to part the veil

  of its stomach wall

  to get right under the skin,

  the spluttering heart

  and collapsed lung,

  of the horse in Guernica.

  He flees the Museum of Modern Art

  with its bit between his teeth.

  When he began to cough

  blood, Hamsun rode the Minneapolis/

  New York night train

  on top of the dining-car.

  One long, inward howl.

  A porter-drinker without a thrapple.

  A weekend trip to the mountains

  north of Boston

  with Alice, Alice A.

  and her paprika hair,

  the ignition key

  to her family’s Winnebago camper,

  her quim

  biting the leg off her.

  In the oyster bar

  of Grand Central Station

  she gobbles a dozen Chesapeakes –

  ‘Oh, I’m not particular as to size’ –

  and, with a flourish of Tabasco,

  turns to gobble him.

  A brewery lorry on a routine delivery

  is taking a slow,

  dangerous bend.

  The driver’s blethering

  his code name

  over the Citizens’ Band

  when someone ambles

  in front of him. Go, Johnny, go, go, go.

  He’s been dry-gulched

  by a sixteen-year-old numb

  with Mogadon,

  whose face is masked by the seamless

  black stocking filched

  from his mum.

  When who should walk in but Beatrice,

  large as life, or larger,

  sipping her one glass of lager

  and singing her one song.

  If he had it to do all over again

  he would let her shave his head

  in memory of ’98

  and her own, the French, Revolution.

  The son of the King of the Moy

  met this child on the Roxborough

  estate. Noblesse, she said. Noblesse

  oblige. And her tiny nipples

  were bruise-bluish, wild raspberries.

  The song she sang was ‘The Croppy Boy’.

  Her grand-mère was once asked to tea

  by Gertrude Stein,

  and her grand-mère and Gertrude

  and Alice B., chère Alice B.

  with her hook-nose,

  the three of them sat in the nude

  round the petits fours

  and repeated Eros is Eros is Eros.

  If he had it to do all over again

  he would still be taken in

  by her Alice B. Toklas

  Nameless Cookies

  and those new words she had him learn:

  hash, hashish, lo perfido assassin.

  Once the local councillor straps

  himself into the safety belt

  of his Citroën

  and skids up the ramp

  from the municipal car park

  he upsets the delicate balance

  of a mercury-tilt

  boobytrap.

  Once they collect his smithereens

  he doesn’t quite add up.

  They’re shy of a foot, and a calf

  which stems

  from his left shoe like a severely

  pruned-back shrub.

  Ten years before. The smooth-as-a-

  front-lawn at Queen’s

  where she squats

  before a psilocybin god.

  The indomitable gentle-bush

  that had Lanyon or Lynn

  revise their elegant ground plan

  for the university quad.

  With calmness, with care,

  with breast milk, with dew.

  There’s no cure now.

  There’s nothing left to do.

  The mushrooms speak through her.

  Hush-hush.

  ‘Oh, I’m not particular as to size,’

  Alice hastily replied

  and broke off a bit of the edge

  with each hand

  and set to work very carefully,

  nibbling

  first at one

  and then the other.

  On the Staten Island Ferry

  two men are dickering

  over the price

  of a shipment of Armalites,

  as Henry Thoreau was wont to quibble

  with Ralph Waldo Emerson.

  That last night in the Algonquin

  he met with a flurry

  of sprites,

  the assorted shades

  of Wolfe Tone, Napper Tandy,

  a sanguine

  Michael Cusack

  brandishing his blackthorn.

  Then Thomas Meagher

  darts up from the Missouri

  on a ray

  of the morning star

  to fiercely ask

  what has become of Irish hurling.

  Everyone has heard the story of

  a strong and beautiful bug

  which came out of the dry leaf

  of an old table of apple-tree wood

  that stood

  in a farmer’s kitchen in Massachusetts

  and which was heard gnawing out

  for several weeks –

  When the phone trills

  he is careful not to lose his page –

  Who knows what beautiful and winged life

  whose egg

  has been buried for ages

  may unexpectedly come forth? ‘Tell-tale.’

  Gallogly carries a hunting bow


  equipped

  with a bow sight

  and a quiver

  of hunting arrows

  belonging to her brother.

  Alice has gone a little way off

  to do her job.

  A timber wolf,

  a caribou,

  or merely a trick of the light?

  As, listlessly,

  he lobs

  an arrow into the undergrowth.

  Had you followed the river Callan’s

  Pelorus Jack

  through the worst drought

  in living memory

  to the rains of early autumn

  when it scrubs its swollen,

  scab-encrusted back

  under a bridge, the bridge you look down from,

  you would be unlikely to pay much heed

  to yet another old banger

  no one could be bothered to tax,

  or a beat-up fridge

  well-stocked with gelignite,

  or some five hundred yards of Cortex.

  He lopes after the dribs of blood

  through the pine forest

  till they stop dead

  in the ruins of a longhouse

  or hogan.

  Somehow, he finds his way

  back to their tent.

  Not so much as a whiff of her musk.

  The girl behind the Aer Lingus

  check-in desk

  at Logan

  is wearing the same scent

  and an embroidered capital letter A

  on her breast.

  Was she Aurora, or the goddess Flora,

  Artemidora, or Venus bright,

  or Helen fair beyond compare

  that Priam stole from the Grecian sight?

  Quite modestly she answered me

  and she gave her head one fetch up

  and she said I am gathering musheroons

  to make my mammy ketchup.

  The dunt and dunder

  of a culvert-bomb

  wakes him

  as it might have woke Leander.

  And she said I am gathering musheroons

  to make my mammy ketchup O.

  Predictable as the gift of the gab

  or a drop of the craythur

  he noses round the six-foot-deep

  crater.

  Oblivious to their Land Rover’s

  olive-drab

  and the burgundy berets

  of a snatch-squad of paratroopers.

  Gallogly, or Gollogly,

  otherwise known as Golightly,

  otherwise known as Ingoldsby,

  otherwise known as English,

  gives forth one low cry of anguish

  and agrees to come quietly.

  They have bundled him into the cell

  for a strip-

  search.

  He perches

  on the balls of his toes, my my,

  with his legs spread

  till both his instep arches

  fall.

  He holds himself at arm’s

  length from the brilliantly Snowcem-ed

  wall, a game bird

  hung by its pinion tips

  till it drops, in the fullness of time,

  from the mast its colours are nailed to.

  They have left him to cool his heels

  after the obligatory

  bath,

  the mug shots, fingerprints

  et cetera.

  He plumps the thin bolster

  and hints

  at the slop bucket.

  Six o’clock.

  From the A Wing of Armagh jail

  he can make out

  the Angelus bell

  of St Patrick’s cathedral

  and a chorus of ‘For God and Ulster’.

  The brewery lorry’s stood at a list

  by the Las Vegas

  throughout the afternoon,

  its off-side rear tyres down.

  As yet, no one has looked agog

  at the smuts and rusts

  of a girlie mag

  in disarray on the passenger seat.

  An almost invisible, taut

  fishing line

  runs from the Playmate’s navel

  to a pivotal

  beer keg.

  As yet, no one has risen to the bait.

  I saw no mountains, no enormous spaces,

  no magical growth and metamorphosis

  of buildings, nothing remotely like

  a drama or a parable

  in which he dons these lime-green

  dungarees,

  green Wellingtons,

  a green helmet of aspect terrible.

  The other world to which mescalin

  admitted me was not the world of visions;

  it existed out there, in what I could see

  with my eyes open.

  He straps a chemical pack on his back

  and goes in search of some Gawain.

  Gallogly pads along the block

  to raise his visor

  at the first peep-hole.

  He shamelessly

  takes in her lean piglet’s

  back, the back

  and boyish hams

  of a girl at stool.

  At last. A tiny goat’s-pill.

  A stub of crayon

  with which she has squiggled

  a shamrock, yes,

  but a shamrock after the school

  of Pollock, Jackson Pollock.

  I stopped and stared at her face to face

  and on the spot a name came to me,

  a name with a smooth, nervous sound:

  Ylayali.

  When she was very close

  I drew myself up straight

  and said in an impressive voice,

  ‘Miss, you are losing your book.’

  And Beatrice, for it is she, she squints

  through the spy-hole

  to pass him an orange,

  an Outspan orange some visitor has spiked

  with a syringe-ful

  of vodka.

  The more a man has the more a man wants,

  the same I don’t think true.

  For I never met a man with one black eye

  who ever wanted two.

  In the Las Vegas Lounge and Cabaret

  the resident group –

  pot bellies, Aran knits –

  have you eating out of their hands.

  Never throw a brick at a drowning man

  when you’re near to a grocer’s store.

  Just throw him a cake of Sunlight soap,

  let him wash himself ashore.

  You will act the galoot, and gallivant,

  and call for another encore.

  Gallogly, Gallogly, O Gallogly

  juggles

  his name like an orange

  between his outsize baseball glove

  paws,

  and ogles

  a moon that’s just out of range

  beyond the perimeter wall.

  He works a gobbet of Brylcreem

  into his quiff

  and delves

  through sand and gravel,

  shrugging it off

  his velveteen shoulders and arms.

  Just

  throw

  him

  a

  cake

  of

  Sunlight

  soap,

  let

  him

  wash

  him-

  self

  ashore.

  Into a picture by Edward Hopper

  of a gas station

  in the Midwest

  where Hopper takes as his theme

  light, the spooky

  glow of an illuminated sign

  reading Esso or Mobil

  or what-have-you –

  into such a desolate oval

  ride two youths on a motorbike.

  A hand gun. Balaclavas.

  The pump atten
dant’s grown so used

  to hold-ups he calls after them:

  Beannacht Dé ar an obair.

  The pump attendant’s not to know

  he’s being watched by a gallowglass

  hot-foot from a woodcut

  by Derricke,

  who skips across the forecourt

  and kicks the black

  plastic bucket

  they left as a memento.

  Nor is the gallowglass any the wiser.

  The bucket’s packed with fertilizer

  and a heady brew

  of sugar and Paraquat’s

  relentlessly gnawing its way through

  the floppy knot of a Durex.

  It was this self-same pump attendant

  who dragged the head and torso

  clear

  and mouthed an Act of Contrition

  in the frazzled ear

  and overheard

  those already-famous last words

  Moose … Indian.

  ‘Next of all wus the han’.’ ‘Be Japers.’

  ‘The sodgers cordonned off the area

  wi’ what-ye-may-call-it tape.’

  ‘Lunimous.’ ‘They foun’ this hairy

  han’ wi’ a drowneded man’s grip

  on a lunimous stone no bigger than a…’

  ‘Huh.’

  from MEETING THE BRITISH

  The Coney

  Although I have never learned to mow

  I suddenly found myself halfway through

  last year’s pea-sticks

  and cauliflower-stalks

  in our half-acre of garden.

  My father had always left the whetstone

  safely wrapped

  in his old, tweed cap

  and balanced on one particular plank

  beside the septic tank.

  This past winter he had been too ill

  to work. The scythe would dull

  so much more quickly in my hands

  than his, and was so often honed

  that while the blade

  grew less and less a blade

  the whetstone had entirely disappeared

  and a lop-eared

  coney was now curled inside the cap.

  He whistled to me through the gap

  in his front teeth;

  ‘I was wondering, chief,

  if you happen to know the name

  of the cauliflowers in your cold-frame

  that you still hope to dibble

  in this unenviable

  bit of ground?’

  ‘They would be All the Year Round.’

  ‘I guessed as much’; with that he swaggered

  along the diving-board

  and jumped. The moment he hit the water

  he lost his tattered

  bathing-togs

  to the swimming-pool’s pack of dogs.

  ‘Come in’; this flayed

  coney would parade

  and pirouette like honey on a spoon:

  ‘Come on in, Paddy Muldoon.’

  And although I have never learned to swim

  I would willingly have followed him.

  Meeting the British

  We met the British in the dead of winter.

  The sky was lavender

  and the snow lavender-blue.

  I could hear, far below,

  the sound of two streams coming together

 

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