Nostromo

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by Joseph Conrad


  Sir John arrived too late to hear the magnificent and inaudible strain sung by the sunset amongst the high peaks of the Sierra. It had sung itself out into the breathless pause of deep dusk before, climbing down the fore wheel of the diligencia with stiff limbs, he shook hands with the engineer.

  They gave him his dinner in a stone hut like a cubical boulder, with no door or windows in its two openings; a bright fire of sticks (brought on muleback from the first valley below) burning outside, sent in a wavering glare; and two candles in tin candlesticks—lighted, it was explained to him, in his honour—stood on a sort of rough camp table, at which he sat on the right hand of the chief. He knew how to be amiable; and the young men of the engineering staff, for whom the surveying of the railway track had the glamour of the first steps on the path of life, sat there, too, listening modestly, with their smooth faces tanned by the weather, and very pleased to witness so much affability in so great a man.

  Afterwards, late at night, pacing to and fro outside, he had a long talk with his chief engineer. He knew him well of old. This was not the first undertaking in which their gifts, as elementally different as fire and water, had worked in conjunction. From the contact of these two personalities, who had not the same vision of the world, there was generated a power for the world's service—a subtle force that could set in motion mighty machines, men's muscles, and awaken also in human breasts an unbounded devotion to the task. Of the young fellows at the table, to whom the survey of the track was like the tracing of the path of life, more than one would be called to meet death before the work was done. But the work would be done: the force would be almost as strong as a faith. Not quite, however. In the silence of the sleeping camp upon the moonlit plateau forming the top of the pass like the floor of a vast arena surrounded by the basalt walls of precipices, two strolling figures in thick ulsters stood still, and the voice of the engineer pronounced distinctly the words—

  "We can't move mountains!"

  Sir John, raising his head to follow the pointing gesture, felt the full force of the words. The white Higuerota soared out of the shadows of rock and earth like a frozen bubble under the moon. All was still, till near by, behind the wall of a corral for the camp animals, built roughly of loose stones in the form of a circle, a pack mule stamped his forefoot and blew heavily twice.

  The engineer-in-chief had used the phrase in answer to the chairman's tentative suggestion that the tracing of the line could, perhaps, be altered in deference to the prejudices of the Sulaco landowners. The chief engineer believed that the obstinacy of men was the lesser obstacle. Moreover, to combat that they had the great influence of Charles Gould, whereas tunnelling under Higuerota would have been a colossal undertaking.

  "Ah, yes! Gould. What sort of a man is he?"

  Sir John had heard much of Charles Gould in Sta. Marta, and wanted to know more. The engineer-in-chief assured him that the administrator of the San Tome silver mine had an immense influence over all these Spanish Dons. He had also one of the best houses in Sulaco, and the Gould hospitality was beyond all praise.

  "They received me as if they had known me for years," he said. "The little lady is kindness personified. I stayed with them for a month. He helped me to organize the surveying parties. His practical ownership of the San Tome silver mine gives him a special position. He seems to have the ear of every provincial authority apparently, and, as I said, he can wind all the hidalgos of the province round his little finger. If you follow his advice the difficulties will fall away, because he wants the railway. Of course, you must be careful in what you say. He's English, and besides he must be immensely wealthy. The Holroyd house is in with him in that mine, so you may imagine—"

  He interrupted himself as, from before one of the little fires burning outside the low wall of the corral, arose the figure of a man wrapped in a poncho up to the neck. The saddle which he had been using for a pillow made a dark patch on the ground against the red glow of embers.

  "I shall see Holroyd himself on my way back through the States," said Sir John. "I've ascertained that he, too, wants the railway."

  The man who, perhaps disturbed by the proximity of the voices, had arisen from the ground, struck a match to light a cigarette. The flame showed a bronzed, black-whiskered face, a pair of eyes gazing straight; then, rearranging his wrappings, he sank full length and laid his head again on the saddle.

  "That's our camp-master, whom I must send back to Sulaco now we are going to carry our survey into the Sta. Marta Valley," said the engineer. "A most useful fellow, lent me by Captain Mitchell of the O.S.N. Company. It was very good of Mitchell. Charles Gould told me I couldn't do better than take advantage of the offer. He seems to know how to rule all these muleteers and peons. We had not the slightest trouble with our people. He shall escort your diligencia right into Sulaco with some of our railway peons. The road is bad. To have him at hand may save you an upset or two. He promised me to take care of your person all the way down as if you were his father."

  This camp-master was the Italian sailor whom all the Europeans in Sulaco, following Captain Mitchell's mispronunciation, were in the habit of calling Nostromo. And indeed, taciturn and ready, he did take excellent care of his charge at the bad parts of the road, as Sir John himself acknowledged to Mrs. Gould afterwards.

  Chapter Six

  *

  At that time Nostromo had been already long enough in the country to raise to the highest pitch Captain Mitchell's opinion of the extraordinary value of his discovery. Clearly he was one of those invaluable subordinates whom to possess is a legitimate cause of boasting. Captain Mitchell plumed himself upon his eye for men—but he was not selfish—and in the innocence of his pride was already developing that mania for "lending you my Capataz de Cargadores" which was to bring Nostromo into personal contact, sooner or later, with every European in Sulaco, as a sort of universal factotum—a prodigy of efficiency in his own sphere of life.

  "The fellow is devoted to me, body and soul!" Captain Mitchell was given to affirm; and though nobody, perhaps, could have explained why it should be so, it was impossible on a survey of their relation to throw doubt on that statement, unless, indeed, one were a bitter, eccentric character like Dr. Monygham—for instance—whose short, hopeless laugh expressed somehow an immense mistrust of mankind. Not that Dr. Monygham was a prodigal either of laughter or of words. He was bitterly taciturn when at his best. At his worst people feared the open scornfulness of his tongue. Only Mrs. Gould could keep his unbelief in men's motives within due bounds; but even to her (on an occasion not connected with Nostromo, and in a tone which for him was gentle), even to her, he had said once, "Really, it is most unreasonable to demand that a man should think of other people so much better than he is able to think of himself."

  And Mrs. Gould had hastened to drop the subject. There were strange rumours of the English doctor. Years ago, in the time of Guzman Bento, he had been mixed up, it was whispered, in a conspiracy which was betrayed and, as people expressed it, drowned in blood. His hair had turned grey, his hairless, seamed face was of a brick-dust colour; the large check pattern of his flannel shirt and his old stained Panama hat were an established defiance to the conventionalities of Sulaco. Had it not been for the immaculate cleanliness of his apparel he might have been taken for one of those shiftless Europeans that are a moral eyesore to the respectability of a foreign colony in almost every exotic part of the world. The young ladies of Sulaco, adorning with clusters of pretty faces the balconies along the Street of the Constitution, when they saw him pass, with his limping gait and bowed head, a short linen jacket drawn on carelessly over the flannel check shirt, would remark to each other, "Here is the Senor doctor going to call on Dona Emilia. He has got his little coat on." The inference was true. Its deeper meaning was hidden from their simple intelligence. Moreover, they expended no store of thought on the doctor. He was old, ugly, learned—and a little "loco"—mad, if not a bit of a sorcerer, as the common people suspected him of being. T
he little white jacket was in reality a concession to Mrs. Gould's humanizing influence. The doctor, with his habit of sceptical, bitter speech, had no other means of showing his profound respect for the character of the woman who was known in the country as the English Senora. He presented this tribute very seriously indeed; it was no trifle for a man of his habits. Mrs. Gould felt that, too, perfectly. She would never have thought of imposing upon him this marked show of deference.

  She kept her old Spanish house (one of the finest specimens in Sulaco) open for the dispensation of the small graces of existence. She dispensed them with simplicity and charm because she was guided by an alert perception of values. She was highly gifted in the art of human intercourse which consists in delicate shades of self-forgetfulness and in the suggestion of universal comprehension. Charles Gould (the Gould family, established in Costaguana for three generations, always went to England for their education and for their wives) imagined that he had fallen in love with a girl's sound common sense like any other man, but these were not exactly the reasons why, for instance, the whole surveying camp, from the youngest of the young men to their mature chief, should have found occasion to allude to Mrs. Gould's house so frequently amongst the high peaks of the Sierra. She would have protested that she had done nothing for them, with a low laugh and a surprised widening of her grey eyes, had anybody told her how convincingly she was remembered on the edge of the snow-line above Sulaco. But directly, with a little capable air of setting her wits to work, she would have found an explanation. "Of course, it was such a surprise for these boys to find any sort of welcome here. And I suppose they are homesick. I suppose everybody must be always just a little homesick."

  She was always sorry for homesick people.

  Born in the country, as his father before him, spare and tall, with a flaming moustache, a neat chin, clear blue eyes, auburn hair, and a thin, fresh, red face, Charles Gould looked like a new arrival from over the sea. His grandfather had fought in the cause of independence under Bolivar, in that famous English legion which on the battlefield of Carabobo had been saluted by the great Liberator as Saviours of his country. One of Charles Gould's uncles had been the elected President of that very province of Sulaco (then called a State) in the days of Federation, and afterwards had been put up against the wall of a church and shot by the order of the barbarous Unionist general, Guzman Bento. It was the same Guzman Bento who, becoming later Perpetual President, famed for his ruthless and cruel tyranny, readied his apotheosis in the popular legend of a sanguinary land-haunting spectre whose body had been carried off by the devil in person from the brick mausoleum in the nave of the Church of Assumption in Sta. Marta. Thus, at least, the priests explained its disappearance to the barefooted multitude that streamed in, awestruck, to gaze at the hole in the side of the ugly box of bricks before the great altar.

  Guzman Bento of cruel memory had put to death great numbers of people besides Charles Gould's uncle; but with a relative martyred in the cause of aristocracy, the Sulaco Oligarchs (this was the phraseology of Guzman Bento's time; now they were called Blancos, and had given up the federal idea), which meant the families of pure Spanish descent, considered Charles as one of themselves. With such a family record, no one could be more of a Costaguanero than Don Carlos Gould; but his aspect was so characteristic that in the talk of common people he was just the Inglez—the Englishman of Sulaco. He looked more English than a casual tourist, a sort of heretic pilgrim, however, quite unknown in Sulaco. He looked more English than the last arrived batch of young railway engineers, than anybody out of the hunting-field pictures in the numbers of Punch reaching his wife's drawing-room two months or so after date. It astonished you to hear him talk Spanish (Castillan, as the natives say) or the Indian dialect of the country-people so naturally. His accent had never been English; but there was something so indelible in all these ancestral Goulds—liberators, explorers, coffee planters, merchants, revolutionists—of Costaguana, that he, the only representative of the third generation in a continent possessing its own style of horsemanship, went on looking thoroughly English even on horseback. This is not said of him in the mocking spirit of the Llaneros—men of the great plains—who think that no one in the world knows how to sit a horse but themselves. Charles Gould, to use the suitably lofty phrase, rode like a centaur. Riding for him was not a special form of exercise; it was a natural faculty, as walking straight is to all men sound of mind and limb; but, all the same, when cantering beside the rutty ox-cart track to the mine he looked in his English clothes and with his imported saddlery as though he had come this moment to Costaguana at his easy swift pasotrote, straight out of some green meadow at the other side of the world.

  His way would lie along the old Spanish road—the Camino Real of popular speech—the only remaining vestige of a fact and name left by that royalty old Giorgio Viola hated, and whose very shadow had departed from the land; for the big equestrian statue of Charles IV. at the entrance of the Alameda, towering white against the trees, was only known to the folk from the country and to the beggars of the town that slept on the steps around the pedestal, as the Horse of Stone. The other Carlos, turning off to the left with a rapid clatter of hoofs on the disjointed pavement—Don Carlos Gould, in his English clothes, looked as incongruous, but much more at home than the kingly cavalier reining in his steed on the pedestal above the sleeping leperos, with his marble arm raised towards the marble rim of a plumed hat.

  The weather-stained effigy of the mounted king, with its vague suggestion of a saluting gesture, seemed to present an inscrutable breast to the political changes which had robbed it of its very name; but neither did the other horseman, well known to the people, keen and alive on his well-shaped, slate-coloured beast with a white eye, wear his heart on the sleeve of his English coat. His mind preserved its steady poise as if sheltered in the passionless stability of private and public decencies at home in Europe. He accepted with a like calm the shocking manner in which the Sulaco ladies smothered their faces with pearl powder till they looked like white plaster casts with beautiful living eyes, the peculiar gossip of the town, and the continuous political changes, the constant "saving of the country," which to his wife seemed a puerile and bloodthirsty game of murder and rapine played with terrible earnestness by depraved children. In the early days of her Costaguana life, the little lady used to clench her hands with exasperation at not being able to take the public affairs of the country as seriously as the incidental atrocity of methods deserved. She saw in them a comedy of naive pretences, but hardly anything genuine except her own appalled indignation. Charles, very quiet and twisting his long moustaches, would decline to discuss them at all. Once, however, he observed to her gently—

  "My dear, you seem to forget that I was born here." These few words made her pause as if they had been a sudden revelation. Perhaps the mere fact of being born in the country did make a difference. She had a great confidence in her husband; it had always been very great. He had struck her imagination from the first by his unsentimentalism, by that very quietude of mind which she had erected in her thought for a sign of perfect competency in the business of living. Don Jose Avellanos, their neighbour across the street, a statesman, a poet, a man of culture, who had represented his country at several European Courts (and had suffered untold indignities as a state prisoner in the time of the tyrant Guzman Bento), used to declare in Dona Emilia's drawing-room that Carlos had all the English qualities of character with a truly patriotic heart.

  Mrs. Gould, raising her eyes to her husband's thin, red and tan face, could not detect the slightest quiver of a feature at what he must have heard said of his patriotism. Perhaps he had just dismounted on his return from the mine; he was English enough to disregard the hottest hours of the day. Basilio, in a livery of white linen and a red sash, had squatted for a moment behind his heels to unstrap the heavy, blunt spurs in the patio; and then the Senor Administrator would go up the staircase into the gallery. Rows of plants in pots, ranged on the balu
strade between the pilasters of the arches, screened the corredor with their leaves and flowers from the quadrangle below, whose paved space is the true hearthstone of a South American house, where the quiet hours of domestic life are marked by the shifting of light and shadow on the flagstones.

  Senor Avellanos was in the habit of crossing the patio at five o'clock almost every day. Don Jose chose to come over at tea-time because the English rite at Dona Emilia's house reminded him of the time he lived in London as Minister Plenipotentiary to the Court of St. James. He did not like tea; and, usually, rocking his American chair, his neat little shiny boots crossed on the foot-rest, he would talk on and on with a sort of complacent virtuosity wonderful in a man of his age, while he held the cup in his hands for a long time. His close-cropped head was perfectly white; his eyes coalblack.

  On seeing Charles Gould step into the sala he would nod provisionally and go on to the end of the oratorial period. Only then he would say—

 

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