by Chen Jack W
fusal of the sacrifice becomes a gesture towards corporeal sublation, an
election to pursue virtuous rulership. It is in this way that Taizong may
lay claim to the legacy of the sagely past, a legacy that includes the per-
formances of the same sacrifices by the sage-kings. The thought of his
physical body and its desires is removed from the equation, and in the de-
nial of his corporeality, all that remains is the pure intention of ascetic vir-
tue.
Cao Pi once argued that literature was “a flourishing thing that does
not decay,” and we might hear in this a counterpoint to the undying body
that Qin Shihuang and Han Wudi sought to realize. Though Taizong did
not want to be remembered only for his poetry, dismissing the flattery of
his courtiers who sought to have his writings collected, there is neverthe-
less some truth in how his poetry has shaped his legacy. For Taizong, po-
etry allowed for the translation of corporeal desire to textual representa-
tion, for the rhetorical performance of virtue, which could not always be
successfully enacted in life. It was through poetry that Taizong could im-
agine a reign of sagely exemplarity, thereby transforming the problematic
realities of empire into something pure and flawless.
Yet it is significant that Taizong needed recourse to a poetics of sover-
eignty, that he had to represent his moral intentions within poetic form.
The sage-kings did not, to be sure, need to write poetry to realize their in-
tentions; they inhabited a world in which ritual was sovereignty, in which
each gesture was adequate to communicate and enact the ethical trans-
formation of the populace. Latter-day rulers, however, would have to
show what was on their minds, to manifest their aims and intentions,
since the world of empire was a fallen one. For Taizong, it was poetry that
allowed him not simply to justify his reign, but more importantly, to im-
agine it, and in the act of imagination, to shape both the reign’s historical
reality and himself. The poet and critic Allen Grossman once wrote, “The
function of poetry is to obtain for everybody one kind of success at the
This content downloaded from 129.174.21.5 on Sat, 20 Jul 2019 13:01:58 UTC
All use subject to https://about.jstor.org/terms
384
Conclusion
limits of the autonomy of the will.”9 Like Cao Pi, Grossman is speaking of
poetic immortality, which is one kind of immortality that can be realized
in a temporal world. For Taizong, poetry was the means by which he
could restore the legacy of the sage-kings—or at least, represent himself as
doing so—since it was only in poetry that the flaws of history could be
negated and transformed. Taizong, having secured the throne through vi-
olence, could only inherit the echoes of Yun and Ting by an act of imagi-
native revision, and yet these echoes of a sagely time were themselves only
ever real within the space of literary imagination.
—————
9. Grossman, “Summa Lyrica,” in Grossman with Mark Halliday, The Sighted Singer, p. 209.
This content downloaded from 129.174.21.5 on Sat, 20 Jul 2019 13:01:58 UTC
All use subject to https://about.jstor.org/terms
Reference Matter
This content downloaded from 129.174.21.5 on Sat, 20 Jul 2019 13:02:01 UTC
All use subject to https://about.jstor.org/terms
This content downloaded from 129.174.21.5 on Sat, 20 Jul 2019 13:02:01 UTC
All use subject to https://about.jstor.org/terms
Bibliography
Adshead, S. A. M. T’ang China: The Rise of the East in World History. New York: Palgrave Macmillan, 2004.
Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel
Heller-Roazen. Stanford: Stanford University Press, 1998.
Allan, Sarah. The Heir and the Sage: Dynastic Legend in Early China. San Francisco: Chinese Materials Center, 1981.
———. The Shape of the Turtle: Myth, Art, and Cosmos in Early China. Albany:
State University of New York Press, 1991.
Allen, Joseph R. In the Voice of Others: Chinese Music Bureau Poetry. Ann Arbor: Center for Chinese Studies, The University of Michigan, Ann Arbor, 1992.
Allsen, Thomas T. The Royal Hunt in Eurasian History. Philadelphia: University of Pennsylvania Press, 2006.
Ames, Roger T. The Art of Rulership: A Study in Ancient Chinese Political
Thought. Honolulu: University of Hawai’i Press, 1983.
Ames, Roger T., ed. Wandering at Ease in the Zhuangzi. Albany: State University of New York Press, 1998.
Aoyama Sadao 青山定雄. Tō Sō jidai no kōtsū to chishi chizu no kenkyū 唐宋時
代の交通と地志地圖の研究. Tōkyō: Yoshikawa kōbunkan, 1963.
Ariel, Yoav. K’ung-Ts’ung-Tzu: The K’ung Family Masters’ Anthology: A Study
and Translation of Chapters 1–10 , 12–14. Princeton: Princeton University Press, 1989.
Aristotle. The Politics. Ed. Stephen Everson. Cambridge, UK: Cambridge Uni-
versity Press, 1988.
This content downloaded from 129.174.21.5 on Sat, 20 Jul 2019 13:02:01 UTC
All use subject to https://about.jstor.org/terms
388
Bibliography
Atasoy, Nurhan. Otağ-I Hümayun: The Ottoman Imperial Tent Complex. Trans.
Joyce Matthews. Istanbul: Aygaz, 2000.
Austin, J. L. How to Do Things with Words. Ed. J. O. Urmson and Marina Sbisà.
2nd ed. Cambridge, Mass.: Harvard University Press, 1975.
Ban Gu 班固, comp. Han shu 漢書. 8 vols. Beijing: Zhonghua shuju, 1962.
Bao Zhao 鮑照. Bao Canjun jizhu 鮑參軍集注. Annot. Qian Zhonglian 錢
仲聯. Shanghai: Shanghai guji chubanshe, 1980.
Bataille, Georges. Visions of Excess: Selected Writings, 1927–1939. Ed. Allan Stoekl.
Minneapolis: University of Minnesota Press, 1985.
Baudrillard, Jean. The Mirror of Production. Trans. Mark Poster. St. Louis: Telos Press, 1975.
Baxter, William H. A Handbook of Old Chinese Phonology. Berlin: Mouton de
Gruyter, 1992.
Benn, Charles. “Taoism as Ideology in the Reign of Emperor Hsüan-tsung (712–
755).” Ph.D. diss., University of Michigan, 1977.
Benveniste, Emile. Problems in General Linguistics. Trans. Mary Elizabeth Meek.
Coral Gables, Fla: University of Miami Press, 1971.
Bielenstein, Hans. “Wang Mang, the Restoration of the Han Dynasty and Later
Han.” In The Cambridge History of China, vol. 1, The Ch’in and Han Empires, 221 B.C.–A.D. 220, ed. Denis Twitchett and Michael Loewe, pp. 223–90. Cambridge, UK: Cambridge University Press, 1987.
Bing Chen 炳宸. “Cao Pi de wenxue lilun” 曹丕的文學理論. Wenxue yichan
xuanji 文學遺產選集 3 (1958; rpt. 1960): 128–34.
Bingham, Woodbridge. The Founding of the T’ang Dynasty: The Fall of Sui and
Rise of T’ang, A Preliminary Survey. Baltimore: Waverly Press, 1941.
———. “Li Shih-min’s Coup in A.D. 626. I: The Climax of Prince Rivalry.” Jour-
nal of the American Oriental Society 70.2 (1950): 89–95.
———. “Li Shih-min’s Coup in A.D. 626. II: Action at the Hsüan-wu Gate.”
Journal of the American Oriental Society 70.4 (1950): 259–71.
———. “The Rise of Li in a Ballad Prophecy.” Journal of the American Oriental
Society 61.4 (Dec. 1941): 272–80.
This content downloaded
from 129.174.21.5 on Sat, 20 Jul 2019 13:02:01 UTC
All use subject to https://about.jstor.org/terms
Bibliography
389
———. “Wen Ta-ya, The First Recorder of T’ang History.” Journal of the Ameri-
can Oriental Society 57.4 (1937): 368–74.
Biot, Édouard, trans. Le Tcheou-li; ou, Rites des Tcheou. 3 vols. in 2. Paris: L’Imprimerie nationale, 1851.
Birch, Cyril, ed. Studies in Chinese Literary Genres. Berkeley: University of California Press, 1974.
Birrell, Anne. Games Poets Play: Readings in Medieval Chinese Poetry. Cambridge, UK: McGuinness China Monographs, 2004.
Bischoff, Friedrich A. Interpreting the Fu : A Study in Chinese Literary Rhetoric.
Wiesbaden: Franz Steiner Verlag, 1976.
Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. Oxford: Oxford
University Press, 1973.
Bodde, Derk. “The State and Empire of Ch’in.” In The Cambridge History of
China, vol. 1, The Ch’in and Han Empires, 221 B.C.–A.D. 220, ed. Denis Twitchett and Michael Loewe, pp. 20–90. Cambridge, UK: Cambridge University
Press, 1987.
Boesche, Roger. Theories of Tyranny from Plato to Arendt. University Park, Penn.: The Pennsylvania State University Press, 1996.
Bokenkamp, Stephen R., trans. “Record of the Feng and Shan Sacrifices.” In Re-
ligions of China in Practice, ed. Donald S. Lopez, pp. 251–60. Princeton:
Princeton University Press, 1996.
Boltz, William G. “Chou li 周禮.” In Early Chinese Texts: A Bibliographical Guide, ed. Michael Loewe, pp. 24–32 . Berkeley: The Society for the Study of Early China, 1993.
Boodberg, Peter. “The Semasiology of Some Primary Confucian Concepts.” Phi-
losophy East and West 2.4 (1953): 317–32.
Brandauer, Frederick P., and Chün-chieh Huang, eds. Imperial Rulership and
Cultural Change in Traditional China. Seattle: University of Washington
Press, 1994.
Branner, David Prager. “A Neutral Transcription System for Teaching Medieval
Chinese.” T’ang Studies 17 (1999): 1–111.
———. “Yīntōng: Chinese Phonological Database 音通": 聲韻學數據庫,”
http://yintong.americanorientalsociety.org/public.
This content downloaded from 129.174.21.5 on Sat, 20 Jul 2019 13:02:01 UTC
All use subject to https://about.jstor.org/terms
390
Bibliography
Bridge, Diana. “Poems on Things: A Contribution to Yongming Composition.”
Ph.D. diss., Australian National University, 1991.
Cahill, Suzanne E. Transcendence and Divine Passion: The Queen Mother of the
West in Medieval China. Stanford: Stanford University Press, 1993.
Cao Daoheng 曹道衡 and Shen Yucheng 沈玉成. Nanbeichao wenxue shi 南北
朝文學史. Beijing: Renmin wenxue chubanshe, 1998.
Castoriadis, Cornelius. The Imaginary Institution of Society. Trans. Kathleen Blamey. Cambridge, UK: Polity Press, 1987.
Cen Zhongmian 岑仲勉. Sui Tang shi 隋唐史. 2 vols. Beijing: Zhonghua shuju,
1982.
Chan, Wing-tsit, trans. Reflections on Things at Hand: The Neo-Confucian An-
thology. New York: Columbia University Press, 1967.
Chavannes, Edouard. Documents sur les Tou-kiue (Turcs) occidentaux. Paris:
Librairie d’Amérique et d’Orient, 1942.
———. Le T’ai-chan: Essai de monographie d’un culte chinois. Appendice: Le dieu du sol dans la Chine antique. Paris: Ernest Leroux, 1910.
Chen Bohai 陳伯海 et al., eds. Tangshi huiping 唐詩彙評. 3 vols. Hangzhou:
Zhejiang jiaoyu chubanshe, 1995.
Chen, Jack W. “Denying Imperial Bodies: Tang Taizong and the Poetics of Sov-
ereignty.” Ph.D. diss., Harvard University, 2002.
———. “The Writing of Imperial Poetry in Medieval China.” HJAS 65.1 (June
2005): 57–98.
Ch’en, Kenneth. Buddhism in China: A Historical Survey. Princeton: Princeton University Press, 1964.
Chen Qitian 陳啟天, ed. and annot. Zengding Han Feizi jiaoshi 增訂韓非子校
釋. Rev. ed. Taipei: Taiwan shangwu yinshuguan, 1972.
Chen, Robert Shanmu. “A Study of Bao Zhao and His Poetry, with a Complete
English Translation of His Poems.” Ph.D. diss., University of British Colum-
bia, 1989.
Chen Shangjun 陳尚君. “Hanlin xueshi ji qianji” 翰林學士集前記. In Tangren
xuan Tangshi xinbian 唐人選唐詩新編, ed. Fu Xuancong, 傅璇琮編, pp. 3–
5. Xi’an: Shaanxi renmin jiaoyu chubanshe, 1996. Reprint, Taipei: Wen shi zhe
chubanshe, 1999.
This content downloaded from 129.174.21.5 on Sat, 20 Jul 2019 13:02:01 UTC
All use subject to https://about.jstor.org/terms
Bibliography
391
———. “Quan Tang shi wushou shi kao” 全唐詩誤收詩考. Tangdai wenxue
congkao 唐代文學叢考. Beijing: Zhongguo shehui kexue chubanshe, 1997.
Chen Shou 陳壽, comp. Sanguo zhi 三國志. 5 vols. Beijing: Zhonghua shuju,
1962.
Chen Shuguo 陳戍國. Zhongguo lizhi shi: Sui Tang Wudai juan 中國禮制史：
隋唐五代卷. Changsha: Hunan jiaoyu chubanshe, 1998.
Chen Tian 陳田. Lingfeng caotang congshu 靈峰草堂叢書. In Xuxiu Siku qua-
nshu 續修四庫全書, vol. 1611. Shanghai: Shanghai guji chubanshe, 1995–2002.
Chen Tiemin 陳鐵民. “Tangdai de shitan zhongxin yu shiren de diwei ji ying-
xiang” 唐代的詩壇中心與詩人的地位及影響. Tangdai wenxue yanjiu 唐
代文學研究 8 (2000): 89–103.
Chen Yinque 陳寅恪. Tangdai zhengzhishi shulungao 唐代政治史述論稿.
Shanghai: Shanghai guji chubanshe, 1982.
Chen Zhensun 陳振孫. Zhizhai shulu jieti 直齋書錄解題. Shanghai: Shanghai
guji chubanshe, 1987.
Cheng Shude 程樹德, ed. and annot. Lunyu jishi 論語集釋. 4 vols. Beijing:
Zhonghua shuju, 1990.
Chennault, Cynthia. “Odes on Objects and Patronage during the Southern Qi.”
In Studies in Early Medieval Chinese Literature and Cultural History in Honor
of Richard B. Mather and Donald Holzman, ed. Paul W. Kroll and David R.
Knechtges, pp. 331–98. Provo, Utah: T’ang Studies Society, 2003.
———. “The Reclusive Gui—Cinnamon or Osmanthus?” Early Medieval China
12 (2006): 151–81.
Ching, Julia. Mysticism and Kingship in China: The Heart of Chinese Wisdom.
Cambridge, UK: Cambridge University Press, 1997.
Chow, Tse-tsung. “The Early History of the Chinese Word Shih (Poetry).” In
Wen-lin: Studies in the Chinese Humanities, ed. Chow, pp. 151–210. Madison,
Wis: University of Wisconsin Press, 1968.
Chow, Tse-tsung, ed. Wen-lin: Studies in the Chinese Humanities. Madison, Wis: University of Wisconsin Press, 1968.
Chung, Saehyang P. “A Study of the Daming Palace: Documentary Sources and
Recent Excavations.” Artibus Asiae 50 (1990): 23–72.
This content downloaded from 129.174.21.5 on Sat, 20 Jul 2019 13:02:01 UTC
All use subject to https://about.jstor.org/terms
392
Bibliography
Chunqiu Guliang zhuan zhushu 春秋穀梁傳注疏. See Shisanjing zhushu, ed.
and annot. Ruan Yuan 阮元.
Cook, Scott. “Yue Ji 樂記— Record of Music: Introduction, Translation, Notes, and Commentary.” Asian Music 26.2 (Spr.–Sum. 1995): 1–96.
Coyle, Daniel. “On the Zhenren.” In Wandering at Ease in the Zhuangzi, ed.
Roger T. Ames, pp
. 197–210. Albany: State University of New York Press, 1998.
Creel, Herrlee G. “On the Origin of Wu-wei.” Chap. 4 in What Is Taoism? and
Other Studies in Chinese Cultural History. Chicago: The University of Chicago Press, 1970.
Daoxuan 道宣, comp. Guang Hongming ji 廣弘明集. Sibu beiyao 四部備要 ed.
10 vols. Shanghai: Zhonghua shuju, [n.d.].
De Bary, Wm. Theodore, trans. Waiting for the Dawn: A Plan for the Prince.
New York: Columbia University Press, 1993.
De Rotours, Robert. “Les grands fonctionnaires des provinces en Chine sous la
dynastie des T’ang.” T’oung pao 25 (1927): 219–332.
Dean, Kenneth, and Brian Massumi. First and Last Emperors: The Absolute State and the Body of the Despot. Brooklyn: Autonomedia, 1992.
Deleuze, Gilles, and Félix Guattari. Anti-Oedipus: Capitalism and Schizophrenia.
Trans. Robert Hurley et al. Minneapolis: University of Minnesota Press, 1983.
Demetrius. On Style. Trans. Doreen C. Innes. In Ancient Literary Criticism: The Principal Texts in New Translations, ed. D. A. Russell and M. Winterbottom,
pp. 171–215. Oxford: Oxford University Press, 1972.
Deng Shiliang 鄧仕樑. Liang Jin shi lun 兩晉詩論. Hong Kong: The Chinese
University of Hong Kong Press, 1972.
Derrida, Jacques. Margins of Philosophy. Trans. Alan Bass. Chicago: The University of Chicago Press, 1982.
———. Given Time: 1 , Counterfeit Money. Trans. Peggy Kamuf. Chicago: The University of Chicago Press, 1992.
DeWoskin, Kenneth J. A Song for One or Two: Music and the Concept of Art in
Early China. Ann Arbor: Center for Chinese Studies, The University of Mich-
igan, 1982.
Dong Gao 董誥, comp. Quan Tang wen 全唐文. 11 vols. Beijing: Zhonghua shu-
ju, 1983.
This content downloaded from 129.174.21.5 on Sat, 20 Jul 2019 13:02:01 UTC
All use subject to https://about.jstor.org/terms
Bibliography
393
Dressler, Hermigild. The Usage of άσκέω and Its Cognates in Greek Documents to 100 A.D. Washington, D.C.: The Catholic University of America Press, 1947.
Du Mu 都穆. Nanhao shihua 南濠詩話. Ed. Xiao Jin 肖今. See under Wu
Wenzhi.
Du Weiyun 杜維運. Zhongguo shixueshi 中國史學史. Vol. 2. Taipei: Sanmin
shuju, 1998.
Du You 杜佑, comp. Tongdian 通典. 5 vols. Beijing: Zhonghua shuju, 1988.
