by Isaac Asimov
'But———' She pointed at the book in a meaningless gesture.
'I am scanning the pages, if that's what you mean. My sense of reading is photographic'
It was evening then, and when Claire eventually went to bed Tony was well into the second volume, sitting there in the dark, or what seemed dark to Claire's limited eyes.
Her last thought, the one that clamored at her just as her mind let go and tumbled, was a queer one. She remembered his hand again; the touch of it. It had been warm and soft, like a human being's.
How clever of the factory, she thought, and softly ebbed to sleep.
It was the library continuously, thereafter, for several days. Tony suggested the fields of study, which branched out quickly. There were books on color matching and on cosmetics; on carpentry and on fashions; on art and on the history of costumes.
He turned the pages of each book before his solemn eyes, and, as quickly as he turned, he read; nor did he seem capable of forgetting.
Before the end of the week, he had insisted on cutting her hair, introducing her to a new method of arranging it, adjusting her eyebrow line a bit and changing the shade of her powder and lipstick.
She had palpitated in nervous dread for half an hour under the delicate touch of his inhuman fingers and then looked in the mirror.
'There is more that can be done,' said Tony, 'especially in clothes. How do you find it for a beginning?'
And she hadn't answered; not for quite a while. Not until she had absorbed the identity of the stranger in the glass and cooled the wonder at the beauty of it all. Then she had said chokingly, never once taking her eyes from the warming image, 'Yes, Tony, quite good—for a beginning.'
She said nothing of this in her letters to Larry. Let him see it all at once. And something in her realized that it wasn't only the surprise she would enjoy. It was going to be a kind of revenge.
Tony said one morning, 'It's time to start buying, and I'm not allowed to leave the house. If I write out exactly what we must have, can I trust you to get it? We need drapery, and furniture fabric, wallpaper, carpeting, paint, clothing—and any number of small things.'
'You can't get these things to your own specifications at a stroke's notice,' said Claire doubtfully.
'You can get fairly close, if you go through the city and if money is no object.'
'But, Tony, money is certainly an object.'
'Not at all. Stop off at U.S. Robots in the first place. I'll write a note for you. You see Dr. Calvin, and tell her that I said it was part of the experiment.'
Dr. Calvin, somehow, didn't frighten her as on the first evening. With her new face and a new hat, she couldn't be quite the old Claire. The psychologist listened carefully, asked a few questions, nodded—and then Claire found herself walking out, armed with an unlimited charge account against the assets of U.S. Robots and Mechanical Men Corporation.
It is wonderful what money will do. With a store's contents at her feet, a saleslady's dictum was not necessarily a voice from above; the uplifted eyebrow of a decorator was not anything like Jove's thunder.
And once, when an Exalted Plumpness at one of the most lordly of the garment salons had insistently poohed her description of the wardrobe she must have with counter-pronouncements in accents of the purest Fifty-seventh Street French, she called up Tony, then held the phone out to Monsieur.
'If you don't mind'—voice firm, but fingers twisting a bit—'I'd like you to talk to my—uh—secretary.'
Pudgy proceeded to the phone with a solemn arm crooked behind his back. He lifted the phone in two fingers and said delicately, 'Yes.' A short pause, another 'Yes,' then a much longer pause, a squeaky beginning of an objection that perished quickly, anothei pause, a very meek 'Yes,' and the phone was restored to its cradle.
'If Madam will come with me,' he said, hurt and distant, 'I will try to supply her needs.'
'Just a second.' Claire rushed back to the phone, and dialed again. 'Hello, Tony. I don't know what you said, but it worked. Thanks. You're a———' She struggled for the appropriate word, gave up and ended in a final little squeak,'-a—a dear!'
It was Gladys Claffern looking at her when she turned from the phone again. A slightly amused and slightly amazed Gladys Claffern, looking at her out of a face tilted a bit to one side.
'Mrs. Belmont?'
It all drained out of Claire—just like that. She could only nod—stupidly, like a marionette.
Gladys smiled with an insolence you couldn't put your ringer on. 'I didn't know you shopped here?' As if the place had, in her eyes, definitely lost caste through the fact.
'I don't, usually,' said Claire humbly.
'And haven't you done something to your hair? It's quite —quaint...Oh, I hope you'll excuse me, but isn't your husband's name Lawrence? It seems to me that it's Lawrence.'
Claire's teeth clenched, but she had to explain. She had to. 'Tony is a friend of my husband's. He's helping me select some things.'
'I understand. And quite a dear about it, I imagine.' She passed on smiling, carrying the light and the warmth of the world with her.
Claire did not question the fact that it was to Tony that she turned for consolation. Ten days had cured her of reluctance. And she could weep before him; weep and rage.
'I was a complete f-fool,' she stormed, wrenching at her waterlogged handkerchief. 'She does that to me. I don't know why. She just does. I should have—kicked her. I should have knocked her down and stamped on her.'
'Can you hate a human being so much?' asked Tony, in puzzled softness. 'That part of a human mind is closed to me.'
'Oh, it isn't she,' she moaned. 'It's myself, I suppose. She's everything I want to be—on the outside, anyway... And I can't be.'
Tony's voice was forceful and low in her ear. 'You can be, Mrs. Belmont. You can be. We have ten days yet, and in ten days the house will no longer be itself. Haven't we been planning that?'
'And how will that help me—with her?'
'Invite her here. Invite her friends. Have it the evening before I—before I leave. It will be a housewarming, in a way.'
'She won't come.'
'Yes, she will. She'll come to laugh...And she won't be able to.'
'Do you really think so? Oh, Tony, do you think we can do it?' She had both his hands in hers...And then, with her face flung aside, 'But what good would it be? It won't be I; it will be you that's doing it. I can't ride your back.'
'Nobody lives in splendid singleness,' whispered Tony. 'They've put that knowledge in me. What you, or anyone, see in Gladys Claffern is not just Gladys Claffern. She rides the back of all that money and social position can bring. She doesn't question that. Why should you?… And look at it this way, Mrs. Belmont. I am manufactured to obey, but the extent of my obedience is for myself to determine. I can follow orders niggardly or liberally. For you, it is liberal, because you are what I have been manufactured to see human beings as. You are kind, friendly, unassuming. Mrs. Claffern, as you describe her, is not, and I wouldn't obey her as I would you. So it is you, and not I, Mrs. Belmont, that is doing all this.'
He withdrew his hands from hers then, and Claire looked at that expressionless face no one could read—wondering. She was suddenly frightened again in a completely new way.
She swallowed nervously and stared at her hands, which were still tingling with the pressure of his fingers. She hadn't imagined it; his fingers had pressed hers, gently, tenderly, just before they moved away.
No!
Its fingers … Its fingers...
She ran to the bathroom and scrubbed her hands— blindly, uselessly
She was a bit shy of him the next day; watching him narrowly; waiting to see what might follow—and for a while nothing did.
Tony was working. If there was any difficulty in technique in putting up wallpaper, or utilizing the quick-drying paint, Tony's activity did not show it. His hands moved precisely; his fingers were deft and sure.
He worked all night. S
he never heard him, but each morning was a new adventure. She couldn't count the number of things that had been done, and by evening she was still finding new touches—and another night had come.
She tried to help only once and her human clumsiness marred that. He was in the next room, and she was hanging a picture in the spot marked by Tony's mathematical eyes. The little mark was there; the picture was there; and a revulsion against idleness was there.
But she was nervous, or the ladder was rickety. It didn't matter. She felt it going, and she cried out. It tumbled without her, for Tony, with far more than flesh-and-blood quickness, had been under her.
His calm, dark eyes said nothing at all, and his warm voice said only words. 'Are you hurt, Mrs. Belmont?'
She noticed for an instant that her falling hand must have mussed that sleek hair of his, because for the first time she could see for herself that it was composed of distinct strands-—fine black hairs.
And then, all at once, she was conscious of his arms about her shoulders and under her knees—holding her tightly and warmly.
She pushed, and her scream was loud in her own ears. She spent the rest of the day in her room, and thereafter she slept with a chair upended against the doorknob of her bedroom door.
She had sent out the invitations, and, as Tony had said, they were accepted. She had only to wait for the last evening.
It came, too, after the rest of them, in its proper place. The house was scarcely her own. She went through it one last time—and every room had been changed. She, herself, was in clothes she would never have dared wear before...
And when you put them on, you put on pride and confidence with them.
She tried a polite look of contemptuous amusement before the mirror, and the mirror sneered back at her masterfully.
What would Larry say?… It didn't matter, somehow. The exciting days weren't coming with him. They were leaving with Tony. Now wasn't that strange? She tried to recapture her mood of three weeks before and failed completely.
The clock shrieked eight at her in eight breathless installments, and she turned to Tony. 'They'll be here soon, Tony. You'd better get into the basement. We can't let them———'
She stared a moment, then said weakly, 'Tony?' and more strongly, 'Tony?' and nearly a scream, 'Tony!'
But his arms were around her now; his face was close to hers; the pressure of his embrace was relentless. She heard his voice through a haze of emotional jumble.
'Claire,' the voice said, 'there are many things I am not made to understand, and this must be one of them. I am leaving tomorrow, and I don't want to. I find that there is more in me than just a desire to please you. Isn't it strange?'
His face was closer; his lips were warm, but with no breath behind them—for machines do not breathe. They were almost on hers.
… And the bell sounded.
For a moment, she struggled breathlessly, and then he was gone and nowhere in sight, and the bell was sounding again. Its intermittent shrillness was insistent.
The curtains on the front windows had been pulled open. They had been closed fifteen minutes earlier. She knew that.
They must have seen, then. They must all have seen— everything!
They came in so politely, all in a bunch—the pack come to howl—with their sharp, darting eyes piercing everywhere. They had seen. Why else would Gladys ask in her jabbingest manner after Larry? And Claire was spurred to a desperate and reckless defiance.
Yes, he is away. He'll be back tomorrow, I suppose. No, I haven't been lonely here myself. Not a bit. I've had an exciting time. And she laughed at them. Why not? What could they do? Larry would know the truth, if it ever came to him, the story of what they thought they saw.
But they didn't laugh.
She could read that in the fury in Gladys Claffern's eyes; in the false sparkle of her words; in her desire to leave early. And as she parted with them, she caught one last, anonymous whisper—disjointed.
'… never saw anything like … so handsome———'
And she knew what it was that had enabled her to finger-snap them so. Let each cat mew; and let each cat know— that she might be prettier than Claire Belmont, and grander, and richer—but not one, not one, could have so handsome a lover!
And then she remembered again—again—again, that Tony was a machine, and her skin crawled.
'Go away! Leave me be!' she cried to the empty room and ran to her bed. She wept wakefully all that night and the next morning, almost before dawn, when the streets were empty, a car drew up to the house and took Tony away.
Lawrence Belmont passed Dr. Calvin's office, and, on impulse, knocked. He found her with Mathematician Peter Bogert, but did not hesitate on that account.
He said, 'Claire tells me that U.S. Robots paid for all that was done at my house———'
'Yes,' said Dr. Calvin. 'We've written it off, as a valuable and necessary part of the experiment. With your new position as Associate Engineer, you'll be able to keep it up, I think.'
'That's not what I'm worried about. With Washington agreeing to the tests, we'll be able to get a TN model of our own by next year, I think.' He turned hesitantly, as though to go, and as hesitantly turned back again.
'Well, Mr. Belmont?' asked Dr. Calvin, after a pause.
'I wonder———' began Larry. 'I wonder what really happened there. She—Claire, I mean—seems so different. It's not just her looks—though, frankly, I'm amazed.' He laughed nervously. 'It's her! She's not my wife, really—I can't explain it.'
'Why try? Are you disappointed with any part of the change?'
'On the contrary. But it's a little frightening, too, you see———'
'I wouldn't worry, Mr. Belmont. Your wife has handled herself very well. Frankly, I never expected to have the experiment yield such a thorough and complete test. We know exactly what corrections must be made in the TN model, and the credit belongs entirely to Mrs. Belmont. If you want me to be very honest, I think your wife deserves your promotion more than you do.'
Larry flinched visibly at that. 'As long as it's in the family,' he murmured unconvincingly and left.
Susan Calvin looked after him, 'I think that hurt—I hope...Have you read Tony's report, Peter?'
'Thoroughly,' said Bogert. 'And won't the TN-3 model need changes?'
'Oh, you think so, too?' questioned Calvin sharply. 'What's your reasoning?'
Bogert frowned. 'I don't need any. It's obvious on the face of it that we can't have a robot loose which makes love to his mistress, if you don't mind the pun.'
'Love! Peter, you sicken me. You really don't understand? That machine had to obey the First Law. He couldn't allow harm to come to a human being, and harm was coming to Claire Belmont through her own sense of inadequacy. So he made love to her, since what woman would fail to appreciate the compliment of being able to stir passion in a machine—in a cold, soulless machine. And he opened the curtains that night deliberately, that the others might see and envy—without any risk possible to Claire's marriage. I think it was clever of Tony———'
'Do you? What's the difference whether it was pretense or not, Susan? It still has its horrifying effect. Read the report again. She avoided him. She screamed when he held her. She didn't sleep that last night—in hysterics. We can't have that.'
'Peter, you're blind. You're as blind as I was. The TN model will be rebuilt entirely, but not for your reason. Quite otherwise; quite otherwise. Strange that I overlooked it in the first place,' her eyes were opaquely thoughtful, 'but perhaps it reflects a shortcoming in myself. You see, Peter, machines can't fall in love, but—even when it's hopeless and horrifying—women can!'
'Risk' appeared in the May 1955 issue of Astounding Science Fiction. Of my later robot stories, it was the most closely bound to I, Robot, for it was a sequel to 'Little Lost Robot,' one of the stories in that book. It involves a different robot and a different problem, but the same setting, the same human characters and the same research project.
RISK
Hyper Base had lived for this day. Spaced about the gallery of the viewing room, in order and precedence strictly dictated by protocol, was a group of officials, scientists, technicians, and others who could only be lumped under the general classification of 'personnel.' In accordance with their separate temperaments they waited hopefully, uneasily, breathlessly, eagerly, or fearfully for this culmination of their efforts.
The hollowed interior of the asteroid known as Hyper Base had become for this day the center of a sphere of iron security that extended out for ten thousand miles. No ship might enter that sphere and live. No message might leave without scrutiny.
A hundred miles away, more or less, a small asteroid moved neatly in the orbit into which it had been urged a year before, an orbit that ringed Hyper Base in as perfect a circle as could be managed. The asteroidlet's identity number was H937, but no one on Hyper Base called it anything but It. ('Have you been out on it today?' 'The general's on it, blowing his top,' and eventually the impersonal pronoun achieved the dignity of capitalization.)
On It, unoccupied now as zero second approached, was the Parsec, the only ship of its kind ever built in the history of man. It lay, unmanned, ready for its takeoff into the inconceivable.
Gerald Black, who, as one of the bright young men in etherics engineering, rated a front-row view, cracked his large knuckles, then wiped his sweating palms on his stained white smock and said sourly, 'Why don't you bother the general, or Her Ladyship there?'
Nigel Ronson, of Interplanetary Press, looked briefly across the gallery toward the glitter of Major General Richard Kallner and the unremarkable woman at his side, scarcely visible in the glare of his dress uniform. He said, 'I would, except that I'm interested in news.'
Ronson was short and plump. He painstakingly wore his hair in a quarter-inch bristle, his shirt collar open and his trouser leg ankle-short, in faithful imitation of the newsmen who were stock characters on TV shows. He was a capable reporter nevertheless.
Black was stocky, and his dark hairline left little room for forehead, but his mind was as keen as his strong fingers were blunt. He said, 'They've got all the news.'
