The dance, the big dance that all this terpsichorean instruction was leading up to, was held on February 29, and Mrs. Feldman, in an evil twist of fate, decided to honor custom and have the girls invite the boys as their partners. We did perspective drawing in art class—great lopsided vistas of buildings and avenues dwindling in the distance—while the girls made up the invitations with strips of ribbon, construction paper and paste. My mind was on basketball, ice fishing, the distant trembling vision of spring and summer and liberation from Mrs. Feldman, the gym and the cafeteria and all the rest, and I was surprised, though I shouldn’t have been, when Maki’s invitation arrived. I didn’t want to go. My mother insisted. My father said nothing.
And then the telephone began to ring. My mother answered each call with quiet determination, immovable, unshakable, whispering into the phone, doodling on a pad, lifting the drink or a cigarette to her lips. I don’t know what she said exactly, but she was talking to the other mothers, the mothers of sons who hadn’t been invited to the dance by Maki Duryea, and she was explaining to them precisely how and why she could and would allow her son to go to the dance with a Negro. In later years, as the civil-rights movement arose and Malcolm X and Martin Luther King fell and the ghettoes burned, she never had much to say about it, but I could feel her passion then, on the telephone, in the cool insistent rasp of her voice.
I went to the dance with Maki Duryea. She wore a stiff organdy dress with short sleeves that left her looking awkward and underdressed and I wore a tie and sportcoat and arranged my hair for the occasion. I held her and I danced with her, though I didn’t want to, though I snapped at her when she asked if I wanted a brownie and a cup of punch, though I looked with envy and longing to the streamer-draped corner where Casper alternately leered at me and punched Billy Bartro in the shoulder; I danced with her, but that was it, that was as far as I could go, and I didn’t care if the snow was black and the dome blew off the reactor and Johnny Atom came and melted us all in our sleep.
It was a late spring and we tried to force it by inaugurating baseball season while the snow still lingered atop the dead yellow grass and the frozen dirt beneath it. We dug out balls and mitts and stood in the street in T-shirts, gooseflesh on our arms, shoulders quaking, a nimbus of crystallized breath suspended over our heads. Casper didn’t play ball—foot, hand, base or basket—and he stood hunched in his jacket, palming a cigarette and watching us out of his mocking gray eyes. I caught cold and then flu and stayed in bed a week. On the first of April I went trout fishing, a ritual of spring, but the day was gloomy and lowering, with a stiff wind and temperatures in the twenties. I cast a baited hook till my arm lost all sensation. The trout might as well have been extinct.
Since the time of the dance I’d had nothing to do with Maki Duryea. I wouldn’t even look at her. If she’d suddenly exploded in flames on the playground or swelled up to the size of a dirigible I wouldn’t have known. I’d taken a steady stream of abuse over the dance episode, and I was angry and embarrassed. For a full month afterward I was the object of an accelerated program of ear snapping and head knuckling, the target of spitballs and wads of lined notebook paper with crude hearts scrawled across their rumpled interiors, but we were innocent then, and no one used the epithets we would later learn, the language of hate and exclusion. They turned on me because I had taken Maki Duryea to the dance—or rather, because I had allowed her to take me—and because she was different and their parents disapproved in a way they couldn’t yet define. I resented her for it, and I resented my mother too.
And so, when the rumors first began to surface, I took a kind of guilty satisfaction in them. There had been trouble at Maki’s house. Vandals—and the very term gave me a perverse thrill—vandals had spray-painted racial slurs on the glistening black surface of their macadam driveway. My mother was incensed. She took her drink and her cigarettes and huddled over the phone. She even formed a committee of two with Casper’s mother (who was one of the few who hadn’t phoned over the dance invitation), and they met a time or two in Casper’s living room to drink a clear liquid in high-stemmed glasses, tap their cigarettes over ashtrays and lament the sad state of the community, the development, the town, the country, the world itself.
While our mothers were wringing their hands and buzzing at one another in their rasping secretive voices, Casper took me aside and showed me a copy of the local newspaper, flung on the lawn not five minutes earlier by Morty Solomon as he weaved up the street on his bicycle. I didn’t read newspapers. I didn’t read books. I didn’t read anything. Casper forced it into my hands and there it was, the rumor made concrete: VANDALS STRIKE AGAIN. This time, a cross had been burned on the Duryea lawn. I looked up at Casper in amazement. I wanted to ask him what that meant, a cross—a cross was religious, wasn’t it, and this didn’t have anything to do with religion, did it?—but I felt insecure in my confusion and I held back.
“You know what we ought to do?” he said, watching me closely.
I was thinking of Maki Duryea, of her hair and her placid eyes, thinking of the leaping flames and the spray paint in the driveway. “What?”
“We ought to egg them.”
“But—” I was going to ask how we could egg them if we didn’t know who did it, but then I caught the startling perverse drift of what he was suggesting and in my astonishment I blurted, “But why?”
He shrugged, ducked his head, scuffed a foot on the carpet. We were in the hallway, by the telephone stand. I heard my mother’s voice from the room beyond, though the door was closed and she was talking in a whisper. The voice of Casper’s mother came right back at her in raspy collusion. Casper just stared at the closed door as if to say, There, there’s your answer.
After a moment he said, “What’s the matter—you afraid?”
I was twelve now, twelve and a half. How could anyone at that age admit to fear? “No,” I said. “I’m not afraid.”
The Duryea house lay outside the confines of the development. It was a rental house, two stories over a double garage in need of paint and shingles, and it sat on a steep rutted dirt road half a mile away. There were no streetlights along that unfinished road and the trees overhung it so that the deepest shadows grew deeper still beneath them. It was a warm, slick, humid night at the end of May, the sort of night that surprises you with its richness and intensity, smells heightened, sounds muffled, lights blurred to indistinction. When we left Casper’s it was drizzling.
Casper bought the eggs, two dozen, at the corner store out on the highway. His parents were rich—rich compared to mine, at any rate—and he always seemed to have money. The storekeeper was a tragic-looking man with purple rings of puffed flesh beneath his eyes and a spill of gut that was like an avalanche under the smeared white front of his apron. Casper slipped two cigars into his pocket while I distracted the man with a question about the chocolate milk—did it come in a smaller size?
As we started up the dirt road, eggs in hand, Casper was strangely silent. When a dog barked from the driveway of a darkened house he clutched my arm, and a moment later, when a car turned into the street, he pulled me into the bushes and crouched there, breathing hard, till the headlights faded away. “Maki Duryea,” he whispered, chanting it as he’d chanted it a hundred times before, “Maki Duryea, Maki Duryea.” My heart was hammering. I didn’t want to do this. I didn’t know why I was doing it, didn’t yet realize that the whole purpose of the exercise was to invert our parents’ values, trash them, grind them into the dirt, and that all ethical considerations were null in the face of that ancient imperative. I was a freedom fighter. The eggs were hand grenades. I clutched them to my chest.
We hid ourselves in the wild tangle of shrubs gone to seed outside the house and watched the steady pale lighted windows for movement. My hair hung limp with the drizzle. Casper squatted over his ankles and fingered his box of eggs. I could barely make him out. At one point a figure passed in front of the window—I saw the hair, the mat of it, the sheen—and it might h
ave been Maki, but I wasn’t sure. It could have been her mother. Or her sister or aunt or grandmother—it could have been anybody. Finally, when I was as tired of crouching there in the bushes as I’ve ever been tired of being anywhere, even the dentist’s, the lights flicked off. Or no, they didn’t just flick off—they exploded in darkness and the black torrent of the night rushed in to engulf the house.
Casper rose to his feet. I heard him fumbling with his cardboard carton of eggs. We didn’t speak—speech would have been superfluous. I rose too. My eggs, palpable, smooth, fit the palm of my hand as if they’d been designed for it. I raised my arm—baseball, football, basketball—and Casper stirred beside me. The familiar motion, the rush of air: I will never forget the sound of that first egg loosing itself against the front of the house, a wetness there, a softness, the birth of something. No weapon, but a weapon all the same.
The summer sustained me. Hot, unfettered, endless. On the first day of vacation I perched in an apple tree at the end of the cul-de-sac that bordered the development and contemplated the expanse of time and pleasure before me, and then it was fall and I was in junior high. Maki Duryea had moved. I’d heard as much from Casper, and one afternoon, at the end of summer, I hiked up that long rutted dirt road to investigate. The house stood empty. I climbed the ridge behind it to peer in through the naked windows and make sure. Bare floors stretched to bare walls.
And then, in the confusion of the big parking lot at the junior high where fifty buses deposited the graduates of a dozen elementary schools, where I felt lost and out of place and shackled in a plaid long-sleeved shirt new that morning from the plastic wrapping, I saw her. She sprang down from another bus in a cascade of churning legs and arms and anxious faces, a bookbag slung over one shoulder, hair ironed to her waist. I couldn’t move. She looked up then and saw me and she smiled. Then she was gone.
That night, as I slapped a hard black ball against the side of the house, thinking nothing, I caught a faint electrifying whiff of a forgotten scent on the air, and there he was, the fog man, rattling by the house in his open jeep. My bike lay waiting at the curb and my first impulse was to leap for it, but I held off. There was something different here, something I couldn’t quite place at first. And then I saw what it was: the fog man was wearing a mask, a gas mask, the sort of thing you saw in war movies. He’d collected the usual escort of knee-pumping neighborhood kids by the time he’d made his second pass down the street in front of our house, and I’d moved to the curb now to study this phenomenon, this subtle alteration in the texture of things. He looked different in the mask, sinister somehow, and his eyes seemed to glitter.
The fog obliterated the houses across from me, the wheeling children vanished, the low black roiling clouds melted toward me across the perfect sweep of the lawn. And then, before I knew what I was doing, I was on my bike with the rest of them, chasing the fog man through the mist, chasing him as if my life depended on it.
(1989)
DROWNING
In this story, someone will drown. Yet there will be no apparent reason for this drowning—it will not for example be attributable to suicide, murder, divine retribution—nor even such arcana as current and undertow. It will instead be like so many events of the future: inexplicable, incomprehensible. Nonetheless, it will occur.
There is a girl alone on the beach, a mere inkspot in the white: nothing really, when compared with the massive dunes that loom behind her and the sea, dark and implacable, which stretches before her to Europe and Africa. She is lying there on her back, eyes closed, her body loose, toes pointing straight out to the water. Her skin glistens with oil, tanned deep as a ripe pear. And she wears a white bikini: two strips of cloth as dazzingly white in this sun as the sand itself. She is after an effect, a contrast.
Now she sits up, the taut line of her abdomen bunching in soft creases, and glances slyly around. No one in sight up and down the beach, for miles perhaps—the only sign of life the gull beating overhead, muttering in its prehistoric voice. Her hands reach behind for the strings to the bikini halter—the elbows strain out in sharp triangles and her back arches, throwing her chest forward. She feels a quick pulse of excitement as her breasts fall free and the sea breeze tickles against them. She’s brown here too—a shade lighter than her shoulders and abdomen, but still tanned deeply.
She falls back on her elbows, face to the sun, the hair soft down her back and into the sand. The gull is gone now, and the only sounds are the hiss of the foam and the plangent thunder of the breakers smoothing rock a hundred yards out. She steals another look round—a good long one, over her shoulders and up to the peaks of the dunes. No one. “Why not?” she thinks. “Why not?” And her thumbs ease into the elastic band that girds her hips, working it down, kicking her legs free of it, stretching and spreading herself to the sun. But here she is white, ridiculously white, white as the bikini, white as the breakers.
Then she lets her head fall back again, closes her eyes, points her toes. But she can’t hold it for long—she feels something, a racing inside that makes her breath quick—and she raises her head to look long down her body: the breasts high on her chest, the sharp declivity of the rib cage, the smooth abdomen, the tightly wound hairs. The sun on her body is languid, warm: a massage. At her side: the tanning oil, cooking in the sun. She uncaps the plastic bottle, squeezes, feels the hot spurt of it across her chest. Then her palms are smoothing over the skin in a slow circular motion and she remembers how they’d all studied her with their hot faces while she sat above them, a Greek statue, staring out the window. From their expressions she could tell it wasn’t like sketching a professional model—they’d seen her around campus so many times and so many times had looked up her skirt and down her blouse, undressing her with their eyes. And then suddenly, a shock: there she was. She thinks of those faces, those nervous hands, hairy wrists. And laughs, laughs while her fingers move in the ripening sun—smoothly, thrillingly—over her body.
Five hundred yards down the beach, the man ends his hike and approaches the water’s edge. He kicks about in the sand while the soft foaming fringe shoots over his toes, up to his ankles and on past to retrace a broad ellipse in the sand behind him. He seems satisfied with the spot. Everything pleasantly symmetrical: the dark line of the high tide, the rounded peaks of the dunes, the fanned circular waves riding it on an infinity of waves, each identical to the first. Yes, he is satisfied, and like any other bather he wades in, the water rising gradually up his thin pale legs. But he is an anomaly here—his skin shows no trace of a tan—not the smallest freckle. Is this then his first day on the beach? He looks unhealthy and thin, too white in this flashing sun.
He wades deeper and the water washes level with his groin, the roll of the waves gently floating his genitals. The sensation, after the first shock, is cool and smooth, like the breath of an air conditioner. Is he aware, as he turns his head to look down the beach, that the girl, drowsing now despite herself, is naked and alone—defenseless even? I think not. There is certainly something down there in the distance, obscured by the glare and heat haze. Something dark, a stain in the whiteness. But really, it’s none of his concern. The waves lap at his underarms, splash up into his beard—and then he dives smooth into the next tall one, spearing through like a dolphin. He kicks powerfully and speeds through the incoming peaks until he is a considerable distance from shore. From his performance in the water, it is apparent that this is his element, that the paleness he displayed on the beach has no bearing here. Far from shore, his head is a buoy, tentatively riding up on the distant blinding whitecaps.
She strolled into the classroom in a short white smock. The hem of the smock defined a sharp line across the rise of her buttocks. It lifted and fell with each deliberate step. The art students, the ones who’d absently sketched a dozen models before her, now practically leaped from their chairs. She recognized nearly all of them from around campus, had ignored their slick hungry looks on countless occasions. She knew the girls too—they col
ored a bit when she entered, shifted in their seats from buttock to buttock. A few glared. But she just strolled, calmly, confidently, her chest thrust forward, just strolled right to the center of the room, yawned a brief yawn and then unbuttoned the smock, and let it fall to the floor.
In the broad expanse of the dunes a pair of wide feet wanders, kicking channels in the hot sand, becoming buried and unburied alternately as they are lifted from one spot to the next. Bobbing along, just ahead of the shuffling feet, is a circular shadow. Its unwitting creator is an obese young man, dressed in T-shirt and bathing trunks—the baggy boxer type with a broad red stripe on each side. Clenched in his left hand is a towel. Every few moments the towel rises to his face and flaps about in an effort to mop up the perspiration. Brackish creeks and streams and rivulets wash over the globe of his torso and down his legs to dot the sand. He apparently has come a good distance, but why through the harsh dunes? If, as I suspect, he is looking for a secluded stretch of sea for bathing, why doesn’t he walk along the beach, where temperatures are cooler and footing easier?
T.C. Boyle Stories Page 63
