by Mario Puzo
“No,” Cross said. “Five for me and five for the Family, that is understood. I don’t think we should be discouraged so easily. I have some plans but I must have Family help.”
“Then we must discuss better shares,” Giorgio said. He was like Bantz, Cross thought, always pressing for more.
The Don interrupted impatiently. “First catch the rabbit then we will share it. You have the Family blessing. But one thing. Full discussion on everything drastic that is done. You understand me, nephew?”
“Yes,” Cross said.
He left Quogue with a feeling of relief. The Don had shown his affection.
Don Domenico Clericuzio, in his eighties, still commanded his Empire. A world he had created with great endeavor and at great cost and so therefore felt he had earned.
At a venerable age, when most men are obsessed with sins inevitably committed, the regrets of lost dreams, and even doubts of their own righteousness, the Don was still as unshakable in his virtue as when he was fourteen.
Don Clericuzio was strict in his beliefs and strict in his judgments. God had created a perilous world, and mankind had made it even more dangerous. God’s world was a prison in which man had to earn his daily bread, and his fellow man was a fellow beast, carnivorous and without mercy. Don Clericuzio was proud that he had guarded his loved ones safely in their journey through life.
He was content that, at his advanced age, he had the will to pass the sentence of death on his enemies. Certainly he forgave them, was he not a Christian who maintained a holy chapel in his own home? But he forgave his enemies as God forgives all men while condemning them to inevitable extinction.
In the world Don Clericuzio had created, he was revered. His family, the thousands who lived in the Bronx Enclave, the Brugliones who ruled territories and entrusted their money to him and came for his intercession when they got into trouble with the formal society. They knew that the Don was just. That in time of need, sickness, or any trouble, they could go to him and he would address their misfortunes. And so they loved him.
The Don knew that love is not a reliable emotion no matter how deep. Love does not ensure gratitude, does not ensure obedience, does not provide harmony in so difficult a world. No one understood this better than Don Clericuzio. To inspire true love, one also had to be feared. Love alone was contemptible, it was nothing if it did not also include trust and obedience. What good was love to him if it did not acknowledge his rule?
For he was responsible for their lives, he was the root of their good fortune, and so he could not falter in his duty. He must be strict in his judgment. If a man betrayed him, if a man damaged the integrity of his world, that man must be punished and restrained even if it meant a sentence of death. There could be no excuse, no mitigating circumstance, no appeal to pity. What must be done must be done. His son Giorgio had once called him archaic. He accepted that this could not be otherwise.
Now he had many things to ponder. He had planned well over the last twenty-five years since the Santadio war. He had been farsighted, cunning, brutal when necessary, and merciful when it was safe to be so. And now the Clericuzio Family was at the height of its power, seemingly safe from any attack. Soon it would disappear into the legal fabric of society and become invulnerable.
But Don Domenico had not survived so long by being optimistically shortsighted. He could spot a malignant weed before it popped its head above the ground. The great danger now was internal, the rise of Dante, his growing into manhood in a manner not entirely satisfactory to the Don.
Then there was Cross, enriched by the Gronevelt legacy, actually making a major move without Family supervision. The young man had started so brilliantly, nearly becoming a Qualified Man, like his father, Pippi. Then the Virginio Ballazzo job had turned him finicky. And after being excused from operational duties by the Family because of his tender heart, he had gone back into the field for his own personal gain and executed that man Skannet. Without the permission of the Don himself. But Don Clericuzio excused himself for condoning these actions, for his rare sentimentalities. Cross was trying to escape his world and enter another. Though these actions were or could be the seeds of treason, Don Clericuzio understood. Still, Pippi and Cross combined would be a threat to the Family. Also, the Don was not unaware of Dante’s hatred for the De Lenas. Pippi was too clever not to know this also, and Pippi was a dangerous man. An eye must be kept on him despite his proven loyalty.
The Don’s forbearance sprang from a fondness for Cross and a love for Pippi, his old and faithful soldier, his sister’s son. After all, they had Clericuzio blood. He was truly more worried about the danger to the Family presented by Dante.
Don Clericuzio had always been a fond and loving grand-father to Dante. The two had been very close until the boy was about ten years old and a certain disenchantment had settled in. The Don detected traits in the boy’s character that troubled him.
Dante at the age of ten was an exuberant, slyly humorous child. He was a good athlete with great physical coordination. He loved to talk, especially with his grandfather, and he had long secret conversations with his mother, Rose Marie. But then, after the age of ten, he became malicious and crude. He fought with boys his own age with inappropriate intensity. He teased girls mercilessly and with an innocent lewdness that was shocking though funny. He tortured small animals—not necessarily significant with small boys, as the Don knew—but he tried once to drown a smaller boy in the school swimming pool.
Not that the Don was particularly judgmental of these things. After all, children were animals, civilization had to be drummed into their brains and backsides. There had been children like Dante who had grown up to be saints. What disturbed the Don was his loquacity, his long conversations with his mother, and most of all, his small disobediences to the Don himself.
Perhaps what disturbed the Don as well, who was in awe of the vagaries of nature, was that at the age of fifteen, Dante stopped growing. He remained at the height of five feet three inches. Doctors were consulted and agreed that at the most he would grow three more inches, and not to the usual Clericuzio family height of six feet. The Don considered Dante’s short stature to be a danger signal, as he also considered twins. He claimed that while birth was a blessed miracle, twins were going too far. There had been a soldier in the Bronx Enclave who had fathered triplets, and the Don, horrified, bought them a grocery store in Portland, Oregon, a good living but a lonely one. The Don also had superstitions about left-handed people, and those who stuttered. Whatever anyone said, these could not be good signs. Dante was naturally left-handed.
But even all this would not have been enough to make the Don wary of his grandchild or lessen his affection; anyone of his blood was naturally exempt. But as Dante grew older he grew more contrary to the Don’s dreams of his future.
Dante quit school in his sixteenth year and immediately pushed his nose into Family affairs. He worked for Vincent in his restaurant. He was a popular waiter and earned huge tips because of his quickness and his wit. Tiring of that, he worked for two months in Giorgio’s Wall Street office but hated it and showed no aptitude, despite Giorgio’s earnest attempts to teach him the intricacies of paper wealth. Finally he settled in with Petie’s construction company and loved working with the Enclave soldiers. He was proud of his body, which grew more and more muscular. But in all this he acquired to some degree certain characteristics of his three uncles, which the Don noted with pride. He had Vincent’s directness, Giorgio’s coolness, and Petie’s ferocity. Somewhere along the way, he established his own personality, what he truly was: sly, cunning, devious, but with a sense of fun that could be charming. And it was then he began wearing his Renaissance hats.
The hats—nobody knew where he got them—were made of colorful iridescent thread; some were round, some were rectangular, and they rode on his head as if they were on water. They seemed to make him taller, handsomer, and more likable. Partly because they were clownlike and disarming, partly because they balanced his tw
o profiles. The hats suited him. They disguised his hair, jet black and ropey as with all the Clericuzio.
One day in the den, where Silvio’s photo still occupied the place of honor, Dante asked his grandfather, “How did he die?”
The Don said shortly, “An accident.”
“He was your favorite son, right?” Dante asked.
The Don was startled by all this. Dante was still only fifteen. “Why would this be true?” the Don asked.
“Because he’s dead,” Dante said with a sly grin, and it took the Don a few moments to realize that this raw youth had dared to make such a joke.
The Don also knew that Dante roamed and searched his office suite in the house when the Don was down at dinner. This did not disturb him, children were always curious about the old and the Don never had anything on paper that would divulge information of any kind. Don Clericuzio had a huge blackboard in a corner of his brain that was chalked with all necessary information, including the totals of all the sins and virtues of those dearest to him.
But as Don Clericuzio became more wary of Dante, he showed him even more affection, assuring the boy he was to be one of the heirs to his Family Empire. And rebukes and admonitions were given the boy by his uncles, primarily Giorgio.
Finally, the Don despaired of Dante joining the retreat into a legal society and gave his permission for Dante to train to be a Hammer.
The Don heard his daughter, Rose Marie, calling him to dinner in the kitchen where they ate when it was just the two of them. He went in, sat in the chair in front of the large, colorful bowl of angel hair pasta covered with tomatoes and fresh basil from his garden. She put the silver bowl of grated cheese before him, the cheese was very yellow, which proved its nutty sweetness. Rose Marie came to sit opposite him. She was gay and cheerful, and he was delighted by her good humor. Tonight there would be none of her terrible fits. She was as she had been before the Santadio War.
What a tragedy that had been, one of the few mistakes he had made, one that proved a victory was not always a victory. But who would have thought that Rose Marie would remain forever a widow? Lovers always loved again, he’d always believed that. At that moment the Don felt an overpowering affection for his daughter. She would excuse Dante’s small sins. Rose Marie leaned over and gave the Don’s grizzled head an affectionate caress.
He took a huge spoonful of the grated cheese and felt its nutty heat against his gums. He sipped his wine and watched Rose Marie carve the leg of lamb. She served him three crusty brown potatoes, glossy with fat. His troubled mind cleared. Who was better than him?
He was in such a good mood that he let Rose Marie persuade him to watch television with her in the sitting room for the second time that week.
After watching four hours filled with horror, he said to Rose Marie, “Is it possible to live in such a world where everyone does what he pleases? No one is punished by God or man and no one has to earn a living? Are there such women who follow every whim? Men such foolish weaklings, who succumb to every little desire, every little dream of happiness? Where are the honest husbands who work to earn their bread, who think of the best ways to protect their children from fate and the cruel world? Where are the people who understand a piece of cheese, a glass of wine, a warm house at the end of the day is reward enough? Who are these people who yearn for some mysterious happiness? What an uproar they make of life, what tragedies they brew up out of nothing.” The Don patted his daughter on the head and waved at the television screen with a dismissive hand. He said, “Let them all swim at the bottom of the ocean.” Then he gave her a final piece of wisdom. “Everyone is responsible for everything he does.”
That night, alone in his bedroom, the Don stepped out on his balcony. The houses in the compound were all brightly illuminated; he could hear the thwack of tennis balls on the tennis court and see the players underneath its bank of lights. There were no children playing outdoors so late. He could see the guards on the gate and around the house.
He pondered what steps he could take to prevent future tragedy. His love for his daughter and grandson washed over him, that was what made old age worthwhile. He would simply have to protect them as best he could. Then he was angry with himself. Why was he always foreseeing tragedy? He had solved all the problems in his life and he would solve this one.
Still, his mind whirled with plans. He thought of Senator Wavven. For years he had given the man millions of dollars to get legislation passed to ensure legalized gambling. But the senator was slippery. It was too bad that Gronevelt was not still alive; Cross and Giorgio did not have the necessary skill to prod him. Perhaps the gambling empire would never come to pass.
Then he thought of his old friend David Redfellow, now living so comfortably in Rome. Perhaps it was time to bring him back into the Family. It was all very well for Cross to be so forgiving of his Hollywood partners. After all, he was young. He could not know that one sign of weakness might be fatal. The Don decided he would summon David Redfellow from Rome to do something about the movie business.
CHAPTER 11
A WEEK AFTER the death of Boz Skannet, Cross received, through Claudia, a dinner invitation to Athena Aquitane’s house in Malibu.
Cross flew from Vegas to L.A., rented a car, and arrived at the Malibu Colony guarded gatehouse as the sun began to fall into the ocean. There was no longer any special security, though there was still the secretary in the guest house who checked and buzzed him in. He walked through the longitudinal garden to the house on the beach. There was still the little South American maid, who led him to the sea-green living room that seemed just out of reach of the Pacific Ocean waves.
Athena was waiting for him, and she was even more beautiful than he remembered. She was dressed in a green blouse and slacks, and she seemed to melt and become part of the mist over the ocean behind her. He could not take his eyes off her. She shook his hand in greeting, not the usual Hollywood kiss on both cheeks. She had drinks ready and she handed him one. It was Evian water with lime. They sat in the large, mint green upholstered chairs that faced the ocean. The descending sun scattered gold coins of light in the room.
Cross was so aware of her beauty that he had to bow his head to avoid looking at her. The golden helmet of hair, the creamy skin, the way her long body sprawled in her chair. Some of the gold coins fell into her green eyes, fleeting shadows. He felt an urgent desire to touch her, to be closer to her, to own her.
Athena seemed unaware of the emotions she was causing. She sipped her drink and said quietly, “I wanted to thank you for keeping me in the movie business.”
The sound of her voice further entranced Cross. It was not sultry or inviting. But it had such a velvet tone, it had such regal confidence and yet was so warm, that he just wanted her to keep talking. Jesus Christ, he thought, what the hell is this? He was ashamed of her power over him. His head still down, he murmured, “I thought I could get you back to work by appealing to your greed.”
“That is not one of my many weaknesses,” Athena said. Now she turned her head from the ocean so that she could look directly into his eyes. “Claudia told me the Studio reneged on their deal once my husband killed himself. You had to give them back the picture and take a percentage.”
Cross kept his face impassive. He hoped to banish everything he was feeling about her. “I guess I’m not a very good businessman,” he said. He wanted to give her the impression that he was ineffective.
“Molly Flanders wrote your contract,” Athena said. “She’s the best. You could have held on.”
Cross shrugged. “A matter of politics. I want to get into the movie business permanently and didn’t want enemies as powerful as Loddstone Studios.”
“I could help you,” Athena said. “I could refuse to return to the picture.”
Cross felt a thrill that she would do that for him. He considered the offer. The Studio might still take him to court. Also, he could not bear to make Athena put him in her debt. And then it occurred to him that though Athena
was beautiful that didn’t mean she was not clever.
“Why would you do that?” he asked.
Athena got up from her chair and moved to stand close to the picture window. The beaches were gray shadows, the sun had disappeared, and the ocean seemed to reflect the mountain ranges behind her house and the Pacific Coast Highway. She gazed out toward the now blue-black water, the small waves rippling in slyly. She did not turn her head to him when she said, “Why would I do that? Simply because I knew Boz Skannet better than anybody. And I don’t care if he left a hundred suicide notes, he would never kill himself.”
Cross shrugged. “Dead is dead,” he said.
“That’s true,” Athena said. She turned to face him, looked directly at him. “You buy the picture and suddenly Boz conveniently commits suicide. You’re my candidate as the killer.” Even stern, her face was so beautiful to Cross that his voice was not as steady as he would have wished.
“How about the Studio?” Cross said. “Marrion is one of the most powerful men in the country. What about Bantz and Skippy Deere?”
Athena shook her head. “They understood what I was asking them. Just as you did. They didn’t do it, they sold the picture to you. They didn’t care if I was killed after the picture was finished, but you did. And I knew you would help me even when you said you couldn’t. When I heard about you buying the picture, I knew exactly what you would do, but I must say I didn’t think you could be so clever.”
Suddenly she came toward him and he rose from his chair. She took his hands in hers. He could smell her body, her breath.
Athena said, “That was the only evil thing I have ever done in my life. Making somebody commit murder. It was terrible. I would have been a much better person if I had done it myself. But I couldn’t.”
Cross said, “Why were you so sure I would do something?”
