by Spence,Lewis
This Nezahualpilli, the successor of Nezahualcoyotl, was a monarch of scientific tastes, and, as Torquemada states, had a primitive observatory erected in his palace.
The Princess and the Statues
Gilbert James
The Golden Age of Tezcuco
The period embraced by the life of this monarch and his predecessor may be regarded as the Golden Age of Tezcuco, and as semi-mythical. The palace of Nezahualcoyotl, according to the account of Ixtlilxochitl, extended east and west for 1234 yards, and for 978 yards from north to south. Enclosed by a high wall, it contained two large courts, one used as the municipal market-place, whilst the other was surrounded by administrative offices. A great hall was set apart for the special use of poets and men of talent, who held symposiums under its classic roof, or engaged in controversy in the surrounding corridors. The chronicles of the kingdom were also kept in this portion of the palace. The private apartments of the monarch adjoined this College of Bards. They were gorgeous in the extreme, and their description rivals that of the fabled Toltec city of Tollan. Rare stones and beautifully coloured plaster mouldings alternated with wonderful tapestries of splendid feather-work to make an enchanting display of florid decoration, and the gardens which surrounded this marvellous edifice were delightful retreats, where the lofty cedar and cypress overhung sparkling fountains and luxurious baths. Fish darted hither and thither in the ponds, and the aviaries echoed to the songs of birds of wonderful plumage.
A Fairy Villa
According to Ixtlilxochitl, the king’s villa of Tezcotzinco was a residence which for sheer beauty had no equal in Persian romance, or in those dream-tales of Araby which in childhood we feel to be true, and in later life regretfully admit can only be known again by sailing the sea of Poesy or penetrating the mist-locked continent of Dream. The account of it which we have from the garrulous half-blood reminds us of the stately pleasure-dome decreed by Kubla Khan on the turbulent banks of the sacred Alph. A conical eminence was laid out in hanging gardens reached by an airy flight of five hundred and twenty marble steps. Gigantic walls contained an immense reservoir of water, in the midst of which was islanded a great rock carved with hieroglyphs describing the principal events in the reign of Nezahualcoyotl. In each of three other reservoirs stood a marble statue of a woman, symbolical of one of the three provinces of Tezcuco. These great basins supplied the gardens beneath with a perennial flow of water, so directed as to leap in cascades over artificial rockeries or meander among mossy retreats with refreshing whisper, watering the roots of odoriferous shrubs and flowers and winding in and out of the shadow of the cypress woods. Here and there pavilions of marble arose over porphyry baths, the highly polished stone of which reflected the bodies of the bathers. The villa itself stood amidst a wilderness of stately cedars, which shielded it from the torrid heat of the Mexican sun. The architectural design of this delightful edifice was light and airy in the extreme, and the perfume of the surrounding gardens filled the spacious apartments with the delicious incense of nature. In this paradise the Tezcucan monarch sought in the company of his wives repose from the oppression of rule, and passed the lazy hours in gamesome sport and dance. The surrounding woods afforded him the pleasures of the chase, and art and nature combined to render his rural retreat a centre of pleasant recreation as well as of repose and refreshment.
Disillusionment
That some such palace existed on the spot in question it would be absurd to deny, as its stupendous pillars and remains still litter the terraces of Tezcotzinco. But, alas! we must not listen to the vapourings of the untrustworthy Ixtlilxochitl, who claims to have seen the place. It will be better to turn to a more modern authority, who visited the site about seventy-five years ago, and who has given perhaps the best account of it. He says:
“Fragments of pottery, broken pieces of obsidian knives and arrows, pieces of stucco, shattered terraces, and old walls were thickly dispersed over its whole surface. We soon found further advance on horseback impracticable, and, attaching our patient steeds to the nopal bushes, we followed our Indian guide on foot, scrambling upwards over rock and through tangled brushwood. On gaining the narrow ridge which connects the conical hill with one at the rear, we found the remains of a wall and causeway; and, a little higher, reached a recess, where, at the foot of a small precipice, overhung with Indian fig and grass, the rock had been wrought by hand into a flat surface of large dimensions. In this perpendicular wall of rock a carved Toltec calendar existed formerly; but the Indians, finding the place visited occasionally by foreigners from the capital, took it into their heads that there must be a silver vein there, and straightway set to work to find it, obliterating the sculpture, and driving a level beyond it into the hard rock for several yards. From this recess a few minutes’ climb brought us to the summit of the hill. The sun was on the point of setting over the mountains on the other side of the valley, and the view spread beneath our feet was most glorious. The whole of the lake of Tezcuco, and the country and mountains on both sides, lay stretched before us.
“But, however disposed, we dare not stop long to gaze and admire, but, descending a little obliquely, soon came to the so-called bath, two singular basins, of perhaps two feet and a half diameter, cut into a bastion-like solid rock, projecting from the general outline of the hill, and surrounded by smooth carved seats and grooves, as we supposed—for I own the whole appearance of the locality was perfectly inexplicable to me. I have a suspicion that many of these horizontal planes and grooves were contrivances to aid their astronomical observations, one like that I have mentioned having been discovered by de Gama at Chapultepec.
“As to Montezuma’s Bath, it might be his foot-bath if you will, but it would be a moral impossibility for any monarch of larger dimensions than Oberon to take a duck in it.
“The mountain bears the marks of human industry to its very apex, many of the blocks of porphyry of which it is composed being quarried into smooth horizontal planes. It is impossible to say at present what portion of the surface is artificial or not, such is the state of confusion observable in every part.
“By what means nations unacquainted with the use of iron constructed works of such a smooth polish, in rocks of such hardness, it is extremely difficult to say. Many think tools of mixed tin and copper were employed; others, that patient friction was one of the main means resorted to. Whatever may have been the real appropriation of these inexplicable ruins, or the epoch of their construction, there can be no doubt but the whole of this hill, which I should suppose rises five or six hundred feet above the level of the plain, was covered with artificial works of one kind or another. They are doubtless rather of Toltec than of Aztec origin, and perhaps with still more probability attributable to a people of an age yet more remote.”
The Noble Tlascalan
As may be imagined regarding a community where human sacrifice was rife, tales concerning those who were consigned to this dreadful fate were abundant. Perhaps the most striking of these is that relating to the noble Tlascalan warrior Tlalhuicole, who was captured in combat by the troops of Montezuma. Less than a year before the Spaniards arrived in Mexico war broke out between the Huexotzincans and the Tlascalans, to the former of whom the Aztecs acted as allies. On the battlefield there was captured by guile a very valiant Tlascalan leader called Tlalhuicole, so renowned for his prowess that the mere mention of his name was generally sufficient to deter any Mexican hero from attempting his capture. He was brought to Mexico in a cage, and presented to the Emperor Montezuma, who, on learning of his name and renown, gave him his liberty and overwhelmed him with honours. He further granted him permission to return to his own country, a boon he had never before extended to any captive. But Tlalhuicole refused his freedom, and replied that he would prefer to be sacrificed to the gods, according to the usual custom. Montezuma, who had the highest regard for him, and prized his life more than any sacrifice, would not consent to his immolation. At this juncture war broke out between Mexico and the Tarascans,
and Montezuma announced the appointment of Tlalhuicole as chief of the expeditionary force. He accepted the command, marched against the Tarascans, and, having totally defeated them, returned to Mexico laden with an enormous booty and crowds of slaves. The city rang with his triumph. The emperor begged him to become a Mexican citizen, but he replied that on no account would he prove a traitor to his country. Montezuma then once more offered him his liberty, but he strenuously refused to return to Tlascala, having undergone the disgrace of defeat and capture. He begged Montezuma to terminate his unhappy existence by sacrificing him to the gods, thus ending the dishonour he felt in living on after having undergone defeat, and at the same time fulfilling the highest aspiration of his life—to die the death of a warrior on the stone of combat. Montezuma, himself the noblest pattern of Aztec chivalry, touched at his request, could not but agree with him that he had chosen the most fitting fate for a hero, and ordered him to be chained to the stone of combat, the blood-stained temalacatl. The most renowned of the Aztec warriors were pitted against him, and the emperor himself graced the sanguinary tournament with his presence. Tlalhuicole bore himself in the combat like a lion, slew eight warriors of renown, and wounded more than twenty. But at last he fell, covered with wounds, and was haled by the exulting priests to the altar of the terrible war-god Huitzilopochtli, to whom his heart was offered up.
The Haunting Mothers
It is only occasionally that we encounter either the gods or supernatural beings of any description in Mexican myth. But occasionally we catch sight of such beings as the Ciuapipiltin (Honoured Women), the spirits of those women who had died in childbed, a death highly venerated by the Mexicans, who regarded the woman who perished thus as the equal of a warrior who met his fate in battle. Strangely enough, these spirits were actively malevolent, probably because the moon-goddess (who was also the deity of evil exhalations) was evil in her tendencies, and they were regarded as possessing an affinity to her. It was supposed that they afflicted infants with various diseases, and Mexican parents took every precaution not to permit their offspring out of doors on the days when their influence was believed to be strong. They were said to haunt the cross-roads, and even to enter the bodies of weakly people, the better to work their evil will. The insane were supposed to be under their especial visitation. Temples were raised at the cross-roads in order to placate them, and loaves of bread, shaped like butterflies, were dedicated to them. They were represented as having faces of a dead white, and as blanching their arms and hands with a white powder known as tisatl. Their eyebrows were of a golden hue, and their raiment was that of Mexican ladies of the ruling class.
The Return of Papantzin2
One of the weirdest legends in Mexican tradition recounts how Papantzin, the sister of Montezuma II, returned from her tomb to prophesy to her royal brother concerning his doom and the fall of his empire at the hands of the Spaniards. On taking up the reins of government Montezuma had married this lady to one of his most illustrious servants, the governor of Tlatelulco, and after his death it would appear that she continued to exercise his almost viceregal functions and to reside in his palace. In course of time she died, and her obsequies were attended by the emperor in person, accompanied by the greatest personages of his court and kingdom. The body was interred in a subterranean vault of his own palace, in close proximity to the royal baths, which stood in a sequestered part of the extensive grounds surrounding the royal residence. The entrance to the vault was secured by a stone slab of moderate weight, and when the numerous ceremonies prescribed for the interment of a royal personage had been completed the emperor and his suite retired. At daylight next morning one of the royal children, a little girl of some six years of age, having gone into the garden to seek her governess, espied the Princess Papan standing near the baths. The princess, who was her aunt, called to her, and requested her to bring her governess to her. The child did as she was bid, but her governess, thinking that imagination had played her a trick, paid little attention to what she said. As the child persisted in her statement, the governess at last followed her into the garden, where she saw Papan sitting on one of the steps of the baths. The sight of the supposed dead princess filled the woman with such terror that she fell down in a swoon. The child then went to her mother’s apartment, and detailed to her what had happened. She at once proceeded to the baths with two of her attendants, and at sight of Papan was also seized with affright. But the princess reassured her, and asked to be allowed to accompany her to her apartments, and that the entire affair should for the present be kept absolutely secret. Later in the day she sent for Tiçotzicatzin, her major-domo, and requested him to inform the emperor that she desired to speak with him immediately on matters of the greatest importance. The man, terrified, begged to be excused from the mission, and Papan then gave orders that her uncle Nezahualpilli, King of Tezcuco, should be communicated with. That monarch, on receiving her request that he should come to her, hastened to the palace. The princess begged him to see the emperor without loss of time and to entreat him to come to her at once. Montezuma heard his story with surprise mingled with doubt. Hastening to his sister, he cried as he approached her: “Is it indeed you, my sister, or some evil demon who has taken your likeness?” “It is I indeed, your Majesty,” she replied. Montezuma and the exalted personages who accompanied him then seated themselves, and a hush of expectation fell upon all as they were addressed by the princess in the following words:
“Listen attentively to what I am about to relate to you. You have seen me dead, buried, and now behold me alive again. By the authority of our ancestors, my brother, I am returned from the dwellings of the dead to prophesy to you certain things of prime importance.
The King’s Sister is shown the Valley of Dry Bones
Gilbert James
Papantzin’s Story
“At the moment after death I found myself in a spacious valley, which appeared to have neither commencement nor end, and was surrounded by lofty mountains. Near the middle I came upon a road with many branching paths. By the side of the valley there flowed a river of considerable size, the waters of which ran with a loud noise. By the borders of this I saw a young man clothed in a long robe, fastened with a diamond, and shining like the sun, his visage bright as a star. On his forehead was a sign in the figure of a cross. He had wings, the feathers of which gave forth the most wonderful and glowing reflections and colours. His eyes were as emeralds, and his glance was modest. He was fair, of beautiful aspect and imposing presence. He took me by the hand and said: ‘Come hither. It is not yet time for you to cross the river. You possess the love of God, which is greater than you know or can comprehend.’ He then conducted me through the valley, where I espied many heads and bones of dead men. I then beheld a number of black folk, horned, and with the feet of deer. They were engaged in building a house, which was nearly completed. Turning toward the east for a space, I beheld on the waters of the river a vast number of ships manned by a great host of men dressed differently from ourselves. Their eyes were of a clear grey, their complexions ruddy, they carried banners and ensigns in their hands and wore helmets on their heads. They called themselves ‘Sons of the Sun.’ The youth who conducted me and caused me to see all these things said that it was not yet the will of the gods that I should cross the river, but that I was to be reserved to behold the future with my own eyes, and to enjoy the benefits of the faith which these strangers brought with them; that the bones I beheld on the plain were those of my countrymen who had died in ignorance of that faith, and had consequently suffered great torments; that the house being builded by the black folk was an edifice prepared for those who would fall in battle with the seafaring strangers whom I had seen; and that I was destined to return to my compatriots to tell them of the true faith, and to announce to them what I had seen that they might profit thereby.”
