It was half-past one when we reached Ambleside, where I left Mr. and Mrs. B., and walked on alone to Rydal Mount. I was full of eager expectations as I thought how soon I should, perhaps, be in the presence of Wordsworth — that after long years of waiting, of distant reverential admiration and love, I was, as I hoped, to be favoured with a personal interview with the great poet-philosopher, to whom you and I, and so many, many others, feel that we are under the deepest obligation for the good which has come to us from his writings. At two o’clock I was at the wicket gate opening into Wordsworth’s grounds. I walked along the gravel pathway, leading through shrubbery to the open space in front of the long two-story cottage, the Poet’s dwelling. Your sketch of the house by Inman is a correct one, but it gives no idea of the view from it, which is its chief charm. Rydal Mere with its islands, and the mountains beyond it, are all in sight. I had but a hasty enjoyment of this beauty; nor could I notice carefully the flowers which were blooming around. It was evident that the greatest attention had been paid to the grounds, for the flower-beds were tastefully arranged, and the gravel walks were in complete order. One might be well content, I thought, to make his abode at a spot like this.
A boy of about twelve years was occupied at one of the flower-beds, as I passed by; he followed me to the door, and waited my commands. I asked if Mr. Wordsworth was in.... He was dining — would I walk into the drawing-room, and wait a short time?... I was shown into the drawing-room, or study, I know not which to call it.... Here I am, I said to myself, in the great Poet’s house. Here his daily life is spent. Here in this room, doubtless, much of his poetry has been written — words of power which are to go down with those of Shakspeare, and Spenser, and Milton, while our English tongue endures. It was a long apartment, the ceiling low, with two windows at one end, looking out on the lawn and shrubbery. Many engravings were on the walls. The famous Madonna of Raphael, known as that of the Dresden Gallery, hung directly over the fire-place. Inman’s portrait of the Poet, your gift to Mrs. Wordsworth, being a copy of the one painted for you, had a conspicuous place. The portrait of Bishop White, also your gift (the engraving from Inman’s picture), I also noticed.
I could have waited patiently for a long time indulging the thoughts which the place called up. In a few minutes, however, I heard steps in the entry, the door was opened, and Wordsworth came in, it could be no other — - a tall figure, a little bent with age, his hair thin and grey, and his face deeply wrinkled.... The expression of his countenance was sad, mournful I might say; he seemed one on whom sorrow pressed heavily. He gave me his hand, and welcomed me cordially, though without smiling. ‘Will you walk out, Sir, and join us at the table?’ said he. ‘I am engaged to dine elsewhere.’ ‘But you can sit with us,’ said he; so, leading the way, he conducted me to the dining-room. At the head of the table sat Mrs. Wordsworth, and their three grandchildren made up the party.... It was a humble apartment, not ceiled, the rafters being visible; having a large old-fashioned chimney-place, with a high mantelpiece.
Wordsworth asked after Mr. Ticknor of Boston, who had visited him a few months before, and for whom he expressed much regard. Some other questions led me to speak of the progress we were making in America in the extension of our territory, the settlements on the Pacific, &c.; all this involving the rapid spread of our English tongue. Wordsworth at this looked up, and I noticed a fixing of his eye as if on some remote object. He said that considering this extension of our language, it behoved those who wrote to see to it, that what they put forth was on the side of virtue. This remark, although thrown out at the moment, was made in a serious thoughtful way; and I was much impressed by it. I could not but reflect that to him a deep sense of responsibility had ever been present: to purify and elevate has been the purpose of all his writings. Such may have been at that moment his own inward meditation, and he may have had in mind the coming generations who are to dwell upon his words.
Queen Victoria was mentioned — her visit to Ireland which had just been made — the courage she had shown. ‘That is a virtue,’ said he, ‘which she has to a remarkable degree, which is very much to her credit.’
Inman’s portrait of him I alluded to as being very familiar to me, the copy which hung in the room calling it to mind, which led him to speak of the one painted by Pickersgill for St. John’s College, Cambridge. ‘I was a member of that College, he said, ‘and the fellows and students did me the honour to ask me to sit, and allowed me to choose the artist. I wrote to Mr. Rogers on the subject, and he recommended Pickersgill, who came down soon afterwards, and the picture was painted here.’ He believed he had sat twenty-three times. My impression is he was in doubt whether Inman’s or Pickersgill’s portrait was the better one.
He spoke with great animation of the advantage of classical study, Greek especially. ‘Where,’ said he, ‘would one look for a greater orator than Demosthenes; or finer dramatic poetry, next to Shakspeare, than that of Aeschylus and Sophocles, not to speak of Euripides?’ Herodotus he thought ‘the most interesting and instructive book, next to the Bible, which had ever been written.’ Modern discoveries had only tended to confirm the general truth of his narrative. Thucydides he thought less of.
France was our next subject, and one which seemed very near his heart. He had been much in that country at the out-break of the Revolution, and afterwards during its wildest excesses. At the time of the September massacres he was at Orleans. Addressing Mrs. W. he said, ‘I wonder how I came to stay there so long, and at a period so exciting.’ He had known many of the abbés and other ecclesiastics, and thought highly of them as a class; they were earnest, faithful men: being unmarried, he must say, they were the better able to fulfil their sacred duties; they were married to their flocks. In the towns there seemed, he admitted, very little religion; but in the country there had always been a great deal. ‘I should like to spend another month in France,’ he said, ‘before I close my eyes.’ He seemed to feel deep commiseration for the sorrows of that unhappy country. It was evidently the remembrance of hopes which in his youth he had ardently cherished, and which had been blighted, on which his mind was dwelling. I alluded to Henry the Fifth, to whom many eyes were, I thought, beginning to turn. With him, he remarked, there would be a principle for which men could contend — legitimacy. The advantage of this he stated finely.
There was tenderness, I thought, in the tones of his voice, when speaking with his wife; and I could not but look with deep interest and admiration on the woman for whom this illustrious man had for so many years cherished feelings of reverential love.
‘Peace settles where the intellect is meek,’
is a line which you will recall from one of the beautiful poems Wordsworth has addressed to her; and this seemed peculiarly the temper of her spirit — peace, the holy calmness of a heart to whom love had been an ‘unerring light.’ Surely we may pray, my friend, that in the brief season of separation which she has now to pass, she may be strengthened with divine consolation.
I cannot forbear to quote here that beautiful passage, near the end of the great poem, ‘The Prelude,’ as an utterance by the author of tender feelings in his own matchless way. After speaking of his sister in tones of deepest thankfulness, he adds,
‘Thereafter came One, whom with thee friendship had early prized; She came, no more a phantom to adorn A moment, but an inmate of the heart; And yet a spirit, there for me enshrined, To penetrate the lofty and the low; Even as one essence of pervading light Shines in the brightness of ten thousand stars, And the meek worm that feeds her lonely lamp Couched in the dewy grass.’
I have been led away from my narrative; but I wished to record the feelings which had arisen within me with regard to this excellent lady; she who has been, as — — has so happily expressed it in his letter to you, ‘almost like the Poet’s guardian angel for near fifty years.’
I may here mention, that throughout the conversation Wordsworth’s manner was animated, and that he took pleasure in it evidently. His words were very
choice: each sentence seemed faultless. No one could have listened to his talk for five minutes, even on ordinary topics, without perceiving that he was a remarkable man. Not that he was brilliant; but there was sustained vigour, and that mode of expression which denotes habitual thoughtfulness.
When the clock struck four, I thought it time for me to go. Wordsworth told me to say to his friends in America, that he and his wife were well; that they had had a great grief of late, in the loss of their only daughter, which he supposed they would never get over. This explained, as I have already mentioned, the sadness of his manner. Such strength of the affections in old age we rarely see. And yet the Poet has himself condemned, as you remember, in ‘The Excursion,’ long and persevering grief for objects of our love ‘removed from this unstable world,’ reminding one so sorrowing of
‘that state Of pure, imperishable blessedness Which reason promises, and Holy Writ Ensures to all believers.’
But, as if foreseeing his own case, he has added, with touching power,
‘And if there be whose tender frames have drooped Even to the dust, apparently through weight Of anguish unrelieved, and lack of power An agonising sorrow to transmute; Deem not that proof is here of hope withheld When wanted most; a confidence impaired So pitiably, that having ceased to see With bodily eyes, they are borne down by love Of what is lost, and perish through regret.’
The weakness of his bodily frame it was which took away his power of tranquil endurance. Bowed down by the weight of years, he had not strength to sustain this further burden, grief for a much-loved child. His mind, happily, retained its clearness, though his body was decaying.
He walked out into the entry with me, and then asked me to go again into the dining-room, to look at an oak chest or cabinet he had there — a piece of old furniture curiously carved. It bore a Latin inscription, which stated that it was made 300 years ago, for William Wordsworth, who was the son of, &c. &c. giving the ancestors of said William for many generations, and ending, ‘on whose souls may God have mercy.’ This Wordsworth repeated twice, and in an emphatic way, as he read the inscription. It seemed to me that he took comfort in the religious spirit of his ancestors, and that he was also adopting the solemn ejaculation for himself. There was something very impressive in his manner.
I asked to see the cast from Chantrey’s bust of him, which he at once showed me; also a crayon sketch by Haydon, which, I understood him to say, West had pronounced the finest crayon he had ever seen. He referred also to another sketch, by Margaret Gillies, I think, which was there.
We then went out together on the lawn, and stood for a while to enjoy the views, and he pulled open the shrubbery or hedge in places, that I might see to better advantage. He accompanied me to the gate, and then said if I had a few minutes longer to spare he would like to show me the waterfall which was close by — the lower fall of Rydal. I gladly assented, and he led the way across the grounds of Lady Fleming, which were opposite to his own, to a small summer-house. The moment we opened the door, the waterfall was before us; the summer-house being so placed as to occupy the exact spot from which it was to be seen; the rocks and shrubbery around closing it in on every side. The effect was magical. The view from the rustic house, the rocky basin into which the water fell, and the deep shade in which the whole was enveloped, made it a lovely scene. Wordsworth seemed to have much pleasure in exhibiting this beautiful retreat; it is described in one of his earlier poems, ‘The Evening Walk.’
As we returned together he walked very slowly, occasionally stopping when he said anything of importance; and again I noticed that looking into remote space of which I have already spoken. His eyes, though not glistening, had yet in them the fire which betokened the greatness of his genius. This no painter could represent, and this it was which gave to his countenance its high intellectual expression.
Hartley Coleridge he spoke of with affection.... ‘There is a single line,’ he added, ‘in one of his father’s poems which I consider explains the after-life of the son. He is speaking of his own confinement in London, and then says,
“But thou, my child, shalt wander like a breeze.”
Of Southey he said that he had had the misfortune to outlive his faculties. His mind, he thought, had been weakened by long watching by the sick-bed of his wife, who had lingered for years in a very distressing state.
The last subject he touched on was the international copyright question — the absence of protection in our country to the works of foreign authors. He said, mildly, that he thought it would be better for us if some acknowledgment, however small, was made. The fame of his own writings, as far as it was of pecuniary advantage to him, he had long regarded with indifference; happily, he had an income more than sufficient for all his wants.... He remarked, he had once seen a volume of his poems published in an American newspaper.
I happened to have in my pocket the small volume of selections, which you made some years ago. I produced it, and asked at the same time if he had ever seen it. He replied he had not. He took it with evident interest, turned to the title-page, which he read, with its motto. He began the preface then, in the same way. But here I must record a trifling incident, which may yet be worth noting. We were standing together in the road, Wordsworth reading aloud, as I have said, when a man accosted us asking charity — a beggar of the better class. Wordsworth, scarcely looking off the book, thrust his hands into his pockets, as if instinctively acknowledging the man’s right to beg by this prompt action. He seemed to find nothing, however; and he said, in a sort of soliloquy, ‘I have given to four or five, already, to-day,’ as if to account for his being then unprovided.
Wordsworth, as he turned over one leaf after another, said, ‘But I shall weary you, sir.’ ‘By no means,’ said I; for I could have been content to stand there for hours to hear, as I did, the Poet read from time to time, with fitting emphasis, the choice passages which your preface and biographical sketch contain. Imagine with what delight I listened to the venerable man, and to hear, too, from his own lips, such words as these, your own most true reflection: ‘His has been a life devoted to the cultivation of the poet’s art for its best and most lasting uses — a self-dedication as complete as the world has ever witnessed.’ Your remark with regard to his having outlived many of his contemporaries among the poets, he read with affecting simplicity; his manner being that of one who looked backward to the past with entire tranquillity, and forward with sure hope. I felt that his honoured life was drawing rapidly to a close, and with him there was evidently the same consciousness.
He made but little comment on your notice of him. Occasionally he would say, as he came to a particular fact, ‘That’s quite correct;’ or, after reading a quotation from his own works, he would add, ‘That’s from my writings.’ These quotations he read in a way that much impressed me; it seemed almost as if he was awed by the greatness of his own power, the gifts with which he had been endowed. It was a solemn time to me, this part of my interview; and to you, my friend, it would have been a crowning happiness to stand, as I did, by his side on that bright summer day, and thus listen to his voice. I thought of his long life; that he was one who had felt himself from early youth ‘a renovated spirit singled out for holy services’ — one who had listened to the teachings of Nature, and communed with his own heart in the seclusion of those beautiful vales, until his thoughts were ready to be uttered for the good of his fellow-men. And there had come back to him offerings of love, and gratitude, and reverent admiration, from a greater multitude than had ever before paid their homage to a living writer; and these acknowledgments have been for benefits so deep and lasting, that words seem but a poor return. But I will not attempt to describe further the feelings which were strongly present to me at that moment, when I seemed most to realise in whose presence I stood.
He walked with me as far as the main road to Ambleside. As we passed the little chapel built by Lady Fleming, which has been the occasion, as you remember, of one of his poems, there were persons,
tourists evidently, talking with the sexton at the door. Their inquiries, I fancied, were about Wordsworth, perhaps as to the hour of service the next day (Sunday), with the hope of seeing him there. One of them caught sight of the venerable man at the moment, and at once seemed to perceive who it was, for she motioned to the others to look, and they watched him with earnest gaze. I was struck with their looks of delighted admiration. He stopped when we reached the main road, saying that his strength would not allow him to walk further. Giving me his hand, he desired again to be remembered to you and others in America, and wished me a safe return to my friends, and so we parted. I went on my way, happy in the recollection of this, to me, memorable interview. My mind was in a tumult of excitement, for I felt that I had been in the familiar presence of one of the noblest of our race; and this sense of Wordsworth’s intellectual greatness had been with me during the whole interview. I may speak, too, of the strong perception of his moral elevation which I had at the same time. No word of unkindness had fallen from him. He seemed to be living as if in the presence of God, by habitual recollection. A strange feeling, almost of awe, had impressed me while I was thus with him. Believing that his memory will be had in honour in all coming time, I could not but be thankful that I had been admitted to intimate intercourse with him then, when he was so near the end of life. To you, my dear friend, I must again say I owe this happiness, and to you it has been denied. You also, of all others of our countrymen, would have most valued such an interview, for to you the great Poet’s heart has been in an especial manner opened in private correspondence. No other American has he honoured in the same degree; and by no one else in this country has the knowledge and appreciation of his poetry been so much extended. The love which has so long animated you has been such, that multitudes have been influenced to seek for joy and refreshment from the same pure source.
Delphi Complete Works of William Wordsworth Page 437
