The popular biographers of Nixon conclude their account of him by saying, that “his prophecies are by some persons thought fables; yet by what has come to pass, it is now thought, and very plainly appears, that most of them have proved, or will prove, true; for which we, on all occasions, ought not only to exert our utmost might to repel by force our enemies, but to refrain from our abandoned and wicked course of life, and to make our continual prayer to God for protection and safety.” To this, though a non sequitur, every one will cry Amen!
Besides the prophets, there have been the almanack makers, Lilly, Poor Robin, Partridge, and Francis Moore, physician, in England, and Matthew Laensbergh, in France and Belgium. But great as were their pretensions, they were modesty itself in comparison with Merlin, Shipton, and Nixon, who fixed their minds upon higher things than the weather, and who were not so restrained in their flights of fancy as to prophesy for only one year at a time. After such prophets as they, the almanack makers hardly deserve to be mentioned; no, not even the renowned Partridge, whose wonderful prognostications set all England agog in 1708, and whose death, at a time when he was still alive and kicking, was so pleasantly and satisfactorily proved by Isaac Bickerstaff. The anti-climax would be too palpable, and they and their doings must be left uncommemorated.
POPULAR ADMIRATION FOR GREAT THIEVES.
Jack. Where shall we find such another set of practical philosophers who, to a man, are above the fear of death?
Wat. Sound men and true!
Robin. Of tried courage and indefatigable industry!
Ned. Who is there here that would not die for his friend?
Harry. Who is there here that would betray him for his interest?
Mat. Show me a gang of courtiers that could say as much!
Dialogue of thieves in the Beggars’ Opera.
Whether it be that the multitude, feeling the pangs of poverty, sympathise with the daring and ingenious depredators who take away the rich man’s superfluity, or whether it be the interest that mankind in general feel for the records of perilous adventures, it is certain that the populace of all countries look with admiration upon great and successful thieves. Perhaps both these causes combine to invest their career with charms in the popular eye. Almost every country in Europe has its traditional thief, whose exploits are recorded with all the graces of poetry, and whose trespasses –
“ – are cited up in rhymes,
And sung by children in succeeding times.”
[Shakspeare’s Rape of Lucretia.]
Those travellers who have made national manners and characteristics their peculiar study, have often observed and remarked upon this feeling. The learned Abbe le Blanc, who resided for some time in England at the commencement of the eighteenth century, says, in his amusing letters on the English and French nations, that he continually met with Englishmen who were not less vain in boasting of the success of their highwaymen than of the bravery of their troops. Tales of their address, their cunning, or their generosity, were in the mouths of everybody, and a noted thief was a kind of hero in high repute. He adds that the mob, in all countries, being easily moved, look in general with concern upon criminals going to the gallows; but an English mob looked upon such scenes with ‘extraordinary interest: they delighted to see them go through their last trials with resolution, and applauded those who were insensible enough to die as they had lived, braving the justice both of God and men: such, he might have added, as the noted robber Macpherson, of whom the old ballad says –
“Sae rantingly, sae wantonly,
Sae dauntingly gaed he:
He played a spring, and danced it round
Beneath the gallows tree.”
Among these traditional thieves the most noted in England, or perhaps in any country, is Robin Hood, a name which popular affection has encircled with a peculiar halo. “He robbed the rich to give to the poor;” and his reward has been an immortality of fame, a tithe of which would be thought more than sufficient to recompense a benefactor of his species. Romance and poetry have been emulous to make him all their own; and the forest of Sherwood, in which he roamed with his merry men, armed with their long bows, and clad in Lincoln green, has become the resort of pilgrims, and a classic spot sacred to his memory. The few virtues he had, which would have ensured him no praise if he had been an honest man, have been blazoned forth by popular renown during seven successive centuries, and will never be forgotten while the English tongue endures. His charity to the poor, and his gallantry and respect for women, have made him the pre-eminent thief of all the world.
Among English thieves of a later date, who has not heard of Claude Duval, Dick Turpin, Jonathan Wild, and Jack Sheppard, those knights of the road and of the town, whose peculiar chivalry formed at once the dread and the delight of England during the eighteenth century? Turpin’s fame is unknown to no portion of the male population of England after they have attained the age of ten. His wondrous ride from London to York has endeared him to the imagination of millions; his cruelty in placing an old woman upon a fire, to force her to tell him where she had hidden her money, is regarded as a good joke; and his proud bearing upon the scaffold is looked upon as a virtuous action. The Abbe le Blanc, writing in 1737, says he was continually entertained with stories of Turpin – how, when he robbed gentlemen, he would generously leave them enough to continue their journey, and exact a pledge from them never to inform against him, and how scrupulous such gentlemen were in keeping their word. He was one day told a story with which the relator was he the highest degree delighted. Turpin, or some other noted robber, stopped a man whom he knew to be very rich, with the usual salutation – ”Your money or your life!” but not finding more than five or six guineas about him, he took the liberty of entreating him, in the most affable manner, never to come out so ill provided; adding that, if he fell in with him, and he had no more than such a paltry sum, he would give him a good licking. Another story, told by one of Turpin’s admirers, was of a robbery he had committed upon a Mr. C. near Cambridge. He took from this gentleman his watch, his snuff-box, and all his money but two shillings, and, before he left him, required his word of honour that he would not cause him to be pursued or brought before a justice. The promise being given, they both parted very courteously. They afterwards met at Newmarket, and renewed their acquaintance. Mr. C. kept his word religiously; he not only refrained from giving Turpin into custody, but made a boast that he had fairly won some of his money back again in an honest way. Turpin offered to bet with him on some favourite horse, and Mr. C. accepted the wager with as good a grace as he could have done from the best gentleman in England. Turpin lost his bet and paid it immediately, and was so smitten with the generous behaviour of Mr. C. that he told him how deeply he regretted that the trifling affair which had happened between them did not permit them to drink together. The narrator of this anecdote was quite proud that England was the birthplace of such a highwayman.
[The Abbe, in the second volume, in the letter No. 79, dressed to Monsieur de Buffon, gives the following curious particulars of the robbers of 1757, which are not without interest at this day, if it were only to show the vast improvement which has taken place since that period : – “It is usual, in travelling, to put ten or a dozen guineas in a separate pocket, as a tribute to the first that comes to demand them: the right of passport, which custom has established here in favour of the robbers, who are almost the only highway surveyors in England, has made this necessary; and accordingly the English call these fellows the ‘Gentlemen of the Road,’ the government letting them exercise their jurisdiction upon travellers without giving them any great molestation. To say the truth, they content themselves with only taking the money of those who obey without disputing; but notwithstanding their boasted humanity, the lives of those who endeavour to get away are not always safe. They are very strict and severe in levying their impost; and if a man has not wherewithal to pay them, he may run the chance of getting himself knocked on the head for his poverty.
&n
bsp; “About fifteen years ago, these robbers, with the view of maintaining their rights, fixed up papers at the doors of rich people about London, expressly forbidding all persons, of whatsoever quality or condition, from going out of town without ten guineas and a watch about them, on pain of death. In bad times, when there is little or nothing to be got on the roads, these fellows assemble in gangs, to raise contributions even in London itself; and the watchmen seldom trouble themselves to interfere with them in their vocation.”]
Not less familiar to the people of England is the career of Jack Sheppard, as brutal a ruffian as ever disgraced his country, but who has claims upon the popular admiration which are very generally acknowledged. He did not, like Robin Hood, plunder the rich to relieve the poor, nor rob with an uncouth sort of courtesy, like Turpin; but he escaped from Newgate with the fetters on his limbs. This achievement, more than once repeated, has encircled his felon brow with the wreath of immortality, and made him quite a pattern thief among the populace. He was no more than twenty-three years of age at the time of his execution, and he died much pitied by the crowd. His adventures were the sole topics of conversation for months; the print-shops were filled with his effigies, and a fine painting of him was made by Sir Richard Thornhill. The following complimentary verses to the artist appeared in the “British Journal” of November 28th, 1724.
“Thornhill! ‘tis thine to gild with fame
Th’ obscure, and raise the humble name;
To make the form elude the grave,
And Sheppard from oblivion save!
Apelles Alexander drew –
Cesar is to Aurelius due;
Cromwell in Lilly’s works doth shine,
And Sheppard, Thornhill, lives in thine!”
So high was Jack’s fame that a pantomime entertainment, called “Harlequin Jack Sheppard,” was devised by one Thurmond, and brought out with great success at Drury Lane Theatre. All the scenes were painted from nature, including the public-house that the robber frequented in Claremarket, and the condemned cell from which he had made his escape in Newgate.
The Rev. Mr. Villette, the editor of the “Annals of Newgate,” published in 1754, relates a curious sermon which, he says, a friend of his heard delivered by a street-preacher about the time of Jack’s execution. The orator, after animadverting on the great care men took of their bodies, and the little care they bestowed upon their souls, continued as follows, by way of exemplifying the position: – “We have a remarkable instance of this in a notorious malefactor, well known by the name of Jack Sheppard. What amazing difficulties has he overcome! what astonishing things has he performed! and all for the sake of a stinking, miserable carcass; hardly worth the hanging! How dexterously did he pick the chain of his padlock with a crooked nail! how manfully he burst his fetters asunder! – climb up the chimney! – wrench out an iron bar! – break his way through a stone wall! – make the strong door of a dark entry fly before him, till he got upon the leads of the prison! then, fixing a blanket to the wall with a spike, he stole out of the chapel. How intrepidly did he descend to the top of the turner’s house! – how cautiously pass down the stair, and make his escape to the street door!
“Oh! that ye were all like Jack Sheppard! Mistake me not, my brethren; I don’t mean in a carnal, but in a spiritual sense, for I propose to spiritualise these things. What a shame it would be if we should not think it worth our while to take as much pains, and employ as many deep thoughts, to save our souls as he has done to preserve his body!
“Let me exhort ye, then, to open the locks of your hearts with the nail of repentance! Burst asunder the fetters of your beloved lusts! – mount the chimney of hope! – take from thence the bar of good resolution! – break through the stone wall of despair, and all the strongholds in the dark entry of the valley of the shadow of death! Raise yourselves to the leads of divine meditation! – fix the blanket of faith with the spike of the church! let yourselves down to the turner’s house of re signation, and descend the stairs of humility! So shall you come to the door of deliverance from the prison of iniquity, and escape the clutches of that old executioner the Devil!”
But popular as the name of Jack Sheppard was immediately after he had suffered the last penalty of his crimes, it was as nothing compared to the vast renown which he has acquired in these latter days, after the lapse of a century and a quarter. Poets too often, are not fully appreciated till they have been dead a hundred years, and thieves, it would appear, share the disadvantage. But posterity is grateful if our contemporaries are not; and Jack Sheppard, faintly praised in his own day, shines out in ours the hero of heroes, preeminent above all his fellows. Thornhill made but one picture of the illustrious robber, but Cruikshank has made dozens, and the art of the engraver has multiplied them into thousands and tens of thousands, until the populace of England have become as familiar with Jack’s features as they are with their own. Jack, the romantic, is the hero of three goodly volumes, and the delight of the circulating libraries; and the theatres have been smitten with the universal enthusiasm. Managers have set their playmongers at work, and Jack’s story has been reproduced in the shape of drama, melodrama, and farce, at half a dozen places of entertainment at once. Never was such a display of popular regard for a hero as was exhibited in London in 1840 for the renowned Jack Sheppard: robbery acquired additional lustre in the popular eye, and not only Englishmen, but foreigners, caught the contagion; and one of the latter, fired by the example, robbed and murdered a venerable, unoffending, and too confiding nobleman, whom it was his especial duty to have obeyed and protected. But he was a coward and a wretch; – it was a solitary crime – he had not made a daring escape from dungeon walls, or ridden from London to York, and he died amid the execrations of the people, affording a melancholy exemplification of the trite remark, that every man is not great who is desirous of being so.
Jonathan Wild, whose name has been immortalised by Fielding, was no favourite with the people. He had none of the virtues which, combined with crimes, make up the character of the great thief. He was a pitiful fellow, who informed against his comrades, and was afraid of death. This meanness was not to be forgiven by the crowd, and they pelted him with dirt and stones on his way to Tyburn, and expressed their contempt by every possible means. How different was their conduct to Turpin and Jack Sheppard, who died in their neatest attire, with nosegays in their button-holes, and with the courage that a crowd expects! It was anticipated that the body of Turpin would have been delivered up to the surgeons for dissection, and the people seeing some men very busily employed in removing it, suddenly set upon them, rescued the body, bore it about the town in triumph, and then buried it in a very deep grave, filled with quick-lime, to hasten the progress of decomposition. They would not suffer the corpse of their hero, of the man who had ridden from London to York in four-and-twenty hours to be mangled by the rude hands of unmannerly surgeons.
The death of Claude Duval would appear to have been no less triumphant. Claude was a gentlemanly thief. According to Butler, in the famous ode to his memory, he
“Taught the wild Arabs of the road
To rob in a more gentle mode;
Take prizes more obligingly than those
Who never had breen bred filous;
And how to hang in a more graceful fashion
Than e’er was known before to the dull English nation.”
In fact, he was the pink of politeness, and his gallantry to the fair sex was proverbial. When he was caught at last, pent in “stone walls and chains and iron grates,” – their grief was in proportion to his rare merits and his great fame. Butler says, that to his dungeon
“ – came ladies from all parts,
To offer up close prisoners their hearts,
Which he received as tribute due –
Never did bold knight, to relieve
Distressed dames, such dreadful feats achieve,
As feeble damsels, for his sake,
Would have been proud to undertake,
/> And, bravely ambitious to redeem
The world’s loss and their own,
Strove who should have the honour to lay down,
And change a life with him.”
Among the noted thieves of France, there is none to compare with the famous Aimerigot Tetenoire, who flourished in the reign of Charles VI. This fellow was at the head of four or five hundred men, and possessed two very strong castles in Limousin and Auvergne. There was a good deal of the feudal baron about him, although he possessed no revenues but such as the road afforded him. At his death he left a singular will. “I give and bequeath,” said the robber, “one thousand five hundred francs to St. George’s Chapel, for such repairs as it may need. To my sweet girl who so tenderly loved me, I give two thousand five hundred; and the surplus I give to my companions. I hope they will all live as brothers, and divide it amicably among them. If they cannot agree, and the devil of contention gets among them, it is no fault of mine; and I advise them to get a good strong, sharp axe, and break open my strong box. Let them scramble for what it contains, and the Devil seize the hindmost.” The people of Auvergne still recount with admiration the daring feats of this brigand.
Extraordinary Popular Delusions and the Madness of Crowds Page 16
