“Yes, I remember.”
They sat in silence for a few minutes, taking in the vastness of the ocean, each in a capsule of private thought.
She thought again about the day he had swum out into the distance. It seemed like yesterday. And suddenly Mary was there too, her laughter just under the breath of the ocean, audible to anyone who cared to listen just a little deeper. He had swung Mary like that too, in the water. He couldn’t understand them then: where he loved the sea they were both afraid of it, preferring land under their feet.
Grace thought about that day, the day her father got baptized in the tented church.
“So, Patrick, did you ever find Jesus again?”
“Jesus?” He looked bemused. “No. He left me for good after Mary…. And good riddance. All my life, the idea of Jesus was used to punish me. The threat of him always hanging over me. He was a punishment, that’s all. I learned nothing about love from those who said they knew him. Or about forgiveness.”
Forgiveness. There it was. Was this his way of asking for it? She had come here wanting to confront, scream at him, tear into him. She had wanted this to be a day of reckoning, but all she could do now was sit and look at the shadow her father had become, and humor his trip down memory lane. Somewhere between the township and the beach, the will to fight him had evaporated.
“All these years, all these years, Grace, I’ve been praying, hoping that you’d have something good left of me, something of love to remember. I loved her, you know? I loved her. And she loved me too. I want you to know that. I was so scared that you’d think I was a monster. What you remember…I don’t know…” His voice trailed off into insignificance. He tried again. “I’m not a monster, you know. I loved you both very much. I thought you would hate me, but when I saw you this morning getting out of that car, it was like she came back to me, my Mary. She was looking at me with your face. I knew right then that you wouldn’t hate me, couldn’t hate me, not coming to me like that, wearing Mary’s face. No, you couldn’t. Mary loved me. You know, she loved me.”
He was talking more to himself now than to Grace. She listened, bearing witness to his great testimony of love.
“She was my Mary, and she was beautiful, the most beautiful that I’ve ever seen. And the miracle was that she loved me, that she saw anything in me at all. If only I hadn’t tried to cling so tight. I didn’t believe it, you know. That she could love me. And so I was always waiting for the day she’d leave. I was jealous and small. It choked me. I wish I had just loved her better.”
A single tear rolled down his sunken cheek. His pain was palpable, engulfing Grace like the spray-filled air, clinging to her hair and skin. What about me, she thought. She had come here for judgement, condemnation. She had wanted to tell Patrick about her fucked up life, about the nightmares that still caused her to wake in a sweat, wishing for the sweet release of death. She had pictured him screaming, begging for forgiveness. Instead, here she was, listening to a soppy love story, moist like the back of the cigarette he was sucking. What about her pain? It dawned on her that her pain didn’t matter, didn’t exist for her father. She was merely a vessel, a receptacle for his.
“If you loved her so much, why the hell did you kill her? Answer me that.”
Patrick fixed his gaze on her and held her with weepy eyes.
“I don’t know, Grace. I don’t know.”
There it was. He didn’t know why he’d done it. Wasn’t thinking, didn’t plan it. Just like every other time he’d hurt Mary. Tears coursed down his cheeks. For a moment Grace felt sympathy and wanted to fold him against her the way she did Sindi. But she hardened herself. He was pathetic.
“I snapped. I went mad. Honestly, I don’t even remember. I just snapped.”
She stared at him incredulously. “That’s it? You just snapped?”
She wanted to scream and unleash the years of pain and longing for her onto his tiny frame, rain curses down on him until he broke under the burden of her rage. But with a hollow feeling, Grace realized that this wouldn’t change a thing. He would never be able to feel her pain; he was incapable of it. Patrick’s eyes told Grace that his own pain was so large, so all-consuming, stretching back so far into an abyss of misery that preceded her own life and that of her mother’s that it blocked even the tiniest glimmer of empathy he might have had for someone else. In that moment, looking at his gaunt face, bearing his pain, clarity flashed through her. This is who he is. A mortally wounded human being. Something bigger than both of them, bigger than his drinking, had hurt him like this, had damaged him to the point where all he could feel was his enormous, oppressive pain. There was no room for anything else. It struck her like a gong. Anger fled her chest, and in its place came a deep sadness.
Patrick had looked away, but now he turned back to Grace, his gaze imploring. “Please take off your sunglasses, Grace,” he said. “I want to see Mary’s eyes one more time, before I die.”
She smiled, sincerely this time. She moved her hands up to her face and removed the shades. Recognition jolted both of them, an electric current—him seeing her, his daughter, for the first time, fully; she, watching the reaction of his seeing, his witnessing. She didn’t want to cause him more hurt, didn’t want to wound. But through Grace’s eyes, which were also Mary’s, she wanted to see her father completely. She wanted him to fully understand. She had to press on. And with Mary’s face, with Mary’s lips, she had to ask.
“How did you become that way?”
His tears were falling freely, but the words could not come out. They were swallowed by the wind, the ocean and the sky. All he could do was rock softly back and forth, back and forth, back and forth, as she asked, again: “How did you come to be this way?”
Chapter 22
It felt like she was seeing the city for the first time: the day undressing itself, throwing off the garment of the blazing sun, the silhouetted mountain readying itself for sleep, the night sky glowing a soft orange. How many times had she stood at this window, dazed, mind churning, seeing nothing at all? Now she suspended herself in time at that magical moment between night and day, taking in everything—the darkening sky, the mountain bidding the sun goodnight, cars hustling the beams of their headlights down the highway. De Waal Drive, all lit up, sparkled like a diamond necklace flung around the mountain’s neck.
Grace felt the city pulse through her veins. She was alive. She felt the temporality of all things. Instead of scaring her, it evoked a tenderness which nestled around the heart’s cavities, filling the hollow places with peace. After tonight, this singular view of the city would never again be available to her. She would never see the mountain from this particular angle again, leaning over her like a protective aunt. She was leaving this place, leaving Johnny, and never coming back.
Turning around, she took in the detritus of their life together: the kitchen, dotted with mismatched cups and plates, the threadbare loveseat hidden under a throw. In the next room the bed dominated the tiny apartment—so fitting. Now that compulsion and lust had slackened their hold, it seemed oversized, grotesque. The sight of it filled her with shame. Therein lay the cinders of her great love. Yes, she had loved him, still loved Johnny, but the curse of her father had seeped into their lives, obliterating every good thing between them. Barring the violence, they’d had a good thing. Love. The memory of that far-off place they’d both inhabited—their past. The ghost of her mother, compelling Grace to cling to him because once, eons ago, he’d existed in the same time and space with her, and Grace had loved them both at the same time. An intricate love bound with place and time, a love which gave her a history. But now it was time to go.
Mary. Grace thought of her in that ugly yellow house on Saturn Street. Mary would never escape those walls; she would never again move in the world beyond those confines. We all have our crosses to bear. Death was Mary’s. Grace had tasted that freedom denied her mother but, unaccustomed to it, had constructed a familiar prison of her own in this dingy old apartment. S
he stroked the gold cross around her neck. If only she could reach back twenty years, take her mother by the hand and pull her through time, clear from that dark house as she walked out of her own prison.
It was too late for Mary, but today Grace was ready to fulfill an unspoken promise to herself, made on the day of her daughter’s second visit to the home she shared with Johnny.
He had come in just after David had left, handing over a fussing Sindi. Grace and Johnny were in the middle of a cold war, the bruise around her eye giving just enough of a hint of what had happened between them the previous weekend.
Grace had spread a blanket on the floor and settled there with Sindi, some pillows, and the child’s wooden blocks. They stacked the blocks, until nearly all of them were piled on top of one another to form a perilously leaning tower, which came crashing down. Sindi screamed and fell into a fit of sobs. Grace tried to comfort her, but Sindi’s wails grew louder and louder.
“Make her stop,” Johnny had seethed.
“I’m trying. Shouting will only make it worse.”
Grace cooed and comforted. She scooped her daughter up into her arms and patted her back. Something was unsettling her so badly that nothing Grace did could console her.
Hung over from a night of drinking, Johnny lost his patience. In two quick strides he was next to them, and before Grace knew what was happening, he lifted Sindi roughly underneath her arms, plucked her from Grace, and took her into the bedroom. He plopped her down on the floor, shut the bedroom door behind him, and came back into the living room.
“What the hell do you think you’re doing?”
Sindi had never been treated like that. From behind the bedroom door, her cries were building into full hysteria.
“She’s spoiled, Grace. Never seen a child go on and on like that. You know, back at home kids don’t even try it. They know they’ll get the shit beaten out of them. You with your baby books. You with your airs and graces.”
“But she’s a baby. A baby!”
Grace rushed to the bedroom door. Johnny blocked her. “No, Grace. Let her cry!”
She couldn’t calculate whether to take the risk. She left it, while behind the door Sindi heaved with heartrending sobs.
After a few minutes, Johnny could take no more. “This is not how I saw myself.”
“What did you think? You knew about her, said you wanted her. I made it clear that Sindi came with me. Did you think she’d just be quiet and placid all day long? Babies cry, you know.”
“Not like this. You’ve spoiled her. I can’t, Grace. I can’t see myself with this kind of a spoiled, pampered brat.”
He marched to the front door, slamming it behind him as he left. As soon as he’d gone, Grace rushed to the bedroom and picked up her daughter. After a few minutes of soothing and then giving her a bottle, Sindi settled and fell fast asleep. The crying had exhausted her.
And then David’s knock on the door; it was time for her to go. Grace had relinquished her daughter without saying a word.
“God, Grace, are you all right?” David had asked. She’d said yes, and shooed him away, embarrassed by the unkempt flat and her disheveled appearance. She hadn’t even changed Sindi.
And that was that. She knew it in her bones. Grace could not walk away from Johnny for herself, but she had to do it for her daughter. It took another few days to plan her leaving without him knowing; to figure out the right time to pack her stuff and leave. To get a little room with a toilet and a hot plate at the back of someone’s house. That would do nicely for now, just for her. Let the dead bury their dead, Aunty Joan used to say. That day, a week ago, when he had touched her daughter, Johnny became dead to her. No man would do to Sindi what had been done to her, no matter how much Grace loved him. She loved her daughter more.
It was time to bury Mary too, for good, leave her in the past, and uncouple her life from her mother’s. It was time to forego the dance her parents had started decades ago, the dance whose familiar rhythm always beckoned and seduced. He loves you so. He loves you so much that he can’t control his emotions. He loves you and so he hurts you to demonstrate just how much. He loves you and closes the gaping need of his love with his fists. He doesn’t mean it when he hits you—that’s the power of his love.
No.
No more.
Patrick had looked at Grace that day at the beach, and when he saw her face after the sunglasses came off, she knew he had recognized her beaten mother in her. He had stared for a long time at the bruise around Grace’s eye, his eyes filling with tears as the realization of his inheritance to his only child sank in. He took her hands in his, the only time she’d let him touch her, and said: “Promise me one thing. Promise a dying man just one thing.”
She had refused to promise, refused to give Patrick that.
“A man who does this will never change,” Patrick said. “Takes one to know one. He’s never going to change, Mary.”
His memory was playing tricks. Grace said nothing. “Whatever’s eating him, that devil riding him, is coming from deep inside him. That devil will lash you until he sorts it out for himself, within himself. Don’t repeat our mistakes. Promise me that you’ll leave.”
She hadn’t promised. She had had no words for her father and no desire to give him that as absolution. Let him find another way to ease his conscience. She hadn’t given him forgiveness either—that was for another time, when her own wounds had been tended. It wasn’t hers to give, and when she thought about it, he hadn’t even asked for it.
From the window, Grace took in the mountain one more time. She had no parents, no family, no God. No ground to stand on; no one to lean on. Nobody to blame anymore. Only herself, responsible for herself. There were only the words of her Aunty Joan, resonant as the day she first heard them: “Never forget what you did today. You created something. Don’t you ever forget that you have this inside you: the ability to create an entire universe out of nothing.” Grace hadn’t started yet, but ending this old life with Johnny was the first step to building one that was completely new. She finally got what Aunty Joan was trying to say that day on the living room floor, surrounded by paper and paint. There were still things to build, universes to make. She still had the most precious things of all: her life, and her daughter. She would steer both onto a different course.
For the first time, Grace was not afraid of life. She breathed in that mountain, and in it, caught a glimpse of what she could be like: towering, rooted and strong. Then she grasped her packed suitcase and, without looking back, walked away from that apartment and her old life. When the door slammed shut behind her, she knew she was free.
ACKNOWLEDGEMENTS
I am grateful to the “village” that encouraged me to write and complete this novel. To Jennifer Bacon, who founded Black Women Writers, of which I was a member in Maryland, USA, and Shanna Smith, both sisters who encouraged and believed in me when I wasn’t sure of myself—you are “a friend of my soul.” Ranetta Hardin, Bettina Judd, Emily Bowden Cogdell, and Kellea Tibs were part of the circle when I first tested my creative voice, and I am thankful for their encouragement. The Hurston/Wright Foundation in Washington DC provided an opportunity to hone my skill as creative writer: I am especially thankful to have had as workshop facilitator, Tayari Jones, whose writing and teaching inspired and grew me. In South Africa, my creative tribe Diana Ferrus, Makhosazana Xaba, Patricia Fahrenfort, Nadia Sanger, Shelley Barry, Natasha Diedricks and Malika Ndlovu read and commented on various drafts, helping me craft a simpler, more streamlined story. Thank you to the Department of English and School of Literature, Language and Media at the University of Witwatersrand for supporting my work. I am also grateful to Colleen Higgs of Modjaji Books, who took a chance on my work, and Alison Lowry, whose skill and sensitivity as an editor is unrivaled. To Vicky Stark, Rehana Rossouw and Julia Grey, who read and commented on my work: thank you. I am most grateful to my mother, Una Boswell and sister, Nina McKenzie, who read and commented on various drafts of this work
—I am carried by your love and support.
OTHER GREAT BOOKS BY AFRICAN WOMEN WRITERS FROM CATALYST PRESS
Love Interrupted
Reneilwe Malatji
In her debut collection of short fiction, Reneilwe Malatji invites us into the intimate lives of South African women—their whispered conversations, their love lives, their triumphs and heartbreaks. This diverse chorus of female voices recounts misadventures with love, family, and community in powerful stories woven together with anger, politics, and wit. Malatji crafts an engaging collection full of rich, memorable characters who navigate work, love, patriarchy, and racism with thoughtfulness, strength, and humor.
“The stories in Reneilwe Malatji’s Love Interrupted peel back the gloss from atop South Africa’s ‘Black Diamonds’ to reveal the sedimentary layers of truth in the lives of these model middle-class families: each story inventively unfurls a different desire, longing, or frustration. The stories of Love Interrupted are just like this, haunting you with their statements about the world of South Africa’s middle class long after you’ve finished reading.”
—Jacinda Townsend, author Saint Monkey
“The unsentimental style of these stories packs an emotional punch as they examine post-apartheid patriarchy through the eyes of various observant black women characters.”
—Foreword Reviews
“Many readers will see themselves in—and find themselves rooting for—the women in Malatji’s solid debut.”
—Kirkus
We Kiss Them With Rain
by Futhi Ntshingila
Selected as a USBBY 2019 Outstanding International Book
A 2019 Skipping Stones Award honoree, Multi-cultural and International Books
The terrible thing that steals 14-year-old Mvelo’s song leads to startling revelations and unexpected opportunities. Life wasn’t always this hard for 14-year-old Mvelo. There were good times living with her mother and her mother’s boyfriend. Now her mother is dying of AIDS and what happened to Mvelo is the elephant in the room, despite its growing presence in their small shack. In this Shakespeare-style comedy, the things that seem to be are only a façade and the things that are revealed hand Mvelo a golden opportunity to change her fate. We Kiss Them With Rain explores both humor and tragedy in this modern-day fairy tale set in a squatter camp outside of Durban, South Africa.
Unmaking Grace Page 20
