‘What helmet?’
‘You know, of course, that human nails are the vestiges of talons and horns. That they’re atavistic, like coccyges and hair. That they develop inutero long before the cerebral cortex.’
‘What’s the matter?’
‘That at some point in the first trimester we lose our gills but are now still now little more than a bladdery sac of spinal fluid and a rudimentary tail and hair-follicles and little microchips of vestigial talon and horn.’
‘Is this to make me feel bad? Did this fuck you up, me probing for details after all this time? Did it reactivate the grief?’
‘Just one more confirmation. The trailer’s interior. There was some object or contiguous trio of objects with the following color scheme: brown, lavender, and either mint-green or jonquil-yellow.’
‘I can call back when you’re more yourself. The leg’s starting to prune a bit from the whirlpool anyway.’
‘I’ll be right here. I’ve got a whole foot to yield to the magic with. I’m not going to alter the smallest particular. I’m just about ready to bear down on the clippers. It’s going to feel right, I know.’
‘A throw. Like an afghan throw, on the chintz sofa. The yellow was more fluorescent than jonquil.’
‘And the word is asphyxiated. Kick some egg-shaped balls for all of us, O. The next sound you hear will be unpleasant,’ Hal said, holding the phone down right next to the foot, his expression terrifically intense.
6 NOVEMBER
YEAR OF THE DEPEND ADULT UNDERGARMENT
White halogen off the green of the composite surface, the light out on the indoor courts at the Port Washington Tennis Academy is the color of sour apples. To the spectators at the gallery’s glass, the duos of players arrayed and moving down below have a reptilian tinge to their skin, a kind of seasick-type pallor. This annual meet is mammoth: both academies’ A and B teams for both Boys and Girls, both singles and doubles, in 14 and Unders, 16 and Unders, 18 and Unders. Thirty-six courts stretch out down away from one end’s gallery under a fancy tri-domed system of permanent all-weather Lung.
A jr. tennis team has six people on it, with the highest-ranked playing #1 singles against the other team’s best guy, the next-highest-ranked playing #2, and on down the line to #6. After the six singles matches there are three doubles, with a team’s best two singles players usually turning around and also playing #1 doubles — with occasional exceptions, e.g. the Vaught twins, or the fact that Schacht and Troeltsch, way down on the B squad in 18’s singles, play #2 doubles on E.T.A.’s 18’s A team, because they’ve been a doubles team since they were incontinent toddlers back in Philly, and they’re so experienced and smooth together they can wipe surfaces with the 18’s A team’s #3 and #4 singles guys, Coyle and Axford, who prefer to skip doubles altogether. It all tends to get complicated, and probably not all that interesting — unless you play.
But so a normal meet between two junior teams is the best out of nine matches, whereas this mammoth annual early-November thing between E.T.A. and P.W.T.A. will try to be the best out of 108. A 54-match-all conclusion is extremely unlikely — odds being 1 in 227 — and has never happened in nine years. The meet’s always down on Long Island because P.W.T.A. has indoor courts out the bazoo. Each year the academy that loses the meet has to get up on tables at the buffet supper afterward and sing a really silly song. An even more embarrassing transaction is supposed to take place in private between the two schools’ Headmasters, but nobody knows quite what. Last year Enfield lost 57–51 and Charles Tavis didn’t say one word on the bus-ride home and used the lavatory several times.
But last year E.T.A. didn’t have John Wayne, and last year H. J. Incandenza hadn’t yet exploded, competitively. John Wayne, formerly of Mont-cerf, Québec — an asbestos-mining town ten clicks or so from the infamously rupture-prone Mercier Dam — formerly the top-ranked junior male in Canada at sixteen as well as #5 overall in the Organization of North American Nations Tennis Association computerized rankings, was finally successfully recruited by Gerhardt Schtitt and Aubrey deLint last spring via the argument that two gratis years at an American academy would maybe let Wayne bypass the usual couple seasons of top college tennis and go pro immediately at nineteen with more than enough competitive tempering. This reasoning was not unsound, since the top four U.S. tennis academies’ tournament schedules closely resemble the A.T.P. tour in terms of numbing travel and continual stress. John Wayne is currently ranked #3 in the O.N.A.N.T.A.’s Boys’ 18’s and #2 in the U.S.T.A. (Canada, under Provincial pressure, has disowned him as an emigrant) and has in this Year of the Depend Adult Undergarment reached the semis of both the Junior French and Junior U.S. Opens, and has lost to exactly nobody American in seven meets and a dozen major tournaments. He trails the #1 American kid, an Independent 85 down in Florida, Veach, by only a couple U.S.T.A. computer points, and they haven’t yet met in sanctioned play this year, and the kid is well known to be hiding out from Wayne, avoiding him, staying down in Pompano Beach, allegedly nursing a like four-month groin-pull, sitting on his ranking. He’s supposed to show at the WhataBurger Invitational in AZ in a couple weeks, this Veach, having won the 18’s at age seventeen there last year, but he’s got to know Wayne’s coming down, and speculation is rife and complex. O.N.A.N.T.A.-wise, there’s an Argentine kid that Mexico’s Academia de Vera Cruz has got rat-holed away who’s #1 and not about to lose to anybody, having this year taken three out of four legs of the Junior Grand Slam, the first time anybody’s done that since a sepulchral Czech kid named Lendl, who retired from the Show and suicided well before the advent of Subsidized Time. But so there’s Wayne at #1.
And it’s been established that Hal Incandenza, last year a respectable but by no means to-write-home-about 43rd nationally and bouncing between #4 and #5 on the Academy’s A team in Boys’ 16’s singles, has made a kind of quantumish competitive plateaux-hop such that this year — the one nearly done, Kimberly-Clark Corp.’s Depend Absorbent Products Division soon to give way to the highest corporate bidder for rights to the New Year — Incandenza, mind you this year just seventeen, is 4th in the nation and #6 on the O.N.A.N.T.A. computer and playing A-#2 for E.T.A. in Boys’ 18’s. These competitive explosions happen sometimes. Nobody at the Academy talks to Hal much about the explosion, sort of the way you avoid a pitcher who’s got a no-hitter going. Hal’s delicate and spinny, rather cerebral game hasn’t altered, but this year it seems to have grown a beak. No longer fragile or abstracted-looking on court, he seems now almost to hit the corners without thinking about it. His Unforced-Error stats look like a decimal-error.
Hal’s game involves attrition. He’ll probe, pecking, until some angle opens up. Until then he’ll probe. He’d rather run his man ragged, wear him down. Three different opponents this past summer had to go to oxygen during breaks. 86 His serve yanks across at people as if on a hidden diagonal string. His serve, now, suddenly, after four summers of thousand-a-day serves to no one at dawn, is suddenly supposed to be one of the best left-handed kick serves the junior circuit has ever seen. Schtitt calls Hal Incandenza his ‘revenant,’ now, and sometimes points his pointer at him in an affectionate way from his observation crow’s nest in the transom, during drills.
Most of the singles’ A matches are under way. Coyle and his man on 3 are in an endless butterfly-shaped rally. Hal’s muscular but unquick opponent is bent over trying to get his breath while Hal stands there and futzes with his strings. Tall Paul Shaw on 6 bounces the ball eight times before he serves. Never seven or nine.
And John Wayne’s without question the best male player to appear at Enfield Academy in several years. He’d been spotted first by the late Dr. James Incandenza at age six, eleven summers back, when Incandenza was doing an early and coldly conceptual Super-8 on people named John Wayne who were not the real thespio-historical John Wayne, a film Wayne’s not-tobe-fucked-with papa eventually litigated the kid’s segment out of because the film had the word Homo in the title. 87
On
1, with John Wayne up at net, Port Washington’s best boy throws up a lob. It’s a beauty: the ball soars slowly up, just skirts the indoor courts’ system of beams and lamps, and floats back down gentle as lint: a lovely quad-function of fluorescent green, seams whirling. John Wayne backpedals and flies back after it. You can tell — if you play seriously — you can tell just by the way the ball comes off a guy’s strings whether the lob is going to land fair. There’s surprisingly little thought. Coaches tell serious players what to do so often it gets automatic. John Wayne’s game could be described as having a kind of automatic beauty. When the lob first went up he’d back-pedaled from the net, keeping the ball in sight until it reached the top of its flight and its curve broke, casting many shadows in the tray of lights hung from the ceiling’s insulation; then Wayne turned his back to the ball and sprinted flat-out for the spot where it will land fair. Would land. He doesn’t have to locate the ball again until it’s hit the green court just inside the baseline. By now he’s come around the side of the bounced ball’s flight, still sprinting. He looks mean in a kind of distant way. He comes around the side of the bounced ball’s second ascent the way you come up around the side of somebody you’re going to hurt, and he has to leave his feet and half-pirouette to get his side to the ball and whip his big right arm through it, catching it on the rise and slapping it down the line past the Port Washington boy, who’s played the percentages and followed a beauty of a lob up to net. The Port Washington kid applauds with the heel of his hand against his strings in acknowledgment of a really nice get, even as he looks up at Port Washington’s coaching staff in the gallery. The spectators’ glass panel is at ground level, and the players play below it on courts that have been carved out of a kind of pit, dug long ago: some northeast clubs favor courts below ground, because earth insulates and keeps utility bills daunting instead of prohibitive, once the Lungs go up. The gallery panel stretches overhead behind Courts 1 through 6, but there’s a decided spectatorial clumping at the part of the gallery that looks out over the Show Courts, Boys’ 18’s #1 and #2, Wayne and Hal and P.W.T.A.’s two best. Now after Wayne’s balletic winner there’s the sad sound of a small crowd behind glass’s applause; on the courts the applause is muffled and compromised by on-court sounds, and sounds like the trapped survivors of something tapping for help at a great depth. The panel is like an aquarium’s glass, thick and clean, and traps noise behind it, and to the gallery it seems that 72 well-muscled children are arrayed and competing in total silence in the pit. Almost everyone in the gallery is wearing tennis clothes and bright nylon warm-ups; some even wear wristbands, the tennis equivalent of a football fan’s pennant and raccoon coat.
John Wayne’s post-pirouette backward inertia has carried him into the heavy black tarpaulin that hangs several meters behind both sides of the 36 courts on a system of rods and rings not unlike a very ambitious shower-curtain, the tarps hiding from view the waterstained walls of puffy white-wrapped insulation and creating a narrow passage for players to get to their courts without crossing open court and interrupting play. Wayne hits the heavy tarp and kind of bounces off, producing a boom that resounds. The sounds on court in an indoor venue are huge and complex; everything echoes and the echoes then meld. In the gallery, Tavis and Nwangi bite their knuckles and deLint squashes his nose flat against the glass in anxiety as everyone else politely applauds. Schtitt calmly taps his pointer against the top of his boot at times of high stress. Wayne isn’t hurt, though. Everybody goes into the tarp sometimes. That’s what it’s there for. It always sounds worse than it is.
The boom of the tarp sounds bad down below, though. The boom rattles Teddy Schacht, who’s kneeling in the little passage right behind Court 1, holding M. Pemulis’s head as Pemulis down on one knee is sick into a tall white plastic spare-ball bucket. Schacht has to haul Pemulis slightly back as Wayne’s outline bulges for a moment into the billowing tarp and threatens to knock Pemulis over, plus maybe the bucket, which would be a bad scene. Pemulis, deep into the little hell of his own nauseous pre-match nerves, is too busy trying to vomit w/o sound to hear the mean sound of Wayne’s winner or the boom of him against the heavy curtain. It’s freezing back here in the little passage, up next to insulation and I-beams and away from the infrared heaters that hang over the courts. The plastic bucket is full of old bald Wilson tennis balls and Pemulis’s breakfast. There is of course an odor. Schacht doesn’t mind. He lightly strokes the sides of Pemulis’s head as his mother had stroked his own big sick head, back in Philly.
Placed at eye-level intervals in the tarp are little plastic windows, archer-slit views of each court from the cold backstage passage. Schacht sees John Wayne walk to the net-post and flip his card as he and his opponent change sides. Even indoors, you change ends of the court after every odd-numbered game. No one knows why odd rather than even. Each P.W.T.A. court has, welded to its west net-post, another smaller post with a double set of like flippable cards with big red numerals from 1 to 7; in umpless competition you’re supposed to flip your card appropriately at every change of sides, to help the gallery follow the score in the set. A lot of junior players neglect to flip their cards. Wayne is always automatic and scrupulous in his accounts. Wayne’s father is an asbestos miner who at forty-three is far and away the seniorest guy on his shift; he now wears triple-thick masks and is trying to hold on until John Wayne can start making serious $ and take him away from all this. He has not seen his eldest son play since John Wayne’s Québecois and Canadian citizenships were revoked last year. Wayne’s card is on (5); his opponent has yet to flip a card. Wayne never even sits down to take the 60 seconds he’s allowed on each change of sides. His opponent, in his light-blue flare-collared shirt with WILSON and P.W.T.A. on the sleeves, says something not unfriendly as Wayne brushes past him by the post. Wayne doesn’t respond one way or the other. He just goes back to the baseline farthest from Schacht’s little tarp-window and bounces a ball up and down in the air with the reticulate face of his stick as the Port Washington boy sits in his little canvas director’s chair and towels the sweat off his arms (neither of which is large) and looks briefly up at the gallery behind the panel. The thing about Wayne is he’s all business. His face on court is blankly rigid, with the hypertonic masking of schizophrenics and Zen adepts. He tends to look straight ahead at all times. He is about as reserved as they come. His emotions emerge in terms of velocity. Intelligence as strategic focus. His play, like his manner in general, seems to Schacht less alive than undead. Wayne tends to eat and study alone. He’s sometimes seen with two or three expatriate E.T.A. Nucks, but when they’re together they all seem morose. It’s wholly unclear to Schacht how Wayne feels about the U.S. or his citizenship-status. He figures Wayne figures it doesn’t much matter: he is destined for the Show; he will be an all-business entertainer, citizen of the world, everywhere undead, endorsing juice drinks and liniment ointment.
Pemulis has nothing left and is spasming dryly over the bucket, his covered Dunlop gut-strung sticks and gear tumbled just past Schacht’s in the passage. They are the last guys to get out on court. Schacht is to play #3 singles on the 18’s B team, Pemulis #6-B. They are undeniably tardy getting out there. Their opponents stand out on the baselines of Courts 9 and 12 waiting for them to come out and warm up, jittery, stretching out the way you do when you’ve already stretched out, dribbling fresh bright balls with their black Wilson widebody sticks. The whole Port Washington Tennis Academy student body gets free and mandatory Wilson sticks under an administrative contract. Nothing personal, but no way would Schacht let an academy tell him what brand of stick to swing. He himself favors Head Masters, which is regarded as bizarre and eccentric. The AMF-Head rep brings them out to him out of some cobwebby warehouse where they’re kept since the line was discontinued during the large-head revolution many years back. Aluminum Head Masters have small, perfectly round heads and a dull blue plastic brace in the V of the throat and look less like weapons than toys. Coyle and Axford are always kibitzing that they
’ve seen a Head Master for sale at like a flea market or garage sale someplace and Schacht better get down there quick. Schacht, who’s historically tight with Mario and with Lyle down in the weight room (where Schacht, since the knee and the Crohn’s Disease, likes to go even on off-days, to work off discomfort, and deLint and Loach are always on him about not getting musclebound), has a way of just smiling and holding his tongue when he’s kibitzed.
‘Are you okay?’
Pemulis says ‘Blarg.’ He wipes at his forehead in a gesture of completion and submits to being hauled to his feet and stands there on his own with his hands on his hips, slightly bent.
Schacht straightens and pulls some wrinkles out of the bandage around the brace on his knee. ‘Take maybe another second. Wayne’s already way up.’
Pemulis sniffs unpleasantly. ‘How come this happens to me every time? This is not like me.’
‘Happens to some people is all.’
‘This hunched spurting pale guy is not any me I ever recognize.’
Schacht gathers gear. ‘Some people their nerves are in their stomachs. Cisne, Yard-Guard, Lord, you: stomach men.’
‘Teddy brother man I’m never once hungover for a competitive thing. I take elaborate precautions. Not so much as a whippet. I’m always in bed the night before by 2300 all pink-cheeked and clean.’
As they pass the plastic window behind Court 2 Schacht sees Hal Incandenza try to pass his serve-and-volley guy with a baroque sideways slice down the backhand side and miss just wide. Hal’s card’s already flipped to (4). Schacht gives a little toodleoo-wave that Hal can’t see to acknowledge. Pemulis is in front of him as they go down the cold passage.
Infinite Jest Page 40
