Gately rolls his eyes way over to the right to see Joelle again, who she’s using both pale hands to get the big book open on her sweatpants’ lap. Gray windowlight shines on clear plastic sheets like little laminates inside the thing.
‘… idea to haul this out last night and was looking at it. I wanted to show you my own personal Daddy,’ she says. She’s holding the photo album out at him, wide open, like a kindergarten teacher at storytime. Gately makes a production of squinting. Joelle comes over and rests the big album on the top of Gately’s crib-railing, peering down over the top and pointing at a snapshot in its little square sleeve.
‘Right there’s my Daddy.’ In front of a low white porch-railing, a generic lean old guy with lines around his nose from squinting into sunlight and the composed smile of somebody that’s been told to smile. A skinny dog at his side, half in profile. Gately’s more interested in how the shadow of whoever took the photo is canted into the shot’s foreground, darkening half the dog.
‘And that’s one of the dogs, a pointer that got hit right after that by a UPS truck out to 104,’ she says. ‘Where no animal with a lick of sense would think it had business being. My Daddy never names dogs. That one’s just called the one that got hit by the UPS truck.’ Her voice is different again.
Gately tries to Abide in seeing what she’s pointing at. Most of the rest of the page’s pictures are of farm-type animals behind wooden fences, looking the way things look that can’t smile, that don’t know a camera’s looking. Joelle said her personal Daddy was a low-pH chemist, but her late mother’s own Daddy had left them a farm, and Joelle’s Daddy moved them out there and jick-jacked around with farming, mostly as an excuse to keep lots of pets and stick experimental low-pH stuff in the soil.
At some point in here an all-business nurse comes in and fucks with the I.V. bottles, then hunkers down and changes the catheter-receptacle under the bed, and for a second Gately likes to die of embarrassment. Joelle seems not even to be pretending not to notice.
‘And this right here’s a bull we used to call Mr. Man.’ Her slim thumb moves from shot to shot. The sunlight in Kentucky looks bright-yellower than NNE’s. The trees are a meaner green and have got weird mossy shit hanging from them. ‘And this right here’s a mule called Chet that could jump the fence and used to get at everybody’s flowers out along Route 45 til Daddy had to put him down. This is a cow. This right here’s Chet’s mama. It’s a mare. I don’t recollect any kind of name except “Chet’s Mama.” Daddy’d let her out to neighbors that really did farm, to sort of make up for folks’ flowers.’
Gately nods studiously at each photo, trying to Abide. He hasn’t thought about the wraith or the wraith-dream once since he woke up from the dream where Joelle was Mrs. Waite as a maternal Death-figure. Next life’s Chet’s Mama. He opens his eyes wide to clear his head. Joelle’s head is down, looking down at the open album from overhead. Her veil hangs loose and blank again, so close he could reach his left hand up and lift it if he wanted. The open book she’s moving her hand around in gives Gately an idea he can’t believe he’s only having now. Except he worries because he isn’t left-handed. Which is to say SINISTRAL. Joelle’s got her thumb by a weird old sepia shot of the ass and hunched back of some guy scrabbling up the slope of a roof. ‘Uncle Lum,’ she says, ‘Mr. Riney, Lum Riney, my Daddy’s partner over to the shop, that breathed some kind of fume at the shop when I was little, and got strange, and now he’ll always try and climb up on top of shit, if you let him.’
He winces at the pain of moving his left arm to put a hand on her wrist to get her attention. Her wrist is thin across the top but oddly deep, thick-seeming. Gately gets her to look at him and takes the hand off her wrist and uses it to mime writing awkwardly in the air, his eyes rolling a bit from the pain of it. This is his idea. He points at her and then out the window and circles his hand back to her. He refuses to grunt or moo to emphasize anything. His forefinger is twice the size of her thumb as he again mimes holding an implement and writing on the air. He makes such a big slow obvious show of it because he can’t see her eyes to be sure she gets what he’s after.
If a halfway-attractive female so much as smiles at Don Gately as they pass on the crowded street, Don Gately, like pretty much all heterosexual drug addicts, has within a couple blocks mentally wooed, shacked up with, married and had kids by that female, all in the future, all in his head, mentally dandling a young Gately on his mutton-joint knee while this mental Mrs. G. bustles in an apron she sometimes at night provocatively wears with nothing underneath. By the time he gets where he’s going, the drug addict has either mentally divorced the female and is in a bitter custody battle for the kids or is mentally happily still hooked up with her in his sunset years, sitting together amid big-headed grandkids on a special porch swing modified for Gately’s mass, her legs in support-hose and orthopedic shoes still damn fine, barely having to speak to converse, calling each other ‘Mother’ and ‘Papa,’ knowing they’ll kick within weeks of each other because neither could possibly live without the other, is how bonded they’ve got through the years.
The projective mental union of Gately and Joelle (‘M.P.’) van Dyne keeps foundering on the vision of Gately knee-dandling a kid in a huge blue- or pink-bordered veil, however. Or tenderly removing the spongy clamps of Joelle’s veil in moonlight on their honeymoon in Atlantic City and discovering just like one eye in the middle of her forehead or a horrific Churchill-face or something. 350 So the addictive mental long-range fantasy gets shaky, but he still can’t help envisioning the old X, with Joelle well-veiled and crying out And Lo! in that empty compelling way at the moment of orchasm — the closest Gately’d ever come to Xing a celebrity was the ragingly addicted nursing-student with the head-banging loft, who’d borne an incredible resemblance to the young Dean Martin. Having Joelle share personal historical snapshots with Gately leads his mind right over the second’s wall to envision Joelle, hopelessly smitten with the heroic Don G., volunteering to bonk the guy in the hat outside the room over the head and sneak Gately and his tube and catheter out of St. E.’s in a laundry cart or whatever, saving him from the BPD Finest or Federal crew cuts or whatever direr legal retribution the guy in the hat might represent, or else selflessly offering to give him her veil and a big dress and let him hold the catheter under the muumuu and sashay right out while she huddles under the covers in impersonation of Gately, romantically endangering her recovery and radio career and legal freedom, all out of a Liebestod -type consuming love for Gately.
This last fantasy makes him ashamed, it’s so cowardly. And even contemplating a romantic thing with a clueless newcomer is shameful. In Boston AA, newcomer-seducing is called 13th-Stepping 351 and is regarded as the province of true bottom-feeders. It’s predation. Newcomers come in so whacked out, clueless and scared, their nervous systems still on the outside of their bodies and throbbing from detox, and so desperate to escape their own interior, to lay responsibility for themselves at the feet of something as seductive and consuming as their former friend the Substance. To avoid the mirror AA hauls out in front of them. To avoid acknowledging their old dear friend the Substance’s betrayal, and grieving it. Plus let’s not even mention the mirror-and-vulnerability issues of a newcomer that has to wear a U.H.I.D veil. One of Boston AA’s stronger suggestions is that newcomers avoid all romantic relationships for at least a year. So somebody with some sober time predating and trying to seduce a newcomer is almost tantamount to rape, is the Boston consensus. Not that it isn’t done. But the ones that do it never have the kind of sobriety anybody else respects or wants for themselves. A 13th-Stepper is still running from the mirror himself.
Not to mention that a Staffer seducing a new resident he’s supposed to be there to help would be dicking over Pat Montesian and Ennet House on a grand scale.
Gately sees it’s probably no accident that his vividest Joelle-fantasies are coincident with flight-from-Finest-and-legal-responsibility fantasies. That his head’s real fantasy is
this newcomer helping him avoid, escape, and run, joining him later in like Kentucky on a modified porch swing. He’s still pretty new himself: wanting somebody else to take care of his mess, somebody else to keep him out of his various cages. It’s the same delusion as the basic addictive-Substance-delusion, basically. His eyes roll up in his head at disgust with himself, and stay there.
I went down the hall to take out the tobacco and brush my teeth and rinse out the Spiru-Tein can, which had gotten an unpleasant crust along the sides. The subdorm halls were curved and had no corners as such, but you can see at most three doors and the jamb of the fourth from any point in the hall before the curve extrudes into your line of sight. I wondered briefly whether it was true that small children believed their parents could see them even around corners and curves.
The high wind’s moan and doors’ rattle were worse in the uncarpeted hall. I could hear faint sounds of early-morning weeping in certain rooms beyond my line of sight. Lots of the top players start the A.M. with a quick fit of crying, then are basically hale and well-wrapped for the rest of the day.
The walls of the subdorms’ hallways are dinner-mint blue. The walls of the rooms themselves are cream. All the woodwork is dark and varnished, as is the guilloche that runs below all E.T.A. ceilings; and the dominant odor in the hallways is always a mixture of varnish and tincture of benzoin.
Someone had left a window open by the sinks in the boys’ room, and a hump of snow lay on the sill, and on the floor beneath the window by the sink on the end, whose hot-water pipe shrieks, was a parabolic dusting of snow, already melting at the apex. I turned on the lights and the exhaust fan kicked on with them; for some reason I could barely stand its sound. When I put my head out the window the wind came from nowhere and everywhere, the snow swirling in funnels and eddies, and there were little grains of ice in the snow. It was brutally cold. Across the East Courts, the paths were obscured, and the pine’s branches were near horizontal under their snow’s weight. Schtitt’s transom and observation tower looked menacing; it was still dark and snow-free on the lee side facing Comm.-Ad. The sight of distant ATHSCME fans displacing great volumes of snowy air northward is one of the better winter views from our hilltop, but visibility was now too poor to make out the fans, and the liquid hiss of the snow was too total to make out whether the fans were even on. The Headmaster’s House wasn’t much more than a humped shape off by the north tree-line, but I could picture poor C.T. at the living room window in leather slippers and Scotch-plaid robe, seeming to pace even when standing still, raising and lowering the antenna of the phone in his hand, with several calls out already to Logan, M.I.A.-Dorval, WeatherNet-9000’s recorded update, heavy-browed figures in Québec’s O.N.A.N.T.A. office, C.T.’s forehead a wash-board and lips moving soundless as he brainstormed his way toward a state of Total Worry.
I brought my head back in when I could no longer feel my face. I made my little ablutions. I hadn’t had to go to the bathroom in a serious way in three days.
The digital display up next to the ceiling’s intercom read 11–18-EST0456.
When the whap-whap of the bathroom door subsided I heard a quiet voice with an odd tone farther up around the curve of the hallway. It turned out that good old Ortho Stice was sitting in a bedroom-chair in front of a hall window. He was facing the window. The window was closed, and he had his forehead up against the glass, either talking or chanting to himself very quietly. The whole lower part of the window was fogged with his breath. I came up behind him, listening. The back of his head was that shark-belly gray-white of crew cuts so short the scalp shows through. I was more or less right behind his chair. I couldn’t tell whether he was talking to himself or chanting something. He didn’t turn around even when I rattled my toothbrush in the NASA glass. He had on his classic Darknesswear: black sweatshirt, black sweatpants on which he’d had a red and gray E.T.A. silkscreened down both legs. His feet were bare on the cold floor. I was standing right beside the chair, and he still didn’t look up.
‘Who’s that now?’ he said, staring straight ahead through the window.
‘Hi Orth.’
‘Hal. You’re up kind of early.’
I rattled my toothbrush a little to indicate a shrug. ‘You know. Up and about.’
‘What’s the matter?’
‘What do you mean?’ I asked.
‘Your voice. Shoot, are you crying? What’s the matter?’
My voice had been neutral and a bit puzzled. ‘I’m not crying, Orth.’
‘Well then.’ Stice breathed onto the window. He reached up without moving his head and scratched the back of his crew cut. ‘Up and around. We going to play some furriners out there today or what?’
For the past ten days I’d always felt worst in the early A.M., before dawn. There’s something elementally horrific about waking before dawn. The window was unobscured above The Darkness’s breath-line. The snow wasn’t swirling or pummelling the window as much on the building’s east side, but the lee side’s absence of wind showed just how hard new snow was coming down. It was like a white curtain endlessly descending. The sky was lightening here on the east side, a paler gray-white, not unlike Stice’s crew-cut. I realized that from his position he could see only condensed breath on the window, no reflections. I made a few grotesque, distended, pop-eyed faces at him behind his back. They made me feel worse.
I rattled the brush. ‘Well, if we do, it’s not going to be out there. It’s drifting about up to the tape on the west nets. They’ll have to try to get us indoors somewhere.’
Stice breathed. ‘There’s no indoor place’s got thirty-six courts, Inc. Winchester Club’s got twelve is maybe the most. Fucking Mount Auburn’s only got eight.’
‘They’ll have to move us around to different sites. It’s a pain in the ass, but Schtitt’s done it before. I think the real variable’ll be whether the Québec kids got into Logan last night before whenever it was this hit.’
‘Logan’ll be shut down you’re saying.’
‘But I think we’d have heard if they got in last night. Freer and Struck were keeping tabs on an F.A.A. link ever since supper, Mario said.’
‘Boys are looking to get X’d by some slow-witted hairy-legged foreign girls or what ?’
‘My guess is they’re stuck up at Dorval. I’ll bet C.T. is on the case even now. Get some sort of announcement at breakfast, probably.’
This was a clear opening for The Darkness to do a quick C.T. impression, wondering aloud over the phone to the Québecois coach whether he, C.T., should press for them to charter ground transport from Montreal or else rather urge them not to risk travel through the Concavity in a storm in such a generous but disappointed gesture the Québecois would think busing the 400 clicks to Boston in a blizzard was his own generous idea, C.T. wholly open, opening all different psych-strategies to the coach’s inspection, with the frantic ruffling sound of the coach’s French-English dictionary loud in the phone’s background. But Stice just sat there with his forehead against the glass. His bare feet were tapping some sort of rhythm on the floor. The hallway was freezing, and his toes had a faint blue tinge. He blew air out of his lips in a tight sigh, making his fat cheeks flap a little; we called this his horse-sound.
‘Were you talking to yourself out here, or chanting, or what?’
A silence ensued.
‘Heard this one joke,’ Stice said finally.
‘Let’s hear it.’
‘You want to hear it?’
‘I could use a quality laugh right now, Dark,’ I said.
‘You too?’
Another silence ensued. Two different people were weeping at different pitches behind closed doors. A toilet flushed on the second floor. One of the weepers was nearly skirling, an inhuman keening sound. There was no way to tell which E.T.A. male it was, which door back down past the walls’ curve.
The Darkness scratched the back of his head again without moving his head. His hands looked almost luminous against the black sleeves.
<
br /> ‘There’s these three statisticians gone duck hunting,’ he said. He paused. ‘They’re like statisticians by trade.’
‘I’m with you so far.’
‘And they gone off hunting duck, and they’re hunkered down in the muck of a duck blind, for hunting, in waders and hats and all, your top-of-the-line Winchester double-aughts, so on. And they’re quacking into one of them kazoos duck hunters always quack into.’
‘Duck-calls,’ I said.
‘There you go.’ Stice tried to nod against the window. ‘Well and here comes this one duck come flying on by overhead.’
‘Their quarry. The object of their being out there.’
Infinite Jest Page 131
