by A. A. Milne
She put her note into his hand.
"I hope you will be able to read it by this light, Ronnie. I was very weak when I wrote it. I could only use pencil."
Ronnie unfolded it gravely.
She knelt, with bowed head, beside him. She dared not watch his face.
She heard his breath come short and fast. He moved his knees, and let go his 'cello.
The Infant of Prague slipped unnoticed to the floor.
When he read of the birth of his little son, with a hard choking sob, Ronnie turned and gathered her to him, holding her close, yet eagerly reading the letter over her head; reading it, to its very last word.
Then, dropping the letter, he clasped her to him, with a strength and a depth of tenderness such as she had never before known inRonnie. And his first words were not what Helen had expected.
"Helen," he said, with another desperate tearless sob, "oh, to think that you had to go through that—alone!"
"My darling boy," she answered, "don't worry about that! It is all over, now; and it is so true—oh, so true, Ronnie—that the anguish is no more remembered in the greatness of the joy."
"But I can't forget," said Ronnie—"I shall never forget—that my wife bore the suffering, the danger, the weakness, and I was not there to share it. I did not even know what she was going through."
"Ronnie dear—think of your little son."
"I can think of nothing of mine just yet," he answered, "excepting of my wife."
She gave in to his mood, and waited; letting him hold her close in perfect silence.
It was strangely sweet to Helen, because it was so completely unexpected. She had been prepared for a moment of intense surprise, followed by a rapture of pride and delight; then a wild rush to the nursery to see his first-born. She was quite willing, now her part was over, that her part should be forgotten. It was as unexpected as it was comfortingly precious, that Ronnie should be thus stricken by the thought of her pain, and of her need of him to help her bear it.
At last he said: "Helen, I see it all now. It was the Upas tree indeed: utterly, preposterously, altogether, selfish!"
"My darling, no!" she cried. "Oh, don't be so unjust to yourself! When I used those terrible words, I thought you had had my letter, had come home knowing it all, yet absorbed completely in other things. Misled by Aubrey, I cruelly misjudged you, Ronnie. It was not selfish to go; it was not selfish to be away. You did not know, or you would not have gone. I was glad you should not know, glad you should be away, so that I could bear it alone, without hindering your work; letting you find the joy when you reached home, without having had any of the hardness or the worry. I wished it to be so, my darling boy—and I was glad."
Then Ronnie gently put his wife out of his arms, and took her sweet face between his hands, looking long into her eyes, before he made reply. And Helen, steadfastly returning his gaze, saw a look growing in her husband's face, such as she had never yet seen there, and knew, even before he began to speak, what he was going to say; and her protective love, longing as ever to shield him from pain, cried out: "Oh, must I let him realise that?"
But, at last, through the guidance of wiser Hands than hers, the matter had passed beyond Helen's control.
"My wife," said Ronnie slowly, "when I called it 'the Upas tree indeed,' I did not mean the one act of going off in ignorance and leaving you alone during the whole of that time, when any man who cared at all would wish to be at hand, to bear, and share, and guard. I do not brand that as selfish; because you purposely withheld from me the truth, and bid me go. But why did you withhold it? Why, after the first shock, did you feel glad to face the prospect of bearing it alone; glad I should be away? Ah, here we find the very roots of the Upas tree! Was it not because, during the whole of our married life, I have been cheerfully, complacently selfish? I have calmly accepted as the rule of the home, that I should hear of no worries which you could keep from me, tread upon no thorns which you could clear out of my path, bear no burdens which your loving hands could lift and carry out of sight. Your interests, your pleasures, your friends, your pursuits, all have been swept on one side, if they seemed in the smallest degree likely to interfere with my work, my desires, my career. You have lived for me—absolutely. I have lived for myself. True, we have loved each other tenderly; we have been immensely happy. But, all the while, the shadow of the Upas tree was there. My very love was selfish! It was sheer joy to love you, because you are so sweetly, so altogether, lovable. But when did I—because of my love for you—do one single thing at any cost to self? I was utterly, preposterously, altogether, selfish! You knew this. You knew I hated pain, or worry, or anything which put my comfortable life out of gear. So you gladly let me go, leaving you to bear it all alone. You knew that, had you told me, I should have given up my book and stayed with you; because my self-love would have been more wounded by going than by staying. But you also knew that during all those months you would have had to listen while I bemoaned the circumstances, and bewailed my plot. You knew the bloom would be taken off the coming joy, so you preferred to let me go. Oh, Helen, is not this true?"
She bent her head and kissed his hand. She was weeping silently. She could not say it was not true.
"It was the Upas tree indeed," said Ronnie.
"Darling," she whispered, "it was my fault too—"
"Hush," he said. "There are faults too noble to be accounted faults. But—if you think you were at all to blame—you must atone, by truly and faithfully helping in my fight to root up the Upas tree."
"Ronnie," she said, "a pair of baby hands will help us both. We must learn to live life at its highest, for the sake of our little son."
Then, knowing he had endured as much heart-searching as a man could bear and be the better for it, she said, smiling:
"Ronnie, his funny little hands are so absurdly like yours."
"Like mine?" repeated Ronnie, as one awaking slowly from a sad dream, to a blissful reality. "Why are they like mine?"
"Because he is a tiny miniature of you, you dear, silly old boy! You do not seem to understand that you are actually a father, Ronnie, with a little son of your own!"
She looked up into his worn face, and saw the young glad joy of life creep slowly back into it.
"And his mouth, darling—his little mouth is just like yours; only, as I told you in the letter, when I kiss it—it does not kiss back, Ronnie."
"What?" cried Ronnie. "What?" Then he understood; and, this time, it was no mirage. Ronnie's desert wanderings were over.
"But don't you want to see your son?" Helen asked, presently.
Ronnie leapt up.
"See him? Why, of course I do! Oh, come on!… Helen! What does one say to a very young baby?"
Helen followed him upstairs, laughing.
"That entirely depends upon circumstances. One usually says: 'Did it?' 'Is it then?' or 'Was it?' But I almost think present conditions require a more definite statement of fact. I fancy one would say: 'How do you do, baby? I am your papa!' … This way, Ronnie, in my own old nurseries. Oh, darling, I am afraid I am going to cry! But you must not mind. They will only be tears of unutterable joy. Think what it will be to me, to see my baby in his father's arms!"
Good-Night To The Infant Of Prague
The last hour of Christmas Eve ticked slowly to its close.
On all around grew that sense of the herald angels, bending over a waiting world, poised upon outstretched wings. The hush had fallen which carries the mind away to the purple hills of Bethlehem, the watching shepherds, the quiet folds, the sudden glory in the sky.
The old Grange was closing its eyes at last, and settling itself to slumber.
One by one the brightly lighted windows darkened; the few remaining lights moved upwards.
The Hollymead Waits had duly arrived, and played their annual Christmas hymns. They had won gold from Ronnie, by ministering to his new-found proud delight in his infant son. The village blacksmith, who played the cornet and also acted spokesman
for the band, had closed the selections of angelic music, by exclaiming hoarsely, under cover of the night: "A merry Christmas and a 'appy New Year, to Mrs. West, to Mr. West, and to Master West!"
Ronnie dashed out jubilant. The Waits departed well-content.
Helen said: "You dear old silly!"
"Master West," wakened by the cornet, also had something to say; but he confided his remarks to his nurse, and was soon hushed back to slumber.
In the studio, the fire burned low.
The reflections in the long mirror, were indefinite and dim.
The Infant of Prague lay forgotten on the floor.
As midnight drew very near, the door of the studio was pushed softly open, and Helen came in, wearing a soft white wrapper; a lighted candle in her hand.
She placed the candle on a table; then, stooping, carefully lifted Ronnie's 'cello from the floor, laid it in its rosewood case, and stood looking down upon it. Then, smiling, touched its silver strings, with loving fingers.
"Poor Infant of Prague!" she said. "Has Ronnie forgotten even to put you to bed? Never mind! To-morrow you and he shall sing Christmas hymns together, while I and his little son listen and admire."
She closed the case. Then some impulse made her open it again. Her sweet eyes filled with tears. No one was there to see. Ronnie's wife knelt down and gently kissed the unconscious, shining face of the Infant of Prague.
Turning from the settee beneath the window, she saw herself reflected in the mirror—a tall fair figure in trailing garments, soft and white.
She held the candle high above her head, looked at her own reflection, and smiled.
She was glad she was so lovely—for Ronnie's sake.
Ronnie's love to-night was very wonderful.
She moved towards the door, but paused in passing, to look into the smouldering embers of the fire.
At that moment the clocks struck midnight. She heard the Westminster chimes, up on the landing.
It was Christmas Day.
"Unto us a Child is born; unto us a Son is given," murmured Helen. "Oh, holy Christ of Christmas, may the new life to come be very perfect for my Ronnie, my baby, and me."
"Helen!" came Ronnie's eager happy voice, shouting over the stairs. "I say, Helen! Where are you?"
"Coming, darling!" she called, passing out of the studio, and moving swiftly down the corridor.
Ronnie, on the landing, was leaning over the banisters, an expression of comic dismay on his face.
"Oh, I say!" he whispered. "I've done it now! I believe I've woke the baby!"
Helen, mounting the stairs, paused to look up at him, love and laughter in her eyes.
"Undoubtedly you have, you naughty boy! No shouting allowed here now, after dark. But what do you think I was doing? Why, I was in the studio, putting to bed the Infant of Prague."
THE END.
Is There a Santa Claus?
Francis Pharcellus Church
Is There a Santa Claus?
We take pleasure in answering at once and thus prominently the communication below, expressing at the same time our great gratification that its faithful author is numbered among the friends of The Sun:
* * *
"Dear Editor: I am 8 years old.
"Some of my little friends say there is no Santa Claus.
"Papa says 'If you see it in The Sun it's so.'
"Please tell me the truth: is there a Santa Claus?
"Virginia O'Hanlon.
"115 West Ninety-fifth street."
Virginia, your little friends are wrong. They have been affected by the skepticism of a skeptical age. They do not believe except they see. They think that nothing can be which is not comprehensible by their little minds. All minds, Virginia, whether they be men's or children's, are little. In this great universe of ours man is a mere insect, an ant, in his intellect, as compared with the boundless world about him, as measured by the intelligence capable of grasping the whole of truth and knowledge.
* * *
Yes, Virginia, there is a Santa Claus. He exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no Santa Claus. It would be as dreary as if there were no Virginias. There would be no childlike faith then, no poetry, no romance to make tolerable this existence. We should have no enjoyment, except in sense and sight. The eternal light with which childhood fills the world would be extinguished.
* * *
Not believe in Santa Claus! You might as well not believe in fairies! You might get your papa to hire men to watch in all the chimneys on Christmas Eve to catch Santa Claus, but even if they did not see Santa Claus coming down, what would that prove? Nobody sees Santa Claus, but that is no sign that there is no Santa Claus. The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that's no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.
* * *
You may tear apart the baby's rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, could tear apart. Only faith, fancy, poetry, love, romance, can push aside that curtain and view and picture the supernal beauty and glory beyond. Is it all real? Ah, Virginia, in all this world there is nothing else real and abiding.
* * *
No Santa Claus! Thank God! he lives, and he lives forever. A thousand years from now, Virginia, nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood.
Captain Eli's Best Ear
Frank Stockton
Captain Eli's Best Ear
The little seaside village of Sponkannis lies so quietly upon a protected spot on our Atlantic coast that it makes no more stir in the world than would a pebble which, held between one's finger and thumb, should be dipped below the surface of a millpond and then dropped. About the post-office and the store--both under the same roof--the greater number of the houses cluster, as if they had come for their week's groceries, or were waiting for the mail, while toward the west the dwellings become fewer and fewer, until at last the village blends into a long stretch of sandy coast and scrubby pine-woods. Eastward the village ends abruptly at the foot of a windswept bluff, on which no one cares to build.
* * *
Among the last houses in the western end of the village stood two neat, substantial dwellings, one belonging to Captain Eli Bunker, and the other to Captain Cephas Dyer. These householders were two very respectable retired mariners, the first a widower about fifty, and the other a bachelor of perhaps the same age, a few years more or less making but little difference in this region of weather-beaten youth and seasoned age.
* * *
Each of these good captains lived alone, and each took entire charge of his own domestic affairs, not because he was poor, but because it pleased him to do so. When Captain Eli retired from the sea he was the owner of a good vessel, which he sold at a fair profit; and Captain Cephas had made money in many a voyage before he built his house in Sponkannis and settled there.
* * *
When Captain Eli's wife was living she was his household manager. But Captain Cephas had never had a woman in his house, except during the first few months of his occupancy, when certain female neighbors came in occasionally to attend to little matters of cleaning which, according to popular notions, properly belong to the sphere of woman.
* * *
But Captain Cephas soon put an end to this sort of thing. He did not like a woman's ways, especially her ways of attending to domestic affairs. He liked to live in sailor fashion, and to keep house in sailor fashion. In his establishment everything was shipshape, and everything which could be stowed away was stowed away, and, if possible, in a bunker. The floors were holystoned nearly every day, and
the whole house was repainted about twice a year, a little at a time, when the weather was suitable for this marine recreation. Things not in frequent use were lashed securely to the walls, or perhaps put out of the way by being hauled up to the ceiling by means of blocks and tackle. His cooking was done sailor fashion, like everything else, and he never failed to have plum-duff on Sunday. His well was near his house, and every morning he dropped into it a lead and line, and noted down the depth of water. Three times a day he entered in a little note-book the state of the weather, the height of the mercury in barometer and thermometer, the direction of the wind, and special weather points when necessary.
* * *
Captain Eli managed his domestic affairs in an entirely different way. He kept house woman fashion--not, however, in the manner of an ordinary woman, but after the manner of his late wife, Miranda Bunker, now dead some seven years. Like his friend, Captain Cephas, he had had the assistance of his female neighbors during the earlier days of his widowerhood. But he soon found that these women did not do things as Miranda used to do them, and, although he frequently suggested that they should endeavor to imitate the methods of his late consort, they did not even try to do things as she used to do them, preferring their own ways. Therefore it was that Captain Eli determined to keep house by himself, and to do it, as nearly as his nature would allow, as Miranda used to do it. He swept his doors and he shook his door-mats; he washed his paint with soap and hot water; he dusted his furniture with a soft cloth, which he afterwards stuck behind a chest of drawers. He made his bed very neatly, turning down the sheet at the top, and setting the pillow upon edge, smoothing it carefully after he had done so. His cooking was based on the methods of the late Miranda. He had never been able to make bread rise properly, but he had always liked ship- biscuit, and he now greatly preferred them to the risen bread made by his neighbors. And as to coffee and the plainer articles of food with which he furnished his table, even Miranda herself would not have objected to them had she been alive and very hungry.
