On Hvee she had conceived his child. As they came to know each other more thoroughly, his agony diminished, and gradually he came to love her without guilt. Then she understood their peril—too late. She birthed his child and deserted him, because a longer stay could only have entailed far greater agony for them both. Her continued love would have destroyed him, simply because she was what she was. Because she did love him in her fashion, she could not bring herself to hurt him in the ways her culture demanded. A man of Minion would have understood, but not Aurelius.
Her son had grown up with such hate for the memory of the wayward mother that he had rejected his knowledge of the facts and had chosen to remember only the mother he wished he had had. No one could have told Aton the truth prematurely. He had been blind.
More: the very hurt and rage he nurtured became her own delight, for she was the minionette. She could read the hate in him, even as a child who did not know her, and it was the ideal emotion for her species. Oh, yes, she kissed him, enraptured by his confusion, and sent him home before that wonderful emotion faded. When she met him at fourteen she had done it again; his guilt and frustration at what he suspected was wrong were sufficient.
When he had searched her out aboard the carefully chosen Jocasta—which only now did he comprehend as the signal it was, intended to guide him to her when he was mature enough to understand—her dilemma intensified. He had come too soon; but he had been raging with the compellingly appealing frustrations, and she could not hold herself away. The game had gone on, bringing her further into his orbit: his horror of the Taphid cargo, his cold anger at the leverage her exposure of his lay roster provided her, his grief over the woman he thought he had lost. Until the crafty Xests, themselves semi-telepathic, had penetrated her ruse and left her helpless against the naïve love of her son.
She had gone with him, since he was not to be resisted, and her position with the merchant service was already forfeit. She had gone with him although she still did not know how to handle the coming crisis. She could not tell him the truth, since that would have sent him away forever—but neither could she submit to the passionate embrace he had in mind. She could not stay and she could not leave.
Thus, at the point of no return, the silence. Only in this way could she keep him close yet distant, until some more permanent alternative offered itself.
Thus Aton rationalized, now but not in the past—and found that even this was not enough. His imagination was fighting desperately to protect him from full realization. His mind had blanked the entire episode from memory as long as it could, and now gave ground unwillingly. He had to search out the evil, knowing it was there, knowing that he was not yet mature enough to face it.
The spotel episode had not been concluded. The two of them had to play it out, past and present, until the full reason for his torment lay exposed.
The secret was out: Aton was in love with his mother. Start with that, and go back. Relive it—if you can.
Back—as she had known he would, he reacted to the news with anguished indecision. The thing he had dreamed of could not be. Sweet as his emotion might be to her perception, brightening her lovely hair, it was a hollow luxury. He would go and never meet her again. He would spare her.
How little he understood the minionette!
Nude, as she remained after he had doffed the space suit, she beckoned him. “Aton,” she said. She was absolutely beautiful.
He came to her, as he always had, embarrassed for his thoughts as much as for the situation. It hurt him terribly to lose her, for she had lived—as a woman—in his fond imagination since the first forest encounter.
“Aton,” she repeated. “On Minion”—this, at the spotel, had been the first time he had heard the name of her home planet, and the name alone had stayed with him—”on Minion our culture is not like yours. I was wrong to go away with the outworlder, but I was young then and did not understand.” She took his hands in the familiar gesture. “Aton—on Minion the women live a long time, many times the life span of the men. The minionette outlives her first mate, if he is not soon executed, and then belongs to her closest of kin. By him she will bear another kin, and later yet another, from one generation to the next, until at last she is too old and has to birth a daughter. This is our way.”
Aton kneeled dumbly before her, his two hands prisoners to hers. What was she trying to tell him?
“Aton, you are half minion, and you are my kin.”
The horror of it began to force itself upon him, then. “You are my mother—”
“Yes. That is why this must be. That is the reason I came to you so early in the forest and gave you the melody and the hvee—so that you would know in your spirit what you could not know from your book. That you are minion, born to possess the minionette. You must do this, and your son after you, because it is in your culture and in your blood—your minion nature.”
Fighting what he knew now was the truth, Aton suffered a greater shock. For though the culture he understood forbade this thing utterly, he had, in an inversion that paralleled her emotional one—that he had not known about, then—grown up to believe her to be the most desirable of women. Because she had been, according to his incomplete knowledge, no relation to himself.
Now he knew that she, by beliefs of his own that were fundamental, was forbidden. And he found her—
Found her still the most compellingly desirable woman he could imagine. She had offered herself to him—and he wanted her, physically, more than ever before. That was what upset him most.
“Until this moment,” she said, “you were not ready, Aton. I had to wait a very long time to win you.” She relaxed on the couch, splendid in repose, pulling him with her. The living flame of her hair spread in and out, over face and shoulders and perfect breast, highlighting her body. Black-green eyes, so near to his, opened in deep vistas.
“So long a time,” she said. “So lovely. Kiss me, Aton, and come to me. Now, Aton—now!”
Fourteen
The day was turbulent. They rose together and left the garden shed, walking in the wind.
“Why did you let me discover your identity, at the spotel?” Aton asked her now. “The thing you wanted—it might easily have been, if I had not known.”
“Aton,” she said, shaking her head in gentle reproach, “Have you, have you not been to Minion? Have you not seen what love, your love, will do to the minionette?”
He had allowed himself to forget.
“Your love would have killed me, as that of your father would have killed me, had it been as you imagined when you courted me,” she explained. “Only your knowledge of the truth could make you condemn. Only through that—to you, negative—emotion could you approach me physically. You had to know.”
Aton could not reply immediately. She had waited a long time—but their meeting had been too soon. “Death and love were always linked, for us,” he said, not looking at her. “The death of illusion, the love of pain. I had to think that you were evil, and you had to let me believe that. But my resistance was stronger than desire. I left you, after all.”
“Did you, Aton?”
The path became steep, though the wind had dropped. He helped her climb, though she did not need it. Their discussion died as she seemed to metamorphose again, to fit his lonely parade of memories. Now she wore a pack and her blonde hair fluttered in an idle gust. On her wrist the silver circlet glittered.
Aton felt a qualm, suddenly wondering whether there had ever been an interlude with a pretty slave girl, a second love hoping pitifully to combat the first—a love that would have saved him from Chthon, had he been able to accept it. Had she been a genuine person at all? Or only another translation of his imagination? Had he ever really left the side of the minionette?
Theme of the shell! Were you part of the broken song? Was my dream vain, even then?
Even then…
Nothing dies on Idyllia—except hope.
They were at the top of a hillock representing a
mountain. Aton forgot his doubt. Under the massing clouds the view was beautiful, bright with that special color of early dusk. The shell, the song—no use to understand.
“I love you!” he shouted, his voice distant in his own ears. “I love you—” and once again his emotion was honest and strong.
Her hair was red; it was black; it was writhing in pain and she fell, as she had to fall, stricken cruelly. Thunder blasted sky and forest and field and love, and the rain fell, drenching, soiling all of it. And the melody he loved was washing away and soaking its blood into the ground.
He tumbled after, rolling, bumping, down the hillside, shocked with the blow he had dealt unwittingly, grasping at the song and finding only mud and torn weeds. Love was forbidden. He had never taken a woman for love, only for morbid purpose. Always the song had severed love—and now he was beyond the song; he had lost it, broken it forever… and the cold water sheeting into his upturned face was drowning him.
The rain stopped, in an hour or an instant, and Aton was in the swamp at the foot of the hill, beside the foul pond that bred the vicious annual larvae and spawned the deadly blight. On the far side lay the body, naked, lovely, but not dead, not dead. From the dark surface of the pool came a green glow, a Chthon-glow, casting back the slimed shadows and betraying the ominous ripple at the rim.
Suppressed memories stirred in him, intimations of horror and terrible slaughter. He had been here before. He had—
The undead body rose, and the hair was neither blonde nor fire but a soggy in-between. The form of it was not divinity but merely female. She came at him, circling the dark pool, treading on a narrow ledge.
Aton stood on that ledge too, unable to retreat from the noisome brink. There would be no way to avoid her, except to run around that nightmare track in helpless flight, unable to understand his panic. He did not yield to it; he stood and watched her slow march toward him, her small, heavy steps. He watched her second body march in step behind the first, and the third behind that: many bodies, horrible bodies.
Terror triumphed. He spun away from the pool—but the choking rain was up in walls he could not penetrate, arching unbroken into an opaque dome overhead. He could not break out.
He looked into the pool, and it seemed to him that the shapes in it were not tall weeds, but tongues. One was larger than the rest, nearer; it was a gross tubular tongue that came up blindly casting for flesh. It would sense him soon, and slap its way in his direction.
He fled, feet skidding. But from the opposite direction some other thing was coming, something dense and lateral, a massive spike, and there was no escape.
Aton spread himself with his back to the slippery wall, raised his eyes to the arching bowl above, and forced himself to think.
He thought not lucidly and not well, the appetite of his intellect gagging on the sickening stuff before it, but digesting enough to save his waning strength and make his world stand still for just a moment.
This impasse, this horror is somehow of my own making. It cannot be real, in a physical sense. Only in Chthon are such things literal.
My mind has clothed its tumult in some frightening allegory, as it has done before. It has dramatized my mental conflict, forcing me to solve it now, or give up the pretense of sanity. I am standing on the bank of the swamp pond, and there is no monster in it, no wall around it; there is only the incipient blight and the steady rain. There are no reduplicating figures closing in on me, no terrible spike from the other side; only the woman I love and must hate, the alluring minionette.
But the conflict, he knew, was real, and his moment of decision had come—whatever the elements of it might be, and whatever its resolution might mean. He was trapped by a web spun long ago, when he had followed the half-heard melody into the wood and became its slave. Throughout his life he had been unable either to complete it or to escape it. Chthon itself had not resolved that dilemma. Now he had to face the ghastly alternatives himself, and embrace the rigors of that choice.
The marching column of women represented Malice, in all her forms: ubiquitous, but unable to accept direct love. His normal emotion was a sword, wielded against the minionette. Should he slay her with that love?
Or should he wait for the dread spike closing from the other side: the obscene inversion of their relationship? Impaled on it, he would become a creature of perpetual hate, a minion, his self-identity and integrity buried in sadism. She would flourish; her song would be complete. But he—
He stared into the rank water and saw huge movements there, and heard the limber tongue slap nearer. He could escape his choice by flinging himself into the maw of that personified muck. The septic threads of slime would foul his skin and imprint in it the malodorous blight that had taken his father. It would not be merciful.
Did Aurelius still live? Aton did not know.
There had to be some other alternative. Some outlet that would free him, or at least postpone the choice. A drain, an exit from the pool—some rushing aperture leading into the unknown, but an escape, a relief. Could he find it?
When he recognized his need for it, it was there: an opening into the unknown. It might lead to death, or to choices more appalling even than those he fled from. Once taken, this step could never be withdrawn, as a plunge into a waterfall cannot be reversed. He hesitated.
“Aurelius is dead,” the minionette said, very close. She would have felt the old man go, vanquished at last by the genuine pool-monster, the blight. Aton had felt the loss himself, had felt the cessation of an emotional compartment, in that half-telepathy he had never before admitted he possessed. That same sense hinted darkly that he had had some part in the death of his father, however unintentionally. Had the decision he was making been so wide-ranging? Was this the price of his escape?
Committed now, by obscure circumstance, he took the step, refusing to examine whatever hideous price was being exacted. He would skirt the verge of insanity itself. For the sake of the fainting hope it offered. The swirling vortex sucked him in, and the dark smothering wave closed over him, carrying him after all to—
Fifteen
Aton found himself on the surface of the spotel asteroid, naked between its bulk and the immensity of space. Naked because this rock was featureless and night was close; no gravity comforted him with her embrace, no atmosphere caressed his clinging suit. Only the static action of his boots maintained his tenuous contact with the little planet, linking them firmly enough so long as he did not deliberately wrench both feet away at once. So long as he did not jump.
He looked about, awed in his blood by this singular and not unpleasant confrontation with inanimate nature. Behind him was the lock of the spotel, leading to the shuttle he meant to pilot away from here, leading also to the plush interior and an offering he could not accept. No matter what she said, what she was, she was forbidden. He had to get away from her. But first, this walk on the surface, to calm himself.
Ahead was almost total isolation, and he needed that. Easily was the contrast made between the facets of man, with his measurable accomplishment and immeasurable loneliness, who thus traversed a rock on which he could not live.
This asteroid was flat, a fragment from some larger body; it reminded one of the ancient days of the Earth-home and the fearful, foot-loose ancestors who thought their world was flat. The would have been right, had they lived here.
This featureless tableau was as barren as the landscape of his life. The bright stars were all about, this nightside, promising excitement and adventure and comfort in their great numbers, if only it were possible to step to their population. Yet he had been in those far systems already, and had suffered through their evanescent promise and found his heart alone.
Long strides carried his body across the plateau as he ran, one foot always touching, throwing himself toward the edge of a plain that the vacuum’s clarity claimed was miles away. Its end was precipice, the brink of the tiny planet limned against the starlight in a thin vice-versa silhouette. He would throw hims
elf off, into oblivion, to fall forever through the open reaches of his wasted intellect, inchoate at last.
Too soon he reached that fringe. His mind balked at the attempt. My flesh, he thought with bitter humor, is willing; it is my spirit that is weak.
Momentum, deceptive in the absence of gravity, carried him on. He spun around the broken edge, boots clinging as tenaciously to land as his spirit clung to a barren life. The asteroid was thin, this far side, scarcely a hundred feet in depth. Mountainously jagged strata exposed the wound that had torn it from its mother-lode and flung it into limbo an eternity ago. With what terrible pain had it begun its journey, alone, so much alone?
He bent and found a fossil: a great leaf-shape imprinted in the stone, larger than his hand. It was the skeletal remnant of a living thing, more lovely in its demise than ever it had been in life. For never would its beauty fade; never would its essence die.
His gloved fingers caressed the fixed serrations in honor of a lingering camaraderie. Would the fossil of Aton ride through space with such indifferent éclat?
Death, where is now thy—
He tried to shake off the mood by climbing toward the bright sunside of the asteroid. The leaf must have grown in sunshine, once. If one could only enter the heaven of the fossil’s past, see the waving foliage, touch the mighty tree. Turn back the metronome of matter, allow all doubts to be resolved in the soft embrace of life’s origins.
The sharp horizon brightened as he approached sun-side. One heave, around the second corner—
He was bathed in the warm brilliance of that sun; light, light everywhere, banishing all dark and all doubt.
The mechanism of the suit compensated immediately, protecting him, allowing him to look out upon the land, to see the air on it, the shining mists in the air, the growing things in the soil, the great green leaves.
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