by T. S. Eliot
Of the Fox and French Horn for his afternoon sleep;
And when the men say: "There's just time for one more,"
Then the landlady from her back parlour will peep
And say "Now then, out you go, by the back door,
For Old Deuteronomy mustn't be woken—
I'll have the police if there's any uproar"—
And out they all shuffle, without a word spoken.
The digestive repose of that feline's gastronomy
Must never be broken, whatever befall:
And the Oldest Inhabitant croaks: "Well, of all…
Things…Can it be…really!...Yes!...No!...
Ho! Hi!
Oh, my eye!
My legs may be tottery, I must go slow
And be careful of Old Deuteronomy!"
OF THE AWEFUL BATTLE
The Pekes and the Pollicles, everyone knows,
Arc proud and implacable passionate foes,
It is always the same, wherever one goes.
And the Pugs and the Poms, although most people say
That they do not like fighting, yet once in a way,
They will now and again join in to the fray
And they
Bark bark bark bark
Bark bark bark bark
Until you can hear them all over the Park.
Now on the occasion of which I shall speak
Almost nothing had happened for nearly a week
(And that's a long time for a Pol or a Peke)
The big Police Dog was away from his beat—
I don't know the reason, but most people think
He'd slipped into the Wellington Arms for a drink—
And no one at all was about on the street
When a Peke and a Pollicle happened to meet.
They did not advance, or exactly retreat,
But they glared at each other, and scraped their hind feet,
And started to
Bark bark bark bark
Bark bark bark bark
Until you could hear them all over the Park.
Now the Peke, although people may say what they please,
Is no British Dog, but a Heathen Chinese.
And so all the Pekes, when they heard the uproar,
Some came to the window, some came to the door;
There were surely a dozen, more likely a score.
And together they started to grumble and wheeze
In their huffery-snuffery Heathen Chinese.
But a terrible din is what Pollicles like,
For your Pollicle Dog is a dour Yorkshire tyke,
And his braw Scottish cousins are snappers and biters,
And every dog-jack of them notable fighters,
And so they stepped out, with their pipers in order,
Playing When the Blue Bonnets Came Over the Bolder.
Then the Pugs and the Poms held no longer aloof,
But some from the balcony, some from the roof,
Joined in
To the din
With a
Bark bark bark bark
Bark bark bark bark
Until you could hear them all over the Park.
Now when these bold heroes together assembled,
The traffic all stopped, and the Underground trembled,
And some of the neighbours were so much afraid
That they started to ring up the Fire Brigade.
When suddenly, up from a small basement flat,
Why who should stalk out but the GREAT RUMPSCAT.
His eyes were like fireballs fearfully blazing,
He gave a great yawn, and his jaws were amazing,
And when he looked out through the bars of the area,
You never saw anything fiercer or hairier.
And what with the glare of his eyes and his yawning,
The Pekes and the Pollicles quickly took warning.
He looked at the sky and he gave a great leap—
And they every last one of them scattered like sheep.
And when the Police Dog returned to his beat,
There wasn't a single one left in the street.
MR. MISTOFFELEES
You ought to know Mr Mistoffelees!
The Original Conjuring Cat—
(There can be no doubt about that)
Please listen to me and don't scoff. All his
Inventions are off his own bat.
There's no such Cat in the metropolis;
He holds all the patent monopolies
For performing surprising illusions
And creating eccentric confusions.
At prestidigitation
And at legerdemain
He'll defy examination
And deceive you again.
The greatest magicians have something to learn
From Mr Mistoffelees' Conjuring Turn
Presto!
Away we go!
And we all say: OH!
Well I never!
Was there ever
A Cat so clever
As Magical Mr Mistoffelees!
He is quiet and small, he is black
From his ears to the tip of his tail,
He can creep through the tiniest crack,
He can walk on the narrowest rail.
He can pick any card from a pack,
He is equally cunning with dice;
He is always deceiving you into believing
That he's only hunting for mice
He can play any trick with a cork
Or a spoon and a bit of fish-paste;
If you look for a knife or a fork
And yon think it is merely misplaced—
You have seen it one moment, and then it is gawn!
But you'll find it next week lying out on the lawn
And we all say: OH!
Well I never!
Was there ever
A Cat so clever
As Magical Mr Mistoffelees!
His manner is vague and aloof,
You would think there was nobody shyer—
But his voice has been heard on the roof
When he was curled up by the fire.
And he's sometimes been heard by the fire
When he was about on the roof—
(At least we all heard that somebody purred)
Which is incontestable proof
Of his singular magical powers
And I have known the family to call
Him in from the garden for hours,
While he was asleep in the hall
And not long ago this phenomenal Cat
Produced seven kittens right out of a hat!
And we all said: OH!
Well I never!
Did you ever
Know a Cat so clever
As Magical Mr Mistoffelees!
MACAVITY: THE MYSTERY CAT
Macavity's a Mystery Cat: he's called the Hidden Paw—
For he's the master criminal who can defy the Law
He's the bafflement of Scotland Yard, the Flying Squad's despair:
For when they reach the scene of crime—Macavity's not there!
Macavity, Macavity, there's no one like Macavity,
He's broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare,
And when you reach the scene of crime—Macavity's not there!
You may seek him m the basement, you may look up in the air—
But I tell you once and once again, Macavity's not there!
Macavity's a ginger cat, he's very tall and thin,
You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly domed;
His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake;
And when you think he's half asleep, he's always wide awake.
Macavity,
Macavity, there's no one like Macavity,
For he's a fiend in feline shape, a monster of depravity.
You may meet him m a by-street, you may see him in the square—
But when a crime's discovered, then Macavity's not there!
He's outwardly respectable (They say he cheats at cards)
And his footprints are not found m any file of Scotland Yard's.
And when the larder's looted, or the jewel-case is rifled,
Or when the milk is missing, or another Peke's been stifled,
Or the greenhouse glass is broken, and the trellis past repair—
Ay, there's the wonder of the thing' Macavity's not there!
And when the Foreign Office find a Treaty's gone astray,
Or the Admiralty lose some plans and drawings by the way,
There may be a scrap of paper in the hall or on the stair—
But it's useless to investigate—Macavity's not there!
And when the loss has been disclosed, the Secret Service say:
"It must have been Macavity'"—but he's a mile away.
You'll be sure to find him resting, or a-licking of his thumbs,
Or engaged in doing complicated long division sums.
Macavity, Macavity, there's no one like Macavity,
There never was a Cat of such deceitfulness and suavity.
He always has an alibi, and one or two to spare:
At whatever time the deed took place—MACAVITY WASN’T THERE!
And they say that all the Cats whose wicked deeds are widely known
(I might mention Mungojerrie, I might mention Griddlebone)
Are nothing more than agents for the Cat who all the time
Just controls their operations the Napoleon of Crime!
GUS: THE THEATER CAT
Gus is the Cat at the Theatre Door.
His name, as I ought to have told you before,
Is really Asparagus That's such a fuss
To pronounce, that we usually call him just Gus.
His coat's very shabby, he's thin as a rake,
And he suffers from palsy that makes his paw shake.
Yet he was, in his youth, quite the smartest of Cats—
But no longer a terror to mice and to rats.
For he isn't the Cat that he was in his prime;
Though his name was quite famous, he says, in its time.
And whenever he joins his friends at their club
(Which takes place at the back of the neighbouring pub)
He loves to regale them, if someone else pays,
With anecdotes drawn from his palmiest days.
For he once was a Star of the highest degree—
He has acted with Irving, he's acted with Tree.
And he likes to relate his success on the Halls,
Where the Gallery once gave him seven cat-calls.
But his grandest creation, as he loves to tell,
Was Firefrorefiddle, the Fiend of the Fell.
"I have played," so he says, "every possible part,
And I used to know seventy speeches by heart.
I'd extemporize back-chat, I knew how to gag,
And I knew how to let the cat out of the bag.
I knew how to act with my back and my tail,
With an hour of rehearsal, I never could fail.
I'd a voice that would soften the hardest of hearts,
Whether I took the lead, or in character parts.
I have sat by the bedside of poor Little Nell;
When the Curfew was rung, then I swung on the bell.
In the Pantomime season I never fell flat,
And I once understudied Dick Whittington's Cat.
But my grandest creation, as history will tell,
Was Firefrorefiddle, the Fiend of the Fell."
Then, if someone will give him a toothful of gin,
He will tell how he once played a part in East Lynne.
At a Shakespeare performance he once walked on pat,
When some actor suggested the need for a cat.
He once played a Tiger—could do it again—
Which an Indian Colonel pursued down a drain.
And he thinks that he still can, much better than most,
Produce blood-curdling noises to bring on the Ghost.
And he once crossed the stage on a telegraph wire,
To rescue a child when a house was on fire.
And he says "Now, these kittens, they do not get trained
As we did m the days when Victoria reigned.
They never get drilled m a regular troupe,
And they think they are smart, just to jump through a hoop”
And he'll say, as he scratches himself with his claws,
"Well, the Theatre's certainly not what it was.
These modern productions are all very well,
But there's nothing to equal, from what I hear tell,
That moment of mystery
When I made history
As Firefrorefiddle, the Fiend of the Fell."
BUSTOPHER JONES
Bustopher Jones is not skin and bones—
In fact, he's remarkably fat.
He doesn't haunt pubs—he has eight or nine clubs,
For he's the St James's Street Cat!
He's the Cat we all greet as he walks down the street
In his coat of fastidious black:
No commonplace mousers have such well-cut trousers
Or such an impeccable back.
In the whole of St James's the smartest of names is
The name of this Brummell of Cats;
And we're all of us proud to be nodded or bowed to
By Bustopher Jones m white spats!
His visits are occasional to the Senior Educational
And it is against the rules
For any one Cat to belong both to that
And the Joint Superior Schools
For a similar reason, when game is in season
He is found, not at Fox's, but Blimp's;
He is frequently seen at the gay Stage and Screen
Which is famous for winkles and shrimps.
In the season of venison he gives his ben'son
To the Pothunter's succulent bones;
And just before noon's not a moment too soon
To drop in for a drink at the Drones.
When he's seen in a hurry there's probably curry
At the Siamese—or at the Glutton;
If he looks full of gloom then he's lunched at the Tomb
On cabbage, rice pudding and mutton.
So, much m this way, passes Bustopher's day—
At one club or another he's found.
It can be no surprise that under our eyes
He has grown unmistakably round.
He's a twenty-five pounder, or I am a bounder,
And he's putting on weight every day:
But he's so well preserved because he's observed
All his life a routine, so he'll say.
Or, to put it in rhyme "I shall last out my time"
Is the word of this stoutest of Cats.
It must and it shall be Spring in Pall Mall
While Bustopher Jones wears white spats!
SHIMBLESHANKS: THE RAILWAY CAT
There's a whisper down die line at 1139
When the Night Mail's ready to depart,
Saying "Skimble where is Skimble has he gone to hunt the thimble?
We must find him or the train can't start"
All the guards and all the porters and the stationmaster’s daughters
They are serching high and low,
Saying "Skimble where is Skimble for unless he's very nimble
Then the Night Mail just can't go."
At 1142 then the signal's nearly due
And the passengers are frantic to a man—
Then Skimble will appear and he'll saunter to the rear:
He's been busy in the luggage van!
He gi
ves one flash of his glass-green eyes
And the signal goes "All Clear!"
And we're off at last for the northern part Of the Northern Hemisphere!
You may say that by and large it is
Skimble who's in charge
Of the Sleeping Car Express.
From the driver and the guards
to the bagmen playing cards
He will supervise them all, more or less.
Down the corridor he paces and examines all the faces
Of the travelers in the First and in the Third;
He establishes control by a regular patrol
And he'd know at once if anything occurred.
He will watch you without winking and he sees what you are thinking
And it's certain that he doesn't approve
Of hilarity and riot, so the folk are very quiet
When Skimble is about and on the move.
You can play no pranks with Skimbleshanks!
He's a Cat that cannot be ignored;
So nothing goes wrong on the Northern Mail
When Skimbleshanks is aboard.
Oh it's very pleasant when you have found your little den
With your name written up on the door.
And the berth is very neat with a newly folded sheet
And there's not a speck of dust on the floor.
There is every sort of light—you can make it dark or bright;
There's a handle that you turn to make a breeze.
There's a funny little basin you're supposed to wash your face in
And a crank to shut the window if you sneeze.
Then the guard looks in politely and will ask you very brightly
"Do you like your morning tea weak or strong?"
But Skimble's just behind him and was ready to remind him,
For Skimble won't let anything go wrong.
And when you creep into your cozy berth
And pull up the counterpane,
You ought to reflect that it's very nice
To know that you won't be bothered by mice—
You can leave all that to the Railway Cat,
