‘You make the assumption. I do not confirm it. You must have a guilty conscience towards her, if you think she has such cause to hate you.’
‘And will you believe something so monstrous?’ George begs. ‘On the word of one woman?’
‘There are other women who have been recipients of your gallantry. I will not bring them before a court if I can help it, I can do that much to protect them. You have always regarded women as disposable, my lord, and you cannot complain if in the end they think the same of you.’
‘So am I to be put on trial for gallantry? Yes, they are jealous of me, you are all jealous, I have had some success with women.’
‘You still call it success? You must think again.’
‘I never heard it was a crime. To spend time with a willing lover.’
‘You had better not say that in your defence. If one of your lovers is your sister…the court will find it, what shall we say…pert and bold. Lacking in gravity. What would save you now – I mean, what might preserve your life – would be a full statement of all you know about your sister’s dealings with other men. Some suggest there are liaisons which would put yours in the shade, unnatural though it may be.’
‘You are a Christian man, and you ask me this? To give evidence to kill my sister?’
He opens his hands. ‘I ask nothing. I only point out what some would see as the way forward. I do not know whether the king would incline to mercy. He might let you live abroad, or he might grant you mercy as to the manner of your death. Or not. The traitor’s penalty, as you know, is fearful and public; he dies in great pain and humiliation. I see you do know, you have witnessed it.’
Boleyn folds into himself: narrowing himself, arms across his body, as if to protect his guts from the butcher’s knife, and he slumps to a stool; he thinks, you should have done that before, I told you to sit, you see how without touching you I have made you sit? He tells him softly, ‘You profess the gospel, my lord, and that you are saved. But your actions do not suggest you are saved.’
‘You may take your thumbprints off my soul,’ George says. ‘I discuss these matters with my chaplains.’
‘Yes, so they tell me. I think you have become too assured of forgiveness, believing you have years ahead of you to sin and yet though God sees all he must be patient, like a waiting man: and you will notice him at last, and answer his suit, if only he will wait till you are old. Is that your case?’
‘I will speak to my confessor about that.’
‘I am your confessor now. Did you say, in the hearing of others, that the king was impotent?’
George sneers at him. ‘He can do it when the weather is set fair.’
‘In doing so, you called into question the parentage of the Princess Elizabeth. You will readily see this is treason, as she is the heir to England.’
‘Faute de mieux, as far as you’re concerned.’
‘The king now believes he could not have a son from this marriage, as it was not lawful. He believes there were hidden impediments and that your sister was not frank about her past. He means to make a new marriage, which will be clean.’
‘I marvel you explain yourself,’ George says. ‘You never did so before.’
‘I do so for one reason – so that you can realise your situation and entertain no false hope. These chaplains you speak of, I will send them to you. They are fit company for you now.’
‘God grants sons to every beggar,’ George says. ‘He grants them to the illicit union, as well as the blessed, to the whore as well as the queen. I wonder that the king can be so simple.’
‘It is a holy simplicity,’ he says. ‘He is an anointed sovereign, and so very close to God.’
Boleyn scrutinises his expression, for levity or scorn: but he knows his face says nothing, he can rely on his face for that. You could look back through Boleyn’s career, and say, ‘There he went wrong, and there.’ He was too proud, too singular, unwilling to bridle his whims or turn himself to use. He needs to learn to bend with the breeze, like his father; but the time he has to learn anything is running out fast. There is a time to stand on your dignity, but there is a time to abandon it in the interests of your safety. There is a time to smirk behind the hand of cards you have drawn, and there is a time to throw down your purse on the table and say, ‘Thomas Cromwell, you win.’
George Boleyn, right forepaw.
By the time he gets to Francis Weston (right hindpaw) he has been approached by the young man’s family and offered a great deal of money. Politely, he has refused them; in their circumstances he would do just the same, except that it is hard to imagine Gregory or any member of his household to be such a fool as this young man has been.
The Weston family go further: they approach the king himself. They will make an offering, they will make a benevolence, they will make a large and unconditional donation to the king’s treasury. He discusses it with Fitzwilliam: ‘I cannot advise His Majesty. It is possible that lesser charges can be brought. It depends how much His Majesty thinks his honour is touched.’
But the king is not disposed to be lenient. Fitzwilliam says grimly, ‘If I were Weston’s people, I would pay the money anyway. To ensure favour. Afterwards.’
That is the very approach he has settled on himself, thinking of the Boleyn family (those who survive) and the Howards. He will shake the ancestral oaks and gold coins will drop each season.
Even before he comes to the room where Weston is held, the young man knows what to expect; he knows who is gaoled with him; he knows or has a good idea of the charges; his gaolers must have babbled, because he, Cromwell, has cut off communication between the four men. A talkative gaoler can be useful; he can nudge a prisoner towards cooperation, towards acceptance, towards despair. Weston must guess his family’s initiative has failed. You look at Cromwell and you think, if bribery won’t do it, nothing else will. It’s useless to protest or disclaim or contradict. Abasement might just do it, it’s worth a try. ‘I taunted you, sir,’ Francis says. ‘I belittled you. I am sorry I ever did so. You are the king’s servant and it was proper for me to respect that.’
‘Well, that is a handsome apology,’ he says. ‘Though you should beg forgiveness of the king and of Jesus Christ.’
Francis says, ‘You know I am not long married.’
‘And your wife left at home in the country. For obvious reasons.’
‘Can I write to her? I have a son. He is not yet a year.’ A silence. ‘I wish my soul to be prayed for after I am dead.’
He would have thought God could make his own decisions, but Weston believes the creator may be pushed and coaxed and maybe bribed a little. As if following his thought, Weston says, ‘I am in debt, Master Secretary. To the tune of a thousand pounds. I am sorry for it now.’
‘No one expects a gallant young gentleman like yourself to be thrifty.’ His tone is kindly, and Weston looks up. ‘Of course, these debts are more than you could reasonably pay, and even set against the assets you will have when your father dies, they are a heavy burden. So your extravagance gives people to think, what expectations had young Weston?’
For a moment, the young man looks at him with a dumb, rebellious expression, as if he does not see why this should be brought against him: what have his debts to do with anything? He does not see where it is leading. Then he does. He, Cromwell, puts out a hand to grab his clothes, to stop him slumping forward in shock. ‘A jury will easily grasp the point. We know the queen gave you money. How could you live as you did? It is easy to see. A thousand pounds is nothing to you, if you hoped to marry her once you had contrived the king’s death.’
When he is sure that Weston can sit upright, he opens his fist and eases his grip. Mechanically, the boy reaches up and straightens his clothes, straightens the little ruff of his shirt collar.
‘Your wife will be taken care of,’ he tells him. ‘Have no unease on that score. The king never extends animosity to widows. She will be cared for better, I dare say, than you ever cared for her.’
Weston looks up. ‘I cannot fault your reasoning. I see how it will weigh when it is given in evidence. I have been a fool and you have stood by and seen it all. I know how I have undone myself. I cannot fault your conduct either, because I would have injured you if I could. And I know I have not lived a good…I have not lived…you see, I thought I should have another twenty years or more to live as I have, and then when I am old, forty-five or fifty, I should give to hospitals and endow a chantry, and God would see I was sorry.’
He nods. ‘Well, Francis,’ he says. ‘We know not the hour, do we?’
‘But Master Secretary, you know that whatever wrong I have done, I am not guilty in this matter of the queen. I see by your face you know it, and all the people will know it too when I am brought out to die, and the king will know it and think about it in his private hours. I shall be remembered, therefore. As the innocent are remembered.’
It would be cruel to disturb that belief; he looks to his death to give him greater fame than his life has done. All the years that stretched before him, and no reason to believe that he meant to make any better use of them than he made of the first twenty-five; he himself says not. Brought up under the wing of his sovereign, a courtier since he was a child, from a family of courtiers: never a moment’s doubt about his place in the world, never a moment’s anxiety, never a moment’s thankfulness for the great privilege of having been born Francis Weston, born in the eye of fortune, born to serve a great king and a great nation: he will leave nothing but his debt, and a tarnished name, and a son: and anyone can father a son, he says to himself: until he remembers why we are here and what all this is about. He says, ‘Your wife has written for you to the king. Asking for mercy. You have a great many friends.’
‘Much good they will do me.’
‘I do not think you realise that at this juncture, many men would find themselves alone. It should cheer you. You should not be bitter, Francis. Fortune is fickle, every young adventurer knows that. Resign yourself. Regard Norris. No bitterness there.’
‘Perhaps,’ the young man blurts, ‘perhaps Norris thinks he has no reason for bitterness. Perhaps his regrets are honest ones, and necessary. Perhaps he deserves to die, as I do not.’
‘He is well paid out, you think, for meddling with the queen.’
‘He is always in her company. It is not to discuss the gospel.’
He is, perhaps, on the verge of a denunciation. Norris had begun on some admission to William Fitzwilliam, but he bit it back. Perhaps the facts will come out now? He waits: sees the boy’s head sink into his hands; then, impelled by something, he does not know what, he stands up, says, ‘Francis, excuse me,’ and walks out of the room.
Outside Wriothesley is waiting, with gentlemen of his household. They are leaning against the wall, sharing some joke. They stir at the sight of him, look expectant. ‘Are we finished?’ Wriothesley says. ‘He has confessed?’
He shakes his head. ‘Each man will give a good account of himself, but he will not absolve his fellows. Also, they will all say “I am innocent,” but they do not say, “She is innocent.” They are not able. It may be she is, but none of them will give his word on it.’
It is just as Wyatt once told him: ‘The worst of it is,’ he had said, ‘her hinting to me, her boasting almost, that she says no to me, but yes to others.’
‘Well, you have no confessions,’ Wriothesley says. ‘Do you want us to get them?’
He gives Call-Me a look that knocks him back, so he steps on the foot of Richard Riche. ‘What, Wriothesley, do you think I am too soft to the young?’
Riche rubs his foot. ‘Shall we draw up specimen charges?’
‘The more the merrier. Forgive me, I need a moment…’
Riche assumes he has gone out to piss. He does not know what caused him to break off from Weston and walk out. Perhaps it was when the boy said ‘forty-five or fifty’. As if, past mid-life, there is a second childhood, a new phase of innocence. It touched him, perhaps, the simplicity of it. Or perhaps he just needed air. Let us say you are in a chamber, the windows sealed, you are conscious of the proximity of other bodies, of the declining light. In the room you put cases, you play games, you move your personnel around each other: notional bodies, hard as ivory, black as ebony, pushed on their paths across the squares. Then you say, I can’t endure this any more, I must breathe: you burst out of the room and into a wild garden where the guilty are hanging from trees, no longer ivory, no longer ebony, but flesh; and their wild lamenting tongues proclaim their guilt as they die. In this matter, cause has been preceded by effect. What you dreamed has enacted itself. You reach for a blade but the blood is already shed. The lambs have butchered and eaten themselves. They have brought knives to the table, carved themselves, and picked their own bones clean.
May is blossoming even in the city streets. He takes flowers in to the ladies in the Tower. Christophe has to carry the bouquets. The boy is filling out and looks like a bull garlanded for sacrifice. He wonders what they did with their sacrifices, the pagans and the Jews of the Old Testament; surely they would not waste fresh meat, but give it to the poor?
Anne is housed in the suite of rooms that were redecorated for her coronation. He himself had overseen the work, and watched as goddesses, with their soft and brilliant dark eyes, blossomed on the walls. They bask in sunlit groves, under cypress trees; a white doe peeps through foliage, while the hunters head off in another direction, and hounds lollop ahead of them, making their hound music.
Lady Kingston rises to greet him, and he says, ‘Sit down, dear madam…’ Where is Anne? Not here in her presence chamber.
‘She is praying,’ one of the Boleyn aunts says. ‘So we left her to it.’
‘She has been a while,’ the other aunt says. ‘Are we sure she hasn’t got a man in there?’
The aunts giggle; he does not join them; Lady Kingston gives them a hard look.
The queen emerges from the little oratory; she has heard his voice. Sunlight strikes her face. It is true what Lady Rochford says, she has begun to line. If you did not know she was a woman who had held a king’s heart in her hand, you would take her for a very ordinary person. He supposes there will always be a strained levity in her, a practised coyness. She will be one of those women who at fifty thinks she is still in the game: one of those tired old experts in innuendo, women who simper like maids and put their hand on your arm, who exchange glances with other women when a prospect like Tom Seymour heaves into view.
But of course, she will never be fifty. He wonders if this is the last time he will see her, before the courtroom. She sits down, in shadow, in the midst of the women. The Tower always feels damp from the river and even these new, bright rooms feel clammy. He asks if she would like furs brought in, and she says, ‘Yes. Ermine. Also, I do not want these women. I should like women of my own choosing, not yours.’
‘Lady Kingston attends you because –’
‘Because she is your spy.’
‘– because she is your hostess.’
‘Am I then her guest? A guest is free to leave.’
‘I thought you would like to have Mistress Orchard,’ he says, ‘as she is your old nurse. And I didn’t think you would object to your aunts.’
‘They have grudges against me, both of them. All I see and hear is sniggering and tutting.’
‘Jesus! Do you expect applause?’
This is the trouble with the Boleyns: they hate their own kin. ‘You will not speak in that way to me,’ Anne says, ‘when I am released.’
‘I apologise. I spoke without thinking.’
‘I do not know what the king means by holding me here. I suppose he does it to test me. It is some stratagem he has devised, yes?’
She does not really think that, so he does not answer.
‘I should like to see my brother,’ Anne says.
One aunt, Lady Shelton, looks up from her needlework. ‘That is a foolish demand, in the circumstances.’
‘Wher
e is my father?’ Anne says. ‘I do not understand why he does not come to my aid.’
‘He is lucky to be at liberty,’ Lady Shelton says. ‘Expect no help there. Thomas Boleyn always looked after himself first, and I know it, for I am his sister.’
Anne ignores her. ‘And my bishops, where are they? I have nourished them, I have protected them, I have furthered the cause of religion, so why do they not go to the king for me?’
The other Boleyn aunt laughs. ‘You expect bishops to intervene, to make excuses for your adultery?’
It is evident that, in this court, Anne has already been tried. He says to her, ‘Help the king. Unless he is merciful your cause is lost, you can do nothing for yourself. But you may do something for your daughter Elizabeth. The more humbly you hold yourself, the more penitent you show yourself, the more patiently you bear with the process, the less bitterness will His Majesty feel when your name is raised hereafter.’
‘Ah, the process,’ Anne says, with a flash of her old sharpness. ‘And what is this process to be?’
‘The confessions of the gentlemen are now being compiled.’
‘The what?’ Anne says.
‘You heard,’ Lady Shelton says. ‘They will not lie for you.’
‘There may be other arrests, other charges, though by speaking out now, by being open with us, you could shorten the pain for all concerned. The gentlemen will come to trial together. For yourself and my lord your brother, since you are ennobled, you will be judged by your peers.’
‘They have no witnesses. They can make any accusation, and I can say no to it.’
‘That is true,’ he concedes. ‘Though it is not true about the witnesses. When you were at liberty, madam, your ladies were intimidated by you, forced to lie for you, but now they are emboldened.’
‘I am sure they are.’ She holds his gaze; her tone is scornful. ‘In the way Seymour is emboldened. Tell her from me, God sees her tricks.’
He stands to take his leave. She unnerves him, the wild distress she is keeping in check, holding back but only just. There seems no point in prolonging the business, but he says, ‘If the king begins a process to nullify your marriage, I may return, to take statements from you.’
Bring Up the Bodies Page 35
