by Teri Wilson
Tessa Wilde had a glittering career in front of her...
And then the accident happened.
Ballerina Tessa Wilde had gotten used to hiding her deafness from the world—in fact, she had just landed a role of a lifetime.
If only Julian Shine, brooding piano accompanist, would leave her alone. Or if she could leave him alone.
When he played, she could hear...every note. So was it real? Or was it the music of her heart?
“I’m sorry.” She swallowed. “So sorry.”
He looked at her as though she’d materialized out of thin air, which she sort of had since she’d flown right into the room. He started to say something, but she didn’t catch it because her gaze dropped to her hands, still gripping his shirt like he was her own personal, perfectly muscular security blanket.
She ordered her balled fists to let go, and they flagrantly disobeyed. Then, to her even greater mortification, the piano man’s musical fingers wrapped around hers and unfastened them for her. As per usual, there was a scowl on his face. Tessa didn’t know if it was due to the fact that she’d plowed straight into him or because it seemed to be his default expression. Resting Heathcliff face.
Oh God.
She scrambled to the floor to gather her shoes together. Rehearsal was mere seconds away, and she wasn’t anywhere near her spot. She felt altogether vulnerable. Exposed. As if every pair of eyes in the room was bearing down on her, but when she glanced up, no one was watching.
Only him.
WILDE HEARTS: Letting their hearts loose, one Wilde at a time!
Dear Reader,
Welcome back to glamorous New York City! The Ballerina’s Secret is the first book in my newest series for Harlequin Special Edition. Like Drake Diamonds, my debut series for Special Edition, Wilde Hearts will take you on a breathless, romantic trip to the city that never sleeps. I’m especially excited to share this story with you, because it’s one that I’ve wanted to write for quite a while.
During auditions for a new ballet, ballerina Tessa Wilde, who is deaf, is stunned to realize she can suddenly hear. Tessa is distraught, convinced she’s imagining things. But there’s also a new rehearsal pianist in the studio—a brooding musician with a mysterious scar near his mouth. Julian Shine’s music is the first thing Tessa’s heard in years... Could it be fate?
I wrote the beginning of this book during a writing retreat with three friends in the remote Scottish Highlands. The story doesn’t take place in Scotland, obviously, but I was very inspired by the wild elegance of Scotland’s landscape. In many ways, it was this rugged beauty that inspired me to write Julian, the hero of this story. He’s unlike any other hero I’ve written, and I just adore him. I hope you do, too.
If you enjoy The Ballerina’s Secret, be sure to check out the three books in Drake Diamonds, my other series for Harlequin Special Edition.
Happy reading,
Teri Wilson
The Ballerina’s Secret
Teri Wilson
Teri Wilson is a novelist for Harlequin. She is the author of Unleashing Mr. Darcy, now a Hallmark Channel Original Movie. Teri is also a contributing writer at HelloGiggles.com, a lifestyle and entertainment website founded by Zooey Deschanel that is now part of the People magazine, TIME magazine and Entertainment Weekly family. Teri loves books, travel, animals and dancing every day. Visit Teri at teriwilson.net or on Twitter, @teriwilsonauthr.
Books by Teri Wilson
Harlequin Special Edition
Drake Diamonds
His Ballerina Bride
The Princess Problem
It Started with a Diamond
HQN Books
Unmasking Juliet
Unleashing Mr. Darcy
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For Julia, Karen, Holly and Laird Joanna Macpherson, the lady laird of Attadale and Attadale Gardens in the Scottish Highlands, where I wrote the first four chapters of this book.
I can’t wait to go back.
Contents
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Excerpt from Herons Landing by JoAnn Ross
Excerpt from Fortune’s Homecoming by Allison Leigh
Chapter One
The 66th Street station hummed with music on Monday afternoon. Tessa couldn’t hear it, but she could feel the notes vibrating beneath her feet, ever so softly, like a whispered invitation to dance.
It had been a long time since Tessa had actually heard music, or anything else. Over a year. She no longer missed the bustle of crowds, the whoosh of trains or the collective rustling of the morning Times in the underground, but thirteen months hadn’t been long enough to shake the memory of music echoing off the tile mosaics. Sometimes she still dropped a dollar or two in the occasional violin or guitar case propped open on the gritty concrete floor. The street musician would usually smile in gratitude, and Tessa would smile back. Then she’d stand and watch the bow slide quietly over the violin strings until the silence grew painful.
Today, the music found her before she even spotted the elderly man wearing a bow tie and fedora, playing the trumpet beside one of the rust-colored pillars on the platform. Before she felt the hum beneath the soles of her shoes. It reached her first by sight. Specifically, by way of the twitch of her dog’s ears.
Mr. B loved music. As a hearing-assistance dog, he’d been trained to alert her to specific sounds—the telephone, the alarm clock, people calling her name—but recognizing music wasn’t part of his repertoire. Not intentionally, anyway. As best she could tell, he just enjoyed it.
Oh, the irony.
The ground rumbled underfoot as Tessa followed the little dog down the steps and into the station. She’d missed the uptown 1 train by mere minutes, if the near-empty platform was any indication. Other than the trumpet player, she and Mr. B were alone. Tessa gave him a little more slack on his leash, and he trotted straight toward the musician. A jazz player, if she had to venture a guess. He just had that look about him. Maybe it was the bow tie. Or possibly his black-and-white spectator shoes.
She’d worn shoes just like them once—last year, when the Wilde School of Dance had performed a Gershwin tribute. The curtain had gone up on an opening number to Rhapsody in Blue, with sultry movements, which were more reminiscent of Bob Fosse than classical ballet. It had been a novelty, wearing something other than pointe shoes. Tessa’s feet had been grateful for the respite, even though she was back en pointe before the third interlude. Not that she’d minded, really.
Tessa loved pointe shoes. She always had. Some of her earliest memories were made up of watching dancers’ pointed feet in the mirrored walls of her mother’s dance school while she played in the corner. Dance was in her blood. There had never been any question of whether or not she would take ballet class. Ballet was her destiny, and she’d loved it since the beginning. The moment her hand touched a ballet barre for the first time, she’d been hooked.
She fell for dance. Fast. Hard. As abhorrent as she now found that analogy, it fitted.
Then thirteen months ago, she’d fallen again. For real, this time. In a way, she was still falling. Day after day. And night after night, in her dreams.
She swallowed and blinked hard against the memories. She shouldn’t be thinking about her accident. Not now, over a year later, when she’d finally mustered enough courage to put herself out there and go after what she wanted.
When she opened her eyes, she found the trumpet player watching her as he blew into his horn. His eyes were kind, like a grandfather’s. This close, she could see the frayed edges of his bow tie and the threadbare spots on the elbows of his suit jacket. She wondered what song he was playing as she reached into her purse for a dollar bill.
She bent down and tossed it into the bucket at his feet, and when she stood up, she realized a small crowd had gathered. Commuters. Businessmen carrying briefcases. Women in sleek suits. And off to the side, a man with soulful blue eyes and the bone structure of a Michelangelo sculpture. A bit on the intense side. He looked angry, actually. Like a character from a Brontë novel. Heathcliff with a big, fat chip on his shoulder.
And he had an interesting scar next to the corner of his mouth, which enhanced his chiseled features in a way. It made him look less perfect, more human.
An artist of some sort. Tessa would have bet money on it.
But what was she doing staring at a total stranger? Especially one who looked as though he wanted to snatch the trumpet right out of the trumpet player’s hands and break it in two over his knee?
The poor old man. She reached into her bag for another dollar and couldn’t help noticing Heathcliff’s exaggerated eyeroll as she dropped it into the bucket. He shook his head and glared at her.
What a jerk.
Mr. B’s leash suddenly went taut in her hands, and Tessa looked down to find the dog standing at attention, staring in the direction of the platform. The subway car is coming.
After a year, she could read the dog’s body language better than she could read most humans’ lips. At home, one nudge of a paw meant a knock on the front door. Two nudges indicated her cell phone had gone off. Repeated face licking first thing in the morning meant rise and shine.
In public, Mr. B’s cues were more subtle. He hadn’t actually been trained to alert to specific sounds out in the world. But his reactions—even the tiny ones, such as a swivel of his fox-like head or a twitch of his plumed ears—spoke volumes. With Mr. B at the end of his leash, Tessa felt more aware of her environment. Safer somehow.
Inasmuch as Tessa felt safe these days.
She boarded the train, managed to find a spot with a clear, unencumbered view of the digital display of the scheduled stops and tried not to dwell on the fact that the most significant relationship in her life was with a dog. No, that wasn’t quite true. Dance had come first. Ballet was the love of her life. The source of her greatest joy, and as fate would have it, her most profound pain. In short, her feelings for dance were complicated.
Which was exactly how people with normal social lives labeled relationships with other actual humans on Facebook. Perfect.
Tessa sighed. She didn’t want to think about her relationships, or lack thereof, at the moment. If things had been different, she’d be married to Owen right now. She’d be a wife. Possibly even a mother. Maybe someday she still would.
Then again, maybe not.
There would be time for such things later, when her energy wasn’t one hundred percent devoted to rebuilding her career. Love, even friendship. Those things could wait. Couldn’t they?
Besides, she wasn’t technically a hermit or anything. She taught six classes a week at her mother’s dance school. Granted, most of her students were four-, five-and six-year-olds. But they were living, breathing people, with whom she interacted on a daily basis.
Plus she had dancer friends. Sort of. Violet was her friend at least. The two of them had been auditioning alongside one another for years. Long enough to give up any notions of one day becoming primas, or even making it as far as soloist. Which was fine, really. Tessa just wanted to dance. She just had to find someone who would give her a chance.
Keeping up was difficult enough when she could no longer hear the music. She would be grateful for even the smallest moment onstage, even if that moment was spent in the shadows of other dancers. Better dancers.
She knew that was a difficult thing for other people, hearing-people especially, to understand. Which was why she didn’t bother trying to explain it to anyone. Even her own family didn’t seem to get it.
She gave her dog a little squeeze. “It’s better this way, right, Mr. B? Just you and me.”
Mr. B craned his neck and gave her a dainty lick on her cheek.
“Right,” she whispered, but couldn’t seem to shake her air of melancholy.
She shouldn’t have stopped to watch the trumpet player in the station. Being unable to hear a melody she could so clearly see in the movement of a musician’s nimble fingers, in the creased concentration of his brow, had a way of making her more acutely aware of all she’d lost. And she didn’t like to dwell on everything that had slipped through her fingers. Her mother spent enough time doing that on her behalf.
She unzipped her dance tote and pulled out a canvas drawstring bag from Freed of London. She normally didn’t splurge on such extravagant pointe shoes. Her shoes didn’t matter much when she was teaching little girls how to plié all day long. Sometimes she went as long as a week without even dancing en pointe.
Then again, this was no ordinary week. The Manhattan Ballet was holding auditions for the next three days, in preparation for a brand-new ballet. Not just any ballet, but an original piece, choreographed by the legendary dancer-turned-choreographer Alexei Ivanov, the biggest dance star to come out of Russia since Mikhail Baryshnikov. He’d only been choreographing for two years, and already critics were comparing him to George Balanchine.
And he was coming here. To Manhattan. Just a few subway stops away from the very studio where Tessa had been dancing since she was three years old.
Ivanov was the reason for the new shoes. Tessa knew her chances of being selected for one of his ballets were slim to none. But she couldn’t give up. What kind of dancer would she be if she didn’t even try?
The kind of dancer who no longer performed, but only taught classes. That’s what kind.
She didn’t want to be that kind of dancer. Not anymore. The odds were stacked against her, but she couldn’t give up.
Not yet.
She pulled her sewing kit out of the side pocket of her dance bag and managed to get the needle properly threaded on the first try, despite the jostling of the subway car. She’d sewn ribbons on so many pointe shoes that she could probably do it in her sleep. She might have even done just that a few times during Nutcracker season, when back-to-back performances at the Wilde School left the dancers so exhausted, they could barely hold their heads up.
Playing seamstress on a moving train, before the car lurched into her station, would be no problem. With the chore behind her, once she got home, she could ice her feet, take an Epsom-salt bath and head straight to bed.
Because, again, who needs social interaction?
Enough with the self-pity. Tomorrow was important enough that the company dancers at the Manhattan Ballet were probably all planning to get to bed early, too. Even Chance Gabel. Granted, the bed he planned on climbing into likely wasn’t his. But still.
Needle threaded, she anchored it into the cuff of her sweater while she untied the drawstring of the slender bag containing her new shoes. She pulled one out, along with a carefully spooled coil of pale pink ribbon. As she positioned the edge of the ribbon alongside the outer seam of the shoes, Mr. B pawed at her hand.
The shoe fell into her lap. Tessa looked up but didn’t notice anything out of the ordinary.
“What is it?” she mouthed.
The little d
og cocked his head and swiveled his russet ears forward. If she hadn’t known better, she would have thought he was trying to alert her to a sound. Some unheard melody that was calling her name.
She glanced at the pregnant woman, who was sitting opposite her, and the pair of Wall Street types, who were standing near the door. No one seemed alarmed, which meant the fire alarm hadn’t gone off or anything.
Tessa ran a soothing hand over Mr. B’s narrow back. Maybe he was tired. She’d leave him at home tomorrow. She obviously wouldn’t be able to drag him along on her audition. The last thing she wanted was to draw more attention to her hearing loss.
But that was okay. She could handle a day in the city without him. She’d have to. It wasn’t as though she had a choice in the matter.
She’d be just fine on her own. In her quiet little world. Alone.
Wasn’t she always?
* * *
Before he even set foot in the subway station, Julian had been less than thrilled by his present circumstances—those circumstances being his growing need for a source of income, despite his fervent lack of interest in leaving his uptown apartment. He’d also just suffered the humiliation of his first job interview in a decade.
Not an interview, technically. Worse. An audition.
For a gig he didn’t even want.
The job started tomorrow, and he still didn’t know if he’d gotten it. But he would. Chance would see to it that he did, and then, as much as he dreaded the idea, Julian would have no choice but to give it a shot.
Not that he had anything against working. He preferred it, actually, to the nothingness that had slowly taken over his days. He’d just thought that when he finally reached the point where the money from his glory days ran dry, he’d do something else. Anything other than music.
Stumbling upon the trumpet player had nudged Julian’s irritation firmly into pissed territory. It was a territory he knew, like a favorite song. He spent a lot of time being pissed lately. A couple of years, in fact. But it was better than the alternative. Julian much preferred being thought of as a bitter, cranky prick than as an object of pity. And if no one ever thought of him at all anymore, all the better.
