The most remarkable point about its natural history is that which I am now to mention. It is the one fact that Plato seems to me to have overlooked in his discourse of the soul and its immortality. If a little ashes be sprinkled on a dead fly, it gets up, experiences a second birth, and starts life afresh, which is recognized as a convincing proof that its soul is immortal, inasmuch as after it has departed it returns, recognizes and reanimates the body, and enables it to fly; so is confirmed the tale about Hermotimus of Clazomenae — how his soul frequently left him and went off on its own account, and afterwards returning occupied the body again and restored the man to life.
It toils not, but lives at its case, profiting by the labours of others, and finding everywhere a table spread for it. For it the goats are milked, for its behoof and man’s the honey is stored, to its palate the chef adapts his sauces; it tastes before the king himself, walks upon his table, shares his meal, and has the use of all that is his.
Nest, home, local habitation, it has none; like the Scythians, it elects to lead a wandering life, and where night finds it, there is its hearth and its chamber. But as I said, it works no deeds of darkness; ‘live openly’ is its motto; its principle is to do no villany that, done in the face of day, would dishonour it.
Legend tells how Myia (the fly’s ancient name) was once a maiden, exceeding fair, but over-given to talk and chatter and song, Selene’s rival for the love of Endymion. When the young man slept, she was for ever waking him with her gossip and tunes and merriment, till he lost patience, and Selene in wrath turned her to what she now is. And therefore it is that she still, in memory of Endymion, grudges all sleepers their rest, and most of all the young and tender. Her very bite and blood-thirst tell not of savagery, but of love and human kindness; she is but enjoying mankind as she may, and sipping beauty.
In ancient times there was a woman of her name, a poetess wise and beautiful, and another a famous Attic courtesan, of whom the comic poet wrote:
As deep as to his heart fair Myia bit him.
The comic Muse, we see, disdained not the name, nor refused it the hospitality of the boards; and parents took no shame to give it to their daughters. Tragedy goes further and speaks of the fly in high terms of praise, as witness the following:
Foul shame the little fly, with might courageous,
Should leap upon men’s limbs, athirst for blood,
But men-at-arms shrink from the foeman’s steel!
I might add many details about Pythagoras’s daughter Myia, were not her story too well known.
There are also flies of very large size, called generally soldier- flies, or dog-flies; these have a hoarse buzz, a very rapid flight, and quite long lives; they last the winter through without food, mostly in sheltered nooks below the roof; the most remarkable fact about these is that they are hermaphrodites.
But I must break off; not that my subject is exhausted; only that to exhaust such a subject is too like breaking a butterfly on the wheel.
NIGRINUS — Νιγρίνου Φιλοσοφία
Translated by H. W. Fowler and F. G. Fowler
NIGRINUS
[Lucian to Nigrinus. Health.
There is a proverb about carrying ‘owls to Athens’ — an absurd undertaking, considering the excellent supply already on the spot. Had it been my intention, in presenting Nigrinus with a volume of my composition, to indulge him of all people with a display of literary skill, I should indeed have been an arrant ‘owl-fancier in Athens.’ As however my object is merely to communicate to you my present sentiments, and the profound impression produced upon me by your eloquence, I may fairly plead Not Guilty, even to the charge of Thucydides, that ‘Men are bold from ignorance, where mature consideration would render them cautious.’ For I need not say that devotion to my subject is partly responsible for my present hardihood; it is not all the work of ignorance. Farewell.]
NIGRINUS: A DIALOGUE
Lucian. A Friend
Fr. What a haughty and dignified Lucian returns to us from his journey! He will not vouchsafe us a glance; he stands aloof, and will hold no further communion with us. Altogether a supercilious Lucian! The change is sudden. Might one inquire the cause of this altered demeanour?
Luc. ’Tis the work of Fortune.
Fr. Of Fortune!
Luc. As an incidental result of my journey, you see in me a happy man; ‘thrice-blest,’ as the tragedians have it.
Fr. Dear me. What, in this short time?
Luc. Even so.
Fr. But what does it all mean? What is the secret of your elation? I decline to rejoice with you in this abridged fashion; I must have details. Tell me all about it.
Luc. What should you think, if I told you that I had exchanged servitude for freedom; poverty for true wealth; folly and presumption for good sense?
Fr. Extraordinary! But I am not quite clear of your meaning yet.
Luc. Why, I went off to Rome to see an oculist — my eyes had been getting worse —
Fr. Yes, I know about that. I have been hoping that you would light on a good man.
Luc. Well, I got up early one morning with the intention of paying a long-deferred visit to Nigrinus, the Platonic philosopher. On reaching his house, I knocked, and was duly announced and admitted to his presence. I found him with a book in his hand, surrounded by various statues of the ancient philosophers. Before him lay a tablet, with geometrical figures described on it, and a globe of reeds, designed apparently to represent the universe. He greeted me cordially, and asked after my welfare. I satisfied his inquiries, and demanded, in my turn, how he did, and whether he had decided on another trip to Greece. Once on that subject, he gave free expression to his sentiments; and, I assure you, ’twas a veritable feast of ambrosia to me. The spells of the Sirens (if ever there were Sirens), of the Pindaric ‘Charmers,’ of the Homeric lotus, are things to be forgotten, after his truly divine eloquence. Led on by his theme, he spoke the praises of philosophy, and of the freedom which philosophy confers; and expressed his contempt for the vulgar error which sets a value upon wealth and renown and dominion and power, upon gold and purple, and all that dazzles the eyes of the world, — and once attracted my own! I listened with rapt attention, and with a swelling heart. At the time, I knew not what had come over me; my feelings were indescribable. My dearest idols, riches and renown, lay shattered; one moment I was ready to shed bitter tears over the disillusionment, the next, I could have laughed for scorn of these very things, and was exulting in my escape from the murky atmosphere of my past life into the brightness of the upper air. The result was curious: I forgot all about my ophthalmic troubles, in the gradual improvement of my spiritual vision; for till that day I had grovelled in spiritual blindness. Little by little I came into the condition with which you were twitting me just now. Nigrinus’s words have raised in me a joyous exaltation of spirit which precludes every meaner thought. Philosophy seems to have produced the same effect on me as wine is said to have produced on the Indians the first time they drank it. The mere taste of such potent liquor threw them into a state of absolute frenzy, the intoxicating power of the wine being doubled in men so warm-blooded by nature. This is my case. I go about like one possessed; I am drunk with the words of wisdom.
Fr. This is not drunkenness, but sobriety and temperance. But I should like to hear what Nigrinus actually said, if that may be. It is only right that you should take that trouble for me; I am your friend, and share your interests.
Luc. Enough! You urge a willing steed. I was about to bespeak your attention. You must be my witness to the world, that there is reason in my madness. Indeed, apart from this, the work of recollection is a pleasure, and has become a constant practice with me; twice, thrice in a day I repeat over his words, though there is none to hear. A lover, in the absence of his mistress, remembers some word, some act of hers, dwells on it, and beguiles hours of sickness with her feigned presence. Sometimes he thinks he is face to face with her; words, heard long since, come again from her lips; he r
ejoices; his soul cleaves to the memory of the past, and has no time for present vexations. It is so with me. Philosophy is far away, but I have heard a philosopher’s words. I piece them together, and revolve them in my heart, and am comforted. Nigrinus is the beacon-fire on which, far out in mid-ocean, in the darkness of night, I fix my gaze; I fancy him present with me in all my doings; I hear ever the same words. At times, in moments of concentration, I see his very face, his voice rings in my ears. Of him it may truly be said, as of Pericles,
In every heart he left his sting.
Fr. Stay, gentle enthusiast. Take a good breath, and start again; I am waiting to hear what Nigrinus said. You beat about the bush in a manner truly exasperating.
Luc. True, I must make a start, as you say. And yet… Tell me, did you never see a tragedy (nay, the comedies fare no better) murdered by bad acting, and the culprits finally hissed off the stage for their pains? As often as not the play is a perfectly good one, and has scored a success.
Fr. I know the sort of thing; and what about it?
Luc. I am afraid that before I have done you will find that I make as sad work of it as they do, — jumbling things together pell-mell, spoiling the whole point sometimes by inadequate expression; and you will end by damning the play instead of the actor. I could put up with my own share of the disgrace; but it would vex me indeed, that my subject should be involved in my downfall; I cannot have it discredited for my shortcomings. Remember, then: whatever the imperfections in my speech, the author is not to be called to account; he sits far aloof from the stage, and knows nothing of what is going forward. The memory of the actor is all that you are invited to criticize; I am neither more nor less than the ‘Messenger’ in a tragedy. At each flaw in the argument, be this your first thought, that the author probably said something quite different, and much more to the point; — and then you may hiss me off if you will.
Fr. Bless me; here is quite a professional exordium! You are about to add, I think, that ‘your consultation with your client has been but brief’; that you ‘come into court imperfectly instructed’; that ‘it were to be desired that your client were here to plead his own cause; as it is, you are reduced to such a meagre and inadequate statement of the case, as memory will supply.’ Am I right? Well then, spare yourself the trouble, as far as I am concerned. Imagine all these preliminaries settled. I stand prepared to applaud: but if you keep me waiting, I shall harbour resentment all through the case, and hiss you accordingly.
Luc. I should, indeed, have been glad to avail myself of the arguments you mention, and of others too. I might have said, that mine would be no set speech, no orderly statement such as that I heard; that is wholly beyond me. Nor can I speak in the person of Nigrinus. There again I should be like a bad actor, taking the part of Agamemnon, or Creon, or Heracles’ self; he is arrayed in cloth of gold, and looks very formidable, and his mouth opens tremendously wide; and what comes out of it? A little, shrill, womanish pipe of a voice that would disgrace Polyxena or Hecuba! I for my part have no intention of exposing myself in a mask several sizes too large for me, or of wearing a robe to which I cannot do credit. Rather than play the hero’s part, and involve him in my discomfiture, I will speak in my own person.
Fr. Will the man never have done with his masks and his stages?
Luc. Nay, that is all. And now to my subject. Nigrinus’s first words were in praise of Greece, and in particular of the Athenians. They are brought up, he said, to poverty and to philosophy. The endeavours, whether of foreigners or of their own countrymen, to introduce luxury into their midst, find no favour with them. When a man comes among them with this view, they quietly set about to correct his tendency, and by gentle degrees to bring him to a better course of life. He mentioned the case of a wealthy man who arrived at Athens in all the vulgar pomp of retinue and gold and gorgeous raiment, expecting that every eye would be turned upon him in envy of his lot; instead of which, they heartily pitied the poor worm, and proceeded to take his education in hand. Not an ill-natured word, not an attempt at direct interference: it was a free city; he was at liberty to live in it as he thought fit. But when he made a public nuisance of himself in the baths or gymnasiums, crowding in with his attendants, and taking up all the room, someone would whisper, in a sly aside, as if the words were not meant to reach his ears: ‘He is afraid he will never come out from here alive; yet all is peace; there is no need of such an army.’ The remark would be overheard, and would have its educational effect. They soon eased him of his embroidery and purple, by playful allusions to flower and colour. ‘Spring is early.’— ‘How did that peacock get here?’— ‘His mother must have lent him that shawl,’ — and so on. The same with the rest, his rings, his elaborate coiffure, and his table excesses. Little by little he came to his senses, and left Athens very much the better for the public education he had received.
Nor do they scruple to confess their poverty. He mentioned a sentence which he heard pronounced unanimously by the assembled people at the Panathenaic festival. A citizen had been arrested and brought before the Steward for making his appearance in coloured clothes. The onlookers felt for him, and took his part; and when the herald declared that he had violated the law by attending the festival in that attire, they all exclaimed with one voice, as if they had been in consultation, ‘that he must be pardoned for wearing those clothes, as he had no others.’
He further commended the Athenian liberty, and unpretentious style of living; the peace and learned leisure which they so abundantly enjoy. To dwell among such men, he declared, is to dwell with philosophy; a single-hearted man, who has been taught to despise wealth, may here preserve a pure morality; no life could be more in harmony with the determined pursuit of all that is truly beautiful. But the man over whom gold has cast its spell, who is in love with riches, and measures happiness by purple raiment and dominion, who, living his life among flatterers and slaves, knows not the sweets of freedom, the blessings of candour, the beauty of truth; he who has given up his soul to Pleasure, and will serve no other mistress, whose heart is set on gluttony and wine and women, on whose tongue are deceit and hypocrisy; he again whose ears must be tickled with lascivious songs, and the voluptuous notes of flute and lyre; — let all such (he cried) dwell here in Rome; the life will suit them. Our streets and market-places are filled with the things they love best. They may take in pleasure through every aperture, through eye and ear, nostril and palate; nor are the claims of Aphrodite forgotten. The turbid stream surges everlastingly through our streets; avarice, perjury, adultery, — all tastes are represented. Under that rush of waters, modesty, virtue, uprightness, are torn from the soul; and in their stead grows the tree of perpetual thirst, whose flowers are many strange desires.
Such was Rome; such were the blessings she taught men to enjoy. ‘As for me,’ he continued, ‘on returning from my first voyage to Greece, I stopped short a little way from the city, and called myself to account, in the words of Homer, for my return.
Ah, wretch! and leav’st thou then the light of day — the joyous freedom of Greece, And wouldst behold —
the turmoil of Rome? slander and insolence and gluttony, flatterers and false friends, legacy-hunters and murderers? And what wilt thou do here? thou canst not endure these things, neither canst thou escape them! Thus reasoning, I withdrew myself out of range, as Zeus did Hector,
Far from the scene of slaughter, blood and strife,
and resolved henceforth to keep my house. I lead the life you see — a spiritless, womanish life, most men would account it — holding converse with Philosophy, with Plato, with Truth. From my high seat in this vast theatre, I look down on the scene beneath me; a scene calculated to afford much entertainment; calculated also to try a man’s resolution to the utmost. For, to give evil its due, believe me, there is no better school for virtue, no truer test of moral strength, than life in this same city of Rome. It is no easy thing, to withstand so many temptations, so many allurements and distractions of sight and sound. There
is no help for it: like Odysseus, we must sail past them all; and there must be no binding of hands, no stopping of our ears with wax; that would be but sorry courage: our ears must hear, our hands must be free, — and our contempt must be genuine. Well may that man conceive an admiration of philosophy, who is a spectator of so much folly; well may he despise the gifts of Fortune, who views this stage, and its multitudinous actors. The slave grows to be master, the rich man is poor, the pauper becomes a prince, a king; and one is His Majesty’s friend, and another is his enemy, and a third he banishes. And here is the strangest thing of all: the affairs of mankind are confessedly the playthings of Fortune, they have no pretence to security; yet, with instances of this daily before their eyes, men will reach after wealth and power; — not one of them but carries his load of hopes unrealized.
‘But I said that there was entertainment also to be derived from the scene; and I will maintain it. Our rich men are an entertainment in themselves, with their purple and their rings always in evidence, and their thousand vulgarities. The latest development is the salutation by proxy; [Footnote: The spoken salutation being performed by a servant.] they favour us with a glance, and that must be happiness enough. By the more ambitious spirits, an obeisance is expected; this is not performed at a distance, after the Persian fashion — you go right up, and make a profound bow, testifying with the angle of your body to the self-abasement of your soul; you then kiss his hand or breast — and happy and enviable is he who may do so much! And there stands the great man, protracting the illusion as long as may be. (I heartily acquiesce, by the way, in the churlish sentence which excludes us from a nearer acquaintance with their lips.)
Delphi Complete Works of Lucian Page 4
