This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.
Copyright © 2021 by Constance Sayers
Cover design by Lisa Marie Pompilio
Cover art by Arcangel and Shutterstock
Cover copyright © 2021 by Hachette Book Group, Inc.
Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.
The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights.
Redhook Books/Orbit
Hachette Book Group
1290 Avenue of the Americas
New York, NY 10104
hachettebookgroup.com
First Edition: March 2021
Redhook is an imprint of Orbit, a division of Hachette Book Group.
The Redhook name and logo are trademarks of Hachette Book Group, Inc.
The publisher is not responsible for websites (or their content) that are not owned by the publisher.
The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.
Library of Congress Cataloging-in-Publication Data
Names: Sayers, Constance, author.
Title: The ladies of the secret circus / Constance Sayers.
Description: First Edition. | New York, NY : Redhook, 2021.
Identifiers: LCCN 2020032854 | ISBN 9780316493673 (hardcover) | ISBN 9780316493666 (e-book)
Subjects: GSAFD: Fantasy fiction.
Classification: LCC PS3619.A9974 L33 2021 | DDC 813/.6—dc23
LC record available at https://lccn.loc.gov/2020032854
ISBNs: 978-0-316-49367-3 (hardcover), 978-0-316-49364-2 (ebook)
E3-20210105-JV-NF-ORI
Contents
Cover
Title Page
Copyright
Dedication
Epigraph
Prologue
Part 1: The Wedding That Wasn’t Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12: The Journal of Cecile Cabot—Book One
Chapter 13
Chapter 14
Chapter 15
Part 2: The Trip to Paris Chapter 16
Chapter 17
Chapter 18: The Journal of Cecile Cabot—Book Two
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24: The Journal of Cecile Cabot—Book Three
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Part 3: Esmé’s Secret Chapter 31
Chapter 32
Chapter 33
Chapter 34
Epilogue
Acknowledgments
Discover More
Also by Constance Sayers
To my ladies:
Barbara Guthrie Sayers
Goldie Sayers
Nessa Guthrie
and
Laura Beatty Fuller
Explore book giveaways, sneak peeks, deals, and more.
Tap here to learn more.
The circus is a jealous wench. Indeed, that is an understatement. She is a ravening hag who sucks your vitality as a vampire drinks blood… She is all of these things, and yet, I love her as I love nothing else on earth.
—Henry Ringling North
PROLOGUE
Kerrigan Falls, Virginia
October 9, 1974
The Buick was both half on and half off the road, its shiny body blending seamlessly with the pitch-black night. He slammed on his brakes, nearly hitting the car’s back quarter panel. Jesus. Who the hell would have left a car here of all places?
The vehicle was familiar. He racked his brain trying to remember where he’d seen it before.
Worried that someone might have been hurt, he stepped out onto the road, careful to leave his own car’s right turn signal blinking to catch the attention of anyone else traveling on this desolate stretch. Despite the full moon, the dense forest made the road appear to be nestled under a tent even in fall as the leaves began to thin; the clusters of birch trees with their straight white trunks resembled sticks of chalk. The moon shining through them reassured him for a moment.
He peered inside the car’s open window, revealing the empty front seat. An RC Cola can was turned over, dumping its contents on the leather upholstery as though the driver had been holding it when he’d come to a stop. The radio blared. Poor bastard was probably just relieving himself in the woods.
“Hello?” His voiced carried more than he thought it would, making him realize just how lonely this road was.
The stillness puzzled him. On an evening like this, the woods should be buzzing with nocturnal activity, yet the night was eerily calm. He turned to go back to his car. He’d call old Chief Archer as soon as he got home and tell him about the abandoned car.
“Hello? Anyone out here?”
He spied something moving at the edge of the tree line.
His pulse quickened and he hurried back to the safety of his own car, relieved when he placed his right foot on the floorboard with the intent of getting in and driving away. Instead he focused on something moving slowly, cat-like, weaving in and out of the trees. He knew there were cats in these parts, small, but nuisance enough to vex the farmers. His eye followed the movement of what appeared to be a shadow—until it stopped.
Where the thing had halted, there was now a heap of something by the roadside. Gingerly, he took a step around the trunk, the car still protecting him from what was over there. What was it? A pile of leaves? Dear Lord, not a body?
Inching, inching closer.
The air left him as he realized too late what was in front of him. The thing was swift and for a moment—his last moment—it had been oddly familiar.
When it was over, the forest seemed to reassemble itself and there was nothing, except the sound of the two car radios playing “The Air That I Breathe” in unison.
Kerrigan Falls, Virginia
October 8, 2004
It was the wrong dress; Lara realized that now.
It was the color of old bones. The intricate platinum beading dripped down the dress’s fitted bodice in a scrolled pattern. Mid-thigh, the long chiffon skirt emerged, sweeping the floor with a dramatic five-foot train. Tugging at the garment, she looked in the mirror and frowned. Yes, she was definitely disappointed with this dress.
It was the first time she’d actually been alone with the gown. No mother standing behind her pulling at the fabric with a hopeful tone in her voice. No “bridal consultants” or seamstresses fussing at her with their encouraging platitudes of just how wonderful she would look.
She did not look wonderful in this dress.
Cocking her head from side to side, hoping for an angle she’d like, Lara recalled the small stack of photographs she’d clipped from bridal magazines as a little girl. She and h
er friends would grab last year’s dog-eared copies of Modern Bride from the waiting areas of the hair salons while their mothers got their perms and double processes. When no one was looking, they’d slide the old magazines into book bags, poring over them later in their bedrooms, each girl tearing out the pages of silk, taffeta, and tulle creations that they liked best. Lara had actually kept a few of the pages over the years and pruned them down to this one dress style, now reflecting back at her in the mirror. She sighed. No dress could possibly shoulder such expectation. But this one was too mature and vintage, more like a costume than a wedding gown.
Turning around, Lara strained to hear if her mother was on her way back upstairs. The hall was silent. She smiled. Studying her reflection, Lara began wishing the dress was fuller in the train, less formfitting through the thighs. Tugging on it, she concentrated hard, and the fabric gave way and blossomed, like a time-lapse video of flowers blooming, folds of fabric bursting then tumbling down and arranging themselves before her.
“There,” she said, and the fabric obeyed. “A little less.” The fabric swirled as though it were alive, rustling and shifting to please her. “Perfect.” She turned, watching it retract until she said, “Stop.”
Lara spun in front of the mirror, admiring the way the fabric moved. Next she focused on the color. “A little lighter, more ivory, less platinum.” Like a TV screen adjusting its brightness, the silver tones of the dress warmed to a pure-ivory hue. “Much better.” She considered the sleeveless bodice for October. “Maybe sleeves?” She could feel the dress hesitate, like it was bubbling, unsure of her direction. “Lace sleeves,” she clarified. Instantly the dress obeyed like a courteous bellman, creating ornate lace patterns along her arm as though the seams were being stitched together by the singing birds in Disney cartoons.
“Lara Barnes, what are you doing?” Her mother stood behind her with one hand on her hip and the other holding an elaborate twenty-strand pearl choker. In the center of the choker was a large Victorian diamond brooch.
“I didn’t like it.” Her voice was defensive. She smoothed the new skirt like it was an obedient pet, letting the dress know that she was done with alterations.
“Then you go to a store and buy another one. You can’t simply enchant a dress, Lara.”
“Apparently I can.” Lara spun to face her mother, her eyebrow cocked. “We really didn’t need to alter it. I do a better job.”
“The sleeves are all wrong.” Audrey Barnes frowned and ran her hand through her butter-colored bob. “Turn around,” she said, gesturing with her hand. “You’ll get nervous at the ceremony and the enchantment will wane. You mark my words. This is dangerous business.”
“If the spell wears off, you can keep the dress together for me.”
“As if I don’t have enough to worry about.”
Her mother was the superior spell caster, even if she hated using her magic. She handed the choker to Lara and turned her attention to the enchanted wedding gown. Audrey ran her hands over the lace sleeves, and they softened to a flowing chiffon under her touch. Unlike Lara, her mother didn’t have to tell the dress what to do; it read her mind. Audrey returned the platinum beading to its original color but then seemed to change her mind, and it shifted to a softer embroidery pattern. “There,” she said. “You need texture to contrast with the sleeves.” The finished effect was an ivory dress with platinum detailing at the bodice, ivory sleeves, and a matching full skirt. “It’s much more romantic.”
Lara studied the changes in the mirror, pleased. “You should enchant dresses more often, Mother.”
Audrey scowled. Taking the necklace from Lara, she fastened it around her daughter’s neck.
Lara touched the choker, admiring it. “Where have you been keeping this bauble?”
“It was Cecile’s,” said Audrey, referring to Lara’s great-grandmother.
Lara thought it looked familiar. “Have you worn this before?”
“No,” said her mother, admiring her alterations to the dress, tugging here and there and shifting the hue and fit under her hands. “You’ve seen it, though. She’s wearing it in the painting.”
She’d passed the painting of her great-grandmother Cecile Cabot that hung in the hallway hundreds of times but never really stopped to study it. Lara tried to recall the choker.
“It belonged to her mother.”
“I didn’t know that.” Lara touched the delicate strands, wondering how she’d never found this in her childhood raids on her mother’s jewelry box.
“They say she was quite famous.” Audrey smiled, spinning Lara around. “You look beautiful in it. And I do like the changes to the dress, but you can’t risk getting caught.”
“I’m in my room. Who is going to catch me but you?”
“You can’t take risks with magic, Lara. People don’t understand. What would happen if that dress began to unwind in the middle of your vows?”
“What you mean is that Todd won’t understand.” She folded her arms.
“Listen to me,” said Audrey. “There are some secrets that you must keep—even from Todd. This is one of them.”
Lara knew that her mother had always wanted them to be “normal.” Instead they were the Cabots—the famous and strange circus family—former owners of Le Cirque Margot. Circus families were rarely normal. As a kid, Audrey had worked the horses in the summers, becoming an expert trick rider, but she’d hated performing for crowds and made it clear that she wanted no part of her family legacy. Instead the young girl had taken the Lippitt Morgan horses from the act and had begun breeding them, turning Cabot Farms into one of the most successful horse breeders in the South. Unable to compete with television, Le Cirque Margot came upon hard times and low attendance, closing in the early 1970s.
Then there were the strange powers—the simple “corrections” that both mother and daughter could perform. So incensed was Audrey when her precocious daughter cast a spell in school in front of other kids that she enchanted the doors and windows as punishment, leaving Lara grounded in the house for a weekend.
Lara turned her back to Audrey. “Can you unzip me? I have to go see Todd.”
“Now?” Audrey put her hands on her hips. “It’s ten. Don’t stay too long. It’s bad luck.”
Lara rolled her eyes and gathered the dress, now changed back to its original version, and placed it on a hanger. She and Todd had given in to another one of Audrey’s old wives’ tales when they’d agreed to spend the night before the wedding apart. Lara would come back to Cabot Farms tonight with her mother while Todd spent the night at their apartment.
Audrey Barnes possessed all the coolness of a Hitchcock blonde, yet she subscribed to all the myths and romance of a Victorian heroine. She’d named Lara for the character in Doctor Zhivago—a film they watched together faithfully each year, a box of tissues between them. Tomorrow Lara’s first dance with her father was going to be the Al Martino version of “Somewhere My Love,” and she knew her mother would be weeping near the wedding cake.
As she drove her Jeep down the winding road from Cabot Farms to the highway, she recalled the disappointed look on her mother’s face when she and Todd announced they were engaged. Audrey didn’t care for him. She’d tried to talk them out of getting married, encouraging them to wait until spring. Lara knew her mother had hoped that given enough time, something would change, but Todd had been Lara’s first love, her first everything. They’d known each other since they were fifteen years old.
Audrey had encouraged them to attend separate colleges, paid for Lara’s semester in Europe, and even tolerated her year on the road with her father’s band, anything to allow the relationship to cool. Todd had also left for college, finishing his sophomore year, then returning home and building a vintage car restoration business.
When they were apart on a break, other boys were only ever interesting to Lara for their likenesses to Todd. From the bevy of Lara look-alikes that Todd dated during their splits, she knew he felt the same way. Wheth
er chemistry or magic, there was some inexplicable pull always guiding them back together.
Had Audrey been younger, Lara was sure that Todd would have been exactly the bad-boy romantic figure that her mother would have swooned over. In fact, her mother had chosen her own version of Todd back in 1974 when she’d married Lara’s father, Jason Barnes.
Lara pulled into the driveway. The house was abuzz with activity and anticipation; lanterns lit the sidewalk to the front door that was now ajar. Relatives from places like Odessa and Toledo perched themselves on sofa arms and decorative side chairs. Plates clanged, and people caught up with one another over decafs and dirty dishes. She wondered why her house wasn’t stuffed full of relatives, like this one.
Through the foyer, she spotted Todd going out the back door, bags of ice in his arms. As he went past, he spied Lara and smiled. His wavy, chin-length dark hair had begun to curl as the evening went on.
“Lara, why didn’t you make him get a haircut?” asked his aunt Tilda, a hairdresser from somewhere in Ohio. Lara rolled her eyes conspiratorially. As if anyone could make Todd do something he didn’t want to do.
Back from delivering ice, Todd kissed his aunt on the cheek. “Ah, you don’t like my hair?” As Todd fixed his gaze on her, Lara could see the old woman straightening herself.
The aunt pulled at a lock, inspecting it. His hair was shiny and brown. Lara noticed a few gray hairs shimmering under the light like tinsel. Had Todd been a vain man, he’d have dyed it before the ceremony. There was an audible exhale from the woman as she smoothed an errant strand, seemingly agreeing that Todd’s hair suited him. “Well…”
Todd wasn’t just handsome, he was beautiful. There was a tragic sexiness to him, like a burgeoning James Dean, that was so intoxicating to women—all women. From the looks of it, even the ones who were related to him.
“I have to go soon.” Lara sank onto the sofa next to him. These days he wore long-sleeved T-shirts because, even though he was nearly twenty-nine, he still cared that his mother hated the sight of the rococo-scrolled tattoos that now decorated both of his forearms.
The Ladies of the Secret Circus Page 1
