by Isak Dinesen
To get into her castle-court she must drive through the farm yard, through the heavy stone gateway in the barn itself, wherein the rolling of her coach for a few seconds re-echoed like thunder. She must drive past the stables and the timber-mare, from which sometimes a miscreant would follow her with sad eyes, and might here startle a long string of squalling geese, or pass the heavy, scowling bull, led on by a ring in his nose and kneading the earth in dumb fury. At first this had been to her, every time, a slight shock and a jest. But after a while all these creatures and things, which belonged to her, seemed to become part of herself. Her mothers, the old Danish country ladies, were robust persons, undismayed by any kind of weather; now she herself had walked in the rain and had laughed and glowed in it like a green tree.
She had taken her great new home in possession at a time when all the world was unfolding, mating and propagating. Flowers, which she had known only in bouquets and festoons, sprung from the earth round her; birds sang in all the trees. The new-born lambs seemed to her daintier than her dolls had been. From her husband’s Hanoverian stud, foals were brought to her to give names; she stood and watched as they poked their soft noses into their mothers’ bellies to drink. Of this strange process she had till now only vaguely heard. She had happened to witness, from a path in the park, the rearing and screeching stallion on the mare. All this luxuriance, lust and fecundity was displayed before her eyes, as for her pleasure.
And for her own part, in the midst of it, she was given an old husband who treated her with punctilious respect because she was to bear him a son. Such was the compact; she had known of it from the beginning. Her husband, she found, was doing his best to fulfill his part of it, and she herself was loyal by nature and strictly brought up. She would not shirk her obligation. Only she was vaguely aware of a discord or an incompatibility within her majestic existence, which prevented her from being as happy as she had expected to be.
After a time her chagrin took a strange form: as the consciousness of an absence. Someone ought to have been with her who was not. She had no experience in analysing her feelings; there had not been time for that at Court. Now, as she was more often left to herself, she vaguely probed her own mind. She tried to set her father in that void place, her sisters, her music master, an Italian singer whom she had admired; but none of them would fill it for her. At times she felt lighter at heart, and believed the misfortune to have left her. And then again it would happen, if she were alone, or in her husband’s company, and even within his embrace, that everything round her would cry out: Where? Where? so that she let her wild eyes run about the room in search for the being who should have been there, and who had not come.
When, six months ago, she was informed that her first young bridegroom had died and that she was to marry his father in his place, she had not been sorry. Her youthful suitor, the one time she had seen him, had appeared to her infantile and insipid; the father would make a statelier consort. Now she had sometimes thought of the dead boy, and wondered whether with him life would have been more joyful. But she soon again dismissed the picture, and that was the sad youth’s last recall to the stage of this world.
Upon one wall of her room there hung a long mirror. As she gazed into it new images came along. The day before, driving with her husband, she had seen, at a distance, a party of village girls bathe in the river, and the sun shining on them. All her life she had moved amongst naked marble deities, but it had till now never occurred to her that the people she knew should themselves be naked under their bodices and trains, waistcoats and satin breeches, that indeed she herself felt naked within her clothes. Now, in front of the looking-glass, she tardily untied the ribbons of her nightgown, and let it drop to the floor.
The room was dim behind the drawn curtains. In the mirror her body was silvery like a white rose; only her cheeks and mouth, and the tips of her fingers and breasts had a faint carmine. Her slender torso was formed by the whalebones that had clasped it tightly from her childhood; above the slim, dimpled knee a gentle narrowness marked the place of the garter. Her limbs were rounded as if, at whatever place they might be cut through with a sharp knife, a perfectly circular transverse incision would be obtained. The side and belly were so smooth that her own gaze slipped and glided, and grasped for a hold. She was not altogether like a statue, she found, and lifted her arms above her head. She turned to get a view of her back, the curves below the waistline were still blushing from the pressure of the bed. She called to mind a few tales about nymphs and goddesses, but they all seemed a long way off, so her mind returned to the peasant girls in the river. They were, for a few minutes, idealized into playmates, or sisters even, since they belonged to her as did the meadow and the blue river itself. And within the next moment the sense of forlornness once more came upon her, a horror vaccui like a physical pain. Surely, surely someone should have been with her now, her other self, like the image in the glass, but nearer, stronger, alive. There was no one, the universe was empty round her.
A sudden, keen itching under her knee took her out of her reveries, and awoke in her the hunting instincts of her breed. She wetted a finger on her tongue, slowly brought it down and quickly slapped it to the spot. She felt the diminutive, sharp body of the insect against the silky skin, pressed the thumb to it, and triumphantly lifted up the small prisoner between her fingertips. She stood quite still, as if meditating upon the fact that a flea was the only creature risking its life for her smoothness and sweet blood.
Her maid opened the door and came in, loaded with the attire of the day—shift, stays, hoop and petticoats. She remembered that she had a guest in the house, the new nephew arrived from England. Her husband had instructed her to be kind to their young kinsman, disinherited, so to say, by her presence in the house. They would ride out on the land together.
In the afternoon the sky was no longer blue as in the morning. Large clouds slowly towered up on it, and the great vault itself was colourless, as if diffused into vapours round the white-hot sun in zenith. A low thunder ran along the western horizon; once or twice the dust of the roads rose in tall spirals. But the fields, the hills and the woods were as still as a painted landscape.
Adam walked down the avenue to the pavilion, and found his uncle there, fully dressed, his hands upon his walking-stick and his eyes on the rye field. The book that Adam had given him lay by his side. The field now seemed alive with people. Small groups stood here and there in it, and a long row of men and women were slowly advancing towards the garden in the line of the swath.
The old lord nodded to his nephew, but did not speak or change his position. Adam stood by him as still as himself.
The day to him had been strangely disquieting. At the meeting again with old places the sweet melodies of the past had filled his senses and his mind, and had mingled with new, bewitching tunes of the present. He was back in Denmark, no longer a child but a youth, with a keener sense of the beautiful, with tales of other countries to tell, and still a true son of his own land and enchanted by its loveliness as he had never been before.
But through all these harmonies the tragic and cruel tale which the old lord had told him in the morning, and the sad contest which he knew to be going on so near by, in the corn field, had re-echoed, like the recurrent, hollow throbbing of a muffled drum, a redoubtable sound. It came back time after time, so that he had felt himself to change colour and to answer absently. It brought with it a deeper sense of pity with all that lived than he had ever known. When he had been riding with his young aunt, and their road ran along the scene of the drama, he had taken care to ride between her and the field, so that she should not see what was going on there, or question him about it. He had chosen the way home through the deep, green wood for the same reason.
More dominantly even than the figure of the woman struggling with her sickle for her son’s life, the old man’s figure, as he had seen it at sunrise, kept him company through the day. He came to ponder on the part which that lonely, determinate form had
played in his own life. From the time when his father died, it had impersonated to the boy law and order, wisdom of life and kind guardianship. What was he to do, he thought, if after eighteen years these filial feelings must change, and his second father’s figure take on to him a horrible aspect, as a symbol of the tyranny and oppression of the world? What was he to do if ever the two should come to stand in opposition to each other as adversaries?
At the same time an unaccountable, a sinister alarm and dread on behalf of the old man himself took hold of him. For surely here the Goddess Nemesis could not be far away. This man had ruled the world round him for a longer period than Adam’s own lifetime and had never been gainsaid by anyone. During the years when he had wandered through Europe with a sick boy of his own blood as his sole companion he had learned to set himself apart from his surroundings, and to close himself up to all outer life, and he had become insusceptible to the ideas and feelings of other human beings. Strange fancies might there have run in his mind, so that in the end he had seen himself as the only person really existing, and the world as a poor and vain shadow-play, which had no substance to it.
Now, in senile wilfullness, he would take in his hand the life of those simpler and weaker than himself, of a woman, using it to his own ends, and he feared of no retributive justice. Did he not know, the young man thought, that there were powers in the world, different from and more formidable than the short-lived might of a despot?
With the sultry heat of the day this foreboding of impending disaster grew upon him, until he felt ruin threatening not the old lord only, but the house, the name and himself with him. It seemed to him that he must cry out a warning to the man he had loved, before it was too late.
But as now he was once more in his uncle’s company, the green calm of the garden was so deep that he did not find his voice to cry out. Instead a little French air which his aunt had sung to him up in the house kept running in his mind.—“C’est un trop doux effort …” He had good knowledge of music; he had heard the air before, in Paris, but not so sweetly sung.
After a time he asked: “Will the woman fulfill her bargain?” His uncle unfolded his hands. “It is an extraordinary thing,” he said animatedly, “that it looks as if she might fulfill it. If you count the hours from sunrise till now, and from now till sunset, you will find the time left her to be half of that already gone. And see! She has now mowed two-thirds of the field. But then we will naturally have to reckon with her strength declining as she works on. All in all, it is an idle pursuit in you or me to bet on the issue of the matter; we must wait and see. Sit down, and keep me company in my watch.” In two minds Adam sat down.
“And here,” said his uncle, and took up the book from the seat, “is your book, which has passed the time finely. It is great poetry, ambrosia to the ear and the heart. And it has, with our discourse on divinity this morning, given me stuff for thought. I have been reflecting upon the law of retributive justice.” He took a pinch of snuff, and went on. “A new age,” he said, “has made to itself a god in its own image, an emotional god. And now you are already writing a tragedy on your god.”
Adam had no wish to begin a debate on poetry with his uncle, but he also somehow dreaded a silence, and said: “It may be, then, that we hold tragedy to be, in the scheme of life, a noble, a divine phenomenon.”
“Aye,” said his uncle solemnly, “a noble phenomenon, the noblest on earth. But of the earth only, and never divine. Tragedy is the privilege of man, his highest privilege. The God of the Christian Church Himself, when He wished to experience tragedy, had to assume human form. And even at that,” he added thoughtfully, “the tragedy was not wholly valid, as it would have become had the hero of it been, in very truth, a man. The divinity of Christ conveyed to it a divine note, the moment of comedy, The real tragic part, by the nature of things, fell to the executors, not to the victim. Nay, my nephew, we should not adulterate the pure elements of the cosmos. Tragedy should remain the right of human beings, subject, in their conditions or in their own nature, to the dire law of necessity. To them it is salvation and beatification. But the gods, whom we must believe to be unacquainted with and incomprehensive of necessity, can have no knowledge of the tragic. When they are brought face to face with it they will, according to my experience, have the good taste and decorum to keep still, and not interfere.
“No,” he said after a pause, “the true art of the gods is the comic. The comic is a condescension of the divine to the world of man; it is the sublime vision, which cannot be studied, but must ever be celestially granted. In the comic the gods see their own being reflected as in a mirror, and while the tragic poet is bound by strict laws, they will allow the comic artist a freedom as unlimited as their own. They do not even withhold their own existence from his sports. Jove may favour Lucianos of Samosata. As long as your mockery is in true godly taste you may mock at the gods and still remain a sound devotee. But in pitying, or condoling with your god, you deny and annihilate him, and such is the most horrible of atheisms.
“And here on earth, too,” he went on, “we, who stand in lieu of the gods and have emancipated ourselves from the tyranny of necessity, should leave to our vassals their monopoly of tragedy, and for ourselves accept the comic with grace. Only a boorish and cruel master—a parvenu, in fact—will make a jest of his servants’ necessity, or force the comic upon them. Only a timid and pedantic ruler, a petit-maître, will fear the ludicrous on his own behalf. Indeed,” he finished his long speech, “the very same fatality, which, in striking the burgher or peasant, will become tragedy, with the aristocrat is exalted to the comic. By the grace and wit of our acceptance hereof our aristocracy is known.”
Adam could not help smiling a little as he heard the apotheosis of the comic on the lips of the erect, ceremonious prophet. In this ironic smile he was, for the first time, estranging himself from the head of his house.
A shadow fell across the landscape. A cloud had crept over the sun; the country changed colour beneath it, faded and bleached, and even all sounds for a minute seemed to die out of it.
“Ah, now,” said the old lord, “if it is going to rain, and the rye gets wet, Anne-Marie will not be able to finish in time. And who comes there?” he added, and turned his head a little.
Preceded by a lackey a man in riding boots and a striped waistcoat with silver buttons, and with his hat in his hand, came down the avenue. He bowed deeply, first to the old lord and then to Adam.
“My bailiff,” said the old lord. “Good afternoon, Bailiff. What news have you to bring?” The bailiff made a sad gesture. “Poor news only, my lord,” he said. “And how poor news?” asked his master. “There is,” said the bailiff with weight, “not a soul at work on the land, and not a sickle going except that of Anne-Marie in this rye field. The mowing has stopped; they are all at her heels. It is a poor day for a first day of the harvest.” “Yes, I see,” said the old lord. The bailiff went on. “I have spoken kindly to them,” he said, “and I have sworn at them; it is all one. They might as well all be deaf.”
“Good bailiff,” said the old lord, “leave them in peace; let them do as they like. This day may, all the same, do them more good than many others. Where is Goske, the boy, Anne-Marie’s son?” “We have set him in the small room by the barn,” said the bailiff. “Nay, let him be brought down,” said the old lord; “let him see his mother at work. But what do you say—will she get the field mowed in time?” “If you ask me, my lord,” said the bailiff, “I believe that she will. Who would have thought so? She is only a small woman. It is as hot a day today as, well, as I do ever remember. I myself, you yourself, my lord, could not have done what Anne-Marie has done today.” “Nay, nay, we could not, Bailiff,” said the old lord.
The bailiff pulled out a red handkerchief and wiped his brow, somewhat calmed by venting his wrath. “If,” he remarked with bitterness, “they would all work as the widow works now, we would make a profit on the land.” “Yes,” said the old lord, and fell into thought, a
s if calculating the profit it might make. “Still,” he said, “as to the question of profit and loss, that is more intricate than it looks. I will tell you something that you may not know: The most famous tissue ever woven was ravelled out again every night. But come,” he added, “she is close by now. We will go and have a look at her work ourselves.” With these words he rose and set his hat on.
The cloud had drawn away again; the rays of the sun once more burned the wide landscape, and as the small party walked out from under the shade of the trees the dead-still heat was heavy as lead; the sweat sprang out on their faces and their eyelids smarted. On the narrow path they had to go one by one, the old lord stepping along first, all black, and the footman, in his bright livery, bringing up the rear.
The field was indeed filled with people like a market-place; there were probably a hundred or more men and women in it. To Adam the scene recalled pictures from his Bible: the meeting between Esau and Jacob in Edom, or Boas’ reapers in his barley field near Bethlehem. Some were standing by the side of the field, others pressed in small groups close to the mowing woman, and a few followed in her wake, binding up sheaves where she had cut the corn, as if thereby they thought to help her, or as if by all means they meant to have part in her work. A younger woman with a pail on her head kept close to her side, and with her a number of half-grown children. One of these first caught sight of the lord of the estate and his suite, and pointed to him. The binders let their sheaves drop, and as the old man stood still many of the onlookers drew close round him.
