He had been able to procure, miraculously, an almost mint copy of Volume One, Number One of Tip Top Comics. Dating from the ’thirties, it was a choice piece of Americana; one of the first funny books, a prize collectors searched for constantly. Of course, he had other items with him, to show first. He would lead up gradually to the funny book, which lay well protected in a leather case packed in tissue paper at the center of the largest bag.
The radio of the pedecab blared out popular tunes, competing with the radios of other cabs, cars and buses. Childan did not hear; he was used to it. Nor did he take notice of the enormous neon signs with their permanent ads obliterating the front of virtually every large building. After all, he had his own sign; at night it blazed on and off in company with all the others of the city. What other way did one advertise? One had to be realistic.
In fact, the uproar of radios, traffic noises, the signs and people lulled him. They blotted out his inner worries. And it was pleasurable to be peddled along by another human being, to feel the straining muscles of the chink transmitted in the form of regular vibrations; a sort of relaxing machine, Childan reflected. To be pulled instead of having to pull. And—to have, if even for a moment, higher place.
Guiltily, he woke himself. Too much to plan; no time for a midday doze. Was he absolutely properly dressed to enter the Nippon Times Building? Possibly he would faint in the high-speed elevator. But he had motion-illness tablets with him, a German compound. The various modes of address . . . he knew them. Whom to treat politely, whom rudely. Be brusque with the doorman, elevator operator, receptionist, guide, any janitorial person. Bow to any Japanese, of course, even if it obliged him to bow hundreds of times. But the pinocs. Nebulous area. Bow, but look straight through them as if they did not exist. Did that cover every situation, then? What about a visiting foreigner? Germans often could be seen at the Trade Missions, as well as neutrals.
And then, too, he might see a slave.
German or South ships docked at the port of San Francisco all the time, and blacks occasionally were allowed off for short intervals. Always in groups of fewer than three. And they could not be out after nightfall; even under Pacific law, they had to obey the curfew. But also slaves unloaded at the docks, and these lived perpetually ashore, in shacks under the wharves, above the waterline. None would be in the Trade Mission offices, but if any unloading were taking place—for instance, should he carry his own bags to Mr. Tagomi’s office? Surely not. A slave would have to be found, even if he had to stand waiting an hour. Even if he missed his appointment. It was out of the question to let a slave see him carrying something; he had to be quite careful of that. A mistake of that kind would cost him dearly; he would never have place of any sort again, among those who saw.
In a way, Childan thought, I would almost enjoy carrying my own bags into the Nippon Times Building in broad daylight. What a grand gesture. It is not actually illegal; I would not go to jail. And I would show my real feelings, the side of a man which never comes out in public life. But . . .
I could do it, he thought, if there weren’t those damn black slaves lurking around; I could endure those above me seeing it, their scorn—after all, they scorn me and humiliate me every day. But to have those beneath see me, to feel their contempt. Like this chink peddling away ahead of me. If I hadn’t taken a pedecab, if he had seen me trying to walk to a business appointment . . .
One had to blame the Germans for the situation. Tendency to bite off more than they could chew. After all, they had barely managed to win the war, and at once they had gone off to conquer the solar system, while at home they had passed edicts which . . . well, at least the idea was good. And after all, they had been successful with the Jews and Gypsies and Bible Students. And the Slavs had been rolled back two thousand years’ worth, to their heartland in Asia. Out of Europe entirely, to everyone’s relief. Back to riding yaks and hunting with bow and arrow. And those great glossy magazines printed in Munich and circulated around to all the libraries and newsstands . . . one could see the full-page color pictures for oneself: the blue-eyed, blond-haired Aryan settlers who now industriously tilled, culled, plowed, and so forth in the vast grain bowl of the world, the Ukraine. Those fellows certainly looked happy. And their farms and cottages were clean. You didn’t see pictures of drunken dull-witted Poles any more, slouched on sagging porches or hawking a few sickly turnips at the village market. All a thing of the past, like rutted dirt roads that once turned to slop in the rainy season, bogging down the carts.
But Africa. They had simply let their enthusiasm get the better of them there, and you had to admire that, although more thoughtful advice would have cautioned them to perhaps let it wait a bit until, for instance, Project Farmland had been completed. Now there the Nazis had shown genius; the artist in them had truly emerged. The Mediterranean Sea bottled up, drained, made into tillable farmland, through the use of atomic power—what daring! How the sniggerers had been set back on their heels, for instance certain scoffing merchants along Montgomery Street. And as a matter of fact, Africa had almost been successful . . . but in a project of that sort, almost was an ominous word to begin to hear. Rosenberg’s well-known powerful pamphlet issued in 1958; the word had first shown up, then. As to the Final Solution of the African Problem, we have almost achieved our objectives. Unfortunately, however—
Still, it had taken two hundred years to dispose of the American aborigines, and Germany had almost done it in Africa in fifteen years. So no criticism was legitimately in order. Childan had, in fact, argued it out recently while having lunch with certain of those other merchants. They expected miracles, evidently, as if the Nazis could remold the world by magic. No, it was science and technology and that fabulous talent for hard work; the Germans never stopped applying themselves. And when they did a task, they did it right.
And anyhow, the flights to Mars had distracted world attention from the difficulty in Africa. So it all came back to what he had told his fellow store owners; what the Nazis have which we lack is—nobility. Admire them for their love of work or their efficiency . . . but it’s the dream that stirs one. Space flights first to the moon, then to Mars; if that isn’t the oldest yearning of mankind, our finest hope for glory. Now, the Japanese on the other hand. I know them pretty well; I do business with them, after all, day in and day out. They are—let’s face it—Orientals. Yellow people. We whites have to bow to them because they hold the power. But we watch Germany; we see what can be done where whites have conquered, and it’s quite different.
“We approach the Nippon Times Building, sir,” the chink said, his chest heaving from the exertion of the hill climbing. He slowed, now.
To himself, Childan tried to picture Mr. Tagomi’s client. Clearly the man was unusually important; Mr. Tagomi’s tone on the telephone, his immense agitation, had communicated the fact. Image of one of Childan’s own very important clients, or rather, customers, swam up into his mind, a man who had done a good deal to create for Childan a reputation among the high-placed personages residing in the Bay Area.
Four years ago, Childan had not been the dealer in the rare and desirable which he was now; he had operated a small rather dimly lighted secondhand bookshop on Geary. His neighboring stores sold used furniture, or hardware, or did laundry. It was not a nice neighborhood. At night strong-arm robberies and sometimes rape took place on the sidewalk, despite the efforts of the San Francisco Police Department and even the Kempeitai, the Japanese higher-ups. All store windows had iron gratings fitted over them once the business day had ended, this to prevent forcible entry. Yet, into this district of the city had come an elderly Japanese ex-Army man, a Major Ito Humo. Tall, slender, white-haired, walking and standing stiffly, Major Humo had given Childan his first inkling of what might be done with his line of merchandise.
“I am a collector,” Major Humo had explained. He had spent an entire afternoon searching among the heaps of old magazines in the store. In his mild voice he had explained something which Childan c
ould not quite grasp at the time: to many wealthy, cultured Japanese, the historic objects of American popular civilization were of equal interest alongside the more formal antiques. Why this was so, the major himself did not know; he was particularly addicted to the collecting of old magazines dealing with U.S. brass buttons, as well as the buttons themselves. It was on the order of coin or stamp collecting; no rational explanation could ever be given. And high prices were being paid by wealthy collectors.
“I will give you an example,” the major had said. “Do you know what is meant by ‘Horrors of War’ cards?” He had eyed Childan with avidity.
Searching his memory, Childan had at last recalled. The cards had been dispensed, during his childhood, with bubble gum. A cent apiece. There had been a series of them, each card depicting a different horror.
“A dear friend of mine,” the major had gone on, “collects ‘Horrors of War.’ He lacks but one, now. The Sinking of the Panay. He has offered a substantial sum of money for that particular card.”
“Flip cards,” Childan had said suddenly.
“Sir?”
“We flipped them. There was a head and a tail side on each card.” He had been about eight years old. “Each of us had a pack of flip cards. We stood, two of us, facing each other. Each of us dropped a card so that it flipped in the air. The boy whose card landed with the head side up, the side with the picture, won both cards.” How enjoyable to recall those good days, those early happy days of his childhood.
Considering, Major Humo had said, “I have heard my friend discuss his ‘Horrors of War’ cards, and he has never mentioned this. It is my opinion that he does not know how these cards actually were put to use.”
Eventually, the major’s friend had shown up at the store to hear Childan’s historically firsthand account. That man, also a retired officer of the Imperial Army, had been fascinated.
“Bottle caps!” Childan had exclaimed without warning.
The Japanese had blinked uncomprehendingly.
“We used to collect the tops from milk bottles. As kids. The round tops that gave the name of the dairy. There must have been thousands of dairies in the United States. Each one printed a special top.”
The officer’s eyes had glinted with the instinct. “Do you possess any of your sometime collection, sir?”
Naturally, Childan did not. But . . . probably it was still possible to obtain the ancient, long-forgotten tops from the days before the war when milk had come in glass bottles rather than throwaway pasteboard cartons.
And so, by stages, he had gotten into the business. Others had opened similar places, taking advantage of the evergrowing Japanese craze for Americana . . . but Childan had always kept his edge.
“Your fare,” the chink was saying, bringing him out of his meditation, “is a dollar, sir.” He had unloaded the bags and was waiting.
Absentmindedly, Childan paid him. Yes, it was quite likely that the client of Mr. Tagomi resembled Major Humo; at least, Childan thought tartly, from my point of view. He had dealt with so many Japanese . . . but he still had difficulty telling them apart. There were the short squat ones, built like wrestlers. Then the druggist-like ones. The tree-shrub-flower-gardener ones . . . he had his categories. And the young ones, who were to him not like Japanese at all. Mr. Tagomi’s client would probably be portly, a businessman, smoking a Philippine cigar.
And then, standing before the Nippon Times Building, with his bags on the sidewalk beside him, Childan suddenly thought with a chill: Suppose his client isn’t Japanese! Everything in the bags had been selected with them in mind, their tastes—
But the man had to be Japanese. A Civil War recruiting poster had been Mr. Tagomi’s original order; surely only a Japanese would care about such debris. Typical of their mania for the trivial, their legalistic fascination with documents, proclamations, ads. He remembered one who had devoted his leisure time to collecting newspaper ads of American patent medicines of the 1900s.
There were other problems to face. Immediate problems. Through the high doors of the Nippon Times Building men and women hurried, all of them well-dressed; their voices reached Childan’s ears, and he started into motion. A glance upward at the towering edifice, the highest building in San Francisco. Wall of offices, windows, the fabulous design of the Japanese architects—and the surrounding gardens of dwarf evergreens, rocks, the karesansui landscape, sand imitating a dried-up stream winding past roots, among simple, irregular flat stones . . .
He saw a black who had carried baggage, now free. At once Childan called, “Porter!”
The black trotted toward him, smiling.
“To the twentieth floor,” Childan said in his harshest voice. “Suite B. At once.” He indicated the bags and then strode on toward the doors of the building. Naturally he did not look back.
A moment later he found himself being crowded into one of the express elevators; mostly Japanese around him, their clean faces shining slightly in the brilliant light of the elevator. Then the nauseating upward thrust of the elevator, the rapid click of floors passing; he shut his eyes, planted his feet firmly, prayed for the flight to end. The black, of course, had taken the bags up on a service elevator. It would not have been within the realm of reason to permit him here. In fact—Childan opened his eyes and looked momentarily—he was one of the few whites in the elevator.
When the elevator let him off on the twentieth floor, Childan was already bowing mentally, preparing himself for the encounter in Mr. Tagomi’s offices.
3
AT SUNSET, GLANCING up, Juliana Frink saw the dot of light in the sky shoot in an arc, disappear to the west. One of those Nazi rocket ships, she said to herself. Flying to the Coast. Full of big shots. And here I am down below. She waved, although the rocket ship of course had already gone.
Shadows advancing from the Rockies. Blue peaks turning to night. A flock of slow birds, migratory, made their way parallel with the mountains. Here and there a car turned its headlights on; she saw the twin dots along the highway. Lights, too, of a gas station. Houses.
For months now she had been living here in Canon City, Colorado. She was a judo instructor.
Her workday had ended and she was preparing to take a shower. She felt tired. All the showers were in use, by customers of Ray’s Gym, so she had been standing, waiting outdoors in the coolness, enjoying the smell of mountain air, the quiet. All she heard now was the faint murmur from the hamburger stand down the road by the highway’s edge. Two huge diesel trucks had parked, and the drivers, in the gloom, could be seen moving about, putting on their leather jackets before entering the hamburger stand.
She thought: Didn’t Diesel throw himself out the window of his stateroom? Commit suicide by drowning himself on an ocean voyage? Maybe I ought to do that. But here there was no ocean. But there is always a way. Like in Shakespeare. A pin stuck through one’s shirt front, and good-bye Frink. The girl who need not fear marauding homeless from the desert. Walks upright in consciousness of many pinched-nerve possibilities in grizzled salivating adversary. Death instead by, say, sniffing car exhaust in highway town, perhaps through long hollow straw.
Learned that, she thought, from Japanese. Imbibed placid attitude toward mortality, along with money-making judo. How to kill, how to die. Yang and yin. But that’s behind, now; this is Protestant land.
It was a good thing to see the Nazi rockets go by overhead and not stop, not take any interest of any sort in Canon City, Colorado. Nor in Utah or Wyoming or the eastern part of Nevada, none of the open empty desert states or pasture states. We have no value, she said to herself. We can live out our tiny lives. If we want to. If it matters to us.
From one of the showers, the noise of a door unlocking. A shape, large Miss Davis, finished with her shower, dressed, purse under her arm. “Oh, were you waiting, Mrs. Frink? I’m sorry.”
“It’s all right,” Juliana said.
“You know, Mrs. Frink, I’ve gotten so much out of judo. Even more than out of Zen. I wan
ted to tell you.”
“Slim your hips the Zen way,” Juliana said. “Lose pounds through painless satori. I’m sorry, Miss Davis. I’m woolgathering.”
Miss Davis said, “Did they hurt you much?”
“Who?”
“The Japs. Before you learned to defend yourself.”
“It was dreadful,” Juliana said. “You’ve never been out there, on the Coast. Where they are.”
“I’ve never been outside of Colorado,” Miss Davis said, her voice fluttering timidly.
“It could happen here,” Juliana said. “They might decide to occupy this region, too.”
“Not this late!”
“You never know what they’re going to do,” Juliana said. “They hide their real thoughts.”
“What—did they make you do?” Miss Davis, hugging her purse against her body with both arms, moved closer, in the evening darkness, to hear.
“Everything,” Juliana said.
“Oh God. I’d fight,” Miss Davis said.
Juliana excused herself and walked to the vacant shower; someone else was approaching it with a towel over her arm.
Later, she sat in a booth at Tasty Charley’s Broiled Hamburgers, listlessly reading the menu. The jukebox played some hillbilly tune; steel guitar and emotion-choked moaning . . . the air was heavy with grease smoke. And yet, the place was warm and bright, and it cheered her. The presence of the truck drivers at the counter, the waitress, the big Irish fry cook in his white jacket at the register making change.
Seeing her, Charley approached to wait on her himself. Grinning, he drawled, “Missy want tea now?”
“Coffee,” Juliana said, enduring the fry cook’s relentless humor.
“Ah so,” Charley said, nodding.
“And the hot steak sandwich with gravy.”
The Man in the High Castle Page 3
