The plague

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by Albert Camus


  looking so bored that, because of them, the whole town seemed like a railway waiting-room. Those who had jobs went about them at the exact tempo of the plague, with dreary perseverance. Everyone was modest. For the first time exiles from those they loved had no reluctance to talk freely about them, using the same words as everybody else, and regarding their deprivation from the same angle as that from which they viewed the latest statistics of the epidemic. This change was striking since until now they had jealously withheld their personal grief from the common stock of suffering; now they accepted its inclusion. Without memories, without hope, they lived for the moment only. In~ deed, the here and now had come to mean everything to them. For there is no denying that the plague had gradually killed off in all of us the faculty not of love only but even of friendship. Naturally enough, since love asks something of the future, and nothing was left us but a series of present moments.

  However, this account of our predicament gives only the broad lines. Thus, while it is true that all who were parted came ultimately to this state, we must add that all did not attain it simultaneously; moreover, once this utter apathy had fallen on them, there were still flashes of lucidity, broken lights of memory that rekindled in the exiles a younger, keener sensibility. This happened when, for instance, they fell to making plans implying that the plague had ended. Or when, quite unexpectedly, by some kindly chance, they felt a twinge of jealousy, none the less acute for its objectlessness. Others, again, had sudden accesses of energy and shook off their languor on certain days of the week—for obvious reasons, on Sundays and Saturday afternoons, because these had been devoted to certain ritual pleasures in the days when the loved ones were still accessible. Sometimes the mood of melancholy that descended on them with the nightfall acted as a sort of warning, not always fulfilled, however, that old memories were floating

  up to the surface. That evening hour which for believers is the time to look into their consciences is hardest of all hours on the prisoner or exile who has nothing to look into but the void. For a moment it held them in suspense; then they sank back into their lethargy, the prison door had closed on them once again.

  Obviously all this meant giving up what was most personal in their lives. Whereas in the early days of the plague they had been struck by the host of small details that, while meaning absolutely nothing to others, meant so much to them personally, and thus had realized, perhaps for the first time, the uniqueness of each man's life; now, on the other hand, they took an interest only in what interested everyone else, they had only general ideas, and even their tenderest affections now seemed abstract, items of the common stock. So completely were they dominated by the plague that sometimes the one thing they aspired to was the long sleep it brought, and they caught themselves thinking: "A good thing if I get plague and have done with it!" But really they were asleep already; this whole period was for them no more than a long night's slumber. The town was peopled with sleepwalkers, whose trance was broken only on the ^rare occasions when at night their wounds, to all appearance closed, suddenly reopened. Then, waking with a start, they would run their fingers over the wounds with a sort of absentminded curiosity, twisting their lips, and in a flash their grief blazed up again, and abruptly there rose before them the mournful visage of their love. In the morning they harked back to normal conditions—in other words, the plague.

  What impression, it may be asked, did these exiles of the plague make on the observer? The answer is simple; they made none. Or, to put it differently, they looked like everybody else, nondescript. They shared in the torpor of the town and in its puerile agitations. They lost every trace of a critical spirit, while gaining an air of sang-froid. You could

  see, for instance, even the most intelligent among them making a show like all the rest of studying the newspapers or listening to the radio, in the hope apparently of finding some reason to believe the plague would shortly end. They seemed to derive fantastic hopes or equally exaggerated fears from reading the linens that some journalist had scribbled at random, yawning with boredom at his desk. Meanwhile they drank their beer, nursed their sick, idled, or doped themselves with work, filed documents in offices, or played the phonograph at home, without betraying any difference from the rest of us. In other words, they had ceased to choose for themselves; plague had leveled out discrimination. This could be seen by the way nobody troubled about the quality of the clothes or food he bought. Everything was taken as it came.

  And, finally, it is worth noting that those who were parted ceased to enjoy the curious privilege that had been theirs at the outset. They had lost love's egoism and the benefit they derived from it. Now, at least, the position was clear; this calamity was everybody's business. What with the gunshots echoing at the gates, the punctual thuds of rubber stamps marking the rhythm of lives and deaths, the files and fires, the panics and formalities, all alike were pledged to an ugly but recorded death, and, amidst noxious fumes and the muted clang of ambulances, all of us ate the same sour bread of exile, unconsciously waiting for the same reunion, the same miracle of peace regained. No doubt our love persisted, but in practice it served nothing; it was an inert mass within us, sterile as crime or a life sentence. It had declined on a patience that led nowhere, a dogged expectation. Viewed from this angle, the attitude of some of our fellow citizens resembled that of the long queues one saw outside the food-shops. There was the same resignation, the same long-sufferance, inexhaustible and without illusions. The only difference was that the mental state of the food-seekers would need to be raised to a vastly higher power to make it

  comparable with the gnawing pain of separation, since this latter came from a hunger fierce to the point of insatiability. In any case, if the reader would have a correct idea of the mood of these exiles, we must conjure up once more those dreary evenings sifting down through a haze of dust and golden light upon the treeless streets filled with teeming crowds of men and women. For, characteristically, the sound that rose toward the terraces still bathed in the last glow of daylight, now that the noises of vehicles and motors —the sole voice of cities in ordinary times—had ceased, was but one vast rumor of low voices and incessant footfalls, the drumming of innumerable soles timed to the eerie whistling of the plague in the sultry air above, the sound of a huge concourse of people marking time, a never ending, stifling drone that, gradually swelling, filled the town from end to end, and evening after evening gave its truest, mournfulest expression to the blind endurance that had ousted love from all our hearts.

  PART IV

  T

  hroughout september and October the town lay prostrate, at the mercy of the plague. There was nothing to do but to "mark time," and some hundreds of thousands of men and women went on doing this, through weeks that seemed interminable. Mist, heat, and rain rang their changes in our streets. From the south came silent coveys of starlings and thrushes, flying very high, but always giving the town a wide berth, as though the strange implement of the plague described by Paneloux, the giant flail whirling and shrilling over the housetops, warned them off us. At the beginning of October torrents of rain swept the streets clean. And all the time nothing more important befell us than that multitudinous marking time.

  It was now that Rieux and his friends came to realize how exhausted they were. Indeed, the workers in the sanitary squads had given up trying to cope with their fatigue. Rieux noticed the change coming over his associates, and himself as well, and it took the form of a strange indifference to everything. Men, for instance, who hitherto had shown a keen interest in every scrap of news concerning the plague now displayed none at all. Rambert, who had been temporarily put in charge of a quarantine station—his hotel had been taken over for this purpose—could state at any moment the

  exact number of persons under his observation, and every detail of the procedure he had laid down for the prompt evacuation of those who suddenly developed symptoms of the disease was firmly fixed in his mind. The same was true of the statistics of the effects of
anti-plague inoculations on the persons in his quarantine station. Nevertheless, he could not have told you the week's total of plague deaths, and he could not even have said if the figure was rising or falling. And meanwhile, in spite of everything, he had not lost hope of being able to "make his get-away" from one day to another.

  As for the others, working themselves almost to a standstill throughout the day and far into the night, they never bothered to read a newspaper or listen to the radio. When told of some unlooked-for recovery, they made a show of interest, but actually received the news with the stolid indifference that we may imagine the fighting man in a great war to feel who, worn out by the incessant strain and mindful only of the duties daily assigned to him, has ceased even to hope for the decisive battle or the bugle-call of armistice.

  Though he still worked out methodically the figures relating to the plague, Grand would certainly have been quite unable to say to what they pointed. Unlike Rieux, Rambert, and Tarrou, who obviously had great powers of endurance, he had never had good health. And now, in addition to his duties in the Municipal Office, he had his night work and his secretarial post under Rieux. One could see that the strain was telling on him, and if he managed to keep going, it was thanks to two or three fixed ideas, one of which was to take, the moment the plague ended, a complete vacation, of a week at least, which he would devote, "hats off," to his work in progress. He was also becoming subject to accesses of sentimentality and at such times would unburden himself to Rieux about Jeanne. Where was she now, he wondered; did her thoughts sometimes turn to him when she read the papers? It was Grand to whom one day Rieux

  caught himself talking—much to his own surprise—about his wife, and in the most commonplace terms—something he had never done as yet to anyone.

  Doubtful how far he could trust his wife's telegrams— their tone was always reassuring—he had decided to wire the house physician of the sanatorium. The reply informed him that her condition had worsened, but everything was being done to arrest further progress of the disease. He had kept the news to himself so far and could only put it down to his nervous exhaustion that he passed it on to Grand. After talking to the doctor about Jeanne, Grand had asked some questions about Mme Rieux and, on hearing Rieux's reply, said: "You know, it's wonderful, the cures they bring off nowadays." Rieux agreed, merely adding that the long separation was beginning to tell on him, and, what was more, he might have helped his wife to make a good recovery; whereas, as things were, she must be feeling terribly lonely. After which he fell silent and gave only evasive answers to Grand's further questions.

  The others were in much the same state. Tarrou held his own better, but the entries in his diary show that while his curiosity had kept its depth, it had lost its diversity. Indeed, throughout this period the only person, apparently, who really interested him was Cottard. In the evening, at Rieux's apartment, where he had come to live now that the hotel was requisitioned as a quarantine center, he paid little or no attention to Grand and the doctor when they read over the day's statistics. At the earliest opportunity he switched the conversation over to his pet subject, small details of the daily life at Oran.

  More perhaps than any of them, Dr. Castel showed signs of wear and tear. On the day when he came to tell Rieux that the anti-plague serum was ready, and they decided to try it for the first time on M. Othon's small son, whose case seemed all but hopeless, Rieux suddenly noticed, while he was announcing the latest statistics, that Castel was slumped

  in his chair, sound asleep. The difference in his old friend's face shocked him. The smile of benevolent irony that always played on it had seemed to endow it with perpetual youth; now, abruptly left out of control, with a trickle of saliva between the slightly parted lips, it betrayed its age and the wastage of the years. And, seeing this, Rieux felt a lump come to his throat.

  It was by such lapses* that Rieux could gauge his exhaustion. His sensibility was getting out of hand. Kept under all the time, it had grown hard and brittle and seemed to snap completely now and then, leaving him the prey of his emotions. No resource was left him but to tighten the stranglehold on his feelings and harden his heart protectively. For he knew this was the only way of carrying on. In any case, he had few illusions left, and fatigue was robbing him of even these remaining few. He knew that, over a period whose end he could not glimpse, his task was no longer to cure but to diagnose. To detect, to see, to describe, to register, and then condemn—that was his present function. Sometimes a woman would clutch his sleeve, crying shrilly: "Doctor, you'll save him, won't you?" But he wasn't there for saving life; he was there to order a sick man's evacuation. How futile was the hatred he saw on faces then! "You haven't a heart!" a woman told him on one occasion. She was wrong; he had one. It saw him through his twenty-hour day, when he hourly watched men dying who were meant to live. It enabled him to start anew each morning. He had just enough heart for that, as things were now. How could that heart have sufficed for saving life?

  No, it wasn't medical aid that he dispensed in those crowded days—only information. Obviously that could hardly be reckoned a man's job. Yet, when all was said and done, who, in that terror-stricken, decimated populace, had scope for any activity worthy of his manhood? Indeed, for Rieux his exhaustion was a blessing in disguise. Had he been less tired, his senses more alert, that all-pervading odor

  of death might have made him sentimental. But when a man has had only four hours' sleep, he isn't sentimental. He sees things as they are; that is to say, he sees them in the garish light of justice—hideous, witless justice. And those others, the men and women under sentence to death, shared his bleak enlightenment. Before the plague he was welcomed as a savior. He was going to make them right with a couple of pills or an injection, and people took him by the arm on his way to the sickroom. Flattering, but dangerous. Now, on the contrary, he came accompanied by soldiers, and they had to hammer on the door with rifle-butts before the family would open it. They would have liked to drag him, drag the whole human race, with them to the grave. Yes, it was quite true that men can't do without their fellow men; that he was as helpless as these unhappy people and he, too, deserved the same faint thrill of pity that he allowed himself once he had left them.

  Such, anyhow, were the thoughts that in those endless-seeming weeks ran in the doctor's mind, along with thoughts about his severance from his wife. And such, too, were his friends' thoughts, judging by the look he saw on their faces. But the most dangerous effect of the exhaustion steadily gaining on all engaged in the fight against the epidemic did not consist in their relative indifference to outside events and the feelings of others, but in the slackness and supine-ness that they allowed to invade their personal lives. They developed a tendency to shirk every movement that didn't seem absolutely necessary or called for efforts that seemed too great to be worth while. Thus these men were led to break, oftener and oftener, the rules of hygiene they themselves had instituted, to omit some of the numerous disinfections they should have practiced, and sometimes to visit the homes of people suffering from pneumonic plague without taking steps to safeguard themselves against infection, because they had been notified only at the last moment and could not be bothered with returning to a sanitary

  service station, sometimes a considerable distance away, to have the necessary instillations. There lay the real danger; for the energy they devoted to righting the disease made them all the more liable to it. In short, they were gambling on their luck, and luck is not to be coerced.

  There was, however, one man in the town who seemed neither exhausted nor discouraged; indeed, the living image of contentment. It was Cottard. Though maintaining contact with Rieux and Rambert, he still kept rather aloof, whereas he deliberately cultivated Tarrou, seeing him as often as Tarrou's scanty leisure permitted. He had two reasons for this: one, that Tarrou knew all about his case, and the other, that he always gave him a cordial welcome and made him feel at ease. That was one of the remarkable things about Tarrou; no matter how much w
ork he had put in, he was always a ready listener and an agreeable companion. Even when, some evenings, he seemed completely worn out, the next day brought him a new lease of energy. "Tarrou's a fellow one can talk to," Cottard once told Rambert, "because he's really human. He always understands."

  This may explain why the entries in Tarrou's diary of this period tend to converge on Cottard's personality. It is obvious that Tarrou was attempting to give a full-length picture of the man and noted all his reactions and reflections, whether as conveyed to him by Cottard or interpreted by himself. Under the heading "Cottard and his Relations with the Plague," we find a series, of notes covering several pages and, in the narrator's opinion, these are well worth summarizing here.

  One of the entries gives Tarrou's general impression of Cottard at this time: "He is blossoming out. Expanding in geniality and good humor." For Cottard was anything but upset by the turn events were taking. Sometimes in Tarrou's company he voiced his true feelings in remarks of this order: "Getting worse every day, isn't it? Well, anyhow, everyone's in the same boat."

  "Obviously," Tarrou comments, "he's in the same peril of death as everyone else, but that's just the point; he's in it with the others. And then I'm pretty sure he doesn't seriously think he runs much personal risk. He has got the idea into his head, apparently—and perhaps it's not so farfetched as it seems—that a man suffering from a dangerous ailment or grave anxiety is allergic to other ailments and anxieties. 'Have you noticed,' he asked me, 'that no one ever runs two diseases at once? Let's suppose you have an incurable disease like cancer or a galloping consumption— well, you'll never get plague or typhus; it's a physical impossibility. In fact, one might go farther; have you ever heard of a man with cancer being killed in an auto smash?' This theory, for what it's worth, keeps Cottard cheerful. The thing he'd most detest is being cut off from others; he'd rather be one of a beleaguered crowd than a prisoner alone. The plague has put an effective stop to police inquiries, sleuthings, warrants of arrest, and so forth. Come to that, we have no police nowadays; no crimes past or present, no more criminals—only condemned men hoping for the most capricious of pardons; and among these are the police themselves."

 

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