Hitch-22: A Memoir

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by Christopher Hitchens


  One always has the vague illusion of taking or making one’s own decisions, the illusion itself running in parallel with the awareness that most such calls are made for you by other people, or by circumstances, or just made. I didn’t have the wherewithal to stay on in New York. I didn’t have the heft to get a lawyer who would help me overstay my student visa and fight for a work permit. Feeling weak but happy, because it had after all been a hell of a ride, I went to a travel agent near the old Pan Am Building and booked another bucket-shop charter home. During the wait, I was exposed to a near-perfect rapid-fire duet between the salesman of the cheap tickets and his partner: a sort of West Side Story except in Yiddish-English or I suppose Hebronics. (“Explain to me something. Why should I need you on my vacation?”) I had thought this style came from some kind of expired vaudeville and was impressed to find that it took place in real life and in muscular, humorous English idiom.

  Rolling Stone gave a party at Orsino’s to mark the opening of its “Straight Arrow” book imprint and I was somehow invited to this, and went from there to the midnight jet plane from JFK. My retrospective excitement and sadness meant that I slept not at all and drank the foul cocktail known as a “Manhattan” to such an extent that I have never needed to touch it again. My welcome home was everything I could have asked for, and the wonderful warm bath of England enveloped me again, as it does if you let it. Soon enough, I was swallowed up in the exigencies of making a living, trying to write, negotiating a move from Oxford to London, all of that. I gave a series of talks and lectures to the comrades, explaining to them that there was a revolutionary character to the United States. And every now and then, I would wake up early and remember things like the wobbling sirens in Detroit, or the guitarists in Washington Square, or the contours of the Guggenheim Museum, or the “ping” in the metal cup as the Bell Telephone operator refunded you your lost dime if the connection hadn’t worked. Songs that were loved in England, like Simon and Garfunkel’s lines about “counting the cars on the New Jersey Turnpike,” or Judy Collins’s or Bob Dylan’s version of “Lost in the Rain in Juarez,” could now be visualized by me as poems and pictures of real places. I was hooked and felt the occasional tug and twitch upon the thread, but the line was a long one and I could often swim with the lazy English current for months at a time without remembering my New World.

  I shared a house on my return with Richard Parker, a brilliant California radical (and future biographer of John Kenneth Galbraith) who had been one of the commanding figures in the Bay Area Left. He was at the center of a group of radical American political economists at Oxford, who included one of my former tutors, Keith Griffin. Together, we distributed anti-war leaflets at the U.S. Air Force base in Upper Heyford and befriended a number of disaffected servicemen who were stationed there. From then on, my life was always to contain many American friends and, as I moved to London and began to try and make a mark as a journalist, I invariably felt it a distinction to be invited to write for any American magazine or newspaper. I was especially pleased with myself later on when the New York Times magazine asked me to profile the emerging Mrs. Thatcher, of whom I wrote—very much against the general expectation—that she would probably be the next prime minister.

  Almost all my American acquaintances took the same attitude of visceral hatred toward Richard Nixon as I did, so there was no evident conflict between our friendship and an attitude that essentially characterized the United States as an evil empire. In the countries I was beginning to visit as a reporter—Spain, Portugal, Greece, Cyprus, later Chile—it was often American power that in the last resort guaranteed the forces of reaction. At home, Nixon had staged something very like a coup, running a parallel regime of bagmen and wiretappers behind the façade of the legitimate government. “Big Brother and the Holding Company” was, I remember, one of the better titles of a pamphlet about the Watergate gang. Overseas, his indescribably loathsome deputy Henry Kissinger felt free to suborn murder and sponsor military coups. A vast system of nuclear weaponry meanwhile meant that—as Martin Luther King had phrased it—we were ever ready to commit suicide and genocide at the same time. The colossal expense of this military-industrial system was also a theft from the world’s poor. I began to read quite a lot of Hunter Thompson, and when Nixon finally went down, I celebrated as if I’d defeated a personal enemy.

  In the aftermath of that very thing, though, I had to reflect a bit. After all, the American legal system and the U.S. Constitution had survived Nixon’s attempt to undo it. Congress had held wide-open hearings, of a kind it was very hard to imagine taking place in the Palace of Westminster, and summoned important witnesses to testify. The Justice Department had resisted the president’s lawless attempts to purge it. The special-prosecutor system had proved itself. The American press, led by the Washington Post, had penetrated the veil of lies and bribery and—despite crude threats from the White House—had eventually named the main perpetrators on the front page. And all of this in a time of continuing warfare in Indochina.

  A great number of the “issues” that I confronted in the 1970s, both as a journalist and as a political activist, had to do with censorship and press freedom and public information. Reporters in Britain were arrested for trying to investigate matters touching on “national security”: the Official Secrets Act had a clause that even made the “collection” of information an offense. In the United States there was a Freedom of Information Act that at least made the presumption of innocence when it came to disclosure. In London, an editor could be served by the state with a “D-Notice,” preventing him or her from publishing a story that might embarrass the government. In the United States, the First Amendment to the Constitution—as had been reaffirmed in the case of the Pentagon Papers—forbade “prior restraint” of the press. As for Parliament, its efforts to circumscribe the executive were little short of pathetic. Anyone who had watched or read the Fulbright or Church committee hearings in Washington could only moan with contempt when a Westminster “select committee” made a feeble attempt to find out how British policy in Cyprus, say, had amounted to something between a betrayal and a fiasco.

  In the late 1970s I nearly went to jail for revealing, on a television program, that the government had pre-vetted a London jury in an Official Secrets Act trial and, not content with excluding in advance anyone it suspected of sympathy with the defense, had also planted a former member of the elite Special Air Services regiment in the box. The judge in the case halted the trial and summoned me for contempt of court. I carried a toothbrush around in my top pocket for a day or so, but His Worship meanwhile succumbed to a stroke, the principal effect of which was amnesia, and so the danger passed. In America, as I kept pointing out, it would have been those who had interfered with the jury, not those who had caught them in the act, who would be the ones in danger of imprisonment.

  One more episode may also illustrate my gradual enlightenment on these points. In the 1970s there was considerable nuisance from fascist and neo-Nazi groups in Britain, which mounted disgusting attacks on emigrants from the Commonwealth and began the recirculation of moth-eaten (or rather vermin-infested) anti-Semitic and Holocaust-denying screeds. It was one of one’s standard duties as a leftist to turn out on weekends and block the efforts of this rabble to stage a march or to put up a platform in a street market. Stones and fists would fly, posters would be ripped down: it was all part of a storied socialist tradition that went back to street combat with the Blackshirts in the 1930s. The police often seemed to me partial to the fascists: you could be arrested “for your own protection” if you even looked as if you were going to make a fight of it. Then one day I read in an American newspaper that, in the town of Skokie, Illinois, the American Nazi Party was going to hold a swastika-flourishing parade. They had chosen this particular suburb of Chicago because it had an unusually large population of Jewish refugees from Germany. Nice work. A temporary ban on the march had, I read, been imposed. But the same injunction was being contested in court by…
the American Civil Liberties Union! That had to be some kind of mistake. Socialist Worker (which I still read though I no longer helped to edit or sell it) published a viperous paragraph saying that this exposed the empty sham of American liberalism. I went into the thing more closely, out of curiosity, and read an excellent defense of the ACLU by its director, Aryeh Neier, himself a refugee from Nazism. The First Amendment to the Constitution, he said, enshrined the right of all citizens to free expression and to free assembly. If this protection was withdrawn from anybody, perhaps especially somebody repulsively unpopular, then it would be weakened or diluted in general. It took me a space of time to assimilate this simple Jeffersonian point, if only because I had been raised in a culture where the law governing free speech and free assembly was whatever the nearest policeman happened to say it was.*

  Then there was the American embassy. With its horrible defacement of the west side of Grosvenor Square it had served in the Sixties as an aesthetic target as much as a political one. But after the eviction of Nixon from the White House, this same neo-brutalist London fortress began to mount a sort of charm offensive. Elliot Richardson, the dignified attorney general who had refused Nixon’s peremptory order to fire Special Prosecutor Archibald Cox (“Sack the Cox-Sacker,” as a friend of mine had written on a placard outside the White House at the time, as if borrowing from Bob Conquest’s most painstaking work), became ambassador and took an early opportunity to come and have lunch at the New Statesman. I hadn’t seen liberal Republicanism up close before and though it did appear a touch self-satisfied, I felt I had met less attractive kinds of politics. Then, after an interval, the State Department gazetted Dr. Kingman Brewster to become its envoy. As president of Yale during the fabled Black Panther trial in New Haven, he had attracted huge obloquy for apparently saying that a black man might be unable to receive a fair trial. Actually, he had only asked if this might be the case, rather than stated that it really was so, but once a bogus story has been printed for the first time, it will be reprinted again and again by the lazy and/or the malicious. Ambassador Brewster and his wife gave a number of striking evenings at Winfield House in Regent’s Park—Barbara Hutton’s gift to both London and Washington—where there were after-dinner seminars on everything from affirmative action to El Salvador. The guest list was, I thought, consciously weighted to the left of center. (In due time, Ambassador Brewster agreed to sponsor me for a green card.) Once again, the inescapable American note seemed to be that of generosity and large-mindedness.

  I’d be coy if I failed to mention another thing, which was American women. How can one phrase this delicately? English womanhood was, of course, adorable, and the idea of the “English rose” had not yet acquired the sickliness of the Diana epoch, but it did have a slight tendency to leave the initiative to the male. My besetting weakness in this department has always been that I like to know that initiatives are already welcome, if you catch my drift. (This was one of the many differences in style between myself and young Amis, who quite correctly reasoned that neither party could be entirely sure of this welcome until one of them—and he was perfectly willing to volunteer for any ice-breaking duty—had put matters to the proof.) American girls, I came to find, were more… forward. They would come right out with it, and would give direct voice, sometimes in a tone of near-command, to their desires. I don’t think that I can even begin sufficiently to express my gratitude. It was one such fling that reunited me with the United States after almost seven years absence from it: she met me in London but she lived in New York and when I boarded Pan Am to catch up with her, let alone when I saw again the Pan Am Building from high up on Park Avenue, I had a non-platonic hint of that platonic ideal whereby two separated spheres have been happily conjoined once more. This conviction outlasted the affair. From then on, every time I flew back to England, I was mentally busy with the idea that I would soon return to New York, this time on a one-way ticket.

  Thus when I began to publish a few more pieces in The Nation, and on one such visit went to call on Victor Navasky at the magazine’s downtown offices, and heard him inquire if I ever felt like coming over permanently, I felt I had flung a proper grappling hook across the water. All the awful business of visas, immigration forms, work permits (so very much worse now than it was then) would yield a little if I had a patron or sponsor. So on 9 October 1981 I bought that one-way ticket and barely looked behind me as I went to Heathrow and flew west to see again what had become my favorite sight: Manhattan in early evening as viewed in anticipation from the tip of Long Island. I had perhaps one suitcase, one half-offer of part-time work at the Nation office, a truly saintly offer of a long-term stay in the West Village from my old Hitch-proof Oxford friend Gully Wells and her husband, Peter, and a few thousand dollars in the bank.

  There is of course a much-derided way for Englishmen to try and “make it” in America, and perhaps especially in New York and Los Angeles. They charm their way into publishing, say, or advertising, or the movies, by the mere attitude and plausibility that’s represented by their famous “accent.” And then at weekends they get together and have Marmite and Earl Grey and discuss cricket scores and have a good snigger at the gullibility and sappiness of their American hosts. (Really and truly “hosts,” as in the relationship with the parasitic.) Waugh had lampooned it in his description of the Hollywood cricket players in The Loved One (which I forgot to mention is subtitled An Anglo-American Tragedy):

  For these the club was the symbol of their Englishry. Here they collected subscriptions for the Red Cross and talked at their ease, out of the hearing of their alien employers and protectors.

  Shortly after I arrived in New York, Tom Wolfe claimed to have diagnosed the same syndrome in The Bonfire of the Vanities:

  One had the sense of a very rich and suave secret legion that had insinuated itself into the cooperative apartment houses of Park Avenue and Fifth Avenue, from there to pounce at will upon the Yankees’ fat fowl, to devour at leisure the last plump white meat on the bones of capitalism… They were comrades in arms, in the service of Great Britain’s wounded chauvinism.

  I was offended, when this fiction first came out, to read third-hand speculation that I was myself the model for the venal English hack and social climber Peter Fallow. True, I had deliberately offended Wolfe—who knows how to take an underhanded revenge—but not by haunting the penthouses of Park or Fifth. To the contrary, I had written disobligingly about his reactionary affectations in a small West Coast leftist magazine called Mother Jones. This was hardly arrivisme on my part: I was “down” with my fellow American radicals, not conspiring with a bunch of aristos and expats. Yet there is something about the English voice that can still catch some Americans—even outwardly assured white-suit-wearing Virginians—on the raw. More democratic Americans were happier with the sound of it. I resolved neither to exploit this nor to over-assimilate. When the young ladies of AT&T would say: “Just keep talking. I love your accent,” I would respond: “But my dear, I don’t have an accent. It’s you who has the accent, and a very nice one, too.” Five times out of ten I would then be told I sounded like Richard Burton, which I do quite understand was kindly meant.

  Actual class struggles apart, one of the aesthetic ways you could prove that there was a class system in America was by cogitating on the word, or acronym, “WASP.” First minted by E. Digby Baltzell in his book The Protestant Establishment, the term stood for “White Anglo-Saxon Protestant.” Except that, as I never grew tired of pointing out, the “W” was something of a redundancy (there being by definition no BASPs or JASPs for anyone to be confused with, or confused about). “ASP,” on the other hand, lacked some of the all-important tone. There being so relatively few Anglo-Saxon Catholics in the United States, the “S” was arguably surplus to requirements as well. But then the acronym AS would scarcely do, either. And it would raise an additional difficulty. If “Anglo-Saxon” descent was the qualifying thing, which surely it was, then why were George Wallace and Jerry Falwell no
t WASPs? After all, they were not merely white and Anglo-Saxon and Protestant, but very emphatic about all three things. Whereas a man like William F. Buckley, say, despite being a white Irish Catholic, radiated the very sort of demeanor for which the word WASP had been coined to begin with. So, for the matter of that, did the dapper gentleman from Richmond, Virginia, Tom Wolfe. Could it be, then, that WASP was really a term of class rather than ethnicity? Q.E.D. Those other white Anglo-Saxon Protestants of the less polished kind had long enjoyed a colloquial description all of their own. It was the good old word “redneck,” and those it described were concentrated in what H.L. Mencken had unfeelingly called “the hookworm and incest” belt of Anglo-Saxondom. Thus, to be English in America was, if one had enjoyed something like an Oxbridge education and spoke in tones acceptable to the (then) BBC, to be in the upper middle class almost by definition. As Sir Ambrose Abercrombie explains the system of stratification in America later on in The Loved One: “You never find an Englishman among the underdogs—except in England, of course.”

 

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