I certainly didn’t concur with Edward on everything, but I was damned if I would hear him abused without saying a word. And I think this may be worth setting down, because there are other allegiances that can be stress-tested in comparable ways. It used to be a slight hallmark of being English or British that one didn’t make a big thing out of patriotic allegiance, and was indeed brimful of sarcastic and critical remarks about the old country, but would pull oneself together and say a word or two if it was attacked or criticized in any nasty or stupid manner by anybody else. It’s family, in other words, and friends are family to me. I feel rather the same way about being an American, and also about being of partly Jewish descent. To be any one of these things is to be no better than anyone else, but no worse. When confronted by certain enemies, it is increasingly the “most definitely no worse” half of this unspoken agreement on which I tend to lay the emphasis. (As with Camus’s famous “neither victim nor executioner,” one hastens to assent but more and more to say “definitely not victim.”)
On my desk is an appeal from the National Museum of American Jewish History in Philadelphia. It asks me to become a sponsor and donor of this soon-to-be-opened institution, while an accompanying leaflet has enticing photographs of Bob Dylan, Betty Friedan, Sandy Koufax, Irving Berlin, Estee Lauder, Barbra Streisand, Albert Einstein, and Isaac Bashevis Singer. There is something faintly kitsch about this, as there is in the habit of those Jewish papers that annually list Jewish prize-winners from the Nobel to the Oscars. (It is apparently true that the London Jewish Chronicle once reported the result of a footrace under the headline “Goldstein Fifteenth.”) However, I think I may send a contribution. Other small “races” have come from unpromising and hazardous beginnings to achieve great things—no Roman would have believed that the brutish inhabitants of the British Isles could ever amount to much—and other small “races,” too, like Gypsies and Armenians, have outlived determined attempts to eradicate and exterminate them. But there is something about the persistence, both of the Jews and their persecutors, that does seem to merit a museum of its own.
So I close this long reflection on what I hope is a not-too-quaveringly semi-Semitic note. When I am at home, I will only enter a synagogue for the bar or bat mitzvah of a friend’s child, or in order to have a debate with the faithful. (When I was to be wed, I chose a rabbi named Robert Goldburg, an Einsteinian and a Shakespearean and a Spinozist, who had married Arthur Miller to Marilyn Monroe and had a copy of Marilyn’s conversion certificate. He conducted the ceremony in Victor and Annie Navasky’s front room, with David Rieff and Steve Wasserman as my best of men.) I wanted to do something to acknowledge, and to knit up, the broken continuity between me and my German-Polish forebears. When I am traveling, I will stop at the shul if it is in a country where Jews are under threat, or dying out, or were once persecuted. This has taken me down queer and sad little side streets in Morocco and Tunisia and Eritrea and India, and in Damascus and Budapest and Prague and Istanbul, more than once to temples that have recently been desecrated by the new breed of racist Islamic gangster. (I have also had quite serious discussions, with Iraqi Kurdish friends, about the possibility of Jews genuinely returning in friendship to the places in northern Iraq from which they were once expelled.) I hate the idea that the dispossession of one people should be held hostage to the victimhood of another, as it is in the Middle East and as it was in Eastern Europe. But I find myself somehow assuming that Jewishness and “normality” are in some profound way noncompatible. The most gracious thing said to me when I discovered my family secret was by Martin, who after a long evening of ironic reflection said quite simply: “Hitch, I find that I am a little envious of you.” I choose to think that this proved, once again, his appreciation for the nuances of risk, uncertainty, ambivalence, and ambiguity. These happen to be the very things that “security” and “normality,” rather like the fantasy of salvation, cannot purchase.
Decline, Mutation, or Metamorphosis?
When the axe came into the woods, many of the trees said: “At least the handle is one of us.”
—Turkish proverb
If you desired to change the world, where would you start? With yourself or others?
—Alexander Solzhenitsyn
TOWARD THE CLOSE of Hearing Secret Harmonies, which is itself the close of his complex, majestic, rhythmical twelve-volume novel sequence A Dance to the Music of Time (and also by a nice chance the volume that happens to be dedicated to Robert Conquest), Anthony Powell’s narrator catches sight of a blue-clad person, crossing a playing field in his direction:
Watching the approaching figure, I was reminded of a remark made by Moreland ages before. It related to one of those childhood memories we sometimes found in common. This particular recollection had referred to an incident in The Pilgrim’s Progress that had stuck in both our minds. Moreland said that, after his aunt read the book aloud to him as a child, he could never, even after he was grown-up, watch a lone figure draw nearer across a field, without thinking that this was Apollyon come to contend with him. From the moment of first hearing that passage read aloud—assisted by a lively portrayal of the fiend in an illustration, realistically depicting his goat’s horns, bat’s wings, lion’s claws, lizard’s legs—the terror of that image, bursting out from an otherwise at moments prosy narrative, had embedded itself for all time in the imagination. I, too, as a child, had been riveted by the vividness of Apollyon’s advance across the quiet meadow.
When I first read this passage of Powell, I put down the novel and was immediately back in the Crapstone of my Devonshire boyhood. The long-forgotten but evidently well-retained scene of my memory is as plain in my recollection as anything that happened to me yesterday. My younger brother, Peter—aged perhaps eight—has so strongly imbibed John Bunyan’s Puritan classic as almost to have memorized it. (The “slough of despond,” “the Giant Despair,” “Doubting Castle,” the fripperies of “Vanity’s fair,” “Oh death, where is thy sting?” Can you remember when all these used to be part of the equipment of everybody literate in English? They are as real to my brother and to me as the shaggy, wild ponies on the nearby moors.) But, coming to the very decisive page that should show Apollyon in all his horrid magnificence, Peter finds that the publishers have bowdlerized the text, and withheld this famous illustration from the version made available to the under-tens. He is not to be allowed to look The Evil One in the face.
This is one of those moments that, I choose to think, shows the Hitchens family at its best. Under an absolutely unremitting pressure from Peter, my father writes to the local library, to the bookshop, and eventually to the publishers themselves. No objection they can make is met by anything but scornful impatience; with a whim of steel my younger brother insists that if there is such an image, then he was not born to be shielded from it. I may have imagined this, but I am not certain that some harassed representative of the publisher does not actually call at our modest terrace house on the edge of Dartmoor, perhaps to confirm that this turbulent boy is really dictating such stuff to Commander Hitchens rather than acting as—say—the innocent front kid in some devil-worshipping or Straw Dogs coven.
I know that I mocked and teased Peter on the subject, because I was much too prone to tease him in any case, but the day came when the unabridged version arrived, and we could both solemnly turn—with parental supervision, of course, but in our own minds to protect our parents from any shock or trauma—to the color plate from hell. It was one of those pull-out pages that needs to be unfolded from the volume itself, in a three-stage concertina. And it was anticlimax defined. For one thing—Powell’s summary above may have prepared you for this—it was absurdly overdone. A lizard-man or snake-man might have been represented creepily enough, but this non-artist had hugely overdone the number of possible mutations of leg, wing, and pinion and also given Apollyon a blazing furnace for a belly. The demon’s wicked and gloating expression, looked at from one angle, was merely silly and bilious. I don’t remembe
r what the reaction of Yvonne and the Commander and Peter was to this long-awaited appointment with the forces of darkness, but on me it had the effect of reinforcing the growing opinion that all such images were strictly man-made, and indeed mainly designed like much of religion for the ignoble purpose of scaring children.
That’s to one side. What I want to set down is the admiration I felt for Peter in taking things to their uttermost. He was already quite decided that he did not need any protection from unpleasantness, or from reality, and so it was immaterial that this particular exposure was to the unreal. “Facing it, Captain McWhirr,” as Conrad puts it in his Typhoon. “Always facing it. That’s the way to get through.” To hand is a letter from Yvonne’s dear friend Rosemary, in which she writes to me about the prep school Peter and I both attended and the gigantic and rather questionable chap who ran it:
At Mount House Peter was called before Mr. Wortham for some misdemeanour and said to him: “You may be in command now but you will never quell the fires within me.” (You probably know this tale.) We have all dined out on it for years… Whenever I see or hear him on TV or radio I am aware that that passionate little boy was the father of the man.
I did not in fact know “this tale,” but I am certainly impressed by it because it can only have been conveyed by the mountainous Mr. Wortham himself, who must have been sufficiently disconcerted by Peter’s mutinous backchat to report it to my parents. My younger brother has always since shown great steadiness under fire and in a variety of trying and testing circumstances at that, and it rather pleases me that his taunting enemies—just like the low, cheap crowd that would form around any conspicuous boy in the schoolyard—choose to mock him for being odd. He puts up with this handsomely enough, and he has lived to celebrate the total eclipse of a few politicians of the sad, ingratiating, crowd-pleasing sort, who were once nominated for certain glory by a mediocre press corps, yet had the air let out of them by Peter’s questioning in public and his contempt in print. I become rather wistful when I reflect that this demonstration of Hitchensian moral courage has come at the price of a brother who isn’t specially moved by our non-English ethnic heritage, and who is to outward appearances almost tragically right-wing.*
In Peter’s most recent book, The Broken Compass, which contains several assertions and affirmations that make me desire to be wearing a necklace of the purest garlic even while reading them, there is a highly thoughtful and well-written passage on how it comes about that people do, in fact, undergo significant changes of mind. Given the absolute certainty that this process will be undergone by any serious person at least once, it is rather surprising to find how much is made out of it, and how many critics try to confect a mystery where none exists. Illustrating the same point in a different way, Peter takes the more subtle tack of showing how certain individuals will in fact alter their opinions, while often pretending to themselves and others for quite a long time that they have not “really” done so.
Analyzing the evolution of those, some of whom like myself were willing to make alliances of all kinds against Al Quaeda and its allies, he writes scornfully and—I must say—unsettlingly:
This is a very interesting halting place, as well as a comfortable one. For the habitual Leftist, it has the virtue of making him look as if he can change his mind, even when he has not really done so. It licenses him to be strongly anti-clerical and anti-religious, but in a way that Christian conservatives can tolerate.
The chapter is called “A Comfortable Stop on the Road to Damascus.” The biblical cliché may seem inescapable but it actually retards understanding. There are people who attempt to demonstrate breadth of mind while only trying to have things both ways. (“Jews for Jesus” might be an example, or those “reform” Communists who tried and failed to cook a dish of “fried snowballs.”) I once interviewed one of the original Stalinists-turned-dissident, the Yugoslav Milovan Djilas, who, sitting in his tiny Belgrade apartment, said that he had come to admire the work of Friedrich August von Hayek, adding hastily that he did not really agree with him about property rights: a prince-free reading of Hamlet if ever I struck one. However the whole point of the Damascus legend is that it refuses the very idea of the mind’s evolution, replacing it with the deranged substitute of instant divine revelation.
We are forcibly made familiar, usually from febrile tenth-hand accounts of religious visionaries and other probable epileptics and schizophrenics, of those blinding and indeed Damascene moments (or moments of un-blindness when scales supposedly fall from the eyes) that constitute such revelation. Yet one suspects, as with Archimedes and his eureka, that Pasteur was right and that in the case of sound minds at any rate, great apparent coincidences only occur to the intellect that has rehearsed and prepared for them. It may be the same with lesser convictions and allegiances. I once spoke with a hardened senior member of the Provisional Irish Republican Army, who was in the room with his leader David O’Connell when the news came that one of their bombs had “successfully” gone off. Among the casualties was a young woman who was pregnant. But it turned out that she was also Protestant. “Well, that’s two for one, then,” remarked O’Connell, light-heartedly clearing the air. In that instant, his deputy says, he himself internally defected from the IRA and began the second career as an informer for the British which would wreak the most terrible revenge on his former “associates.” But I believe that he had been getting ever more sickened as time went by, and that there came a “moment” that seemed dramatic and was certainly memorably disgusting, when any extra morsel would have been too much for him. (There is also such a thing as ex post facto rationalization, especially in the case of people who have repented of terrible crimes.) It could be as true to say, as some of my tutors in Oxford philosophy used to seem to argue, that it is your mind that changes you.
The history of the twentieth-century Left is replete with such episodes, very often and very interestingly involving moments when somebody, hearing a statement of apparent agreement, experiences a violent sense of repulsion. The brilliant Austrian Marxist Ernst Fischer, having publicly defended the Hitler-Stalin pact as a tactical imperative, had his composure destroyed not long afterward when some dumkopf Communist told him excitedly: “Have you heard the news? We’ve taken Paris!” The moron was referring to the march of the Wehrmacht up the Champs-Elysées. Fischer wanted to say that this was not at all what he had intended, but then, perhaps it had been… During the Moscow show-trials, Whittaker Chambers heard Alger Hiss say approvingly that “Old Joe Stalin certainly knows how to play for keeps,” and as an old Bolshevik he found himself experiencing a similar nausea. Incidentally, what single thing did Chambers and Hiss have in common? They both believed that the victory of Soviet Communism was inevitable. As a defector from that cause, Chambers believed that he had resignedly joined the losing side. As a lifelong opportunist, Hiss thought he had placed his own bet on the winning one. So it goes.
I was once slightly friendly with Dorothy Healey, a veteran American Communist who could boast, among other things, of having recruited the nasty but pulchritudinous incendiary Angela Davis into “The Party.” Dorothy had been through a lot for her beliefs, ever since becoming a working-class Red during the Depression, and for those same beliefs she had also swallowed a good deal. She had managed to explain away the Soviet repressions and invasions and, on the radio show she hosted for the Pacifica channel, would often give air time to visiting officials from Moscow. Once, not long after the expulsion of Alexander Solzhenitsyn from the USSR, she invited some Soviet cultural hack to respond to the “Cold War hysteria” that the incident had generated in the imperialist-dominated American press. The hack duly explained that Solzhenitsyn was a provocateur and a tool of reaction, and the author of a mendacious history of the Stalin era and… suddenly Dorothy asked him a question she had not planned. “You say it’s a terrible book full of lies?” “Yes,” replied the hack. “And just how,” she inquired, “do you know this?” “Because,” replied the hack, “I
have read it.” Dorothy let a few beats go by before she said the next thing, and then she uttered—on air for all the comrades to hear—the response: “How come you have read it if it’s banned for everyone else in the Soviet Union?” At that instant, she told me, she understood that without any previous intention of doing so, she had resigned from the Communist Party. Yet again, though, I feel she had been keeping the lid on a stew of misgiving for some time, and reached the point where it might bubble over at any moment.*
Hitch-22: A Memoir Page 50
