by Mary Renault
They were interrupted by the entrance of his heir. Ptolemy the Younger was twenty-six, pure Macedonian; Ptolemy’s third wife had been his stepsister. Big-boned like his father, he entered softly, seeing the old man so quiet in his chair that he might be dozing. But his mere weight on a floorboard was enough to dislodge two scrolls from one of the crowded shelves that lined the walls. Ptolemy looked round smiling.
“Father, another chest of books has come from Athens. Where can they go?”
“Athens? Ah, good. Have them sent up here.”
“Where will you put them? You’ve books on the floor already. The rats will have them.”
Ptolemy reached out his wrinkled freckled hand and scratched the cat’s neck above its jeweled collar. Svelte and muscular, it flexed its smooth bronze-furred back and stretched luxuriously, uttering a resonant, growling purr.
“Still,” said his son, “you do need a bigger book-room. In fact, you need a house for them.”
“You can build one when I’m dead. I will give you another book for it.”
The young man noticed that his father was looking as complacent as the cat. Almost he had purred too.
“What? Father! Do you mean that your book is finished?”
“In this very hour.” He showed the tablet, on which was written above a flourish of the stylus, HERE ENDS THE HISTORY OF ALEXANDER. His son, who had an affectionate nature, leaned down and embraced him.
“We must have the readings,” he said. “In the Odeion of course. It’s nearly all copied already. I’ll arrange it for next month, then there will be time to give out word.” To this late-born child, his father had been always old, but never unimpressive. This work, he knew, had begun before he himself was born. He was in haste to see his father enjoy the fruits of it; old age was fragile. He ran over in his mind the names of actors and orators noted for beauty of voice. Ptolemy pursued his thoughts.
“This,” he said suddenly, “must kill Kassandros’ poison. I was there, as everyone knows, from the beginning to the end … I should have done it sooner. Too many wars.”
“Kassandros?” Dimly the young man recalled that King of Macedon, who had died during his boyhood and been succeeded by disastrous sons who were both dead too. He belonged to the distant past; whereas Alexander, who had died long before his birth, was as real to him as someone who might now walk in at the door. He had no need to read his father’s book, he had been hearing the tales since childhood. “Kassandros …?”
“In the pit of Tartaros, where he is if the gods are just, I hope he learns of it.” The slack folds of the old face had tightened; it looked, for a moment, formidable. “He killed Alexander’s son—I know it, though it was never proved—he hid him through all his growing years, so that his people never knew him, nor will he be known by men to come. The mother of Alexander, his wife, his son. And not content with that, he bought the Lyceum, which will never be the same again, and made a tool of it to blacken Alexander’s name. Well, he rotted alive before he died, and between them his sons murdered their mother … Yes, arrange the readings. And then the book can go to the copy-house. I want it sent to the Lyceum—the Academy—the school at Kos. And one to Rhodes, of course.”
“Of course,” said his son. “It’s not often the Rhodians get a book written by a god.” They grinned at each other. Ptolemy had been awarded divine honors there for his help in their famous siege. He gently stirred the cat, which presented its cream belly to be tickled.
The younger Ptolemy looked out of the window. A blinding flash made him close his eyes. The gold laurel-wreath above the tomb of Alexander had caught the sun. He turned back into the room.
“All those great men. When Alexander was alive, they pulled together like one chariot-team. And when he died, they bolted like chariot-horses when the driver falls. And broke their backs like horses, too.”
Ptolemy nodded slowly, stroking the cat. “Ah. That was Alexander.”
“But,” said the young man, startled, “you always said—”
“Yes, yes. And all of it true. That was Alexander. That was the cause.” He picked up the tablet, looked at it jealously, and put it down.
“We were right,” he said, “to offer him divinity. He had a mystery. He could make anything seem possible in which he himself believed. And we did it, too. His praise was precious, for his trust we would have died; we did impossible things. He was a man touched by a god; we were only men who had been touched by him; but we did not know it. We too had performed miracles, you see.”
“Yes,” said his son, “but they came to grief and you have prospered. Is it because you gave him burial here?”
“Perhaps. He liked things handsomely done. I kept him from Kassandros, and he never forgot a kindness. Yes, perhaps … But also, when he died I knew he had taken his mystery with him. Henceforward we were men like other men, with the limits that nature set us. Know yourself, says the god at Delphi. Nothing too much.”
The cat, resenting his inattention, jumped into his lap and began kneading itself a bed. He unhooked its claws from his robe and set it back on the table. “Not now, Perseus, I have work to do. My boy, get me Philistos, he knows my writing. I want to see this book set down on paper. It is only in Rhodes that I am immortal.”
When his son had gone, he gathered the new tablets together with shaky but determined hands, and set them neatly in order. Then he waited at the window, looking out at the gold laurel-wreath that stirred as if alive in the breeze of the Middle Sea.
Author’s Note
AMONG THE MANY RIDDLES of Alexander’s life, one of the strangest surrounds his attitude to his own death. His courage was legendary; he consistently exposed himself in the most dangerous part of any action; if he believed himself to be god-begotten, this did not in Greek belief make men immortal. He had had several dangerous wounds and nearly fatal illnesses. One might have supposed that a man so alert to the contingencies of war would have provided for this obvious one. Yet he ignored it totally, not even begetting an heir till the last year of his life, when after his severe wound in India he must have felt his dynamic vitality begin to flag. This psychological block, in a man with immense constructive plans meant to outlast his life, will always be an enigma.
Had Hephaistion survived, he would presumably have been left the regency as a matter of course. His record reveals, besides a devoted friend and, probably, lover, an able intelligent man, sympathetic to all Alexander’s ideas of statecraft. His sudden death seems to have shattered all Alexander’s certainties, and it is clear that he had not yet recovered from the shock when, partly as a result of it, his own life ended. Even so, during his last illness he continued to plan for his next campaign till he could no longer speak. Perhaps he held the view Shakespeare gives to Julius Caesar: Cowards die many times before their deaths; The valiant never taste of death but once.
His responsibility for the murderous power struggle which followed does not lie in his personality as a leader. On the contrary, his standards were high in terms of his own day, and he demonstrably checked in his chief officers the unscrupulousness and treachery which surfaced when his influence was gone. Insofar as he was to blame, it was in not making a good dynastic marriage, and begetting an heir, before he crossed to Asia. Had he left a son of thirteen or fourteen, the Macedonians would never have considered any other claimant.
As it was, the earlier history of Macedon makes it plain that his successors simply reverted to the ancestral pattern of tribal and familial struggles for the throne; except that Alexander had given them a world stage on which to do it.
The deeds of violence which this book describes are all historical. It has indeed been necessary, for the sake of continuity, to omit several murders of prominent persons; the most notable being that of Kleopatra. After Perdikkas’ death, she lived quietly in Sardis till she was forty-six, refusing an offer of marriage from Kassandros. In 308, probably from sheer ennui, she made overtures to Ptolemy. It seems unlikely that this prudent ruler meant to rep
eat Perdikkas’ rash adventure; but he agreed to marry her, and she prepared to set out for Egypt. Her plans became known to Antigonos, who, fearing an obstacle to his own dynastic aims, had her murdered by her women, afterwards executing them for the crime.
Peithon allied himself with Antigonos, but became powerful in Media and seemed to be planning revolt. Antigonos killed him too.
Seleukos outlived even Ptolemy (he was a younger man) but when nearly eighty invaded Greece to attempt the throne of Macedon, and was killed by a rival claimant.
Aristonous, at the time of Olympias’ surrender to Kassandros, was garrison commander of Amphipolis. Kassandros lured him out under a pledge of safety and had him murdered.
Pausanias says of Kassandros, But he himself had no happy end. He was filled with dropsy, and from it came worms while he was still alive. Philip, his eldest son, soon after coming to the throne took a wasting disease and died. Antipatros, the next son, murdered his mother Thessalonike, Philip’s and Nikasepolis’ daughter, accusing her of being too fond of Alexandras, the youngest son. He goes on to relate that Alexandras killed Antipatros his brother, but was killed in turn by Demetrios. This extirpation of the entire line reads like the vengeance of the Furies in some Greek tragedy.
Antigonos strove for years to conquer Alexander’s empire for himself, till Ptolemy, Seleukos and Kassandros made a defensive alliance and killed him at the battle of Ipsos in Phrygia, before his son Demetrios, who was always loyal to him, could come to his help.
The remarkable career of Demetrios cannot be summarized in a note. A brilliant, charming, volatile and dissipated man, after notable achievements, which included the Macedonian throne, he was captured by Seleukos, in whose humane custody he drank himself to death.
The strange phenomenon of Alexander’s uncorrupted body is historical. In Christian times this was considered the attribute of a saint; but there was no such tradition in Alexander’s day to attract hagiographers, and allowing for exaggeration it does seem that something abnormal occurred, which the great heat of Babylon made more remarkable. The likeliest explanation is of course that clinical death took place much later than the watchers supposed. But it is evident that someone must have taken care of the body, protecting it from the flies; the probability being that this was done by one of the palace eunuchs, who had no part in the dynastic brawls going on outside.
Alexander’s eight chief officers were known as the Bodyguard; this is a literal translation of the Greek, but it would be wrong to suppose that they were in constant attendance on his person. Many held important military commands. They have therefore been described as staff officers in the list of Principal Persons. The title of Somatophylax, or Bodyguard, is probably rooted deeply in Macedonian history.
Principal Sources
QUINTUS CURTIUS, BOOK X, for events immediately after Alexander’s death: thereafter, Diodorus Siculus, Books XVIII and XIX. Diodorus’ source for this period is a good one: Hieronymos of Kardia, who followed the fortunes first of Eumenes, afterwards of Antigonos, and was close to many of the events he describes.
A Biography of Mary Renault
Mary Renault (1905–1983) was an English writer best known for her historical novels on the life of Alexander the Great: Fire from Heaven (1969), The Persian Boy (1972), and Funeral Games (1981).
Born Eileen Mary Challans into a middle-class family in a London suburb, Renault enjoyed reading from a young age. Initially obsessed with cowboy stories, she became interested in Greek philosophy when she found Plato’s works in her school library. Her fascination with Greek philosophy led her to St Hugh’s College, Oxford, where one of her tutors was J. R. R. Tolkien. Renault went on to earn her BA in English in 1928.
Renault began training as a nurse in 1933. It was at this time that she met the woman that would become her life partner, fellow nurse Julie Mullard. Renault also began writing, and published her first novel, Purposes of Love (titled Promise of Love in its American edition), in 1939. Inspired by her occupation, her first works were hospital romances. Renault continued writing as she treated Dunkirk evacuees at the Winford Emergency Hospital in Bristol and later as she worked in a brain surgery ward at the Radcliffe Infirmary.
In 1947, Renault received her first major award: Her novel Return to Night (1946) won an MGM prize. With the $150,000 of award money, she and Mullard moved to South Africa, never to return to England again. Renault revived her love of ancient Greek history and began to write her novels of Greece, including The Last of the Wine (1956) and The Charioteer (1953), which is still considered the first British novel that includes unconcealed homosexual love.
Renault’s in-depth depictions of Greece led many readers to believe she had spent a great deal of time there, but during her lifetime, she actually only visited the Aegean twice. Following The Last of the Wine and inspired by a replica of a Cretan fresco at a British museum, Renault wrote The King Must Die (1958) and its sequel, The Bull from the Sea (1962).
The democratic ideals of ancient Greece encouraged Renault to join the Black Sash, a women’s movement that fought against apartheid in South Africa. Renault was also heavily involved in the literary community, where she believed all people should be afforded equal standard and opportunity, and was the honorary chair of the Cape Town branch of PEN, the international writers’ organization.
Renault passed away in Cape Town on December 13, 1983.
Renault in 1940.
Renault and Julie Mullard on board the Cairo in 1948, on their way to South Africa, where they settled in Durban.
Renault in a Black Sash protest in 1955. She was among the first to join this women’s movement against apartheid.
Renault and Michael Atkinson installing her cast of the Roman statue of the Apollo Belvedere in the garden of Delos, Camps Bay, in the late 1970s.
Renault working in her “Swiss Bank” study with Mandy and Coco, the dogs.
Renault and Mullard walking the dogs on the beach at Camps Bay in 1982.
Delos, Greece, with a view over the beach at Camps Bay.
Portrait of Renault in 1982.
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
The quotations on pages 116 and 117 of Funeral Games are from The Odyssey of Homer, translated by Richmond Lattimore. Copyright © 1965, 1967 by Richmond Lattimore. Reprinted by permission of Harper & Row, Publishers, Inc.
Fire from Heaven Copyright © 1969 by Mary Renault
The Persian Boy Copyright © 1972 by Mary Renault
Funeral Games Copyright © 1981 by Mary Renault
Cover design by Biel Parklee
This edition published in 2013 by Open Road Integrated Media, Inc.
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