There was a long silence when the screen flooded with light and the lascivious music ebbed into exhaustion.
"My God!" I said, when I had recovered some of my composure. "Are you going to telecast that?"
Hartford laughed.
"Believe me," he answered, "that's nothing; it just happens to be the only reel I can carry around safely. We're prepared to defend it any day on grounds of genuine art, historic interest, religious tolerance—oh, we've thought of all the angles. But it doesn't really matter; no one can stop us. For the first time in history, any form of censorship's become utterly impossible. There's simply no way of enforcing it; the customer can get what he wants, right in his own home. Lock the door, switch on the TV set—friends and family will never know."
"Very clever," I said, "but don't you think such a diet will soon pall?"
"Of course; variety is the spice of life. We'll have plenty of conventional entertainment; let me worry about that. And every so often we'll have information programs—I hate that word 'propaganda'—to tell the cloistered American public what's really happening in the world. Our special features will just be the bait."
"Mind if I have some fresh air?" I said. "It's getting stuffy in here."
Hartford drew the curtains and let daylight back into the room. Below us lay that long curve of beach, with the outrigger fishing boats drawn up beneath the palms, and the little waves falling in foam at the end of their weary march from Africa. One of the loveliest sights in the world, but I couldn't focus on it now. I was still seeing those writhing stone limbs, those faces frozen with passions which the centuries could not slake.
That lickerish voice continued behind my back.
"You'd be astonished if you knew just how much material there is. Remember, we've absolutely no taboos. If you can film it, we can telecast it."
He walked over to his bureau and picked up a heavy, dog-eared volume.
"This has been my Bible," he said, "or my Sears, Roebuck, if you prefer. Without it, I'd never have sold the series to my sponsors. They're great believers in science, and they swallowed the whole thing, down to the last decimal point. Recognize it?"
I nodded; whenever I enter a room, I always monitor my host's literary tastes.
"Dr. Kinsey, I presume."
"I guess I'm the only man who's read it from cover to cover, and not just looked up his own vital statistics. You see, it's the only piece of market research in its field. Until something better comes along, we're making the most of it. It tells us what the customer wants, and we're going to supply it."
"All of it?"
"If the audience is big enough, yes. We won't bother about feeble-minded farm boys who get too attached to the stock. But the four main sexes will get the full treatment. That's the beauty of the movie you just saw—it appeals to them all."
"You can say that again," I muttered.
"We've had a lot of fun planning the feature I've christened 'Queer Corner.' Don't laugh—no go-ahead agency can afford to ignore that audience. At least ten million, if you count the ladies—bless their clogs and tweeds. If you think I'm exaggerating, look at all the male art mags on the newsstands. It was no trick, blackmailing some of the daintier musclemen to perform for us."
He saw that I was beginning to get bored; there are some kinds of single-mindedness that I find depressing. But I had done Hartford an injustice, as he hastened to prove.
"Please don't think," he said anxiously, "that sex is our only weapon. Sensation is almost as good. Ever see the job Ed Murrow did on the late sainted Joe McCarthy? That was milk and water compared with the profiles we're planning in 'Washington Confidential.'
"And there's our 'Can You Take It?' series, designed to separate the men from the milksops. We'll issue so many advance warnings that every red-blooded American will feel he has to watch the show. It will start innocently enough, on ground nicely prepared by Hemingway. You'll see some bullfighting sequences that will really lift you out of your seat—or send you running to the bathroom—because they show all the little details you never get in those cleaned-up Hollywood movies.
"We'll follow that with some really unique material that cost us exactly nothing. Do you remember the photographic evidence the Nuremburg war trials turned up? You've never seen it, because it wasn't publishable. There were quite a few amateur photographers in the concentration camps, who made the most of opportunities they'd never get again. Some of them were hanged on the testimony of their own cameras, but their work wasn't wasted. It will lead nicely into our series 'Torture Through the Ages'—very scholarly and thorough, yet with a remarkably wide appeal. . . .
"And there are dozens of other angles, but by now you'll have the general picture. The Avenue thinks it knows all about Hidden Persuasion—believe me, it doesn't. The world's best practical psychologists are in the East these days. Remember Korea, and brainwashing? We've learned a lot since then. There's no need for violence any more; people enjoy being brainwashed, if you set about it the right way."
"And you," I said, "are going to brainwash the United States. Quite an order."
"Exactly—and the country will love it, despite all the screams from Congress and the churches. Not to mention the networks, of course. They'll make the biggest fuss of all, when they find they can't compete with us."
Hartford glanced at his watch, and gave a whistle of alarm.
"Time to start packing," he said. "I've got to be at that unpronounceable airport of yours by six. There's no chance, I suppose, that you can fly over to Macao and see us sometime?"
"Not a hope; but I've got a pretty good idea of the picture now. And incidentally, aren't you afraid that I'll spill the beans?"
"Why should I be? The more publicity you can give us, the better. Although our advertising campaign doesn't go into top gear for a few months yet, I feel you've earned this advance notice. As I said, your books helped to give me the idea."
His gratitude was quite genuine, by God; it left me completely speechless.
"Nothing can stop us," he declared—and for the first time the fanaticism that lurked behind that smooth, cynical facade was not altogether under control. "History is on our side. We'll be using America's own decadence as a weapon against her, and it's a weapon for which there's no defense. The Air Force won't attempt space piracy by shooting down a satellite nowhere near American territory. The FCC can't even protest to a country that doesn't exist in the eyes of the State Department. If you've any other suggestions, I'd be most interested to hear them."
I had none then, and I have none now. Perhaps these words may give some brief warning before the first teasing advertisements appear in the trade papers, and may start stirrings of elephantine alarm among the networks. But will it make any difference? Hartford did not think so, and he may be right.
"History is on our side." I cannot get those words out of my head. Land of Lincoln and Franklin and Melville, I love you and I wish you well. But into my heart blows a cold wind from the past; for I remember Babylon.
SUMMERTIME ON ICARUS
WHEN COLIN SHERRARD opened his eyes after the crash, he could not imagine where he was. He seemed to be lying, trapped in some kind of vehicle, on the summit of a rounded hill, which sloped steeply away in all directions. Its surface was seared and blackened, as if a great fire had swept over it. Above him was a jet-black sky, crowded with stars; one of them hung like a tiny, brilliant sun low down on the horizon.
Could it be the sun? Was he so far from Earth? No—that was impossible. Some nagging memory told him that the sun was very close—hideously close—not so distant that it had shrunk to a star. And with that thought, full consciousness returned. Sherrard knew exactly where he was, and the knowledge was so terrible that he almost fainted again.
He was nearer to the sun than any man had ever been. His damaged space-pod was lying on no hill, but on the steeply curving surface of a world only two miles in diameter. That brilliant star sinking swiftly in the west was the light of Prometheus, th
e ship that had brought him here across so many millions of miles of space. She was hanging up there among the stars, wondering why his pod had not returned like a homing pigeon to its roost. In a few minutes she would have passed from sight, dropping below the horizon in her perpetual game of hide-and-seek with the sun.
That was a game that he had lost. He was still on the night side of the asteroid, in the cool safety of its shadow, but the short night would be ending soon. The four-hour day of Icarus was spinning him swiftly toward that dreadful dawn, when a sun thirty times larger than ever shone upon Earth would blast these rocks with fire. Sherrard knew all too well why everything around him was burned and blackened. Icarus was still a week from perihelion but the temperature at noon had already reached a thousand degrees Fahrenheit.
Though this was no time for humor, he suddenly remembered Captain McClellan's description of Icarus: "The hottest piece of real estate in the solar system." The truth of that jest had been proved, only a few days before, by one of those simple and unscientific experiments that are so much more impressive than any number of graphs and instrument readings.
Just before daybreak, someone had propped a piece of wood on the summit of one of the tiny hills. Sherrard had been watching, from the safety of the night side, when the first rays of the rising sun had touched the hilltop. When his eyes had adjusted to the sudden detonation of light, he saw that the wood was already beginning to blacken and char. Had there been an atmosphere here, the stick would have burst into flames; such was dawn, upon Icarus. . . .
Yet it had not been impossibly hot at the time of their first landing, when they were passing the orbit of Venus five weeks ago. Prometheus had overtaken the asteroid as it was beginning its plunge toward the sun, had matched speed with the little world and had touched down upon its surface as lightly as a snowflake. (A snowflake on Icarus—that was quite a thought. . . .) Then the scientists had fanned out across the fifteen square miles of jagged nickel-iron that covered most of the asteroid's surface, setting up their instruments and checkpoints, collecting samples and making endless observations.
Everything had been carefully planned, years in advance, as part of the International Astrophysical Decade. Here was a unique opportunity for a research ship to get within a mere seventeen million miles of the sun, protected from its fury by a two-mile-thick shield of rock and iron. In the shadow of Icarus, the ship could ride safely round the central fire which warmed all the planets, and upon which the existence of all life depended. As the Prometheus of legend had brought the gift of fire to mankind, so the ship that bore his name would return to Earth with other unimagined secrets from the heavens.
There had been plenty of time to set up the instruments and make the surveys before Prometheus had to take off and seek the permanent shade of night. Even then, it was still possible for men in the tiny self-propelled space-pods—miniature spaceships, only ten feet long—to work on the night side for an hour or so, as long as they were not overtaken by the advancing line of sunrise. That had seemed a simple-enough condition to meet, on a world where dawn marched forward at only a mile an hour; but Sherrard had failed to meet it, and the penalty was death.
He was still not quite sure what had happened. He had been replacing a seismograph transmitter at Station 145, unofficially known as Mount Everest because it was a full ninety feet above the surrounding territory. The job had been a perfectly straightforward one, even though he had to do it by remote control through the mechanical arms of his pod. Sherrard was an expert at manipulating these; he could tie knots with his metal fingers almost as quickly as with his flesh-and-bone ones. The task had taken little more than twenty minutes, and then the radioseismograph was on the air again, monitoring the tiny quakes and shudders that racked Icarus in ever-increasing numbers as the asteroid approached the sun. It was small satisfaction to know that he had now made a king-sized addition to the record.
After he had checked the signals, he had carefully replaced the sun screens around the instrument. It was hard to believe that two flimsy sheets of polished metal foil, no thicker than paper, could turn aside a flood of radiation that would melt lead or tin within seconds. But the first screen reflected more than ninety per cent of the sunlight falling upon its mirror surface and the second turned back most of the rest, so that only a harmless fraction of the heat passed through.
He had reported completion of the job, received an acknowledgment from the ship, and prepared to head for home. The brilliant floodlights hanging from Prometheus—without which the night side of the asteroid would have been in utter darkness—had been an unmistakable target in the sky. The ship was only two miles up, and in this feeble gravity he could have jumped that distance had he been wearing a planetary-type space suit with flexible legs. As it was, the low-powered micro-rockets of his pod would get him there in a leisurely five minutes.
He had aimed the pod with its gyros, set the rear jets at Strength Two, and pressed the firing button. There had been a violent explosion somewhere in the vicinity of his feet and he had soared away from Icarus—but not toward the ship. Something was horribly wrong; he was tossed to one side of the vehicle, unable to reach the controls. Only one of the jets was firing, and he was pinwheeling across the sky, spinning faster and faster under the off-balanced drive. He tried to find the cutoff, but the spin had completely disorientated aim. When he was able to locate the controls, his first reaction made matters worse—he pushed the throttle over to full, like a nervous driver stepping on the accelerator instead of the brake. It took only a second to correct the mistake and kill the jet, but by then he was spinning so rapidly that the stars were wheeling round in circles.
Everything had happened so quickly that there was no time for fear, no time even to call the ship and report what was happening. He took his hands away from the controls; to touch them now would only make matters worse. It would take two or three minutes of cautious jockeying to unravel his spin, and from the flickering glimpses of the approaching rocks it was obvious that he did not have as many seconds. Sherrard remembered a piece of advice at the front of the Spaceman's Manual "When you don't know what to do, do nothing." He was still doing it when Icarus fell upon him, and the stars went out.
It had been a miracle that the pod was unbroken, and that he was not breathing space. (Thirty minutes from now he might be glad to do so, when the capsule's heat insulation began to fail…) There had been some damage, of course. The rear-view mirrors, just outside the dome of transparent plastic that enclosed his head, were both snapped off, so that he could no longer see what lay behind him without twisting his neck. This was a trivial mishap; far more serious was the fact that his radio antennas had been torn away by the impact. He could not call the ship, and the ship could not call him. All that came over the radio was a faint crackling, probably produced inside the set itself. He was absolutely alone, cut off from the rest of the human race.
It was a desperate situation, but there was one faint ray of hope. He was not, after all, completely helpless. Even if he could not use the pod's rockets—he guessed that the starboard motor had blown back and ruptured a fuel line, something the designers said was impossible—he was still able to move. He had his arms.
But which way should he crawl? He had lost all sense of location, for though he had taken off from Mount Everest, he might now be thousands of feet away from it. There were no recognizable landmarks in his tiny world; the rapidly sinking star of Prometheus was his best guide, and if he could keep the ship in view he would be safe. It would only be a matter of minutes before his absence was noted, if indeed it had not been discovered already. Yet without radio, it might take his colleagues a long time to find him; small though Icarus was, its fifteen square miles of fantastically rugged no man's land could provide an effective hiding place for a ten-foot cylinder. It might take an hour to locate him—which meant that he would have to keep ahead of the murderous sunrise.
He slipped his fingers into the controls that worked his mechanical li
mbs. Outside the pod, in the hostile vacuum that surrounded him, his substitute arms came to life. They reached down, thrust against the iron surface of the asteroid, and levered the pod from the ground. Sherrard flexed them, and the capsule jerked forward, like some weird, two-legged insect . . . first the right arm, then the left, then the right. . . .
It was less difficult than he had feared, and for the first time he felt his confidence return. Though his mechanical arms had been designed for light precision work, it needed very little pull to set the capsule moving in this weightless environment. The gravity of Icarus was ten thousand times weaker than Earth's: Sherrard and his space-pod weighed less than an ounce here, and once he had set himself in motion he floated forward with an effortless, dreamlike ease.
Yet that very effortlessness had its dangers. He had traveled several hundred yards, and was rapidly overhauling the sinking star of the Prometheus, when overconfidence betrayed him. (Strange how quickly the mind could switch from one extreme to the other; a few minutes ago he had been steeling himself to face death—now he was wondering if he would be late for dinner.) Perhaps the novelty of the movement, so unlike anything he had ever attempted before, was responsible for the catastrophe; or perhaps he was still suffering from the aftereffects of the crash.
Like all astronauts, Sherrard had learned to orientate himself in space, and had grown accustomed to living and working when the Earthly conceptions of up and down were meaningless. On a world such as Icarus, it was necessary to pretend that there was a real, honest-to-goodness planet "beneath" your feet, and that when you moved you were traveling over a horizontal plain. If this innocent self-deception failed, you were heading for space vertigo.
Tales of Ten Worlds Page 2
