Matilda Donners had died. She had told Delavacquerie that she was not returning to London after the end of the summer. He had assumed her to mean that she had decided to live in the country or abroad. When questioned as to her plans Matilda had been evasive. Only after her death was it clear that she must have known what was going to happen. That was like Matilda. She had always been mistress of her own life. The organ began playing a voluntary. Frederica attempted to check Umfraville’s chatter, which was becoming louder.
‘Do be quiet, darling. The whole congregation don’t want to hear about your hangovers.’
‘What?’
‘Speak more quietly.’
Umfraville indicated that he could not hear what his wife was talking about, but said no more for the moment. He was not alone in taking part in murmured conversation, the bride’s grandmother, a small jolly woman, also conversing animatedly with relations in the pew behind that in which she sat. Umfraville began again.
‘Who’s the handsome lady next to the one in a funny hat?’
‘The one in the hat, who’s talking a lot, like you, is Lady Akworth. The one you mean is the bride’s mother.’
‘What about her?’
‘She was called Jamieson – one of the innumerable Ardglass ramifications, not a close relation – her husband was in Shell or BP, and caught a tropical disease in Africa that killed him.’
That seemed to satisfy Umfraville for the moment. He closed his eyes, showing signs of nodding off to sleep. Sebastian Cutts, the bridegroom, tall, sandy-haired like his father, also shared Roddy’s now ended political ambitions. He and his brother, Jonathan, resembled their father, too, in delivering a flow of information, and figures, about their respective computers and art sales. Hard work at his computers had not engrossed Sebastian Cutts to the exclusion of what was judged – by his own generation – as a not less than ample succession of love affairs; a backlog of ex-girlfriends Clare Akworth was thought well able to dispose of. An only child, she had been working as typist-secretary in an advertising firm. Her pleasing beauté de singe – the phrase Umfraville’s – was of a type calculated to raise the ghost of Sir Magnus Donners in the Stourwater corridors. Perhaps it had done so, when she was a schoolgirl. Her spell at Stourwater had been later than that of the Quiggin twins (recently much publicized in connexion with Toilet Paper, a newly founded ‘underground’ magazine), both withdrawn from the school before Clare Akworth’s arrival there. Umfraville, coming-to suddenly, showed signs of impatience.
‘Buck up. Get cracking. We can’t sit here all day. Ah, here she is.’
The congregation rose. Clare Akworth, who had an excellent figure, came gracefully up the aisle on the arm of her uncle, Rupert Akworth, one of her father’s several brothers. He was employed in the rival firm of fine arts auctioneers to that of Jonathan Cutts. There were several small children in attendance. I did not know which families they represented. The best-man was Jeremy Warminster, the bridegroom’s first-cousin. Junior Research Fellow in Science at my own former college, Jeremy Warminster was a young man of severe good looks, offhand manner, reputation for brilliance at whatever was his own form of biological studies. A throwback to his great-great-uncle, the so-called Chemist-Earl (specialist in marsh gases, though more renowned in family myth for contributions to the deodorization of sewage), Jeremy had always known exactly what he wanted to do. This firmness of purpose, engrained seriousness, allied to an abrupt way of talking, made him rather a daunting young man. His plan, not yet accomplished, was to turn Thrubworth into an institution for scientific research, while he himself continued to occupy the wing of the house converted into a flat by his uncle and predecessor. Jeremy Warminster’s mother, stepbrother and stepsister (children of the drunken Lagos businessman, Collins, long deceased), had lived at Thrubworth until his coming of age. Then Veronica Tolland moved to London, which she had always preferred. Her Collins offspring were now married, with children of their own; Angus, a journalist, specializing in industrial relations; Iris, wife of an architect, her husband one of the extensive Vowchurch family.
There was no address at the wedding service, but – an unexpected bonus – Sir Bertram Akworth read the Lesson. This gave an excellent opportunity to study his bearing in later life. White hair, a small moustache, had neither much changed the appearance, so far as remembered from the days when Templer had aroused his passions. In failing to acquire a great deal of outward distinction, he resembled Sir Magnus Donners, a man of wider abilities in the same line. Sir Bertram Akworth showed, anyway at long range, no sign of projecting Sir Magnus’s air of being nevertheless a little disturbing. Sir Bertram, still spare, sallow, rather gloomy, looked ordinary enough. Before he began to read he glanced round the church, as if to make sure all was arranged in a manner to be approved. Possibly he himself had decided that his own reading of the Lesson should be alternative to an address. The passage, one often chosen for such occasions, was from Corinthians. As the voice began to rasp through the church, the memory of the schoolboy Akworth (not yet Sir Bertram) came perceptibly back.
‘Though I speak with the tongues of men and of angels, and have not charity, I am become as sounding brass, or a tinkling cymbal. And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not charity, I am nothing. And though I bestow all my goods to feed the poor, and though I give my body to be burned, and have not charity, it profiteth me nothing.’
The reference to sounding brass was appropriate, recalling a sole personal memory of the reader, the rebuke administered by our housemaster, his nerves always tried by pupils with strident voices.
‘Don’t shout, Akworth.’ Le Bas had said. ‘It’s a bad habit of yours, especially when answering a question. Try to speak more quietly.’
The habit remained. It seemed to have been no handicap in Sir Bertram’s subsequent career. At one of the closing sentences of the Lesson he hardened the pitch of the utterance. It rang through the nave.
‘For now we see through a glass, darkly; but then face to face.’
Giving a final glance round the congregation, he returned to his seat. The striking image of seeing through a glass darkly again brought thoughts of The Devil’s Fingers. Fiona did not appear to be present in the church. She might well have decided to skip the service, just turn up at the reception. In the light of her newly organized life she was unlikely to forgo altogether her brother’s wedding. So far as I knew she was still living at Delavacquerie’s flat, their relationship no less undefined. Her parents were united in agreeing that, whatever the situation, it was preferable to the previous one. The impression was that Roddy and Susan Cutts, perhaps deliberately, had known little enough about the Murtlock period too. The handout issued by them now was that their daughter had taken a room in an Islington flat that belonged to a man who worked, respectably enough, in Donners-Brebner. Poets not playing much Part in Cutts life, Delavacquerie’s business side was more emphasized than the poetic; potential emotional ties with Fiona not envisaged, more probably ignored. Delavacquerie was after all considerably older than their daughter; though, it had to be admitted, so too had been the handsome married electrician. The Wedding March struck up. For some minutes the congregation was penned in while photographers operated at the church door. Outside, we walked with Veronica Tolland towards the car park.
‘Are your kids here? Angus couldn’t get away either. He had to cover a strike. Iris will be at the reception. Fancy fetching up at Stourwater again. I used to go on visitors’ day when I was a child. The park’s open to the public now. My father’s job was in the local town. I expect I’ve often said that – also I was at school with Matilda Donners, when she was a little girl called Betty Updike. Did you hear she’d died?’
‘Apparently been ill for some time. I didn’t know that. I always liked Matilda.’
‘She made quite a career for herself. I don’t know half the people here. Who’s the good
-looking black girl with the young Huntercombes. I know – she’s wife of Jocelyn Fettiplace-Jones. His mother was an Akworth. How glad I am I live in London now.’
Like Ted Jeavons, Veronica had taken on the workings of a world rather different from that of her earlier life, without ever in the least wanting to be part. She had always regarded that world, not without a certain enjoyment, from the outside. Now she felt free of it all, except on occasions such as this one, which she liked to attend. In spite of such inherent sentiments, Veronica had come by now to look more than a little like a conventional dowager on the stage.
‘See you later.’
The immediate vision of Stourwater, in thin vaporous April sunshine, was altogether unchanged. On the higher ground, in the shadows of huge contorted oaks, sheep still grazed. Down in the hollow lay the Castle; keep; turrets; moat; narrow causeway across the water, leading to the main gate with double portcullis. All seemed built out of cardboard. Its realities had in any case belonged more to the days of Sir Magnus Donners, rather than to the later Middle Ages, when the Castle’s history had been obscure. The anachronistic black swans were gone from the greenish waters of the moat. A large noticeboard directed to a car park. Round about the Castle itself playing fields came into view.
‘What games would they be?’
‘Net-ball, hockey, I suppose.’
We parked, then crossed the causeway on foot. The reception was taking place in the Great Hall, now the school’s Assembly Room. Armoured horsemen no longer guarded the door. Forms had been pushed back against the walls, a long table for refreshments set across the far end. In place of Sir Magnus’s Old Masters – several of doubtful authenticity according to Smethyck, and others with a taste for picture attribution – hung reproductions of the better known French Impressionists. We joined the queue, a long one, formed by guests waiting to meet bride and bridegroom. The two families had turned out in force. There must have been a hundred or more guests at least. We took a place far back in the line, working our way up slowly, as Roddy, relic of his parliamentary days, liked to talk for a minute or two to everyone he knew personally. When at last we found ourselves greeting the newly married pair, their closer relations in support, I felt this no moment to remind Sir Bertram Akworth that we had been at school together. There would in any case have been no opportunity. Susan Cutts drew us aside.
‘Come away from them all for a moment. There’s something I must tell you both.’
Leaving her husband to undertake whatever formalities were required, Susan was evidently impatient to reveal some piece of news, good or ill was not clear, which greatly excited her.
‘Have you heard about Fiona?’
‘No, what?’
One was prepared for anything. My first thought was that Fiona had returned to Murtlock and the cult.
‘She’s married.’
I thought I saw how things had at last fallen out.
‘To Gibson Delavacquerie?’
Susan looked puzzled by the question. The name did not seem to convey anything to her, certainly not that of their daughter’s new husband. Susan’s words plainly stated that Fiona possessed a husband.
‘You mean her landlord? No, not him. What could have made you think that, Nick?’
So far from Susan considering Delavacquerie to rate as a potential suitor, she was momentarily put off her stride at the very strangeness of such a proposition. Any emotional undercurrents of the Delavacquerie association must have completely passed by the Cutts parents, unless Susan was doing a superb piece of acting, which was most unlikely.
‘No – it’s an American. I believe you know him, Nick? He’s called Russell Gwinnett.’
Roddy, disengaging himself from the last guest for whom he felt any serious responsibility at the moment, was unable to keep away from all share in imparting such news.
‘Wasn’t there some sort of contretemps years ago about Gwinnett? I believe there was. That fellow Widmerpool was mixed up with it, I have an idea. I used to come across Widmerpool sometimes in the House. Not too bad a fellow, even if he was on the other side. He’s sunk without a trace, if ever a man did. I can’t remember exactly what happened. Gwinnett seems a nice chap. He’s a bit older than Fiona, of course, but I don’t see why that should matter.’
Susan agreed heartily.
‘In his forties. I always liked older men myself. Anyway they’re married, so there it is.’
‘When did this happen?’
‘Yesterday, actually.’
‘No warning?’
‘You can imagine what it was like to be told this, with Sebastian’s wedding taking place the following day.’
‘They just turned up man and wife?’
‘Fiona brought Mr Gwinnett – I suppose I should call him Russell now – along to see us the same afternoon. She seems very pleased about it. That’s the great thing. They both do. He doesn’t talk much, but I never mind that with people.’
‘Have they gone off on a honeymoon?’
‘They’re just going to do a short drive round England, then Russell has to go back to America. He’s got a little car he dashes about in all over the country, doing his research. He’s a don at an American university, as you probably know. They’re coming to the reception. Fiona suggested they should do that herself. Wasn’t it sweet of her? They haven’t arrived yet. At least I haven’t seen them.’
Susan, in spite of determined cheerfulness, was showing signs of nervous strain. That was not to be wondered at. I mentioned – less from snobbish reasons than avoidance of cross-questioning about Gwinnett in other directions – that he was collaterally descended from one of the Signers of the Declaration of Independence. Roddy showed interest. At least he was deflected from closer enquiry into the subject of what exactly had happened to connect his new son-in-law with Widmerpool.
‘Is he indeed? I must say I took to Russell at first sight I’d like to have a talk with him about the coming Presidential election, and a lot of other American matters too.’
‘I wish Evangeline were still here,’ said Susan. ‘She might know something about the Gwinnetts. We’ll talk about it all later. I’ll have to go back and do my stuff now. There are some more people arriving… darling, how sweet of you to come … lovely to see you both …’
There was no time to contemplate further Fiona’s marriage to Gwinnett, beyond making the reflection that, if he had done some dubious things in his time, so too had she. Leaving the threshold of the reception, we moved in among the crowd that filled the Great Hall. Most of the guests had chosen to wear conventional wedding garments, some of the younger ones letting themselves go, either with variations on these, or trappings that approximated to fancy dress. The children, of whom there was quite a large collection, scuffled about gaily, the whole assemblage making a lively foreground to the mediaeval setting. Hugo, Norah, and Blanche Tolland had all turned up, Norah grumbling about the superabundance of Alford relations present.
‘Susie was always very thick with the Alford cousins. I hardly knew any of them. They look a seedy lot, large red faces and snub noses.’
‘I find them charming,’ said Hugo. ‘Look here, what’s all this about Fiona marrying an American? The last thing I heard was that she had given up all those odd friends of hers Norah was once so keen on, and was working hard at something or other in Islington.’
Norah was not prepared to be saddled with an admiration for Murtlock.
‘I wasn’t keen on Fiona’s last lot of friends. I’ve been saying for ages she’s hung about much too long doing that sort of thing. If she wants to get married, I’m glad it’s an American. It will give her the chance of a new kind of life, if she goes to live there. Somebody said you knew him, Nick?’
‘Yes, I know him.’
There was no point in trying to explain Gwinnett to Norah. In any case, given the most favourable circumstances, I was not sure I could explain him to anyone, including myself. The attempt was not demanded, because we were joined by Umfravil
le, carrying his rubber-tipped stick in one hand, a very full glass of champagne in the other. As prelude to an impersonation of some sort, he raised the glass.
‘Here’s to the wings of love,
May they never lose a feather,
Till your little shoes, and my big boots,
Stand outside the door together.’
Hugo held up a hand.‘We don’t want a scandal, Dicky, after all these years as brothers-in-law.’
Before Umfraville could further elaborate whatever form of comic turn contemplated, his own attention was taken up by a grey-haired lady touching his arm.
‘Hullo, Dicky.’
Umfraville clearly possessed not the least idea who was accosting him. The lady, smartly dressed, though by no means young, might at the same time have been ten years short of Umfraville’s age. She was tall, pale, distinguished in appearance, very sad.
‘I’m Flavia.’
‘Flavia.’
Carefully balancing his stick and champagne, Umfraville embraced her.
‘How horrid of you not to recognize me.’
Umfraville swept that aside.
‘Flavia, this is an altogether unexpected delight. Does your presence at our nephew’s wedding mean that you and I are now related – in consequence of the marriage of these young people? How much I hope that, Flavia.’
The grey-haired lady – Stringham’s sister – laughed a rather tinkly laugh.
‘Dicky, you haven’t changed at all.’
Flavia Wisebite – it was to be assumed she still bore the name of her American second husband, Harrison Wisebite (like Veronica Tolland’s first, alcoholic, long departed) – laughed again tremulously. Her own affiliations with Umfraville dated back to infinitely distant days; Kenya, the Happy Valley, surroundings where, according to Umfraville himself – he had emphasized with a certain complacency his own caddishness in revealing the information – he had been the first to seduce her. That possibility was more credible than Umfraville’s follow-up, that he (rather than the reprehensible Cosmo Flitton, married to Flavia not long after) could be true father of Flavia’s daughter, Pamela. Pamela Flitton, it might be thought, carried all the marks of being Cosmo Flitton’s daughter. Age had done little or nothing to impair Umfraville’s capacities for routine banter, if he happened to be in the right mood. He continued to press the possibility of a remote family tie emerging from the Cutts/Akworth union that would connect Flavia Wisebite with himself.
Hearing Secret Harmonies Page 19
