by Paul Keegan
Aren’t you chilled by it?
The way the late afternoon
is reduced to detail –
the sky that odd shape of apron –
opaque, scumbled –
the lazulis of the horizon becoming
optical greys
before your eyes
before your eyes
in my ankle-length
summer skirt
crossing between
the garden and the house,
under the whitebeam trees,
keeping an eye on
the length of the grass,
the height of the hedge,
the distance of the children
I am Chardin’s woman
edged in reflected light,
hardened by
the need to be ordinary.
1988CHARLES CAUSLEY Eden Rock
They are waiting for me somewhere beyond Eden Rock:
My father, twenty-five, in the same suit
Of Genuine Irish Tweed, his terrier Jack
Still two years old and trembling at his feet.
My mother, twenty-three, in a sprigged dress
Drawn at the waist, ribbon in her straw hat,
Has spread the stiff white cloth over the grass.
Her hair, the colour of wheat, takes on the light.
She pours tea from a Thermos, the milk straight
From an old H.P. sauce bottle, a screw
Of paper for a cork; slowly sets out
The same three plates, the tin cups painted blue.
The sky whitens as if lit by three suns.
My mother shades her eyes and looks my way
Over the drifted stream. My father spins
A stone along the water. Leisurely,
They beckon to me from the other bank.
I hear them call, ‘See where the stream-path is!
Crossing is not as hard as you might think.’
I had not thought that it would be like this.
EDWIN MORGAN The Dowser
With my forked branch of Lebanese cedar
I quarter the dunes like downs and guide
an invisible plough far over the sand.
But how to quarter such shifting acres
when the wind melts their shapes, and shadows
mass where all was bright before,
and landmarks walk like wraiths at noon?
All I know is that underneath,
how many miles no one can say,
an unbroken water-table waits
like a lake; it has seen no bird or sail
in its long darkness, and no man;
not even pharaohs dug so far
for all their thirst, or thirst of glory,
or thrust-power of ten thousand slaves.
I tell you I can smell it though,
that water. I am old and black
and I know the manners of the sun
which makes me bend, not break. I lose
my ghostly footprints without complaint.
I put every mirage in its place.
I watch the lizard make its lace.
Like one not quite blind I go
feeling for the sunken face.
So hot the days, the nights so cold,
I gather my white rags and sigh
but sighing step so steadily
that any vibrance in so deep
a lake would never fail to rise
towards the snowy cedar’s bait.
Great desert, let your sweetness wake.
NORMAN MACCAIG Chauvinist
In all the space of space
I have a little plot of ground
with part of an ocean in it
and many mountains
It’s there I meet my friends
and multitudes of strangers.
Even my forebears dreamily visit me
and dreamily speak to me.
Of the rest of space
I can say nothing
nor of the rest of time, the future
that dies the moment it happens.
The little plot – do I belong to it
or it to me? No matter.
We share each other as I walk
amongst its flags and tombstones.
1989TED HUGHES Telegraph Wires
Take telegraph wires, a lonely moor,
And fit them together. The thing comes alive in your ear.
Towns whisper to towns over the heather.
But the wires cannot hide from the weather.
So oddly, so daintily made
It is picked up and played.
Such unearthly airs
The ear hears, and withers!
In the revolving ballroom of space,
Bowed over the moor, a bright face
Draws out of telegraph wires the tones
That empty human bones.
KEN SMITH Writing in Prison 1990
Years ago I was a gardener.
I grew the flowers of my childhood,
lavender and wayside lilies
and my first love the cornflower.
The wind on the summer wheat.
The blue glaze in the vanished woods.
In the space of my yard I glimpsed again
all the lost places of my life.
I was remaking them. Here in a space
smaller still I make them again.
CIARAN CARSON Belfast Confetti
Suddenly as the riot squad moved in, it was raining exclamation marks,
Nuts, bolts, nails, car-keys. A fount of broken type. And the explosion
Itself – an asterisk on the map. This hyphenated line, a burst of rapid fire…
I was trying to complete a sentence in my head, but it kept stuttering,
All the alleyways and side-streets blocked with stops and colons.
I know this labyrinth so well – Balaclava, Raglan, Inkerman, Odessa Street –
Why can’t I escape? Every move is punctuated. Crimea Street. Dead end again.
A Saracen, Kremlin-2 mesh. Makrolon face-shields. Walkie-talkies. What is
My name? Where am I coming from? Where am I going? A fusillade of question-marks.
NUALA NÍ DHOMHNAILL (trans. PAUL MULDOON) The Language Issue
I place my hope on the water
in this little boat
of the language, the way a body might put
an infant
in a basket of intertwined
iris leaves,
its underside proofed
with bitumen and pitch,
then set the whole thing down amidst
the sedge
and bulrushes by the edge
of a river
only to have it borne hither and thither,
not knowing where it might end up;
in the lap, perhaps,
of some Pharaoh’s daughter.
EAVAN BOLAND The Black Lace Fan My Mother Gave Me
It was the first gift he ever gave her,
buying it for five francs in the Galeries
in pre-war Paris. It was stifling.
A starless drought made the nights stormy.
They stayed in the city for the summer.
They met in cafés. She was always early.
He was late. That evening he was later.
They wrapped the fan. He looked at his watch.
She looked down the Boulevard des Capucines.
She ordered more coffee. She stood up.
The streets were emptying. The heat was killing.
She thought the distance smelled of rain and lightning.
These are wild roses, appliqued on silk by hand,
darkly picked, stitched boldly, quickly.
The rest is tortoiseshell and has the reticent,
clear patience of its element. It is
a worn-out, underwater bullion and it keeps,
even now, an inference of its violation.
The lace is overcast as if the weather
&n
bsp; it opened for and offset had entered it.
The past is an empty café terrace.
An airless dusk before thunder. A man running.
And no way now to know what happened then –
none at all – unless, of course, you improvise:
The blackbird on this first sultry morning,
in summer, finding buds, worms, fruit,
feels the heat. Suddenly she puts out her wing –
the whole, full, flirtatious span of it.
SEAMUS HEANEY from Lightenings 1991
VIII
The annals say: when the monks of Clonmacnoise
Were all at prayers inside the oratory
A ship appeared above them in the air.
The anchor dragged along behind so deep
It hooked itself into the altar rails
And then, as the big hull rocked to a standstill,
A crewman shinned and grappled down the rope
And struggled to release it. But in vain.
‘This man can’t bear our life here and will drown,’
The abbot said, ‘unless we help him.’ So
They did, the freed ship sailed, and the man climbed back
Out of the marvellous as he had known it.
MICHAEL LONGLEY The Butchers
When he had made sure there were no survivors in his house
And that all the suitors were dead, heaped in blood and dust
Like fish that fishermen with fine-meshed nets have hauled
Up gasping for salt water, evaporating in the sunshine,
Odysseus, spattered with muck and like a lion dripping blood
From his chest and cheeks after devouring a farmer’s bullock,
Ordered the disloyal housemaids to sponge down the armchairs
And tables, while Telemachos, the oxherd and the swineherd
Scraped the floor with shovels, and then between the portico
And the roundhouse stretched a hawser and hanged the women
So none touched the ground with her toes, like long-winged thrushes
Or doves trapped in a mist-net across the thicket where they roost,
Their heads bobbing in a row, their feet twitching but not for long,
And when they had dragged Melanthios’s corpse into the haggard
And cut off his nose and ears and cock and balls, a dog’s dinner,
Odysseus, seeing the need for whitewash and disinfectant,
Fumigated the house and the outhouses, so that Hermes
Like a clergyman might wave the supernatural baton
With which he resurrects or hypnotises those he chooses,
And waken and round up the suitors’ souls, and the housemaids’,
Like bats gibbering in the nooks of their mysterious cave
When out of the clusters that dangle from the rocky ceiling
One of them drops and squeaks, so their souls were bat-squeaks
As they flittered after Hermes, their deliverer, who led them
Along the clammy sheughs, then past the oceanic streams
And the white rock, the sun’s gatepost in that dreamy region,
Until they came to a bog-meadow full of bog-asphodels
Where the residents are ghosts or images of the dead.
1992DENISE RILEY A Misremembered Lyric
A misremembered lyric: a soft catch of its song
whirrs in my throat. ‘Something’s gotta hold of my heart
tearing my’ soul and my conscience apart, long after
presence is clean gone and leaves unfurnished no
shadow. Rain lyrics. Yes, then the rain lyrics fall.
I don’t want absence to be this beautiful.
It shouldn’t be; in fact I know it wasn’t, while
‘everything that consoles is false’ is off the point –
you get no consolation anyway until your memory’s
dead: or something never had gotten hold of
your heart in the first place, and that’s the fear thought.
Do shrimps make good mothers? Yes they do.
There is no beauty out of loss; can’t do it –
and once the falling rain starts on the upturned
leaves, and I listen to the rhythm of unhappy pleasure
what I hear is bossy death telling me which way to
go, what I see is a pool with an eye in it. Still let
me know. Looking for a brand-new start. Oh and never
notice yourself ever. As in life you don’t.
THOM GUNN The Hug
It was your birthday, we had drunk and dined
Half of the night with our old friend
Who’d showed us in the end
To a bed I reached in one drunk stride.
Already I lay snug,
And drowsy with the wine dozed on one side.
I dozed, I slept. My sleep broke on a hug,
Suddenly, from behind,
In which the full lengths of our bodies pressed:
Your instep to my heel,
My shoulder-blades against your chest.
It was not sex, but I could feel
The whole strength of your body set,
Or braced, to mine,
And locking me to you
As if we were still twenty-two
When our grand passion had not yet
Become familial.
My quick sleep had deleted all
Of intervening time and place.
I only knew
The stay of your secure firm dry embrace.
THOM GUNN The Reassurance
About ten days or so
After we saw you dead
You came back in a dream.
I’m all right now you said.
And it was you, although
You were fleshed out again:
You hugged us all round then,
And gave your welcoming beam.
How like you to be kind,
Seeking to reassure.
And, yes, how like my mind
To make itself secure.
1994 HUGO WILLIAMS Prayer
God give me strength to lead a double life.
Cut me in half.
Make each half happy in its own way
