More Deadly than the Male

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by Graeme Davis


  “Yes, sir; and opened the box, sir; and it’s a—it’s a speaking likeness.” This the old man got out in a great hurry, as if afraid that his master would stop him. My father did so with a wave of his hand.

  “That’s enough. I asked no information. You can go now.”

  The door closed upon us, and there was again a pause. My subject had floated away altogether like a mist, though I had been so concerned about it. I tried to resume, but could not. Something seemed to arrest my very breathing: and yet in this dull respectable house of ours, where everything breathed good character and integrity, it was certain that there could be no shameful mystery to reveal. It was some time before my father spoke, not from any purpose that I could see, but apparently because his mind was busy with probably unaccustomed thoughts.

  “You scarcely know the drawing-room, Phil,” he said at last.

  “Very little. I have never seen it used. I have a little awe of it, to tell the truth.”

  “That should not be. There is no reason for that. But a man by himself, as I have been for the greater part of my life, has no occasion for a drawing-room. I always, as a matter of preference, sat among my books; however, I ought to have thought of the impression on you.”

  “Oh, it is not important,” I said; “the awe was childish. I have not thought of it since I came home.”

  “It never was anything very splendid at the best,” said he. He lifted the lamp from the table with a sort of abstraction, not remarking even my offer to take it from him, and led the way. He was on the verge of seventy, and looked his age: but it was a vigorous age, with no symptoms of giving way. The circle of light from the lamp lit up his white hair, and keen blue eyes, and clear complexion; his forehead was like old ivory, his cheek warmly coloured: an old man, yet a man in full strength. He was taller than I was, and still almost as strong. As he stood for a moment with the lamp in his hand, he looked like a tower in his great height and bulk. I reflected as I looked at him that I knew him intimately, more intimately than any other creature in the world,—I was familiar with every detail of his outward life; could it be that in reality I did not know him at all?

  The drawing-room was already lighted with a flickering array of candles upon the mantelpiece and along the walls, producing the pretty starry effect which candles give without very much light. As I had not the smallest idea what I was about to see, for Morphew’s “speaking likeness” was very hurriedly said, and only half comprehensible in the bewilderment of my faculties, my first glance was at this very unusual illumination, for which I could assign no reason. The next showed me a large full-length portrait, still in the box in which apparently it had travelled, placed upright, supported against a table in the centre of the room. My father walked straight up to it, motioned to me to place a smaller table close to the picture on the left side, and put his lamp upon that. Then he waved his hand towards it, and stood aside that I might see.

  It was a full-length portrait of a very young woman—I might say a girl, scarcely twenty—in a white dress, made in a very simple old fashion, though I was too little accustomed to female costume to be able to fix the date. It might have been a hundred years old, or twenty, for aught I knew. The face had an expression of youth, candour, and simplicity more than any face I had ever seen,—or so, at least, in my surprise, I thought. The eyes were a little wistful with something which was almost anxiety—which at least was not content—in them; a faint, almost imperceptible, curve in the lids. The complexion was of a dazzling fairness, the hair light, but the eyes dark, which gave individuality to the face. It would have been as lovely had the eyes been blue—probably more so—but their darkness gave a touch of character, a slight discord, which made the harmony finer. It was not, perhaps, beautiful in the highest sense of the word. The girl must have been too young, too slight, too little developed for actual beauty; but a face which so invited love and confidence I never saw. One smiled at it with instinctive affection. “What a sweet face!” I said. “What a lovely girl! Who is she? Is this one of the relations you were speaking of on the other side?”

  My father made me no reply. He stood aside, looking at it as if he knew it too well to require to look,—as if the picture was already in his eyes. “Yes,” he said, after an interval, with a long-drawn breath, “she was a lovely girl, as you say.”

  “Was?—then she is dead. What a pity!” I said; “what a pity! so young and so sweet!”

  We stood gazing at her thus, in her beautiful stillness and calm—two men, the younger of us full grown and conscious of many experiences, the other an old man—before this impersonation of tender youth. At length he said, with a slight tremulousness in his voice, “Does nothing suggest to you who she is, Phil?”

  I turned round to look at him with profound astonishment, but he turned away from my look. A sort of quiver passed over his face.

  “That is your mother,” he said, and walked suddenly away, leaving me there.

  My mother!

  I stood for a moment in a kind of consternation before the white-robed innocent creature, to me no more than a child; then a sudden laugh broke from me, without any will of mine: something ludicrous, as well as something awful, was in it. When the laugh was over, I found myself with tears in my eyes, gazing, holding my breath. The soft features seemed to melt, the lips to move, the anxiety in the eyes to become a personal inquiry. Ah, no, nothing of the kind; only because of the water in mine. My mother! oh, fair and gentle creature, scarcely woman—how could any man’s voice call her by that name! I had little idea enough of what it meant,—had heard it laughed at, scoffed at, reverenced, but never had learned to place it even among the ideal powers of life. Yet, if it meant anything at all, what it meant was worth thinking of. What did she ask, looking at me with those eyes? what would she have said if “those lips had language”? If I had known her only as Cowper did—with a child’s recollection—there might have been some thread, some faint but comprehensible link, between us; but now all that I felt was the curious incongruity. Poor child I I said to myself; so sweet a creature: poor little tender soul! as if she had been a little sister, a child of mine,—but my mother! I cannot tell how long I stood looking at her, studying the candid, sweet face, which surely had germs in it of everything that was good and beautiful; and sorry, with a profound regret, that she had died and never carried these promises to fulfilment. Poor girl! poor people who had loved her! These were my thoughts: with a curious vertigo and giddiness of my whole being in the sense of a mysterious relationship, which it was beyond my power to understand.

  Presently my father came back: possibly because I had been a long time unconscious of the passage of the minutes, or perhaps because he was himself restless in the strange disturbance of his habitual calm. He came in and put his arm within mine, leaning his weight partially upon me, with an affectionate suggestion which went deeper than words. I pressed his arm to my side: it was more between us two grave Englishmen than any embracing.

  “I cannot understand it,” I said.

  “No. I don’t wonder at that; but if it is strange to you, Phil, think how much more strange to me! That is the partner of my life. I have never had another—or thought of another. That—girl! If we are to meet again, as I have always hoped we should meet again, what am I to say to her—I, an old man? Yes; I know what you mean. I am not an old man for my years; but my years are threescore and ten, and the play is nearly played out. How am I to meet that young creature? We used to say to each other that it was for ever, that we never could be but one, that it was for life and death. But what—what am I to say to her, Phil, when I meet her again, that—that angel? No, it is not her being an angel that troubles me; but she is so young! She is like my—my grand-daughter,” he cried, with a burst of what was half sobs, half laughter; “and she is my wife,—and I am an old man—an old man! And so much has happened that she could not understand.”

  I was too much startled by this strange complaint to know what to say. It was not my own troub
le, and I answered it in the conventional way.

  “They are not as we are, sir,” I said; “they look upon us with larger, other eyes than ours.”

  “Ah! you don’t know what I mean,” he said quickly; and in the interval he had subdued his emotion. “At first, after she died, it was my consolation to think that I should meet her again—that we never could be really parted. But, my God, how I have changed since then! I am another man—I am a different being. I was not very young even then—twenty years older than she was: but her youth renewed mine. I was not an unfit partner; she asked no better: and knew as much more than I did in some things—being so much nearer the source—as I did in others that were of the world. But I have gone a long way since then, Phil—a long way; and there she stands just where I left her.”

  I pressed his arm again. “Father,” I said, which was a title I seldom used, “we are not to suppose that in a higher life the mind stands still.” I did not feel myself qualified to discuss such topics, but something one must say.

  “Worse, worse!” he replied; “then she too will be like me, a different being, and we shall meet as what? as strangers, as people who have lost sight of each other, with a long past between us—we who parted, my God! with—with—”

  His voice broke and ended for a moment: then while, surprised and almost shocked by what he said, I cast about in my mind what to reply, he withdrew his arm suddenly from mine, and said in his usual tone, “Where shall we hang the picture, Phil? It must be here in this room. What do you think will be the best light?”

  This sudden alteration took me still more by surprise, and gave me almost an additional shock; but it was evident that I must follow the changes of his mood, or at least the sudden repression of sentiment which he originated. We went into that simpler question with great seriousness, consulting which would be the best light. “You know I can scarcely advise,” I said; “I have never been familiar with this room. I should like to put off, if you don’t mind, till daylight.”

  “I think,” he said, “that this would be the best place.” It was on the other side of the fireplace, on the wall which faced the windows,—not the best light, I knew enough to be aware, for an oil-painting. When I said so, however, he answered me with a little impatience,—“It does not matter very much about the best light. There will be nobody to see it but you and me. I have my reasons—” There was a small table standing against the wall at this spot, on which he had his hand as he spoke. Upon it stood a little basket in very fine lace-like wickerwork. His hand must have trembled, for the table shook, and the basket fell, its contents turning out upon the carpet,—little bits of needlework, coloured silks, a small piece of knitting half done. He laughed as they rolled out at his feet, and tried to stoop to collect them, then tottered to a chair, and covered for a moment his face with his hands.

  No need to ask what they were. No woman’s work had been seen in the house since I could recollect it. I gathered them up reverently and put them back. I could see, ignorant as I was, that the bit of knitting was something for an infant. What could I do less than put it to my lips? It had been left in the doing—for me.

  “Yes, I think this is the best place,” my father said a minute after, in his usual tone. We placed it there that evening with our own hands. The picture was large, and in a heavy frame, but my father would let no one help me but himself. And then, with a superstition for which I never could give any reason even to myself, having removed the packings, we closed and locked the door, leaving the candles about the room, in their soft strange illumination lighting the first night of her return to her old place.

  That night no more was said. My father went to his room early, which was not his habit. He had never, however, accustomed me to sit late with him in the library. I had a little study or smoking-room of my own, in which all my special treasures were, the collections of my travels and my favourite books—and where I always sat after prayers, a ceremonial which was regularly kept up in the house. I retired as usual this night to my room, and as usual read—but to-night somewhat vaguely, often pausing to think. When it was quite late, I went out by the glass door to the lawn, and walked round the house, with the intention of looking in at the drawing-room windows, as I had done when a child. But I had forgotten that these windows were all shuttered at night, and nothing but a faint penetration of the light within through the crevices bore witness to the instalment of the new dweller there.

  In the morning my father was entirely himself again. He told me without emotion of the manner in which he had obtained the picture. It had belonged to my mother’s family, and had fallen eventually into the bands of a cousin of hers, resident abroad—“A man whom I did not like, and who did not like me,” my father said; “there was, or bad been, some rivalry, he thought: a mistake, but he was never aware of that. He refused all my requests to have a copy made. You may suppose, Phil, that I wished this very much. Had I succeeded, you would have been acquainted, at least, with your mother’s appearance, and need not have sustained this shock. But he would not consent. It gave him, I think, a certain pleasure to think that he had the only picture. But now he is dead—and out of remorse, or with some other intention, has left it to me.”

  “That looks like kindness,” said I.

  “Yes; or something else. He might have thought that by so doing he was establishing a claim upon me,” my father said: but he did not seem disposed to add any more. On whose behalf he meant to establish a claim I did not know, nor who the man was who had laid us under so great an obligation on his deathbed. He had established a claim on me at least: though, as he was dead, I could not see on whose behalf it was. And my father said nothing more. He seemed to dislike the subject. When I attempted to return to it, he had recourse to his letters or his newspapers. Evidently he had made up his mind to say no more.

  Afterwards I went into the drawing-room to look at the picture once more. It seemed to me that the anxiety in her eyes was not so evident as I had thought it last night. The light possibly was more favourable. She stood just above the place where, I make no doubt, she had sat in life, where her little work-basket was—not very much above it. The picture was full-length, and we had hung it low, so that she might have been stepping into the room, and was little above my own level as I stood and looked at her again. Once more I smiled at the strange thought that this young creature, so young, almost childish, could be my mother; and once more my eyes grew wet looking at her. He was a benefactor, indeed, who had given her back to us. I said to myself, that if I could ever do anything for him or his, I would certainly do, for my—for this lovely young creature’s sake.

  And with this in my mind, and all the thoughts that came with it, I am obliged to confess that the other matter, which I had been so full of on the previous night, went entirely out of my head.

  It is rarely, however, that such matters are allowed to slip out of one’s mind. When I went out in the afternoon for my usual stroll—or rather when I returned from that stroll—I saw once more before me the woman with her baby whose story had filled me with dismay on the previous evening. She was waiting at the gate as before, and—“Oh, gentleman, but haven’t you got some news to give me?” she said.

  “My good woman—I—have been greatly occupied. I have had—no time to do anything.” “Ah!” she said, with a little cry of disappointment, “my man said not to make too sure, and that the ways of the gentlefolks is hard to know.’’

  “I cannot explain to you,” I said, as gently as I could, “what it is that has made me forget you. It was an event that can only do you good in the end. Go home now, and see the man that took your things from you, and tell him to come to me. I promise you it shall all be put right.”

  The woman looked at me in astonishment, then burst forth, as it seemed, involuntarily,—“What! without asking no questions?” After this there came a storm of tears and blessings, from which I made haste to escape, but not without carrying that curious commentary on my rashness away with me—“Wit
hout asking no questions?” It might be foolish, perhaps: but after all how slight a matter. To make the poor creature comfortable at the cost of what—a box or two of cigars, perhaps, or some other trifle. And if it should be her own fault, or her husband’s—what then? Had I been punished for all my faults, where should I have been now. And if the advantage should be only temporary, what then? To be relieved and comforted even for a day or two, was not that something to count in life? Thus I quenched the fiery dart of criticism which my protegée herself had thrown into the transaction, not without a certain sense of the humour of it. Its effect, however, was to make me less anxious to see my father, to repeat my proposal to him, and to call his attention to the cruelty performed in his name. This one case I had taken out of the category of wrongs to be righted, by assuming arbitrarily the position of Providence in my own person—for, of course, I had bound myself to pay the poor creature’s rent as well as redeem her goods—and, whatever might happen to her in the future, had taken the past into my own hands. The man came presently to see me who, it seems, had acted as my father’s agent in the matter. “I don’t know, sir, how Mr. Canning will take it,” he said. “He don’t want none of those irregular, bad-paying ones in his property. He always says as to look over it and let the rent run on is making things worse in the end. His rule is, ‘Never more than a month, Stevens:’ that’s what Mr. Canning says to me, sir. He says, ‘More than that they can’t pay. It’s no use trying.’ And it’s a good rule; it’s a very good rule. He won’t hear none of their stories, sir. Bless you, you’d never get a penny of rent from them small houses if you listened to their tales. But if so be as you’ll pay Mrs. Jordan’s rent, it’s none of my business how it’s paid, so long as it’s paid, and I’ll send her back her things. But they’ll just have to be took next time,” he added, composedly. “Over and over: it’s always the same story with them sort of poor folks—they’re too poor for anything, that’s the truth,” the man said.

 

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